Live at the Bon Soir

~ Release by Barbra Streisand (see all versions of this release, 4 available)

Tracklist

SACD (2 channels) 1
#TitleRatingLength
1Introduction by David Kapralik (Columbia Records) / My Name Is Barbara
recording engineer:
Adjutor “Pappy” Theroux and Roy Halee
producer:
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) and Barbra Streisand
mixer:
Jochem van der Saag
double bass:
Averill Pollard
drums (drum set):
John Cresci
guitar:
“Colonel” Tiger Haynes
piano:
Peter Daniels
vocals:
Barbra Streisand
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
recorded at:
The Bon Soir in Greenwich Village, New York, New York, United States (on 1962-11-05)
live cover recording of:
I Hate Music: Five Kid Songs for Soprano and Piano: I. My Name Is Barbara (on 1962-11-05)
lyricist and composer:
Leonard Bernstein (US composer & conductor) (in 1943)
publisher:
Boosey & Hawkes Production Music and Warner Bros., Inc. (Warner Bros. Music Division)
part of:
I Hate Music: Five Kid Songs for Soprano and Piano
2:01
2Much More
recording engineer:
Adjutor “Pappy” Theroux and Roy Halee
producer:
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) and Barbra Streisand
mixer:
Jochem van der Saag
double bass:
Averill Pollard
drums (drum set):
John Cresci
guitar:
“Colonel” Tiger Haynes
piano:
Peter Daniels
vocals:
Barbra Streisand
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
recorded at:
The Bon Soir in Greenwich Village, New York, New York, United States (on 1962-11-05)
live cover recording of:
Much More (on 1962-11-05)
lyricist:
Tom Jones (musical theatre lyricist)
composer:
Harvey Schmidt
publisher:
Chappell & Co., Inc. (USA)
2:30
3Napoleon
recording engineer:
Adjutor “Pappy” Theroux and Roy Halee
producer:
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) and Barbra Streisand
mixer:
Jochem van der Saag
double bass:
Averill Pollard
drums (drum set):
John Cresci
guitar:
“Colonel” Tiger Haynes
piano:
Peter Daniels
vocals:
Barbra Streisand
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
recorded at:
The Bon Soir in Greenwich Village, New York, New York, United States (on 1962-11-05)
live cover recording of:
Napoleon (Arlen/Harburg song, from the musicals “Hooray for What!” and “Jamaica”) (on 1962-11-05)
lyricist:
Yip Harburg
composer:
Harold Arlen
publisher:
Glocca Morra Music Corp. and Harwin Music Corporation
3:20
4I Hate Music
recording engineer:
Adjutor “Pappy” Theroux and Roy Halee
producer:
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) and Barbra Streisand
mixer:
Jochem van der Saag
double bass:
Averill Pollard
drums (drum set):
John Cresci
guitar:
“Colonel” Tiger Haynes
piano:
Peter Daniels
vocals:
Barbra Streisand
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
recorded at:
The Bon Soir in Greenwich Village, New York, New York, United States (on 1962-11-05)
live cover recording of:
I Hate Music: Five Kid Songs for Soprano and Piano: III. I Hate Music! (on 1962-11-05)
lyricist and composer:
Leonard Bernstein (US composer & conductor) (in 1943)
publisher:
Boosey & Hawkes Production Music and Warner Bros., Inc. (Warner Bros. Music Division)
part of:
I Hate Music: Five Kid Songs for Soprano and Piano
1:17
5Right as the Rain
recording engineer:
Adjutor “Pappy” Theroux and Roy Halee
producer:
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) and Barbra Streisand
mixer:
Jochem van der Saag
double bass:
Averill Pollard
drums (drum set):
John Cresci
guitar:
“Colonel” Tiger Haynes
piano:
Peter Daniels
vocals:
Barbra Streisand
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
recorded at:
The Bon Soir in Greenwich Village, New York, New York, United States (on 1962-11-05)
live cover recording of:
Right as the Rain (on 1962-11-05)
lyricist:
Yip Harburg
composer:
Harold Arlen
publisher:
Chappell & Co., Inc. (USA) (ended), Glocca Morra Music Corp. and S.A. Music Co.
2:47
6Cry Me a River
recording engineer:
Adjutor “Pappy” Theroux and Roy Halee
producer:
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) and Barbra Streisand
mixer:
Jochem van der Saag
double bass:
Averill Pollard
drums (drum set):
John Cresci
guitar:
“Colonel” Tiger Haynes
piano:
Peter Daniels
vocals:
Barbra Streisand
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
recorded at:
The Bon Soir in Greenwich Village, New York, New York, United States (on 1962-11-05)
live cover recording of:
Cry Me a River (on 1962-11-05)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label)
4:11
7Value
recording engineer:
Adjutor “Pappy” Theroux and Roy Halee
producer:
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) and Barbra Streisand
mixer:
Jochem van der Saag
double bass:
Averill Pollard
drums (drum set):
John Cresci
guitar:
“Colonel” Tiger Haynes
piano:
Peter Daniels
vocals:
Barbra Streisand
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
recorded at:
The Bon Soir in Greenwich Village, New York, New York, United States (on 1962-11-05)
live cover recording of:
Value (from “Another Evening With Harry Stoones”) (on 1962-11-05)
lyricist and composer:
Jeff Harris (composer of the 1961 musical Another Evening with Harry Stoones)
publisher:
Frank Music Corp.
2:17
8Lover, Come Back to Me
recording engineer:
Adjutor “Pappy” Theroux and Roy Halee
producer:
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) and Barbra Streisand
mixer:
Jochem van der Saag
double bass:
Averill Pollard
drums (drum set):
John Cresci
guitar:
“Colonel” Tiger Haynes
piano:
Peter Daniels
vocals:
Barbra Streisand
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
recorded at:
The Bon Soir in Greenwich Village, New York, New York, United States (on 1962-11-05)
live cover recording of:
Lover, Come Back to Me (The New Moon) (on 1962-11-05)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
1:55
9Band Introductions
recording engineer:
Adjutor “Pappy” Theroux and Roy Halee
producer:
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) and Barbra Streisand
mixer:
Jochem van der Saag
vocals:
Barbra Streisand
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
recorded at:
The Bon Soir in Greenwich Village, New York, New York, United States (on 1962-11-05)
2:56
10Soon It’s Gonna Rain
recording engineer:
Adjutor “Pappy” Theroux and Roy Halee
producer:
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) and Barbra Streisand
mixer:
Jochem van der Saag
double bass:
Averill Pollard
drums (drum set):
John Cresci
guitar:
“Colonel” Tiger Haynes
piano:
Peter Daniels
vocals:
Barbra Streisand
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
recorded at:
The Bon Soir in Greenwich Village, New York, New York, United States (on 1962-11-05)
live cover recording of:
Soon It’s Gonna Rain (on 1962-11-05)
lyricist:
Tom Jones (musical theatre lyricist)
composer:
Harvey Schmidt
publisher:
Chappell & Co., Inc. (USA)
3:43
11Come to the Supermarket (in Old Peking)
recording engineer:
Adjutor “Pappy” Theroux and Roy Halee
producer:
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) and Barbra Streisand
mixer:
Jochem van der Saag
double bass:
Averill Pollard
drums (drum set):
John Cresci
guitar:
“Colonel” Tiger Haynes
piano:
Peter Daniels
vocals:
Barbra Streisand
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
recorded at:
The Bon Soir in Greenwich Village, New York, New York, United States (on 1962-11-05)
live cover recording of:
Come to the Supermarket (in Old Peking) (on 1962-11-05)
lyricist and composer:
Cole Porter (composer)
publisher:
Chappell & Co., Inc. (USA)
1:51
12When the Sun Comes Out
recording engineer:
Adjutor “Pappy” Theroux and Roy Halee
producer:
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) and Barbra Streisand
mixer:
Jochem van der Saag
double bass:
Averill Pollard
drums (drum set):
John Cresci
guitar:
“Colonel” Tiger Haynes
piano:
Peter Daniels
vocals:
Barbra Streisand
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
recorded at:
The Bon Soir in Greenwich Village, New York, New York, United States (on 1962-11-05)
live cover recording of:
When the Sun Comes Out (on 1962-11-05)
lyricist:
Ted Koehler (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
S.A. Music Co. and Ted Koehler Music Co.
3:15
13Happy Days Are Here Again
recording engineer:
Adjutor “Pappy” Theroux and Roy Halee
producer:
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) and Barbra Streisand
mixer:
Jochem van der Saag
double bass:
Averill Pollard
drums (drum set):
John Cresci
guitar:
“Colonel” Tiger Haynes
piano:
Peter Daniels
vocals:
Barbra Streisand
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
recorded at:
The Bon Soir in Greenwich Village, New York, New York, United States (on 1962-11-05)
live recording of:
Happy Days Are Here Again (Barbra Streisand version) (on 1962-11-05)
lyricist:
Jack Yellen (in 1929)
additional writer:
Ken Welch and Mitzie Welch
composer:
Milton Ager (in 1929)
version of:
Happy Days Are Here Again
3:25
14Keepin’ Out of Mischief Now
recording engineer:
Adjutor “Pappy” Theroux and Roy Halee
producer:
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) and Barbra Streisand
mixer:
Jochem van der Saag
double bass:
Averill Pollard
drums (drum set):
John Cresci
guitar:
“Colonel” Tiger Haynes
piano:
Peter Daniels
vocals:
Barbra Streisand
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
recorded at:
The Bon Soir in Greenwich Village, New York, New York, United States (on 1962-11-06)
live cover recording of:
Keepin’ Out of Mischief Now (on 1962-11-06)
lyricist:
Andy Razaf
composer:
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Razaf Music
1:54
15A Sleepin’ Bee
recording engineer:
Adjutor “Pappy” Theroux and Roy Halee
producer:
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) and Barbra Streisand
mixer:
Jochem van der Saag
double bass:
Averill Pollard
drums (drum set):
John Cresci
guitar:
“Colonel” Tiger Haynes
piano:
Peter Daniels
vocals:
Barbra Streisand
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
recorded at:
The Bon Soir in Greenwich Village, New York, New York, United States (on 1962-11-06)
live cover recording of:
A Sleepin’ Bee (House of Flowers) (on 1962-11-06)
lyricist:
Harold Arlen and Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music and S.A. Music Co.
part of:
House of Flowers
4:03
16I Had Myself a True Love
recording engineer:
Adjutor “Pappy” Theroux and Roy Halee
producer:
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) and Barbra Streisand
mixer:
Jochem van der Saag
double bass:
Averill Pollard
drums (drum set):
John Cresci
guitar:
“Colonel” Tiger Haynes
piano:
Peter Daniels
vocals:
Barbra Streisand
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
recorded at:
The Bon Soir in Greenwich Village, New York, New York, United States (on 1962-11-06)
live cover recording of:
I Had Myself a True Love (on 1962-11-06)
lyricist:
Johnny Mercer
composer:
Harold Arlen
publisher:
Chappell & Co., Inc. (USA)
4:48
17Bewitched, Bothered and Bewildered
recording engineer:
Adjutor “Pappy” Theroux and Roy Halee
producer:
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) and Barbra Streisand
mixer:
Jochem van der Saag
double bass:
Averill Pollard
drums (drum set):
John Cresci
guitar:
“Colonel” Tiger Haynes
piano:
Peter Daniels
vocals:
Barbra Streisand
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
recorded at:
The Bon Soir in Greenwich Village, New York, New York, United States (on 1962-11-06)
live cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey) (on 1962-11-06)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
2:40
18Who’s Afraid of the Big Bad Wolf?
recording engineer:
Adjutor “Pappy” Theroux and Roy Halee
producer:
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) and Barbra Streisand
mixer:
Jochem van der Saag
double bass:
Averill Pollard
drums (drum set):
John Cresci
guitar:
“Colonel” Tiger Haynes
piano:
Peter Daniels
vocals:
Barbra Streisand
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
recorded at:
The Bon Soir in Greenwich Village, New York, New York, United States (on 1962-11-06)
live cover recording of:
Who’s Afraid of the Big Bad Wolf? (from “Three Little Pigs”) (on 1962-11-06)
additional lyricist:
Ann Ronell
lyricist and composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher)
2:36
19I’ll Tell the Man in the Street
recording engineer:
Adjutor “Pappy” Theroux and Roy Halee
producer:
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) and Barbra Streisand
mixer:
Jochem van der Saag
double bass:
Averill Pollard
drums (drum set):
John Cresci
guitar:
“Colonel” Tiger Haynes
piano:
Peter Daniels
vocals:
Barbra Streisand
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
recorded at:
The Bon Soir in Greenwich Village, New York, New York, United States (on 1962-11-06)
live recording of:
I’ll Tell the Man in the Street (on 1962-11-06)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
EMI Robbins Catalog Inc. (ASCAP)
2:50
20A Taste of Honey
recording engineer:
Adjutor “Pappy” Theroux and Roy Halee
producer:
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) and Barbra Streisand
mixer:
Jochem van der Saag
double bass:
Averill Pollard
drums (drum set):
John Cresci
guitar:
“Colonel” Tiger Haynes
piano:
Peter Daniels
vocals:
Barbra Streisand
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
recorded at:
The Bon Soir in Greenwich Village, New York, New York, United States (on 1962-11-07)
live cover recording of:
A Taste of Honey (on 1962-11-07)
lyricist:
Ric Marlow (in 1960)
composer:
Bobby Scott (vocals, piano, US musician & producer) (in 1960)
publisher:
Ambassador Music Ltd. and Songfest Music Corp.
2:23
21Never Will I Marry
recording engineer:
Adjutor “Pappy” Theroux and Roy Halee
producer:
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) and Barbra Streisand
mixer:
Jochem van der Saag
double bass:
Averill Pollard
drums (drum set):
John Cresci
guitar:
“Colonel” Tiger Haynes
piano:
Peter Daniels
vocals:
Barbra Streisand
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
recorded at:
The Bon Soir in Greenwich Village, New York, New York, United States (on 1962-11-07)
live cover recording of:
Never Will I Marry (from “Green Willow”) (on 1962-11-07)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
2:56
22Nobody’s Heart Belongs to Me
recording engineer:
Adjutor “Pappy” Theroux and Roy Halee
producer:
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) and Barbra Streisand
mixer:
Jochem van der Saag
double bass:
Averill Pollard
drums (drum set):
John Cresci
guitar:
“Colonel” Tiger Haynes
piano:
Peter Daniels
vocals:
Barbra Streisand
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
recorded at:
The Bon Soir in Greenwich Village, New York, New York, United States (on 1962-11-07)
live cover recording of:
Nobody’s Heart (Belongs to Me) (on 1962-11-07)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
2:15
23My Honey’s Lovin’ Arms
recording engineer:
Adjutor “Pappy” Theroux and Roy Halee
producer:
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) and Barbra Streisand
mixer:
Jochem van der Saag
double bass:
Averill Pollard
drums (drum set):
John Cresci
guitar:
“Colonel” Tiger Haynes
piano:
Peter Daniels
vocals:
Barbra Streisand
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
recorded at:
The Bon Soir in Greenwich Village, New York, New York, United States (on 1962-11-07)
live cover recording of:
My Honey’s Loving Arms (on 1962-11-07)
writer:
Joseph Meyer (US songwriter) and Harry Ruby
2:10
24I Stayed Too Long at the Fair
recording engineer:
Adjutor “Pappy” Theroux and Roy Halee
producer:
Mike Berniker, Martin Erlichman, Jay Landers (Executive producer, A&R, producer, songwriter and music publisher) and Barbra Streisand
mixer:
Jochem van der Saag
double bass:
Averill Pollard
drums (drum set):
John Cresci
guitar:
“Colonel” Tiger Haynes
piano:
Peter Daniels
vocals:
Barbra Streisand
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2022)
recorded at:
The Bon Soir in Greenwich Village, New York, New York, United States (on 1962-11-07)
live cover recording of:
(Have I Stayed) Too Long at the Fair? (on 1962-11-07)
lyricist and composer:
Billy Barnes (composer and lyricist)
publisher:
Tylerson Music Co.
5:12