I Get Wet (10th anniversary special deluxe edition)

~ Release by Andrew W.K. (see all versions of this release, 13 available)

Annotation

White vinyl, features printed sleeves and a 11x17 poster. Pre-orders from Century Media online store also included a second 11x17 poster of the album art signed by Andrew.

Annotation last modified on 2014-07-01 20:12 UTC.

Tracklist

12" Vinyl 1: The Original Album
#TitleRatingLength
A1It's Time to Party
additional recording engineer:
Sam Revelli and Bobby Warner
assistant recording engineer:
Tony Allen (guitarist), Dan Burns and Tom Durlayne
recording engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Frank Gryner and Robert Thompson (engineer)
programming:
Aaron Dilloway, Anthony Miller and Nate Young (Wolf Eyes)
audio engineer:
Tom Gordon (engineer) and Lou Willis
additional producer:
T.S.D. (recording engineer for Andrew W.K.) and Frank Vierti
co-producer:
John Fields (“Strawberry” – producer)
executive producer:
Steev Mike
producer:
Mario Dane, Scott Humphrey and Andrew W.K.
mixer:
Mike Shipley
additional bass guitar:
Chris Chaney and Mike David (bassist)
additional drums (drum set):
Brett Lee and Gary Novak
additional guitar:
Tony Allen (guitarist), Chuck Morgan, Fred Thomas (Saturday Looks Good to Me/His Name is Alive/Flashpapr) and Phil X (Bon Jovi guitarist Phil Xenidis)
bass guitar:
Gregg Roberts
drums (drum set):
Donald Tardy
guitar:
Jimmy Coup, Sgt. Frank and Erik Payne
keyboard and piano:
Mario Dane, Sam Revelli, Frank Vierti and Andrew W.K.
vocals:
Andrew W.K.
visual appearances:
Justin Silverman (Cinemassacre member) (from 2012-08-15 to present), Josh Henderson (from 2012-08-16 to present) and Nick Murphy (YouTuber) (from 2012-08-16 to present)
recorded at:
Guardian Sound in Los Angeles, California, United States, Heaven Studios in Manhattan, New York, New York, United States, Maroon Bells Studios in Aspen, Colorado, United States, New Jersey Studios in Minneapolis, Minnesota, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States, Record One in Sherman Oaks, Los Angeles, California, United States, The Chop Shop (Scott Humphrey's studio) in Los Angeles, California, United States and White Rose Studios in Michigan, United States
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Record One in Sherman Oaks, Los Angeles, California, United States
recording of:
It's Time to Party
writer:
Andrew W.K.
publisher:
Andrew W.K. Music, Inc. and Songs of Universal, Inc.
3.651:30
A2Party Hard
additional recording engineer:
Sam Revelli and Bobby Warner
assistant recording engineer:
Tony Allen (guitarist), Dan Burns and Tom Durlayne
recording engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Frank Gryner and Robert Thompson (engineer)
programming:
Aaron Dilloway, Anthony Miller and Nate Young (Wolf Eyes)
audio engineer:
Tom Gordon (engineer) and Lou Willis
additional producer:
T.S.D. (recording engineer for Andrew W.K.) and Frank Vierti
co-producer:
John Fields (“Strawberry” – producer)
executive producer:
Steev Mike
producer:
Mario Dane, Scott Humphrey and Andrew W.K.
mixer:
Mike Shipley
additional bass guitar:
Chris Chaney and Mike David (bassist)
additional drums (drum set):
Brett Lee and Gary Novak
additional guitar:
Tony Allen (guitarist), Chuck Morgan, Fred Thomas (Saturday Looks Good to Me/His Name is Alive/Flashpapr) and Phil X (Bon Jovi guitarist Phil Xenidis)
bass guitar:
Gregg Roberts
drums (drum set):
Donald Tardy
guitar:
Jimmy Coup, Sgt. Frank and Erik Payne
keyboard and piano:
Mario Dane, Sam Revelli, Frank Vierti and Andrew W.K.
vocals:
Andrew W.K.
recorded at:
Guardian Sound in Los Angeles, California, United States, Heaven Studios in Manhattan, New York, New York, United States, Maroon Bells Studios in Aspen, Colorado, United States, New Jersey Studios in Minneapolis, Minnesota, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States, Record One in Sherman Oaks, Los Angeles, California, United States, The Chop Shop (Scott Humphrey's studio) in Los Angeles, California, United States and White Rose Studios in Michigan, United States
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Record One in Sherman Oaks, Los Angeles, California, United States
music videos:
Party Hard by Andrew W.K.
recording of:
Party Hard
lyricist and composer:
Andrew W.K.
publisher:
Andrew W.K. Music, Inc. and Songs of Universal, Inc.
4.853:05
A3Girls Own Love
additional recording engineer:
Sam Revelli and Bobby Warner
assistant recording engineer:
Tony Allen (guitarist), Dan Burns and Tom Durlayne
recording engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Frank Gryner and Robert Thompson (engineer)
programming:
Aaron Dilloway, Anthony Miller and Nate Young (Wolf Eyes)
audio engineer:
Tom Gordon (engineer) and Lou Willis
additional producer:
T.S.D. (recording engineer for Andrew W.K.) and Frank Vierti
co-producer:
John Fields (“Strawberry” – producer)
executive producer:
Steev Mike
producer:
Mario Dane, Scott Humphrey and Andrew W.K.
mixer:
Mike Shipley
additional bass guitar:
Chris Chaney and Mike David (bassist)
additional drums (drum set):
Brett Lee and Gary Novak
additional guitar:
Tony Allen (guitarist), Chuck Morgan, Fred Thomas (Saturday Looks Good to Me/His Name is Alive/Flashpapr) and Phil X (Bon Jovi guitarist Phil Xenidis)
bass guitar:
Gregg Roberts
drums (drum set):
Donald Tardy
guitar:
Jimmy Coup, Sgt. Frank and Erik Payne
keyboard and piano:
Mario Dane, Sam Revelli, Frank Vierti and Andrew W.K.
vocals:
Andrew W.K.
recorded at:
Guardian Sound in Los Angeles, California, United States, Heaven Studios in Manhattan, New York, New York, United States, Maroon Bells Studios in Aspen, Colorado, United States, New Jersey Studios in Minneapolis, Minnesota, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States, Record One in Sherman Oaks, Los Angeles, California, United States, The Chop Shop (Scott Humphrey's studio) in Los Angeles, California, United States and White Rose Studios in Michigan, United States
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Record One in Sherman Oaks, Los Angeles, California, United States
recording of:
Girls Own Love
writer:
Andrew W.K.
publisher:
Andrew W.K. Music, Inc. and Songs of Universal, Inc.
revision of:
Girls Own Juice
3.53:13
A4Ready to Die
additional recording engineer:
Sam Revelli and Bobby Warner
assistant recording engineer:
Tony Allen (guitarist), Dan Burns and Tom Durlayne
recording engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Frank Gryner and Robert Thompson (engineer)
programming:
Aaron Dilloway, Anthony Miller and Nate Young (Wolf Eyes)
audio engineer:
Tom Gordon (engineer) and Lou Willis
additional producer:
T.S.D. (recording engineer for Andrew W.K.) and Frank Vierti
co-producer:
John Fields (“Strawberry” – producer)
executive producer:
Steev Mike
producer:
Mario Dane, Scott Humphrey and Andrew W.K.
mixer:
Mike Shipley
additional bass guitar:
Chris Chaney and Mike David (bassist)
additional drums (drum set):
Brett Lee and Gary Novak
additional guitar:
Tony Allen (guitarist), Chuck Morgan, Fred Thomas (Saturday Looks Good to Me/His Name is Alive/Flashpapr) and Phil X (Bon Jovi guitarist Phil Xenidis)
bass guitar:
Gregg Roberts
drums (drum set):
Donald Tardy
guitar:
Jimmy Coup, Sgt. Frank and Erik Payne
keyboard and piano:
Mario Dane, Sam Revelli, Frank Vierti and Andrew W.K.
vocals:
Andrew W.K.
recorded at:
Guardian Sound in Los Angeles, California, United States, Heaven Studios in Manhattan, New York, New York, United States, Maroon Bells Studios in Aspen, Colorado, United States, New Jersey Studios in Minneapolis, Minnesota, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States, Record One in Sherman Oaks, Los Angeles, California, United States, The Chop Shop (Scott Humphrey's studio) in Los Angeles, California, United States and White Rose Studios in Michigan, United States
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Record One in Sherman Oaks, Los Angeles, California, United States
recording of:
Ready to Die
writer:
Andrew W.K.
publisher:
Andrew W.K. Music, Inc. and Songs of Universal, Inc.
3.852:55
A5Take It Off
additional recording engineer:
Sam Revelli and Bobby Warner
assistant recording engineer:
Tony Allen (guitarist), Dan Burns and Tom Durlayne
recording engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Frank Gryner and Robert Thompson (engineer)
programming:
Aaron Dilloway, Anthony Miller and Nate Young (Wolf Eyes)
audio engineer:
Tom Gordon (engineer) and Lou Willis
additional producer:
T.S.D. (recording engineer for Andrew W.K.) and Frank Vierti
co-producer:
John Fields (“Strawberry” – producer)
executive producer:
Steev Mike
producer:
Mario Dane, Scott Humphrey and Andrew W.K.
mixer:
Mike Shipley
additional bass guitar:
Chris Chaney and Mike David (bassist)
additional drums (drum set):
Brett Lee and Gary Novak
additional guitar:
Tony Allen (guitarist), Chuck Morgan, Fred Thomas (Saturday Looks Good to Me/His Name is Alive/Flashpapr) and Phil X (Bon Jovi guitarist Phil Xenidis)
bass guitar:
Gregg Roberts
drums (drum set):
Donald Tardy
guitar:
Jimmy Coup, Sgt. Frank and Erik Payne
keyboard and piano:
Mario Dane, Sam Revelli, Frank Vierti and Andrew W.K.
vocals:
Andrew W.K.
recorded at:
Guardian Sound in Los Angeles, California, United States, Heaven Studios in Manhattan, New York, New York, United States, Maroon Bells Studios in Aspen, Colorado, United States, New Jersey Studios in Minneapolis, Minnesota, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States, Record One in Sherman Oaks, Los Angeles, California, United States, The Chop Shop (Scott Humphrey's studio) in Los Angeles, California, United States and White Rose Studios in Michigan, United States
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Record One in Sherman Oaks, Los Angeles, California, United States
recording of:
Take It Off
writer:
Andrew W.K.
publisher:
Andrew W.K. Music, Inc. and Songs of Universal, Inc.
3.53:10
A6I Love NYC
additional recording engineer:
Sam Revelli and Bobby Warner
assistant recording engineer:
Tony Allen (guitarist), Dan Burns and Tom Durlayne
recording engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Frank Gryner and Robert Thompson (engineer)
programming:
Aaron Dilloway, Anthony Miller and Nate Young (Wolf Eyes)
audio engineer:
Tom Gordon (engineer) and Lou Willis
additional producer:
T.S.D. (recording engineer for Andrew W.K.) and Frank Vierti
co-producer:
John Fields (“Strawberry” – producer)
executive producer:
Steev Mike
producer:
Mario Dane, Scott Humphrey and Andrew W.K.
mixer:
Mike Shipley
additional bass guitar:
Chris Chaney and Mike David (bassist)
additional drums (drum set):
Brett Lee and Gary Novak
additional guitar:
Tony Allen (guitarist), Chuck Morgan, Fred Thomas (Saturday Looks Good to Me/His Name is Alive/Flashpapr) and Phil X (Bon Jovi guitarist Phil Xenidis)
bass guitar:
Gregg Roberts
drums (drum set):
Donald Tardy
guitar:
Jimmy Coup, Sgt. Frank and Erik Payne
keyboard and piano:
Mario Dane, Sam Revelli, Frank Vierti and Andrew W.K.
vocals:
Andrew W.K.
recorded at:
Guardian Sound in Los Angeles, California, United States, Heaven Studios in Manhattan, New York, New York, United States, Maroon Bells Studios in Aspen, Colorado, United States, New Jersey Studios in Minneapolis, Minnesota, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States, Record One in Sherman Oaks, Los Angeles, California, United States, The Chop Shop (Scott Humphrey's studio) in Los Angeles, California, United States and White Rose Studios in Michigan, United States
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Record One in Sherman Oaks, Los Angeles, California, United States
recording of:
I Love NYC
writer:
Andrew W.K.
publisher:
Andrew W.K. Music, Inc. and Songs of Universal, Inc.
4.253:11
B1She Is Beautiful
additional recording engineer:
Sam Revelli and Bobby Warner
assistant recording engineer:
Tony Allen (guitarist), Dan Burns and Tom Durlayne
recording engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Frank Gryner and Robert Thompson (engineer)
programming:
Aaron Dilloway, Anthony Miller and Nate Young (Wolf Eyes)
audio engineer:
Tom Gordon (engineer) and Lou Willis
additional producer:
T.S.D. (recording engineer for Andrew W.K.) and Frank Vierti
co-producer:
John Fields (“Strawberry” – producer)
executive producer:
Steev Mike
producer:
Mario Dane, Scott Humphrey and Andrew W.K.
mixer:
Mike Shipley
additional bass guitar:
Chris Chaney and Mike David (bassist)
additional drums (drum set):
Brett Lee and Gary Novak
additional guitar:
Tony Allen (guitarist), Chuck Morgan, Fred Thomas (Saturday Looks Good to Me/His Name is Alive/Flashpapr) and Phil X (Bon Jovi guitarist Phil Xenidis)
bass guitar:
Gregg Roberts
drums (drum set):
Donald Tardy
guitar:
Jimmy Coup, Sgt. Frank and Erik Payne
keyboard and piano:
Mario Dane, Sam Revelli, Frank Vierti and Andrew W.K.
vocals:
Andrew W.K.
recorded at:
Guardian Sound in Los Angeles, California, United States, Heaven Studios in Manhattan, New York, New York, United States, Maroon Bells Studios in Aspen, Colorado, United States, New Jersey Studios in Minneapolis, Minnesota, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States, Record One in Sherman Oaks, Los Angeles, California, United States, The Chop Shop (Scott Humphrey's studio) in Los Angeles, California, United States and White Rose Studios in Michigan, United States
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Record One in Sherman Oaks, Los Angeles, California, United States
music videos:
She Is Beautiful by Andrew W.K.
recording of:
She Is Beautiful
lyricist and composer:
Andrew W.K.
publisher:
Andrew W.K. Music, Inc. and Songs of Universal, Inc.
part of:
Freaky Friday (2003)
4.353:34
B2Party Til You Puke
additional recording engineer:
Sam Revelli and Bobby Warner
assistant recording engineer:
Tony Allen (guitarist), Dan Burns and Tom Durlayne
recording engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Frank Gryner and Robert Thompson (engineer)
programming:
Aaron Dilloway, Anthony Miller and Nate Young (Wolf Eyes)
audio engineer:
Tom Gordon (engineer) and Lou Willis
additional producer:
T.S.D. (recording engineer for Andrew W.K.) and Frank Vierti
co-producer:
John Fields (“Strawberry” – producer)
executive producer:
Steev Mike
producer:
Mario Dane, Scott Humphrey and Andrew W.K.
mixer:
Mike Shipley
additional bass guitar:
Chris Chaney and Mike David (bassist)
additional drums (drum set):
Brett Lee and Gary Novak
additional guitar:
Tony Allen (guitarist), Chuck Morgan, Fred Thomas (Saturday Looks Good to Me/His Name is Alive/Flashpapr) and Phil X (Bon Jovi guitarist Phil Xenidis)
bass guitar:
Gregg Roberts
drums (drum set):
Donald Tardy
guitar:
Jimmy Coup, Sgt. Frank and Erik Payne
keyboard and piano:
Mario Dane, Sam Revelli, Frank Vierti and Andrew W.K.
vocals:
Andrew W.K.
recorded at:
Guardian Sound in Los Angeles, California, United States, Heaven Studios in Manhattan, New York, New York, United States, Maroon Bells Studios in Aspen, Colorado, United States, New Jersey Studios in Minneapolis, Minnesota, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States, Record One in Sherman Oaks, Los Angeles, California, United States, The Chop Shop (Scott Humphrey's studio) in Los Angeles, California, United States and White Rose Studios in Michigan, United States
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Record One in Sherman Oaks, Los Angeles, California, United States
recording of:
Party Til You Puke
writer:
Andrew W.K.
publisher:
Andrew W.K. Music, Inc. and Songs of Universal, Inc.
3.52:34
B3Fun Night
additional recording engineer:
Sam Revelli and Bobby Warner
assistant recording engineer:
Tony Allen (guitarist), Dan Burns and Tom Durlayne
recording engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Frank Gryner and Robert Thompson (engineer)
programming:
Aaron Dilloway, Anthony Miller and Nate Young (Wolf Eyes)
audio engineer:
Tom Gordon (engineer) and Lou Willis
additional producer:
T.S.D. (recording engineer for Andrew W.K.) and Frank Vierti
co-producer:
John Fields (“Strawberry” – producer)
executive producer:
Steev Mike
producer:
Mario Dane, Scott Humphrey and Andrew W.K.
mixer:
Mike Shipley
additional bass guitar:
Chris Chaney and Mike David (bassist)
additional drums (drum set):
Brett Lee and Gary Novak
additional guitar:
Tony Allen (guitarist), Chuck Morgan, Fred Thomas (Saturday Looks Good to Me/His Name is Alive/Flashpapr) and Phil X (Bon Jovi guitarist Phil Xenidis)
bass guitar:
Gregg Roberts
drums (drum set):
Donald Tardy
guitar:
Jimmy Coup, Sgt. Frank and Erik Payne
keyboard and piano:
Mario Dane, Sam Revelli, Frank Vierti and Andrew W.K.
vocals:
Andrew W.K.
recorded at:
Guardian Sound in Los Angeles, California, United States, Heaven Studios in Manhattan, New York, New York, United States, Maroon Bells Studios in Aspen, Colorado, United States, New Jersey Studios in Minneapolis, Minnesota, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States, Record One in Sherman Oaks, Los Angeles, California, United States, The Chop Shop (Scott Humphrey's studio) in Los Angeles, California, United States and White Rose Studios in Michigan, United States
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Record One in Sherman Oaks, Los Angeles, California, United States
recording of:
Fun Night
writer:
Andrew W.K.
publisher:
Andrew W.K. Music, Inc. and Songs of Universal, Inc.
3.253:23
B4Got to Do It
additional recording engineer:
Sam Revelli and Bobby Warner
assistant recording engineer:
Tony Allen (guitarist), Dan Burns and Tom Durlayne
recording engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Frank Gryner and Robert Thompson (engineer)
programming:
Aaron Dilloway, Anthony Miller and Nate Young (Wolf Eyes)
audio engineer:
Tom Gordon (engineer) and Lou Willis
additional producer:
T.S.D. (recording engineer for Andrew W.K.) and Frank Vierti
co-producer:
John Fields (“Strawberry” – producer)
executive producer:
Steev Mike
producer:
Mario Dane, Scott Humphrey and Andrew W.K.
mixer:
Mike Shipley
additional bass guitar:
Chris Chaney and Mike David (bassist)
additional drums (drum set):
Brett Lee and Gary Novak
additional guitar:
Tony Allen (guitarist), Chuck Morgan, Fred Thomas (Saturday Looks Good to Me/His Name is Alive/Flashpapr) and Phil X (Bon Jovi guitarist Phil Xenidis)
bass guitar:
Gregg Roberts
drums (drum set):
Donald Tardy
guitar:
Jimmy Coup, Sgt. Frank and Erik Payne
keyboard and piano:
Mario Dane, Sam Revelli, Frank Vierti and Andrew W.K.
vocals:
Andrew W.K.
recorded at:
Guardian Sound in Los Angeles, California, United States, Heaven Studios in Manhattan, New York, New York, United States, Maroon Bells Studios in Aspen, Colorado, United States, New Jersey Studios in Minneapolis, Minnesota, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States, Record One in Sherman Oaks, Los Angeles, California, United States, The Chop Shop (Scott Humphrey's studio) in Los Angeles, California, United States and White Rose Studios in Michigan, United States
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Record One in Sherman Oaks, Los Angeles, California, United States
recording of:
Got to Do It
writer:
Andrew W.K.
publisher:
Andrew W.K. Music, Inc. and Songs of Universal, Inc.
3.53:55
B5I Get Wet
additional recording engineer:
Sam Revelli and Bobby Warner
assistant recording engineer:
Tony Allen (guitarist), Dan Burns and Tom Durlayne
recording engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Frank Gryner and Robert Thompson (engineer)
programming:
Aaron Dilloway, Anthony Miller and Nate Young (Wolf Eyes)
audio engineer:
Tom Gordon (engineer) and Lou Willis
additional producer:
T.S.D. (recording engineer for Andrew W.K.) and Frank Vierti
co-producer:
John Fields (“Strawberry” – producer)
executive producer:
Steev Mike
producer:
Mario Dane, Scott Humphrey and Andrew W.K.
mixer:
Mike Shipley
additional bass guitar:
Chris Chaney and Mike David (bassist)
additional drums (drum set):
Brett Lee and Gary Novak
additional guitar:
Tony Allen (guitarist), Chuck Morgan, Fred Thomas (Saturday Looks Good to Me/His Name is Alive/Flashpapr) and Phil X (Bon Jovi guitarist Phil Xenidis)
bass guitar:
Gregg Roberts
drums (drum set):
Donald Tardy
guitar:
Jimmy Coup, Sgt. Frank and Erik Payne
keyboard and piano:
Mario Dane, Sam Revelli, Frank Vierti and Andrew W.K.
vocals:
Andrew W.K.
recorded at:
Guardian Sound in Los Angeles, California, United States, Heaven Studios in Manhattan, New York, New York, United States, Maroon Bells Studios in Aspen, Colorado, United States, New Jersey Studios in Minneapolis, Minnesota, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States, Record One in Sherman Oaks, Los Angeles, California, United States, The Chop Shop (Scott Humphrey's studio) in Los Angeles, California, United States and White Rose Studios in Michigan, United States
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Record One in Sherman Oaks, Los Angeles, California, United States
recording of:
I Get Wet
writer:
Andrew W.K.
publisher:
Andrew W.K. Music, Inc. and Songs of Universal, Inc.
43:23
B6Don't Stop Living in the Red
additional recording engineer:
Sam Revelli and Bobby Warner
assistant recording engineer:
Tony Allen (guitarist), Dan Burns and Tom Durlayne
recording engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Frank Gryner and Robert Thompson (engineer)
programming:
Aaron Dilloway, Anthony Miller and Nate Young (Wolf Eyes)
audio engineer:
Tom Gordon (engineer) and Lou Willis
additional producer:
T.S.D. (recording engineer for Andrew W.K.) and Frank Vierti
co-producer:
John Fields (“Strawberry” – producer)
executive producer:
Steev Mike
producer:
Mario Dane, Scott Humphrey and Andrew W.K.
mixer:
Mike Shipley
additional bass guitar:
Chris Chaney and Mike David (bassist)
additional drums (drum set):
Brett Lee and Gary Novak
additional guitar:
Tony Allen (guitarist), Chuck Morgan, Fred Thomas (Saturday Looks Good to Me/His Name is Alive/Flashpapr) and Phil X (Bon Jovi guitarist Phil Xenidis)
bass guitar:
Gregg Roberts
drums (drum set):
Donald Tardy
guitar:
Jimmy Coup, Sgt. Frank and Erik Payne
keyboard and piano:
Mario Dane, Sam Revelli, Frank Vierti and Andrew W.K.
vocals:
Andrew W.K.
recorded at:
Guardian Sound in Los Angeles, California, United States, Heaven Studios in Manhattan, New York, New York, United States, Maroon Bells Studios in Aspen, Colorado, United States, New Jersey Studios in Minneapolis, Minnesota, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States, Record One in Sherman Oaks, Los Angeles, California, United States, The Chop Shop (Scott Humphrey's studio) in Los Angeles, California, United States and White Rose Studios in Michigan, United States
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Record One in Sherman Oaks, Los Angeles, California, United States
recording of:
Don't Stop Living in the Red
writer:
Andrew W.K.
publisher:
Andrew W.K. Music, Inc. and Songs of Universal, Inc.
41:41
12" Vinyl 2: The Bonus Tracks

Credits

Release

executive producer:Steev Mike
additional mastering:Dave Collins (US mastering engineer)
mastering:Sarah Register (mastering engineer and musician)
Howie Weinberg (mastering engineer)
manufactured by:Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.)
copyrighted (©) by:Century Media Records (not for release label use! is either the US subsidiary or Century Media) (in 2012)
phonographic copyright (℗) by:The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
Century Media Records (not for release label use! is either the US subsidiary or Century Media) (in 2012)
mastered at:Marcussen Mastering in Hollywood, Los Angeles, California, United States
Masterdisk in New York, New York, United States
The Lodge in Greenwich Village, New York, New York, United States
Discogs:https://www.discogs.com/release/3843436 [info]
ASIN:US: B008U85TV4 [info]
purchase for mail-order:http://andrewwk.com/store#!/~/product/category=146332&id=15135412 [info]
other databases:https://rateyourmusic.com/release/album/andrew_w_k_/i_get_wet_f6/ [info]
Allmusic:https://www.allmusic.com/album/release/mr0003752672 [info]