The Satchmo Era

~ Release by Louis Armstrong (see all versions of this release, 2 available)

Tracklist

▶CD 1: 1923
▶CD 2: 1923-1924
▶CD 3: 1924
▶CD 4: 1924-1925
▶CD 5: 1925-1926
▶CD 6: 1926-1927
▶CD 7: 1927-1928
▶CD 8: 1928-1929
▶CD 9: 1930-1931
▶CD 10: 1931-1932
▶CD 11: 1932-1933
▶CD 12: 1933-1935
▼CD 13: 1935-1936
#TitleRatingLength
1Got a Bran' New Suit
recorded in:
New York, New York, United States (on 1935-10-03)
double bass:
George "Pops" Foster (on 1935-10-03)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-10-03)
guitar:
Lee Blair (on 1935-10-03)
piano:
Luis Russell (on 1935-10-03)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-10-03), Henry “Moon” Jones (swing era reeds) (on 1935-10-03) and Bingie Madison (on 1935-10-03)
tenor saxophone:
Greely Walton (on 1935-10-03)
trombone:
Jimmy Archey (on 1935-10-03) and Harry White (jazz trombonist) (on 1935-10-03)
trumpet:
Gus Aiken (on 1935-10-03), Louis Armstrong (on 1935-10-03), Louis Bacon (on 1935-10-03) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-10-03)
vocals:
Louis Armstrong (on 1935-10-03)
orchestra:
Louis Armstrong & His Orchestra (on 1935-10-03)
recording of:
Got a Bran’ New Suit (on 1935-10-03)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
part of:
The Band Wagon (1953 film)
2:58
2I've Got My Fingers Crossed
recorded in:
New York, New York, United States (on 1935-11-21)
double bass:
George "Pops" Foster (on 1935-11-21)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-11-21)
guitar:
Lee Blair (on 1935-11-21)
piano:
Luis Russell (on 1935-11-21)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-11-21), Henry “Moon” Jones (swing era reeds) (on 1935-11-21) and Bingie Madison (on 1935-11-21)
tenor saxophone:
Greely Walton (on 1935-11-21)
trombone:
Jimmy Archey (on 1935-11-21) and Harry White (jazz trombonist) (on 1935-11-21)
trumpet:
Gus Aiken (on 1935-11-21), Louis Armstrong (on 1935-11-21), Louis Bacon (on 1935-11-21) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-11-21)
vocals:
Louis Armstrong (on 1935-11-21)
orchestra:
Louis Armstrong & His Orchestra (on 1935-11-21)
recording of:
I've Got My Fingers Crossed (on 1935-11-21)
lyricist:
Ted Koehler
composer:
Jimmy McHugh (songwriter)
2:33
3Ol' Man Mose
recorded in:
New York, New York, United States (on 1935-11-22)
bass:
George "Pops" Foster (on 1935-11-22)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-11-22)
guitar:
Lee Blair (on 1935-11-22)
piano:
Luis Russell (on 1935-11-22)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-11-22), Henry “Moon” Jones (swing era reeds) (on 1935-11-22) and Bingie Madison (on 1935-11-22)
tenor saxophone:
Greely Walton (on 1935-11-22)
trombone:
Jimmy Archey (on 1935-11-22) and Harry White (jazz trombonist) (on 1935-11-22)
trumpet:
Gus Aiken (on 1935-11-22), Louis Armstrong (on 1935-11-22), Louis Bacon (on 1935-11-22) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-11-22)
orchestra:
Louis Armstrong & His Orchestra (on 1935-11-22)
recording of:
Ol’ Man Mose (on 1935-11-22)
writer:
Louis Armstrong and Zilner Randolph
42:37
4I'm Shooting High
recorded in:
New York, New York, United States (on 1935-11-22)
double bass:
George "Pops" Foster (on 1935-11-22)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-11-22)
guitar:
Lee Blair (on 1935-11-22)
piano:
Luis Russell (on 1935-11-22)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-11-22), Henry “Moon” Jones (swing era reeds) (on 1935-11-22) and Bingie Madison (on 1935-11-22)
tenor saxophone:
Greely Walton (on 1935-11-22)
trombone:
Jimmy Archey (on 1935-11-22) and Harry White (jazz trombonist) (on 1935-11-22)
trumpet:
Gus Aiken (on 1935-11-22), Louis Armstrong (on 1935-11-22), Louis Bacon (on 1935-11-22) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-11-22)
vocals:
Louis Armstrong (on 1935-11-22)
orchestra:
Louis Armstrong & His Orchestra (on 1935-11-22)
recording of:
I’m Shooting High (on 1935-11-22)
writer:
Ted Koehler and Jimmy McHugh (songwriter)
42:57
5(Was I to Blame for) Falling in Love With You
recorded in:
New York, New York, United States (on 1935-11-22)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-11-22) and Henry “Moon” Jones (swing era reeds) (on 1935-11-22)
clarinet:
Bingie Madison (on 1935-11-22)
double bass:
George "Pops" Foster (on 1935-11-22)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-11-22)
guitar:
Lee Blair (on 1935-11-22)
piano:
Luis Russell (on 1935-11-22)
tenor saxophone:
Greely Walton (on 1935-11-22)
trombone:
Jimmy Archey (on 1935-11-22) and Harry White (jazz trombonist) (on 1935-11-22)
trumpet:
Gus Aiken (on 1935-11-22), Louis Armstrong (on 1935-11-22), Louis Bacon (on 1935-11-22) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-11-22)
vocals:
Louis Armstrong (on 1935-11-22)
orchestra:
Louis Armstrong & His Orchestra (on 1935-11-22)
recording of:
(Was I to Blame for) Falling in Love With You (on 1935-11-22)
writer:
Chester Conn, Gus Kahn and Victor Young (American composer, arranger, violinist & conductor)
3:14
6Red Sails in the Sunset
recorded in:
New York, New York, United States (on 1935-12-13)
double bass:
George "Pops" Foster (on 1935-12-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-13)
guitar:
Lee Blair (on 1935-12-13)
piano:
Luis Russell (on 1935-12-13)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-13), Henry “Moon” Jones (swing era reeds) (on 1935-12-13) and Bingie Madison (on 1935-12-13)
tenor saxophone:
Greely Walton (on 1935-12-13)
trombone:
Jimmy Archey (on 1935-12-13) and Harry White (jazz trombonist) (on 1935-12-13)
trumpet:
Gus Aiken (on 1935-12-13), Louis Armstrong (on 1935-12-13), Louis Bacon (on 1935-12-13) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-13)
vocals:
Louis Armstrong (on 1935-12-13)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-13)
recording of:
Red Sails in the Sunset (on 1935-12-13)
lyricist:
James B. Kennedy (Irish songwriter)
composer:
Hugh Williams (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
3:06
7On Treasure Island
recorded in:
New York, New York, United States (on 1935-12-13)
double bass:
George "Pops" Foster (on 1935-12-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-13)
guitar:
Lee Blair (on 1935-12-13)
piano:
Luis Russell (on 1935-12-13)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-13), Henry “Moon” Jones (swing era reeds) (on 1935-12-13) and Bingie Madison (on 1935-12-13)
tenor saxophone:
Greely Walton (on 1935-12-13)
trombone:
Jimmy Archey (on 1935-12-13) and Harry White (jazz trombonist) (on 1935-12-13)
trumpet:
Gus Aiken (on 1935-12-13), Louis Armstrong (on 1935-12-13), Louis Bacon (on 1935-12-13) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-13)
vocals:
Louis Armstrong (on 1935-12-13)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-13)
recording of:
On Treasure Island (on 1935-12-13)
lyricist:
Edgar Leslie
composer:
Joe Burke (American composer)
3:08
8Thanks a Million
recorded in:
New York, New York, United States (on 1935-12-19)
double bass:
George "Pops" Foster (on 1935-12-19)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-19)
guitar:
Lee Blair (on 1935-12-19)
piano:
Luis Russell (on 1935-12-19)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-19), Henry “Moon” Jones (swing era reeds) (on 1935-12-19) and Bingie Madison (on 1935-12-19)
tenor saxophone:
Greely Walton (on 1935-12-19)
trombone:
Jimmy Archey (on 1935-12-19) and Harry White (jazz trombonist) (on 1935-12-19)
trumpet:
Gus Aiken (on 1935-12-19), Louis Armstrong (on 1935-12-19), Louis Bacon (on 1935-12-19) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-19)
vocals:
Louis Armstrong (on 1935-12-19)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-19)
recording of:
Thanks a Million (on 1935-12-19)
lyricist:
Gus Kahn
composer:
Arthur Johnston (American composer and songwriter)
2:41
9Shoe Shine Boy
recorded in:
New York, New York, United States (on 1935-12-19)
double bass:
George "Pops" Foster (on 1935-12-19)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-19)
guitar:
Lee Blair (on 1935-12-19)
piano:
Luis Russell (on 1935-12-19)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-19), Henry “Moon” Jones (swing era reeds) (on 1935-12-19) and Bingie Madison (on 1935-12-19)
tenor saxophone:
Greely Walton (on 1935-12-19)
trombone:
Jimmy Archey (on 1935-12-19) and Harry White (jazz trombonist) (on 1935-12-19)
trumpet:
Gus Aiken (on 1935-12-19), Louis Armstrong (on 1935-12-19), Louis Bacon (on 1935-12-19) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-19)
vocals:
Louis Armstrong (on 1935-12-19)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-19)
recording of:
Shoe Shine Boy (on 1934-12-19)
lyricist:
Sammy Cahn
composer:
Saul Chaplin
3:21
10Solitude
recorded in:
New York, New York, United States (on 1935-12-19)
double bass:
George "Pops" Foster (on 1935-12-19)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-19)
guitar:
Lee Blair (on 1935-12-19)
piano:
Luis Russell (on 1935-12-19)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-19), Henry “Moon” Jones (swing era reeds) (on 1935-12-19) and Bingie Madison (on 1935-12-19)
tenor saxophone:
Greely Walton (on 1935-12-19)
trombone:
Jimmy Archey (on 1935-12-19) and Harry White (jazz trombonist) (on 1935-12-19)
trumpet:
Gus Aiken (on 1935-12-19), Louis Armstrong (on 1935-12-19), Louis Bacon (on 1935-12-19) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-19)
vocals:
Louis Armstrong (on 1935-12-19)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-19)
recording of:
Solitude (on 1935-12-19)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co. and EMI Mills Music Inc. (ASCAP-affiliated)
3:03
11I Hope Gabriel Likes Music
recorded in:
New York, New York, United States (on 1935-12-19)
double bass:
George "Pops" Foster (on 1935-12-19)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-19)
guitar:
Lee Blair (on 1935-12-19)
piano:
Luis Russell (on 1935-12-19)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-19), Henry “Moon” Jones (swing era reeds) (on 1935-12-19) and Bingie Madison (on 1935-12-19)
tenor saxophone:
Greely Walton (on 1935-12-19)
trombone:
Jimmy Archey (on 1935-12-19) and Harry White (jazz trombonist) (on 1935-12-19)
trumpet:
Gus Aiken (on 1935-12-19), Louis Armstrong (on 1935-12-19), Louis Bacon (on 1935-12-19) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-19)
vocals:
Louis Armstrong (on 1935-12-19)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-19)
recording of:
I Hope Gabriel Likes My Music (on 1935-12-19)
composer:
Dave Franklin (cartoon music composer)
3:21
12The Music Goes 'round and Around
recorded in:
New York, New York, United States (on 1936-01-18)
double bass:
George "Pops" Foster (on 1936-01-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-01-18)
guitar:
Lee Blair (on 1936-01-18)
piano:
Luis Russell (on 1936-01-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-01-18), Henry “Moon” Jones (swing era reeds) (on 1936-01-18) and Bingie Madison (on 1936-01-18)
tenor saxophone:
Greely Walton (on 1936-01-18)
trombone:
Jimmy Archey (on 1936-01-18) and Harry White (jazz trombonist) (on 1936-01-18)
trumpet:
Gus Aiken (on 1936-01-18), Louis Armstrong (on 1936-01-18), Louis Bacon (on 1936-01-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-01-18)
vocals:
Louis Armstrong (on 1936-01-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-01-18)
recording of:
The Music Goes Round and Round (by F. Farley, M. Riley, R. Hodgson) (on 1936-01-18)
lyricist:
Red Hodgson (in 1935)
writer:
Edward Farley (US trumpeter, multi-instrumentalist & composer) (in 1935)
composer:
Mike Riley (US jazz trombonist & songwriter) (in 1935)
3:21
13Rhythm Saved the World
recorded in:
New York, New York, United States (on 1936-01-18)
bass:
George "Pops" Foster (on 1936-01-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-01-18)
guitar:
Lee Blair (on 1936-01-18)
piano:
Luis Russell (on 1936-01-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-01-18), Henry “Moon” Jones (swing era reeds) (on 1936-01-18) and Bingie Madison (on 1936-01-18)
tenor saxophone:
Greely Walton (on 1936-01-18)
trombone:
Jimmy Archey (on 1936-01-18) and Harry White (jazz trombonist) (on 1936-01-18)
trumpet:
Gus Aiken (on 1936-01-18), Louis Armstrong (on 1936-01-18), Louis Bacon (on 1936-01-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-01-18)
vocals:
Louis Armstrong (on 1936-01-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-01-18)
recording of:
Rhythm Saved the World (on 1936-01-18)
lyricist:
Sammy Cahn
composer:
Saul Chaplin
3:07
14I'm Putting All My Eggs in One Basket
recorded in:
New York, New York, United States (on 1936-02-04)
alto saxophone:
Phil Waltzer (on 1936-02-04)
clarinet:
Sid Trucker (on 1936-02-04)
double bass:
Pete Peterson (jazz bassist) (on 1936-02-04)
drums (drum set):
Stan King (Big band-era drummer) (on 1936-02-04)
guitar:
Dave Barbour (on 1936-02-04)
piano:
Fulton McGrath (on 1936-02-04)
tenor saxophone:
Paul Ricci (on 1936-02-04)
trombone:
Al Philburn (on 1936-02-04)
trumpet:
Louis Armstrong (on 1936-02-04), Bunny Berigan (on 1936-02-04) and Bob Mayhew (on 1936-02-04)
vocals:
Louis Armstrong (on 1936-02-04)
orchestra:
Louis Armstrong & His Orchestra (on 1936-02-04)
recording of:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”) (on 1936-02-04)
lyricist and composer:
Irving Berlin (in 1936)
3:01
15Yes! Yes! My! My!
recorded in:
New York, New York, United States (on 1936-02-04)
alto saxophone:
Sid Trucker (on 1936-02-04) and Phil Waltzer (on 1936-02-04)
double bass:
Pete Peterson (jazz bassist) (on 1936-02-04)
drums (drum set):
Stan King (Big band-era drummer) (on 1936-02-04)
guitar:
Dave Barbour (on 1936-02-04)
piano:
Fulton McGrath (on 1936-02-04)
tenor saxophone:
Paul Ricci (on 1936-02-04)
trombone:
Al Philburn (on 1936-02-04)
trumpet:
Louis Armstrong (on 1936-02-04), Bunny Berigan (on 1936-02-04) and Bob Mayhew (on 1936-02-04)
vocals:
Louis Armstrong (on 1936-02-04)
2:39
16Somebody Stole My Break
recorded in:
New York, New York, United States (on 1936-04-28)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-04-28) and Henry “Moon” Jones (swing era reeds) (on 1936-04-28)
double bass:
George "Pops" Foster (on 1936-04-28)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-04-28)
guitar:
Lee Blair (on 1936-04-28)
piano:
Luis Russell (on 1936-04-28)
tenor saxophone:
Bingie Madison (on 1936-04-28) and Greely Walton (on 1936-04-28)
trombone:
Jimmy Archey (on 1936-04-28) and Snub Mosley (on 1936-04-28)
trumpet:
Gus Aiken (on 1936-04-28), Louis Armstrong (on 1936-04-28), Louis Bacon (on 1936-04-28) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-04-28)
vocals:
Louis Armstrong (on 1936-04-28)
orchestra:
Louis Armstrong & His Orchestra (on 1936-04-28)
2:48
17I Come From a Musical Family
recorded in:
New York, New York, United States (on 1936-04-28)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-04-28) and Henry “Moon” Jones (swing era reeds) (on 1936-04-28)
double bass:
George "Pops" Foster (on 1936-04-28)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-04-28)
guitar:
Lee Blair (on 1936-04-28)
piano:
Luis Russell (on 1936-04-28)
tenor saxophone:
Bingie Madison (on 1936-04-28) and Greely Walton (on 1936-04-28)
trombone:
Jimmy Archey (on 1936-04-28) and Snub Mosley (on 1936-04-28)
trumpet:
Gus Aiken (on 1936-04-28), Louis Armstrong (on 1936-04-28), Louis Bacon (on 1936-04-28) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-04-28)
vocals:
Louis Armstrong (on 1936-04-28)
orchestra:
Louis Armstrong & His Orchestra (on 1936-04-28)
3:01
18If We Never Meet Again
recorded in:
New York, New York, United States (on 1936-04-29)
double bass:
George "Pops" Foster (on 1936-04-29)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-04-29)
guitar:
Lee Blair (on 1936-04-29)
piano:
Luis Russell (on 1936-04-29)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-04-29), Henry “Moon” Jones (swing era reeds) (on 1936-04-29) and Greely Walton (on 1936-04-29)
tenor saxophone:
Bingie Madison (on 1936-04-29)
trombone:
Jimmy Archey (on 1936-04-29) and Snub Mosley (on 1936-04-29)
trumpet:
Gus Aiken (on 1936-04-29), Louis Armstrong (on 1936-04-29), Louis Bacon (on 1936-04-29) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-04-29)
vocals:
Louis Armstrong (on 1936-04-29)
orchestra:
Louis Armstrong & His Orchestra (on 1936-04-29)
recording of:
If We Never Meet Again (on 1936-04-29)
writer:
Louis Armstrong and Horace Gerlach
3:10
19Lyin' to Myself
recorded in:
New York, New York, United States (on 1936-05-18)
double bass:
George "Pops" Foster (on 1936-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-05-18)
guitar:
Lee Blair (on 1936-05-18)
piano:
Luis Russell (on 1936-05-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-05-18), Henry “Moon” Jones (swing era reeds) (on 1936-05-18) and Greely Walton (on 1936-05-18)
tenor saxophone:
Bingie Madison (on 1936-05-18)
trombone:
Jimmy Archey (on 1936-05-18) and Snub Mosley (on 1936-05-18)
trumpet:
Gus Aiken (on 1936-05-18), Louis Armstrong (on 1936-05-18), Louis Bacon (on 1936-05-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-05-18)
vocals:
Louis Armstrong (on 1936-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-05-18)
recording of:
Lyin' to Myself (on 1936-05-18)
writer:
Stanley Adams (US lyricist & songwriter) and Hoagy Carmichael
3:13
20Ev'ntide
recorded in:
New York, New York, United States (on 1936-05-18)
double bass:
George "Pops" Foster (on 1936-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-05-18)
guitar:
Lee Blair (on 1936-05-18)
piano:
Luis Russell (on 1936-05-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-05-18), Henry “Moon” Jones (swing era reeds) (on 1936-05-18) and Greely Walton (on 1936-05-18)
tenor saxophone:
Bingie Madison (on 1936-05-18)
trombone:
Jimmy Archey (on 1936-05-18) and Snub Mosley (on 1936-05-18)
trumpet:
Gus Aiken (on 1936-05-18), Louis Armstrong (on 1936-05-18), Louis Bacon (on 1936-05-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-05-18)
vocals:
Louis Armstrong (on 1936-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-05-18)
recording of:
Ev'ntide (on 1936-05-18)
lyricist and composer:
Hoagy Carmichael
2:50
▶CD 14: 1936-1937
▶CD 15: 1937-1938
▶CD 16: 1938-1939
▶CD 17: 1939-1940
▶CD 18: 1940-1941
▶CD 19: 1941-1946
▶CD 20: 1946-1947