Decca Sound 55 Great Vocal Recitals

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶CD 1: Suzanne Danco - Operatic Recital (LXT 2557)
▶CD 2: Paul Schoeffler - Operatic Recital (LXT 2554)
▶CD 3: Kathleen Ferrier – A Recital of Bach and Handel Arias (LXT (5382)
▶CD 4: Cesare Siepi – Operatic Arias for Bass (LXT 5096)
▶CD 5: Fernando Corena – Operatic Arias For Bass Vol. 2 (LXT 5307)
▶CD 6: Mario Del Monaco – Great Tenor Arias (SXL 2122)
▼CD 7: Kirsten Flagstad – Wagner Recital (LXT 5249)
#TitleArtistRatingLength
1Wesendonck Lieder, WWV 91: Der Engel
engineer:
James Brown (Decca engineer, 1960s) (from 1956-05-13 until 1956-05-15) and Gordon Parry (engineer) (from 1956-05-13 until 1956-05-15)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals:
Kirsten Flagstad (soprano) (, from 1956-05-13 until 1956-05-15)
orchestra:
Wiener Philharmoniker (from 1956-05-13 until 1956-05-15)
conductor:
Hans Knappertsbusch (conductor) (from 1956-05-13 until 1956-05-15)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1956-05-13 until 1956-05-15)
recording of:
Wesendonck-Lieder: I. Der Engel (for voice and large orchestra, Mottl) (from 1956-05-13 until 1956-05-15)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: I. Der Engel (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner3:11
2Wesendonck Lieder, WWV 91: Stehe still
engineer:
James Brown (Decca engineer, 1960s) (from 1956-05-13 until 1956-05-15) and Gordon Parry (engineer) (from 1956-05-13 until 1956-05-15)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals:
Kirsten Flagstad (soprano) (, from 1956-05-13 until 1956-05-15)
orchestra:
Wiener Philharmoniker (from 1956-05-13 until 1956-05-15)
conductor:
Hans Knappertsbusch (conductor) (from 1956-05-13 until 1956-05-15)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1956-05-13 until 1956-05-15)
recording of:
Wesendonck-Lieder: II. Stehe still (for voice and large orchestra, Mottl) (from 1956-05-13 until 1956-05-15)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: II. Stehe still (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner3:52
3Wesendonck Lieder, WWV 91: Im Treibhaus
engineer:
James Brown (Decca engineer, 1960s) (from 1956-05-13 until 1956-05-15) and Gordon Parry (engineer) (from 1956-05-13 until 1956-05-15)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals:
Kirsten Flagstad (soprano) (, from 1956-05-13 until 1956-05-15)
orchestra:
Wiener Philharmoniker (from 1956-05-13 until 1956-05-15)
conductor:
Hans Knappertsbusch (conductor) (from 1956-05-13 until 1956-05-15)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1956-05-13 until 1956-05-15)
recording of:
Wesendonck-Lieder: III. Im Treibhaus (for voice and large orchestra, Mottl) (from 1956-05-13 until 1956-05-15)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: III. Im Treibhaus (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner6:07
4Wesendonck Lieder, WWV 91: Schmerzen
engineer:
James Brown (Decca engineer, 1960s) (from 1956-05-13 until 1956-05-15) and Gordon Parry (engineer) (from 1956-05-13 until 1956-05-15)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals:
Kirsten Flagstad (soprano) (, from 1956-05-13 until 1956-05-15)
orchestra:
Wiener Philharmoniker (from 1956-05-13 until 1956-05-15)
conductor:
Hans Knappertsbusch (conductor) (from 1956-05-13 until 1956-05-15)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1956-05-13 until 1956-05-15)
recording of:
Wesendonck-Lieder: IV. Schmerzen (for voice and large orchestra, Mottl) (from 1956-05-13 until 1956-05-15)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: IV. Schmerzen (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner2:26
5Wesendonck Lieder, WWV 91: Träume
engineer:
James Brown (Decca engineer, 1960s) (from 1956-05-13 until 1956-05-15) and Gordon Parry (engineer) (from 1956-05-13 until 1956-05-15)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals:
Kirsten Flagstad (soprano) (from 1956-05-13 until 1956-05-15)
orchestra:
Wiener Philharmoniker (from 1956-05-13 until 1956-05-15)
conductor:
Hans Knappertsbusch (conductor) (from 1956-05-13 until 1956-05-15)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1956-05-13 until 1956-05-15)
instrumental recording of:
Wesendonck-Lieder: V. Träume (for voice and large orchestra, Wagner) (from 1956-05-13 until 1956-05-15)
orchestrator and composer:
Richard Wagner (composer)
lyricist:
Mathilde Wesendonck
arrangement of:
Wesendonck-Lieder: V. Träume (for voice and piano)
is based on:
Träume, WWV 91b (for violin and orchestra)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner4:49
6Lohengrin, WWV 75, Act 1: "Einsam in trüben Tagen"
engineer:
James Brown (Decca engineer, 1960s) (from 1956-05-13 until 1956-05-15)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals:
Kirsten Flagstad (soprano) (, from 1956-05-13 until 1956-05-15)
orchestra:
Wiener Philharmoniker (from 1956-05-13 until 1956-05-15)
conductor:
Hans Knappertsbusch (conductor) (from 1956-05-13 until 1956-05-15)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1956-05-13 until 1956-05-15)
recording of:
Lohengrin, WWV 75: Akt I, Scene II. “Seht hin! Sie naht, die hart Beklagte!” (Elsas Traum „Einsam in trüben Tagen”) (from 1956-05-13 until 1956-05-15)
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt I
Richard Wagner6:33
7Parsifal, WWV 111, Act 2: "Ich sah das Kind an seiner Mutter Brust"
engineer:
James Brown (Decca engineer, 1960s) (from 1956-05-13 until 1956-05-15)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals:
Kirsten Flagstad (soprano) (, from 1956-05-13 until 1956-05-15)
orchestra:
Wiener Philharmoniker (from 1956-05-13 until 1956-05-15)
conductor:
Hans Knappertsbusch (conductor) (from 1956-05-13 until 1956-05-15)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1956-05-13 until 1956-05-15)
recording of:
Parsifal, WWV 111: II. Aufzug, 2. Szene (from 1956-05-13 until 1956-05-15)
composer:
Richard Wagner (composer) (from 1877-09 until 1882-01)
librettist:
Richard Wagner (composer) (from 1865-08-27 until 1877-04-19)
part of:
Parsifal, WWV 111: II. Aufzug
Richard Wagner5:50
8Die Walküre, WWV 86B, Act 1: "Der Männer Sippe saß hier im Saal"
engineer:
James Brown (Decca engineer, 1960s) (from 1956-05-13 until 1956-05-15)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals:
Kirsten Flagstad (soprano) (, from 1956-05-13 until 1956-05-15)
orchestra:
Wiener Philharmoniker (from 1956-05-13 until 1956-05-15)
conductor:
Hans Knappertsbusch (conductor) (from 1956-05-13 until 1956-05-15)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1956-05-13 until 1956-05-15)
recording of:
Die Walküre, WWV 86B: Akt I, Scene III "Ein Schwert verhieß mir der Vater" (from 1956-05-13 until 1956-05-15)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt I
Richard Wagner4:49
9Die Walküre, WWV 86B, Act 1: Du bist der Lenz
engineer:
James Brown (Decca engineer, 1960s) (from 1956-05-13 until 1956-05-15)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals:
Kirsten Flagstad (soprano) (, from 1956-05-13 until 1956-05-15)
orchestra:
Wiener Philharmoniker (from 1956-05-13 until 1956-05-15)
conductor:
Hans Knappertsbusch (conductor) (from 1956-05-13 until 1956-05-15)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1956-05-13 until 1956-05-15)
recording of:
Die Walküre, WWV 86B: Akt I, Scene III "Ein Schwert verhieß mir der Vater" (from 1956-05-13 until 1956-05-15)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt I
Richard Wagner2:25
10Til kvällen, (Illalle) op. 17, no. 6 (To Evening)
engineer:
Alan Reeve (from 1958-02-10 until 1958-02-14)
producer:
John Culshaw
soprano vocals:
Kirsten Flagstad (soprano) (, from 1958-02-12 until 1958-02-14)
orchestra:
London Symphony Orchestra (from 1958-02-12 until 1958-02-14)
conductor:
Øivin Fjeldstad (from 1958-02-12 until 1958-02-14)
balance engineer:
Cyril Windebank (from 1958-02-10 until 1958-02-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-02-12 until 1958-02-14)
recording of:
Til kvällen, op. 17 no. 6 (for voice and orchestra, arr. Jalas) (from 1958-02-12 until 1958-02-14)
lyricist:
August Valdemar Koskimies
composer:
Jean Sibelius (Finnish composer) (in 1891)
arranger:
Jussi Jalas (conductor)
arrangement of:
Illalle, op. 17 no. 6 (for voice and piano)
Jean Sibelius1:36
11Var det en dröm?, op. 37, no. 4 (Did I Just Dream?)
engineer:
Alan Reeve (from 1958-02-10 until 1958-02-14)
producer:
John Culshaw
soprano vocals:
Kirsten Flagstad (soprano) (, from 1958-02-12 until 1958-02-14)
orchestra:
London Symphony Orchestra (from 1958-02-12 until 1958-02-14)
conductor:
Øivin Fjeldstad (from 1958-02-12 until 1958-02-14)
balance engineer:
Cyril Windebank (from 1958-02-10 until 1958-02-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-02-12 until 1958-02-14)
recording of:
Var det en dröm?, op. 37 no. 4 (for voice and orchestra, arr. Jalas) (from 1958-02-12 until 1958-02-14)
lyricist:
Josef Julius Wecksell
composer:
Jean Sibelius (Finnish composer) (in 1902)
arranger:
Jussi Jalas (conductor)
arrangement of:
Var det en dröm?, op. 37 no. 4 (for voice and piano)
Jean Sibelius2:19
12Höstkväll, op. 38, no. 1 (Autumn Evening)
engineer:
Alan Reeve (from 1958-02-10 until 1958-02-14)
producer:
John Culshaw
soprano vocals:
Kirsten Flagstad (soprano) (, from 1958-02-12 until 1958-02-14)
orchestra:
London Symphony Orchestra (from 1958-02-12 until 1958-02-14)
conductor:
Øivin Fjeldstad (from 1958-02-12 until 1958-02-14)
balance engineer:
Cyril Windebank (from 1958-02-10 until 1958-02-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-02-12 until 1958-02-14)
recording of:
Höstkväll, op. 38 no. 1 (for voice and full orchestra) (from 1958-02-12 until 1958-02-14)
lyricist:
Viktor Rydberg
composer:
Jean Sibelius (Finnish composer) (in 1903)
arranger:
Jean Sibelius (Finnish composer) (in 1904)
version of:
Höstkväll, op. 38 no. 1 (for voice and piano)
Jean Sibelius5:29
13Diamanten på marssnön, op. 36, no. 6 (The Diamond On The March Snow)
engineer:
Alan Reeve (from 1958-02-10 until 1958-02-14)
producer:
John Culshaw
soprano vocals:
Kirsten Flagstad (soprano) (, from 1958-02-12 until 1958-02-14)
orchestra:
London Symphony Orchestra (from 1958-02-12 until 1958-02-14)
conductor:
Øivin Fjeldstad (from 1958-02-12 until 1958-02-14)
balance engineer:
Cyril Windebank (from 1958-02-10 until 1958-02-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-02-12 until 1958-02-14)
recording of:
Demanten på marssnön, op. 36 no. 6 (for voice and orchestra, orch. Sibelius) (from 1958-02-12 until 1958-02-14)
orchestrator:
Jean Sibelius (Finnish composer) (from 1916 until 1917)
lyricist:
Josef Julius Wecksell
composer:
Jean Sibelius (Finnish composer) (in 1900)
publisher:
Breitkopf & Härtel (in 1912)
arrangement of:
Demanten på marssnön, op. 36 no. 6 (for voice and piano)
Jean Sibelius2:18
14Flickan kom ifran sin äsklings möte, op. 37, no. 5 (The Girl Returned From Meeting Her Lover)
engineer:
Alan Reeve (from 1958-02-10 until 1958-02-14)
producer:
John Culshaw
soprano vocals:
Kirsten Flagstad (soprano) (, from 1958-02-12 until 1958-02-14)
orchestra:
London Symphony Orchestra (from 1958-02-12 until 1958-02-14)
conductor:
Øivin Fjeldstad (from 1958-02-12 until 1958-02-14)
balance engineer:
Cyril Windebank (from 1958-02-10 until 1958-02-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-02-12 until 1958-02-14)
recording of:
Flickan kom ifrån sin älsklings möte, op. 37 no. 5 (for voice and orchestra, arr. Pingoud) (from 1958-02-12 until 1958-02-14)
lyricist:
Johan Ludvig Runeberg
composer:
Jean Sibelius (Finnish composer) (in 1901)
arranger:
Ernest Pingoud
arrangement of:
Flickan kom ifrån sin älsklings möte, op. 37 no. 5 (for voice and piano)
Jean Sibelius3:11
15Arioso, op. 3
engineer:
Alan Reeve (from 1958-02-10 until 1958-02-14)
producer:
John Culshaw
soprano vocals:
Kirsten Flagstad (soprano) (, from 1958-02-12 until 1958-02-14)
orchestra:
London Symphony Orchestra (from 1958-02-12 until 1958-02-14)
conductor:
Øivin Fjeldstad (from 1958-02-12 until 1958-02-14)
balance engineer:
Cyril Windebank (from 1958-02-10 until 1958-02-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-02-12 until 1958-02-14)
recording of:
Arioso, op. 3 (for voice and string orchestra) (from 1958-02-12 until 1958-02-14)
premiered in:
Turku, Varsinais-Suomi, Finland (on 1914-03-30)
lyricist:
Johan Ludvig Runeberg
composer:
Jean Sibelius (Finnish composer) (in 1911)
part of:
Works of Jean Sibelius by opus number (number: op. 3)
Jean Sibelius4:05
16Våren flyktar hastigt, op. 13, no. 4 (Spring Fleets Fast)
engineer:
Alan Reeve (from 1958-02-10 until 1958-02-14)
producer:
John Culshaw
soprano vocals:
Kirsten Flagstad (soprano) (, from 1958-02-12 until 1958-02-14)
orchestra:
London Symphony Orchestra (from 1958-02-12 until 1958-02-14)
conductor:
Øivin Fjeldstad (from 1958-02-12 until 1958-02-14)
balance engineer:
Cyril Windebank (from 1958-02-10 until 1958-02-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-02-12 until 1958-02-14)
recording of:
Seven Songs, op. 13 no. 4: Våren flyktar hastigt (for voice and orchestra) (from 1958-02-12 until 1958-02-14)
lyricist:
Johan Ludvig Runeberg
composer:
Jean Sibelius (Finnish composer) (in 1891)
arranger:
Jean Sibelius (Finnish composer) (in 1913)
version of:
Våren flyktar hastigt, op. 13 no. 4 (for voice and piano)
Jean Sibelius1:38
17Se'n har jag ej frågat mera, op. 17, no. 1 (Since Then I Have Stopped Asking)
engineer:
Alan Reeve (from 1958-02-10 until 1958-02-14)
producer:
John Culshaw
soprano vocals:
Kirsten Flagstad (soprano) (, from 1958-02-12 until 1958-02-14)
orchestra:
London Symphony Orchestra (from 1958-02-12 until 1958-02-14)
conductor:
Øivin Fjeldstad (from 1958-02-12 until 1958-02-14)
balance engineer:
Cyril Windebank (from 1958-02-10 until 1958-02-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-02-12 until 1958-02-14)
recording of:
Se'n har jag ej frågat mera, op. 17 no. 1 (for voice and orchestra) (from 1958-02-12 until 1958-02-14)
lyricist:
Johan Ludvig Runeberg
composer:
Jean Sibelius (Finnish composer) (from 1891 until 1892, in 1903)
arrangement of:
Se'n har jag ej frågat mera, op. 17 no. 1 (for voice and piano)
Jean Sibelius2:25
18Men min fågel märks, op. 36, no. 2 (But My Bird Is Nowhere To Be Seen)
engineer:
Alan Reeve (from 1958-02-10 until 1958-02-14)
producer:
John Culshaw
soprano vocals:
Kirsten Flagstad (soprano) (, from 1958-02-12 until 1958-02-14)
orchestra:
London Symphony Orchestra (from 1958-02-12 until 1958-02-14)
conductor:
Øivin Fjeldstad (from 1958-02-12 until 1958-02-14)
balance engineer:
Cyril Windebank (from 1958-02-10 until 1958-02-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-02-12 until 1958-02-14)
recording of:
Men min fågel märks dock icke, op. 36 no. 2 (for voice and orchestra, arr. Pingoud) (from 1958-02-12 until 1958-02-14)
lyricist:
Johan Ludvig Runeberg
composer:
Jean Sibelius (Finnish composer) (in 1899)
arranger:
Ernest Pingoud
arrangement of:
Men min fågel märks dock icke, op. 36 no. 2 (for voice and piano)
Jean Sibelius2:45
19På verandan vid havet, op. 38, no. 2 (On A Veranda By The Sea)
engineer:
Alan Reeve (from 1958-02-10 until 1958-02-14)
producer:
John Culshaw
soprano vocals:
Kirsten Flagstad (soprano) (, from 1958-02-12 until 1958-02-14)
orchestra:
London Symphony Orchestra (from 1958-02-12 until 1958-02-14)
conductor:
Øivin Fjeldstad (from 1958-02-12 until 1958-02-14)
balance engineer:
Cyril Windebank (from 1958-02-10 until 1958-02-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-02-12 until 1958-02-14)
recording of:
På verandan vid havet, op. 38 no. 2 (for voice and orchestra) (from 1958-02-12 until 1958-02-14)
lyricist:
Viktor Rydberg
composer and arranger:
Jean Sibelius (Finnish composer) (in 1903)
version of:
På verandan vid havet, op. 38 no. 2 (for voice and piano)
Jean Sibelius3:09
20Den första kyssen, op. 37, no. 1 (The First Kiss)
engineer:
Alan Reeve (from 1958-02-10 until 1958-02-14)
producer:
John Culshaw
soprano vocals:
Kirsten Flagstad (soprano) (, from 1958-02-12 until 1958-02-14)
orchestra:
London Symphony Orchestra (from 1958-02-12 until 1958-02-14)
conductor:
Øivin Fjeldstad (from 1958-02-12 until 1958-02-14)
balance engineer:
Cyril Windebank (from 1958-02-10 until 1958-02-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-02-12 until 1958-02-14)
recording of:
Den första kyssen, op. 37 no. 1 (for voice and orchestra, arr. Fougstedt) (from 1958-02-12 until 1958-02-14)
lyricist:
Johan Ludvig Runeberg
composer:
Jean Sibelius (Finnish composer) (in 1900)
arranger:
Nils-Eric Fougstedt (conductor and composer)
arrangement of:
Den första kyssen, op. 37 no. 1 (for voice and piano)
Jean Sibelius2:03
21Svarta rosor, op. 36, no. 1 (Black Roses)
engineer:
Alan Reeve (from 1958-02-10 until 1958-02-14)
producer:
John Culshaw
soprano vocals:
Kirsten Flagstad (soprano) (, from 1958-02-12 until 1958-02-14)
orchestra:
London Symphony Orchestra (from 1958-02-12 until 1958-02-14)
conductor:
Øivin Fjeldstad (from 1958-02-12 until 1958-02-14)
balance engineer:
Cyril Windebank (from 1958-02-10 until 1958-02-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-02-12 until 1958-02-14)
recording of:
Svarta Rosor, op. 36 no. 1 (for voice and orchestra, arr. Pingoud) (from 1958-02-12 until 1958-02-14)
lyricist:
Ernst Josephson
composer:
Jean Sibelius (Finnish composer) (in 1899)
arranger:
Ernest Pingoud
orchestration of:
Svarta rosor, op. 36 no. 1 (for voice and piano)
Jean Sibelius2:00
22Säv, säv, susa, op. 36, no. 4 (Sigh, Rushes, Sigh)
engineer:
Alan Reeve (from 1958-02-10 until 1958-02-14)
producer:
John Culshaw
soprano vocals:
Kirsten Flagstad (soprano) (, from 1958-02-12 until 1958-02-14)
orchestra:
London Symphony Orchestra (from 1958-02-12 until 1958-02-14)
conductor:
Øivin Fjeldstad (from 1958-02-12 until 1958-02-14)
balance engineer:
Cyril Windebank (from 1958-02-10 until 1958-02-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-02-12 until 1958-02-14)
recording of:
Säv, säv, susa, op. 36 no. 4 (for voice and orchestra, arr. Hellman) (from 1958-02-12 until 1958-02-14)
lyricist:
Gustaf Fröding
composer:
Jean Sibelius (Finnish composer) (in 1900)
arranger:
Ivar Hellman
arrangement of:
Säv, säv, susa, op. 36 no. 4 (for voice and piano)
Jean Sibelius2:39
23Kom nu hit, död!, op. 60, no. 1 (Come Away, Death)
engineer:
Alan Reeve (from 1958-02-10 until 1958-02-14)
producer:
John Culshaw
soprano vocals:
Kirsten Flagstad (soprano) (, from 1958-02-12 until 1958-02-14)
orchestra:
London Symphony Orchestra (from 1958-02-12 until 1958-02-14)
conductor:
Øivin Fjeldstad (from 1958-02-12 until 1958-02-14)
balance engineer:
Cyril Windebank (from 1958-02-10 until 1958-02-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-02-12 until 1958-02-14)
recording of:
Two Songs from "Twelfth Night", op. 60 no. 1: Kom nu hit, död! (for voice, harp and string orchestra) (from 1958-02-12 until 1958-02-14)
premiered in:
Helsinki, Uusimaa, Finland (on 1957-06-14)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Jean Sibelius (Finnish composer) (in 1909)
arranger:
Jean Sibelius (Finnish composer) (in 1957)
translator:
Carl August Hagberg
arrangement of:
Kom nu hit, död!, op. 60 no. 1 (for voice and guitar)
Jean Sibelius3:43
▶CD 8: Lisa Della Casa – Lieder Recital (LXT 5258)
▶CD 9: Giulietta Simionato – Operatic Recital (LXT 5458)
▶CD 10: Gérard Souzay – French Operatic Arias (LXT 5269)
▶CD 11: Virginia Zeani – Operatic Recital (LXT 5317)
▶CD 12: Jennifer Vyvyan – Mozart and Haydn Recital (SXL 2233)
▶CD 13: Carlo Bergonzi – Operatic Recital (SXL 2048)
▶CD 14: Di Stefano – Operatic Recital (SXL 2111)
▶CD 15: Joan Sutherland – Operatic Arias (SXL 2159)
▶CD 16: Regina Resnick – On the Wings of Opera (SXL 2304)
▶CD 17: Hilde Gueden – Sings Operetta Evergreens (LXT 5658)
▶CD 18: Teresa Berganza – Sings Mozart (SXL6045)
▶CD 19: Tom Krause – Recital (SXL 6046)
▶CD 20: Peter Pears – Winterrreise
▶CD 21: Birgit Nilsson – Sings German Opera Arias (SXL 6077)
▶CD 22: Robert Merril (SXL 6083) and James McCracken
▶CD 23: Marilyn Horne – Recital (SXL5149)
▶CD 24: Renata Tebaldi (SXL 6152)
▶CD 25: Herman Prey – Schubert Schwanengesang (SXL 6069)
▶CD 26: Elena Souliotis – Donizetti Verdi (SXL6306)
▶CD 27: Regine Crespin – Recital Schumann Wolf Debussy Poulenc(SXL 6333)
▶CD 28: Gwyneth Jones – Scenes From Verdi (SXL 6376)
▶CD 29: Luciano Pavarotti – Arias By Verdi And Donizetti (SXL 6377)
▶CD 30: Nicolai Ghiaurov – Great Scenes From Verdi (SXL 6443)
▶CD 31: Huguette Tourangeau – Arias From Forgotten Operas (SXL 6501)
▶CD 32: Maria Chiara Sings Verdi Arias (SXL 6605)
▶CD 33: Sherrill Milnes – Great Scenes From Italian Opera (SXL 6609)
▶CD 34: The Art of Hans Hotter (SXL 6625)
▶CD 35: Sylvia Sass – Opera's Sensational New Star (SXL 6841)
▶CD 36: Portrait of Pilar Lorengar
▶CD 37: Elisabeth Söderström Sings Songs For Children (SXL 6900)
▶CD 38: Mirella Freni and Renata Scotto in Duet (SXL 6970)
▶CD 39: Martti Talvela – Mussorgsky Songs & Dances of Death / Rachmaninov Songs (SXL 6974)
▶CD 40: Paata Burchuladze – Boris Godunov • Don Carlos • Macbeth • Simon Boccanegra • Ernani (414 335-2)
▶CD 41: Leo Nucci – Bel Canto Arias (421 129-2)
▶CD 42: Susan Dunn – Verdi • Beethoven • Wagner (421 420-2)
▶CD 43: Cecilia Bartoli – Rossini Arias (425 430-2)
▶CD 44: Josephine Barstow – Salome • Turandot • Médée • Věc Makropulos: Final Scenes (430 203-2)
▶CD 45: Kiri te Kanawa - In Recital Liszt Obradors Ravel (425 820-2)
▶CD 46: Brigitte Fassbaender – Liszt Lieder (430 512-2)
▶CD 47: Sumi Jo – Carnaval! (French Coloratura Arias) (440 679-2)
▶CD 48: Angela Gheorghiu – Arias (452 417-2)
▶CD 49: Andreas Scholl – Heroes (Handel, Gluck, Mozart) (466 196-2)
▶CD 50: Renée Fleming – Great Opera Scenes (455 760-2)
▶CD 51: Barbara Bonney – Diamonds In The Snow (Nordic Songs) (466 762-2)
▶CD 52: Matthias Goerne – Arias (467 263-2)
▶CD 53: Juan Diego Flórez – Una Furtiva Lagrima (473 440-2)
▶CD 54: Jonas Kaufmann – Mozart, Schubert, Beethoven, Wagner (478 1463)
▶CD 55: Joseph Calleja – The Maltese Tenor (478 2720)