Swing When You’re Winning

~ Release by Robbie Williams (see all versions of this release, 13 available)

Annotation

Track 15 contains a hidden track.
Track 15.1 lasts for 4:30 before a period of silence and has track 15.2 in conclusion.

Annotation last modified on 2019-05-07 18:46 UTC.

Tracklist

▼CD 1
#TitleArtistRatingLength
1I Will Talk and Hollywood Will Listen
recording engineer and mixer:
Al Schmitt
engineer:
Richard Flack (producer/engineer) and Mike Ross-Trevor (engineer)
producer:
Guy Chambers (English songwriter and record producer)
assistant mixer:
Rupert Coulson (sound engineer) and Ricky Graham (engineer)
vocals:
Robbie Williams
orchestra:
The London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Gavyn Wright (UK violinist)
recording of:
I Will Talk and Hollywood Will Listen
orchestrator:
Vince Mendoza
lyricist and writer:
Guy Chambers (English songwriter and record producer) and Robbie Williams
publisher:
BMG Music Publishing Ltd. and EMI Music Publishing Ltd. (PRS-affiliated)
Robbie Williams2.73:18
2Mack the Knife
recording engineer and mixer:
Al Schmitt
assistant engineer:
Steve Genewick and Christina Paakkari
engineer:
Richard Flack (producer/engineer)
producer:
Guy Chambers (English songwriter and record producer)
assistant mixer:
Rupert Coulson (sound engineer) and Ricky Graham (engineer)
alto saxophone [alto saxophones]:
Gary Foster (woodwind instrumentalist) and Dan Higgins (saxophonist and woodwind recording artist)
baritone saxophone:
Greg Huckins
bass:
Chuck Berghofer (Jazz bassist)
bass trombone:
Craig Ware (trombonist)
drums (drum set) [drums]:
Harold Jones (jazz drummer)
guitar:
George Doering
percussion:
Brian Kilgore
piano:
Jim Cox (US keyboard player, composer)
tenor saxophone [tenor saxophones]:
Pete Christlieb and Sal Lozano
tenor trombone [tenor trombones]:
Alex Iles, Andy Martin (jazz trombonist) and Bruce Otto
trumpet [trumpets]:
Wayne Bergeron, Jeff Bunnell, Chuck Findley and Gary Grant (brass)
vocals:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Robbie Williams3.93:19
3Somethin’ Stupid
recording engineer:
Al Schmitt (lead vocals [vocals])
assistant engineer:
Steve Genewick, Christina Paakkari and Steve Price (UK recording engineer/producer/orchestrator/arranger)
engineer:
Richard Flack (producer/engineer) and Mike Ross-Trevor (engineer)
producer:
Guy Chambers (English songwriter and record producer) and Steve Power
assistant mixer:
Rupert Coulson (sound engineer) and Ricky Graham (engineer)
bass:
David Catlin-Birch (UK bassist and guitarist)
drums (drum set) [drums]:
Ralph Salmins
guitar [guitars]:
Mitch Dalton
percussion:
Frank Ricotti (percussionist)
trumpet [trumpets]:
Simon Gardner, Steve Sidwell (English composer & wind instrumentalist) and Paul Spong (trumpetist)
vocals:
Nicole Kidman (actress) and Robbie Williams
orchestra:
The London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Gavyn Wright (UK violinist)
music videos:
Somethin’ Stupid by Robbie Williams and Nicole Kidman
cover recording of:
Somethin’ Stupid
lyricist and composer:
Carson Parks
publisher:
Greenwood Music, Montclare Music and Montclare Music Co Ltd.
Robbie Williams feat. Nicole Kidman3.72:50
4Do Nothin’ ’Till You Hear From Me
recording engineer and mixer:
Al Schmitt
assistant engineer:
Steve Genewick and Christina Paakkari
engineer:
Richard Flack (producer/engineer)
producer:
Guy Chambers (English songwriter and record producer)
assistant mixer:
Rupert Coulson (sound engineer) and Ricky Graham (engineer)
alto saxophone [alto saxophones]:
Gary Foster (woodwind instrumentalist) and Bill Liston
baritone saxophone:
Greg Huckins
bass:
Chuck Berghofer (Jazz bassist)
bass trombone:
Craig Ware (trombonist)
drums (drum set) [drums]:
Harold Jones (jazz drummer)
guitar:
George Doering
piano:
Jim Cox (US keyboard player, composer)
solo trumpet:
Chuck Findley
tenor saxophone [tenor saxophones]:
Pete Christlieb and Sal Lozano
tenor trombone [tenor trombones]:
Alex Iles, Andy Martin (jazz trombonist) and Bruce Otto
trumpet [trumpets]:
Wayne Bergeron, Dennis Farias, Chuck Findley and Gary Grant (brass)
vocals:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
cover recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
Robbie Williams3.42:58
5It Was a Very Good Year
additional engineer:
Jim Brumby (UK engineer)
engineer:
Jim Brumby (UK engineer), Richard Flack (producer/engineer) and Lowell Frank (engineer)
producer:
Sonny Burke (producer, songwriter and Big Band leader) (task: original recording) and Guy Chambers (English songwriter and record producer)
assistant mixer:
Rupert Coulson (sound engineer) and Ricky Graham (engineer)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) and Robbie Williams
conductor:
Gordon Jenkins
arranger:
Gordon Jenkins
cover recording of:
It Was a Very Good Year
lyricist and composer:
Ervin Drake (Songwriter)
publisher:
Memory Lane Music (publishing company), Reedlands Music Corp. and The Songwriters Guild
Robbie Williams feat. Frank Sinatra3.44:29
6Straighten Up and Fly Right
recording engineer and mixer:
Al Schmitt
assistant engineer:
Christina Paakkari
engineer:
Richard Flack (producer/engineer)
producer:
Guy Chambers (English songwriter and record producer)
assistant mixer:
Steve Genewick
alto saxophone [alto saxophones]:
Gary Foster (woodwind instrumentalist) and Bill Liston
baritone saxophone:
Greg Huckins
bass:
Chuck Berghofer (Jazz bassist)
bass trombone:
Craig Ware (trombonist)
drums (drum set) [drums]:
Harold Jones (jazz drummer)
guitar:
George Doering
piano:
Jim Cox (US keyboard player, composer)
solo saxophone:
Pete Christlieb
tenor saxophone [tenor saxophones]:
Pete Christlieb and Sal Lozano
tenor trombone [tenor trombones]:
Alex Iles, Andy Martin (jazz trombonist) and Bruce Otto
trumpet [trumpets]:
Wayne Bergeron, Dennis Farias, Chuck Findley and Gary Grant (brass)
vocals:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
cover recording of:
Straighten Up and Fly Right
writer:
Nat King Cole and Irving Mills
publisher:
American Academy of Music, Inc., EMI Mills Music (ASCAP-affiliated) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
sub-publisher:
Mills Music, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and コンソーシアム音楽出版 C・F事業部 (until 2021-06-30)
Robbie Williams42:36
7Well, Did You Evah!
recording engineer and mixer:
Al Schmitt
additional engineer:
Richard Flack (producer/engineer)
engineer:
Richard Flack (producer/engineer) and Mike Ross-Trevor (engineer)
producer:
Guy Chambers (English songwriter and record producer)
assistant mixer:
Rupert Coulson (sound engineer) and Ricky Graham (engineer)
vocals:
Jon Lovitz and Robbie Williams
orchestra:
The London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Gavyn Wright (UK violinist)
cover recording of:
Well, Did You Evah!
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Chappell & Co. (in 1956)
part of:
DuBarry Was a Lady (1939 stage musical)
part of:
High Society (stage musical)
part of:
High Society (1956 film)
Robbie Williams feat. Jon Lovitz3.93:50
8Mr. Bojangles
recording engineer and mixer:
Al Schmitt
assistant engineer:
Steve Genewick and Christina Paakkari
engineer:
Richard Flack (producer/engineer) and Mike Ross-Trevor (engineer)
producer:
Guy Chambers (English songwriter and record producer)
assistant mixer:
Rupert Coulson (sound engineer) and Ricky Graham (engineer)
alto saxophone [alto saxophones]:
Gary Foster (woodwind instrumentalist) and Dan Higgins (saxophonist and woodwind recording artist)
baritone saxophone:
Greg Huckins
bass:
Chuck Berghofer (Jazz bassist)
bass trombone:
Craig Ware (trombonist)
drums (drum set) [drums]:
Harold Jones (jazz drummer)
guitar:
George Doering
percussion:
Brian Kilgore
piano:
Jim Cox (US keyboard player, composer)
tenor saxophone [tenor saxophones]:
Pete Christlieb and Sal Lozano
tenor trombone [tenor trombones]:
Alex Iles, Andy Martin (jazz trombonist) and Bruce Otto
trumpet [trumpets]:
Wayne Bergeron, Jeff Bunnell, Chuck Findley and Gary Grant (brass)
vocals:
Robbie Williams
orchestra:
The London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Gavyn Wright (UK violinist)
cover recording of:
Mr. Bojangles
lyricist and composer:
Jerry Jeff Walker
publisher:
Cotillion Music Inc. (BMI), Gotillion Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Robbie Williams3.43:18
9One for My Baby
recording engineer and mixer:
Al Schmitt
assistant engineer:
Steve Genewick and Christina Paakkari
engineer:
Richard Flack (producer/engineer) and Mike Ross-Trevor (engineer)
producer:
Guy Chambers (English songwriter and record producer)
assistant mixer:
Rupert Coulson (sound engineer) and Ricky Graham (engineer)
solo piano:
Bill Miller (pianist)
solo saxophone:
Jamie Talbot (English jazz alto saxophonist)
vocals:
Robbie Williams
orchestra:
The London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Gavyn Wright (UK violinist)
cover recording of:
One for My Baby (and One More for the Road)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
Robbie Williams3.254:18
10Things
recording engineer:
Mike Ross-Trevor (engineer) (lead vocals [vocals]) and Al Schmitt
engineer:
Richard Flack (producer/engineer)
producer:
Guy Chambers (English songwriter and record producer) and Steve Power
assistant mixer:
Rupert Coulson (sound engineer) and Ricky Graham (engineer)
mixer:
Al Schmitt
bass:
David Catlin-Birch (UK bassist and guitarist)
drums (drum set) [drums]:
Ralph Salmins
guitar:
Mitch Dalton
percussion:
Frank Ricotti (percussionist)
saxophone [saxophones]:
Dave Bishop and Chris White (UK jazz saxophonist)
trombone [trombones]:
Richard Edwards (trombonist) and Neil Sidwell
trumpet [trumpets]:
Simon Gardner, Steve Sidwell (English composer & wind instrumentalist) and Paul Spong (trumpetist)
vocals:
Jane Horrocks (Little Voice) and Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
cover recording of:
Things
lyricist and composer:
Bobby Darin
publisher:
Alley Music Corp. and Trio Music Company
Robbie Williams feat. Jane Horrocks3.43:23
11Ain’t That a Kick in the Head
recording engineer and mixer:
Al Schmitt
assistant engineer:
Steve Genewick and Christina Paakkari
engineer:
Richard Flack (producer/engineer) and Mike Ross-Trevor (engineer)
producer:
Guy Chambers (English songwriter and record producer)
assistant mixer:
Rupert Coulson (sound engineer) and Ricky Graham (engineer)
alto saxophone [alto saxophones]:
Gary Foster (woodwind instrumentalist) and Dan Higgins (saxophonist and woodwind recording artist)
baritone saxophone:
Greg Huckins
bass:
Chuck Berghofer (Jazz bassist)
bass trombone:
Craig Ware (trombonist)
drums (drum set) [drums]:
Harold Jones (jazz drummer)
guitar:
George Doering
piano:
Jim Cox (US keyboard player, composer)
tenor saxophone [tenor saxophones]:
Pete Christlieb and Sal Lozano
tenor trombone [tenor trombones]:
Alex Iles, Andy Martin (jazz trombonist) and Bruce Otto
trumpet [trumpets]:
Wayne Bergeron, Jeff Bunnell, Chuck Findley and Gary Grant (brass)
vocals:
Robbie Williams
orchestra:
The London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Gavyn Wright (UK violinist)
cover recording of:
Ain’t That a Kick in the Head
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Maraville Music Corp.
Robbie Williams3.252:28
12They Can’t Take That Away From Me
recording engineer and mixer:
Al Schmitt
additional engineer:
Jeff Bova
assistant engineer:
Steve Genewick and Christina Paakkari
engineer:
Larry Alexander (producer/engineer) (lead vocals [Rupert Everett’s vocal]), Richard Flack (producer/engineer) and Mike Ross-Trevor (engineer)
producer:
Guy Chambers (English songwriter and record producer) and Nicky Holland (lead vocals [Rupert Everett’s vocal])
assistant mixer:
Rupert Coulson (sound engineer) and Ricky Graham (engineer)
alto saxophone [alto saxophones]:
Gary Foster (woodwind instrumentalist) and Eric Marienthal
baritone saxophone:
Bev Dahlke-Smith
bass:
Chuck Berghofer (Jazz bassist)
bass trombone:
Phil Teele
drums (drum set) [drums]:
Harold Jones (jazz drummer)
guitar:
George Doering
percussion:
Brian Kilgore
piano:
Jim Cox (US keyboard player, composer)
tenor saxophone [tenor saxophones]:
Pete Christlieb and Sal Lozano
tenor trombone [tenor trombones]:
Steve Holtman, Andy Martin (jazz trombonist) and Bruce Otto
trumpet [trumpets]:
Wayne Bergeron, Jeff Bunnell, Chuck Findley and Gary Grant (brass)
vocals:
Rupert Everett and Robbie Williams
orchestra:
The London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Gavyn Wright (UK violinist)
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Robbie Williams feat. Rupert Everett3.43:08
13Have You Met Miss Jones?
recording engineer and mixer:
Al Schmitt
additional engineer:
Jim Brumby (UK engineer) and Tom Jenkins (English sound engineer)
engineer:
Jim Brumby (UK engineer) and Steve Price (UK recording engineer/producer/orchestrator/arranger)
producer:
Guy Chambers (English songwriter and record producer)
assistant mixer:
Steve Genewick
alto saxophone [alto saxophones]:
Iain Dixon and Andy Mackintosh (British-born saxophonist)
baritone saxophone:
Phil Todd (UK flautist/saxophonist)
bass trombone:
Dave Stewart (trombonist)
double bass:
Sam Burgess
drums (drum set) [drums]:
Ralph Salmins
electric guitar:
Mitch Dalton
piano:
Dave Arch (pianist, conductor, arranger and composer)
tenor saxophone [tenor saxophones]:
Dave Bishop and Chris White (UK jazz saxophonist)
trombone [trombones]:
Gordon Campbell (trombone), Richard Edwards (trombonist) and Neil Sidwell
trumpet [trumpets]:
John Barclay (trumpeter), Stuart Brooks (trumpet and horn player), Simon Gardner and Paul Spong (trumpetist)
vibraphone:
Anthony Kerr
vocals:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
Robbie Williams3.42:34
14Me and My Shadow
recording engineer and mixer:
Al Schmitt
assistant engineer:
Jim Brumby (UK engineer), Steve Genewick and Christina Paakkari
engineer:
Jim Brumby (UK engineer) and Richard Flack (producer/engineer)
producer:
Guy Chambers (English songwriter and record producer)
assistant mixer:
Rupert Coulson (sound engineer) and Ricky Graham (engineer)
alto saxophone [alto saxophones]:
Gary Foster (woodwind instrumentalist) and Bill Liston
baritone saxophone:
Greg Huckins
bass:
Chuck Berghofer (Jazz bassist)
bass trombone:
Craig Ware (trombonist)
drums (drum set) [drums]:
Harold Jones (jazz drummer)
guitar:
George Doering
piano:
Jim Cox (US keyboard player, composer)
tenor saxophone [tenor saxophones]:
Pete Christlieb and Sal Lozano
tenor trombone [tenor trombones]:
Alex Iles, Andy Martin (jazz trombonist) and Bruce Otto
trumpet [trumpets]:
Wayne Bergeron, Dennis Farias, Chuck Findley and Gary Grant (brass)
vocals:
Jonathan Wilkes and Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
cover recording of:
Me and My Shadow
lyricist:
Billy Rose (lyricist and Broadway producer)
additional writer:
Al Jolson
composer:
Dave Dreyer
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Larry Spier Inc.
Robbie Williams feat. Jonathan Wilkes2.93:16
15Beyond the Sea
recording engineer and mixer:
Al Schmitt
assistant engineer:
Steve Genewick and Christina Paakkari
engineer:
Jim Brumby (UK engineer), Richard Flack (producer/engineer) and Mike Ross-Trevor (engineer)
producer:
Guy Chambers (English songwriter and record producer)
assistant mixer:
Rupert Coulson (sound engineer) and Ricky Graham (engineer)
alto saxophone [alto saxophones]:
Gary Foster (woodwind instrumentalist) and Eric Marienthal
baritone saxophone:
Bev Dahlke-Smith
bass:
Chuck Berghofer (Jazz bassist)
bass trombone:
Phil Teele
drums (drum set) [drums]:
Harold Jones (jazz drummer)
guitar:
George Doering
piano:
Jim Cox (US keyboard player, composer)
tenor saxophone [tenor saxophones]:
Pete Christlieb and Sal Lozano
tenor trombone [tenor trombones]:
Steve Holtman, Andy Martin (jazz trombonist) and Bruce Otto
trumpet [trumpets]:
Wayne Bergeron, Jeff Bunnell, Chuck Findley and Gary Grant (brass)
vocals:
Robbie Williams
orchestra:
The London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Gavyn Wright (UK violinist)
cover recording of:
Beyond the Sea
lyricist:
Jack Lawrence (US songwriter)
composer:
Charles Trenet
publisher:
Bro ’n Sis Music, Éditions Raoul Breton, Music 1 Ltd., Range Road Music Inc., ワーナー・チャペル音楽出版 Synch事業部 and 日音 Synch事業部
translated version of:
La Mer
Robbie Williams28:15

Credits

Release

photography:Hamish Brown (photographer & bass guitarist)
liner notes:Adrian Deevoy
miscellaneous support:Isobel Griffiths Ltd (orchestra contracting) (task: London Session Orchestr contracted)
mastering:Tony Cousins (mastering engineer)
Doug Sax
recorded at:Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
Angel Studios in Islington, London (Greater London), England, United Kingdom
Avatar Studios in Manhattan, New York, New York, United States
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
Capitol Recording Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
Electric Lady Studios in Greenwich Village, New York, New York, United States
Mayfair Studios (England) in London (Greater London), England, United Kingdom
Sony Music Studios (London) in London (Greater London), England, United Kingdom
mixed at:Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
Capitol Recording Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
mastered at:Metropolis Mastering in London (Greater London), England, United Kingdom
The Mastering Lab (Hollywood, 1967-2008) in Hollywood, Los Angeles, California, United States
Discogs:https://www.discogs.com/release/513904 [info]
ASIN:UK: B00005RFVL [info]
DE: B00005RFVL [info]
other databases:https://rateyourmusic.com/release/album/robbie_williams/swing_when_youre_winning.p/ [info]
https://www.musik-sammler.de/media/22079/ [info]