The Longest Snowboarding Album, Ever.

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

Digital Media 1
#TitleArtistRatingLength
1Rollin’ (Air Raid Vehicle)
recording engineer:
Terry Date (American record producer and engineer)
additional producer:
Josh Abraham and Scott Weiland
producer:
Terry Date (American record producer and engineer) and Limp Bizkit
assistant mixer:
Steve Sisco and Josh Wilbur
mixer:
Rich Keller (engineer), Richard Huredia (US hip hop mix engineer) and Andy Wallace (engineer)
additional editor:
Domenic Barbera (engineer)
performer:
Limp Bizkit
mixed at:
Soundtrack Studios (New York) in New York, New York, United States
recording of:
Rollin’ (Air Raid Vehicle)
publisher:
Swizz Beatz (US hip hop producer)
lyricist:
Fred Durst
writer:
Kasseem Dean (US hip hop producer) and Leor Dimant
composer:
Wes Borland, John Otto (Limp Bizkit drummer) and Sam Rivers (Limp Bizkit bassist)
publisher:
Zomba Enterprises, Inc. (ended), Big Bizkit Music, Lethal Dose Music, Universal Music – Z Tunes and Universal Music Corp. (USA, affiliated with ASCAP)
Limp Bizkit3.73:34
2Vindicated
additional engineer:
Daniel Mendez
assistant engineer:
Fox Phelps
engineer, producer and mixer:
Don Gilmore (American rock/nu metal music producer)
phonographic copyright (℗) by:
Vagrant Records (punk / indie rock label from the US) (in 2004)
recorded at:
NRG Recording in North Hollywood, Los Angeles, California, United States
recording of:
Vindicated
lyricist and composer:
Christopher Carrabba
publisher:
Hey, did she ask about me? Music
Dashboard Confessional33:21
3Smooth Criminal
assistant engineer:
Justin Harvey
engineer and editor:
James Murray (US engineer)
producer and mixer:
Jay Baumgardner
assistant mixer:
Dan Certa
additional editor:
John Ewing (Engineer) and Brian Virtue
drums (drum set):
Mike Cosgrove
electric bass guitar [bassadilla], guitar and background vocals:
Tye Zamora
electric guitar:
Terence Corso
lead vocals:
Dryden Mitchell
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (in 2001)
recorded at and mixed at:
NRG Recording Services in North Hollywood, Los Angeles, California, United States
music videos:
Smooth Criminal by Alien Ant Farm
part of:
New York Post: 100 Greatest Covers (2007) (number: 6) and The Downloader’s Music Source Book (number: 355)
cover recording of:
Smooth Criminal
lyricist and composer:
Michael Jackson (“King of Pop”)
publisher:
Mijac Music
Alien Ant Farm4.053:29
4Santeria
engineer:
Stuart Sullivan
producer and mixer:
Paul Leary
part of:
Indie 88: Top 500 Indie Rock Songs (number: 253)
recording of:
Santeria
writer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
is based on:
Lincoln Highway Dub
Sublime53:03
5Gives You Hell
recording engineer:
Trevor Whatever (Barefoot Recording Studios)
engineer, producer and mixer:
Eric Valentine (Eric Dodd, producer and instrumentalist)
bass guitar and lead vocals:
Tyson Ritter
drums (drum set):
Chris Gaylor
guest keyboard:
Kevin Saulnier
guitar:
Mike Kennerty and Nick Wheeler
other vocals:
The All‐American Rejects (US rock band), Brad Cole (US keyboardist/woodwind player), Lonn Friend, Seth Howard (singer‐songwriter from Seattle, WA) and Trevor Whatever (Barefoot Recording Studios)
recording of:
Gives You Hell
writer:
Tyson Ritter and Nick Wheeler
The All‐American Rejects4.353:32
6Going Up the Country
producer:
Canned Heat and Skip Taylor
flute:
Jim Horn (saxophonist, hornist, flutist and oboist)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
recorded at:
I.D. Sound Recorders, Hollywood in Los Angeles, California, United States and I.D. Sound in Los Angeles, California, United States (from 1968-08-06 until 1968-08-07)
recording of:
Going Up the Country (from 1968-08-06 until 1968-08-07)
lyricist, writer and composer:
Alan Wilson (Canned Heat member)
publisher:
EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. and United Artists Music Ltd.
is based on:
Bull Doze Blues
Canned Heat42:53
7There Is
recording of:
There Is
writer:
Travis Barker (American producer and drummer of blink-182) and Tom DeLonge
publisher:
Beat Poet Music, EMI April Music Inc. and Fun With Goats
Box Car Racer2.653:17
8Like a Prayer
Rufio3:49
9Um Minuto Para o Fim Do Mundo
CPM 223:18
10Bring the Noise
producer:
Anthrax (US thrash metal band) and Mark Dodson (UK producer)
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson), Charlie Benante and Steve Thompson (producer)
additional vocals:
Frank Bello (US bassist for Anthrax), Charlie Benante and Flavor Flav
vocals:
Chuck D and Scott Ian
performer:
Public Enemy (US rap group)
phonographic copyright (℗) by:
Island Records, Inc. (US) (in 1991)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States and Conway Recording Studios in Hollywood, Los Angeles, California, United States
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
part of:
New York Post: 100 Greatest Covers (2007) (number: 36)
recording of:
Bring the Noise
writer:
Carlton Douglas Ridenhour, Eric Sadler and Hank Shocklee
publisher:
Island Music Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
recording of:
Bring the Noise with Anthrax (Anthrax version)
lyricist:
Chuck D and Hank Shocklee
writer:
Joey Belladonna, Frank Bello (US bassist for Anthrax), Charlie Benante, Carlton Douglas Ridenhour, Eric Sadler, Scott Ian Rosenfeld, Hank Shocklee and Dan Spitz
composer:
Frank Bello (US bassist for Anthrax), Charlie Benante, Carlton Douglas Ridenhour, Joseph Bellardini, Eric Sadler, Scott Ian Rosenfeld, Hank Shocklee and Dan Spitz
publisher:
Def American Songs, Inc. and NFP Music
revision of:
Bring tha Noize (Original Version)
Anthrax33:32
11She Is the New Thing
The Horrors3:21
12Victorious
assistant engineer:
Kyle Stevens
engineer:
Tom Syrowski
producer and mixer:
Brendan O’Brien (engineer)
percussion:
Josh Freese (American drummer)
recorded at:
Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States
recording of:
Victorious
lyricist and composer:
Andrew Stockdale
Wolfmother4.54:25
13Cute Without the ’e’ (cut From the Team)
recording of:
Cute Without the ‘E’ (Cut From the Team)
lyricist:
Adam Lazzara and John Nolan (guitarist/vocalist in Taking Back Sunday)
composer:
Shaun Cooper, Adam Lazzara, John Nolan (guitarist/vocalist in Taking Back Sunday), Mark O’Connell (Taking Back Sunday drummer) and Eddie Reyes (Taking Back Sunday guitarist)
publisher:
Another Victory Inc. and Iwillendyouinc
Taking Back Sunday3:32
14Rookie
Boysetsfire4:13
15The Rock Show
drums (drum set) programming:
Mike Fasano
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
phonographic copyright (℗) by:
Geffen Records (in 2016)
recording of:
The Rock Show
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., HMNIM Music and Jolly Old Saint Dick
blink‐1823.72:52
16Chick Magnet
recording of:
Chick Magnet
lyricist and composer:
Mike Herrera
publisher:
What's Mine Is Mine and Thirsty Moon River Publishing (from 1996 to present)
MxPx3:12
17Surf Song
engineer, producer and mixer:
Ryan Greene
recording of:
Surf Song
writer:
Fenix TX
publisher:
Rich Ninja Music
Fenix TX42:37
18When Your Heart Stops Beating
programming:
Kevin Bivona, Dan the Automator and Chris Holmes (recording engineer)
assistant engineer:
James Ingram (US engineer)
engineer:
Chris Holmes (recording engineer)
co-producer:
Jerry Finn
producer:
Travis Barker (American producer and drummer of blink-182) and Mark Hoppus
assistant mixer:
Seth Waldmann
mixer:
Jerry Finn
additional keyboard:
Kevin Bivona, Dan the Automator and Chris Holmes (recording engineer)
bass guitar and lead vocals:
Mark Hoppus
drums (drum set):
Travis Barker (American producer and drummer of blink-182)
guitar:
Craig Fairbaugh and Shane Gallagher (Indonesian-American guitarist)
phonographic copyright (℗) by:
Interscope Records (in 2006)
recorded at:
Ameraycan Recording Studios in North Hollywood, Los Angeles, California, United States, Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States and Opra Music in Hollywood, Los Angeles, California, United States
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States
music videos:
When Your Heart Stops Beating (official music video) by +44
recording of:
When Your Heart Stops Beating
writer:
Travis Barker (American producer and drummer of blink-182) and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Hi My Name Is Mark and Universal Music Corp. (USA, affiliated with ASCAP)
+443.653:13
19Dance Dance
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
recording of:
Dance, Dance
lyricist:
Pete Wentz
composer:
Andy Hurley (rock drummer from the US), Patrick Stump, Joe Trohman and Pete Wentz
publisher:
Chicago X Softcore Songs
Fall Out Boy3.653:01
20Ocean Avenue
recording engineer and producer:
Neal Avron
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
bass:
Peter Mosely (from 2003-02 until 2003-03)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2003)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (from 2003-02 until 2003-03)
mixed at:
South Beach Studios in Miami Beach, Florida, United States
recording of:
Ocean Avenue (from 2003-02 until 2003-03)
writer:
Ben Harper (guitarist for pop/punk band Yellowcard), William Ryan Key, Longineu Parsons, Sean Mackin (Violinist for Yellowcard) and Peter Mosely
publisher:
Bromuda Music (in 2003)
Yellowcard4.13:18
21Movies
assistant engineer:
Justin Harvey
engineer and editor:
James Murray (US engineer)
producer and mixer:
Jay Baumgardner
assistant mixer:
Dan Certa
additional editor:
John Ewing (Engineer) and Brian Virtue
drums (drum set):
Mike Cosgrove
electric bass guitar [bassadilla], guitar and background vocals:
Tye Zamora
electric guitar:
Terence Corso
lead vocals:
Dryden Mitchell
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (in 2001)
recorded at and mixed at:
NRG Recording Services in North Hollywood, Los Angeles, California, United States
music videos:
Movies (movie theatre) by Alien Ant Farm
part of:
The Downloader’s Music Source Book (number: 354)
recording of:
Movies
writer:
Terry Corso, Mike Cosgrove, Dryden Mitchell and Tye Zamora
publisher:
Karate Pants Music and Reservoir One America
Alien Ant Farm43:16
22Eyes of a Panther
recording of:
Eyes of a Panther
lyricist and composer:
Steel Panther
Steel Panther3:37
23Tick Tick BoomThe Hives4.353:25
24When Worlds Collide
additional engineer:
Joe Barresi
producer:
Sylvia Massy
mixer:
Frank Gryner and Scott Humphrey
recording of:
When Worlds Collide
lyricist:
Spider One (vocalist in Powerman 5000)
composer:
Powerman 5000
part of:
Little Nicky
Powerman 50004.652:58
25Dirty Little SecretThe All‐American Rejects4.253:14
26Underdog
You Me at Six52:26
27I Don’t Want to Be Here Anymore
engineer and producer:
Jason Livermore and Bill Stevenson (US punk drummer/producer)
mixer:
Chris Lord‐Alge
bass:
Joe Principe
drums (drum set):
Brandon Barnes (drummer for Rise Against)
vocals:
Tim McIlrath
recording of:
I Don’t Want to Be Here Anymore
writer:
Brandon Barnes (drummer for Rise Against), Zach Blair, Tim McIlrath and Joe Principe
publisher:
Do It to Win Music and Sony/ATV Tunes LLC
Rise Against4:00
28Av99
Dynamite Boy3:17
29I’m With Her
Rhett Miller2:34
30The Adventure
lead vocals:
Tom DeLonge
recording of:
The Adventure
lyricist and composer:
Tom DeLonge
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
Angels & Airwaves4.355:13
31Blurry
recording of:
Blurry
writer:
Doug Ardito (Puddle of Mudd bassist), Paul Phillips (US guitarist for Puddle of Mudd) and Wes Scantlin
Puddle of Mudd45:04
32Sweetness
engineer and mixer:
Mark Trombino
producer:
Jimmy Eat World and Mark Trombino
bass guitar:
Rick Burch
drums (drum set):
Zach Lind
guitar:
Tom Linton
guitar and percussion:
Jim Adkins (US singer, songwriter & guitarist for Jimmy Eat World)
vocals:
Jim Adkins (US singer, songwriter & guitarist for Jimmy Eat World)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 209)
recording of:
Sweetness
composer:
Jimmy Eat World
Jimmy Eat World4.63:40
33First Date
drums (drum set) programming:
Mike Fasano
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
phonographic copyright (℗) by:
Geffen Records (in 2016)
recording of:
First Date
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., HMNIM Music and Jolly Old Saint Dick
blink‐1823.952:50
34Time and Time Again
recording engineer, producer and mixer:
Sean Beavan
performer:
Mike Busse (American rapper, member of Chronic Future), Barry Collins, Ben Collins (member of Chronic Future) and Brandon Lee (Chronic Future singer and guitarist)
phonographic copyright (℗) by:
Interscope Records (in 2004)
recorded at:
Hollywood Sound in Los Angeles, California, United States
mixed at:
The Blue Room (studio of Sean Beavan) in Los Angeles, California, United States
recording of:
Time and Time Again
publisher:
Chronic Future Music
lyricist:
Mike Busse (American rapper, member of Chronic Future)
composer:
Mike Busse (American rapper, member of Chronic Future), Barry Collins, Ben Collins (member of Chronic Future), Brandon Lee (Chronic Future singer and guitarist) and Mike Loy
publisher:
Digital Free Publishing, Universal Music Corp. (USA, affiliated with ASCAP) and Wilrich Music
Chronic Future3.53:33
35Bouncing Off the Walls
Sugarcult2:21
36Way Away
recording engineer and producer:
Neal Avron
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
bass:
Peter Mosely (from 2003-02 until 2003-03)
cello:
Christine Choi (from 2003-02 until 2003-03)
viola:
Rodney Wirtz (from 2003-02 until 2003-03)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2003)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (from 2003-02 until 2003-03)
mixed at:
South Beach Studios in Miami Beach, Florida, United States
recording of:
Way Away (from 2003-02 until 2003-03)
writer:
Ben Harper (guitarist for pop/punk band Yellowcard), William Ryan Key, Longineu Parsons, Sean Mackin (Violinist for Yellowcard) and Peter Mosely
publisher:
Bromuda Music (in 2003)
Yellowcard43:22
37Why Don’t You Get a Job
miscellaneous support:
Janie Rangel (task: studios assistants) and Elan Trujillo (task: studios assistants)
assistant engineer:
Annette Cisneros
engineer:
Bryan Carlstrom
producer and mixer:
Dave Jerden
flute:
Derrick Davis
horn:
Phil Jordan (trumpet player) and Gabrial McNair
recorded at and mixed at:
Eldorado Recording Studios in Burbank, California, United States
recording of:
Why Don’t You Get a Job?
lyricist and composer:
Dexter Holland
publisher:
Round Hill Works, Underachiever Music and Wixen Music Publishing, Inc.
The Offspring4.22:52
38Kings and Queens
additional recording engineer:
Mike Einziger
additional engineer:
Jamie Schefman, Rob Kirwan, Sonny Diperri and Tom Biller (LA-based engineer, producer & musician)
engineer and mixer:
Ryan Williams (US recording engineer/producer)
co-producer:
Flood (British producer Mark Ellis), Steve Lillywhite and Thirty Seconds to Mars
performer:
Jared Leto, Shannon Leto and Tomo Milčević
additional strings arranger:
Mike Einziger
phonographic copyright (℗) by:
Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries) (in 2009)
recorded at:
Harvard University in Cambridge, Massachusetts, United States and The International Centre for the Advancement of the Arts and Sciences of Sound in Los Angeles, California, United States
mixed at:
Pulse Recording in Los Angeles, California, United States
recording of:
Kings and Queens
lyricist and composer:
Jared Leto
publisher:
Apocraphex Music and Universal Music – Z Tunes LLC
Thirty Seconds to Mars3.65:48
39Ooh La
assistant engineer:
Iain Dowling and Ben Mason
engineer:
Todd Burke and Tony Hoffer
producer:
Tony Hoffer
assistant mixer:
Keith Gary and Will Hensley (Engineer)
mixer:
Michael Brauer (engineer)
recording of:
Ooh La
lyricist:
Luke Pritchard
composer:
Paul Garred, Hugh Harris (of The Kooks), Luke Pritchard and Max Rafferty
The Kooks3.83:31
40The Bad Touch
producer:
Jimmy Pop (member of Bloodhound Gang)
mixer:
Raahu
guitar:
Lüpüs Thünder
membranophone:
Spanky G
Moog and lead vocals and spoken vocals:
Jimmy Pop (member of Bloodhound Gang)
background vocals:
DJ Q-Ball
music videos:
The Bad Touch by Bloodhound Gang
recording of:
The Bad Touch
lyricist and composer:
James Franks
publisher:
Universal‐Songs of PolyGram International, Inc., PolyGram Music Publishing (from 2000 to ????), Hey Rudy Music Publishing (from 2000 to present) and The Jimmy Franks Publishing Company (from 2000 to present)
Bloodhound Gang3.84:20
41The Shark Fighter!
recording engineer, producer and mixer:
The Aquabats! and Cameron Webb (engineer)
recorded at:
Maple Studios in Santa Ana, California, United States
The Aquabats!42:57
42Buddy Holly
assistant engineer:
Hal Belknap, David Heglmeier and Daniel Smith (engineer)
engineer:
Chris Shaw (US producer & engineer)
producer:
Ric Ocasek
bass guitar [bass]:
Matt Sharp (Weezer/The Rentals)
drums (drum set):
Patrick Wilson (Weezer/The Special Goodness)
guitar:
Brian Bell (guitarist) and Rivers Cuomo (US singer, guitarist & songwriter of Weezer)
vocals:
Brian Bell (guitarist), Rivers Cuomo (US singer, guitarist & songwriter of Weezer) and Matt Sharp (Weezer/The Rentals)
phonographic copyright (℗) by:
Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1994)
recorded at and mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1993-08 until 1993-09)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 15), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 484) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 497)
recording of:
Buddy Holly (from 1993-08 until 1993-09)
lyricist and composer:
Rivers Cuomo (US singer, guitarist & songwriter of Weezer)
premiered by:
Weezer (American rock band)
publisher:
E.O. Smith Music
sub-publisher:
日音 Synch事業部
lyrics quoted on:
Using You
Weezer4.32:39
43My Girlfriend’s Dead
The Vandals2:41
44Perfect World
Guttermouth1:53
45Wait and Bleed
additional recording engineer:
Rob Agnello
recording engineer:
Chuck Johnson (US nu-metal engineer)
co-producer:
Slipknot (US metal band)
producer:
Ross Robinson
mixer:
Chuck Johnson (US nu-metal engineer), Joey Jordison and Ross Robinson
bass guitar:
②: Paul (Slipknot bassist)
drums (drum set):
①: Joey
guitar:
⑦: Mick and Josh Brainard
percussion [custom percussion]:
③: Chris and ⑥: Shawn
sampler [samples/media]:
⑤: Craig (Slipknot sampler)
turntable:
⓪: Sid
vocals:
⑧: Corey
phonographic copyright (℗) by:
The All Blacks U.S.A., Inc. (company, for copyrights purposes) (in 1999)
recorded at and mixed at:
Indigo Ranch in Malibu, California, United States
recording of:
Wait and Bleed
writer:
Shawn Crahan, Chris Fehn, Paul Gray (Slipknot bassist), Craig Jones (Slipknot sampler), Joey Jordison, Corey Taylor, Mick Thomson and Sid Wilson
publisher:
EMI April Music, Inc. and Music That Music
Slipknot4.452:32
46Two Year Plan
Such Gold2:18
47Eighties
recording of:
Eighties
writer:
Jaz Coleman, Paul Ferguson, Paul Raven (UK bassist) and Geordie Walker
Killing Joke3:59
48Salvation
engineer and mixer:
Mike Plotnikoff
producer:
The Cranberries and Bruce Fairbairn
acoustic guitar, electric guitar and mandolin:
Dolores O’Riordan Burton (from 1995-11 until 1995-12) and Noel Hogan (from 1995-11 until 1995-12)
additional percussion:
Randy Raine-Reusch (from 1995-11 until 1995-12)
bass guitar:
Mike Hogan (bassist for The Cranberries) (from 1995-11 until 1995-12)
drums (drum set) and percussion:
Fergal Lawler (from 1995-11 until 1995-12)
guest baritone saxophone:
Michael Buckley (from 1995-11 until 1995-12)
guest tenor saxophone:
Richie Buckley (from 1995-11 until 1995-12)
guest trumpet:
Bruce Fairbairn (from 1995-11 until 1995-12)
keyboard, whistle and lead vocals:
Dolores O’Riordan Burton (from 1995-11 until 1995-12)
background vocals:
Noel Hogan (from 1995-11 until 1995-12)
orchestrator:
Michael Kamen (American score composer)
phonographic copyright (℗) by:
Island Records, Inc. (US) (in 1996) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1996)
recorded at:
Windmill Lane Studios in Dublin, County Dublin, Leinster, Ireland (from 1995-11 until 1995-12)
recording of:
Salvation (from 1995-11 until 1995-12)
lyricist:
Dolores O’Riordan
composer:
Noel Hogan and Dolores O’Riordan
publisher:
Island Music (Island Music Ltd.)
The Cranberries4.22:23
49The Kids Aren’t Alright
miscellaneous support:
Janie Rangel (task: studios assistants) and Elan Trujillo (task: studios assistants)
assistant engineer:
Annette Cisneros
engineer:
Bryan Carlstrom
producer and mixer:
Dave Jerden
bass guitar:
Greg K
drums (drum set):
Ron Welty
guitar:
Noodles (Kevin Wasserman)
lead vocals:
Dexter Holland
phonographic copyright (℗) by:
Epitaph (in 1994)
recorded at and mixed at:
Eldorado Recording Studios in Burbank, California, United States
recording of:
The Kids Aren’t Alright
lyricist and composer:
Dexter Holland
publisher:
Round Hill Works, Underachiever Music and Wixen Music Publishing, Inc.
The Offspring4.253:00
50She Hates Me
recording of:
She Hates Me
writer:
Jimmy Allen and Wes Scantlin
Puddle of Mudd4.253:37
51Bring You Down
producer:
Rick Beato
phonographic copyright (℗) by:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 2001)
recording of:
Bring You Down
writer:
Josh Davis (US punk rock drummer), Chip Dillard (US punk rock vocalist and guitarist), Brent Dobbs (US punk rock guitarist) and Brent Reems (US punk rock bass player)
publisher:
Haberslam Music
Left Front Tire2:29
52The Days of the Phoenix
AFI3:27
53Bleed American
engineer and mixer:
Mark Trombino
producer:
Jimmy Eat World and Mark Trombino
bass guitar:
Rick Burch
drums (drum set):
Zach Lind
guitar:
Tom Linton
guitar and percussion:
Jim Adkins (US singer, songwriter & guitarist for Jimmy Eat World)
vocals:
Jim Adkins (US singer, songwriter & guitarist for Jimmy Eat World) and Tom Linton
recording of:
Bleed American
composer:
Jimmy Eat World
Jimmy Eat World43:01
54All My Fault
additional engineer:
Sean O'Dwyer
engineer and producer:
Jim Barnes
additional producer:
Jerry Finn
mixer:
Jerry Finn
recording of:
All My Fault
writer:
Fenix TX
publisher:
Rich Ninja Music
Fenix TX4.652:50
55Dumpweed
engineer:
Sean O'Dwyer
producer:
Jerry Finn
mixer:
Tom Lord‐Alge
arranger:
blink‐182
recording of:
Dumpweed
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Fun With Goats (ended), Beat Poet Music, EMI April Music Inc., HMNIM Music and Jolly Old Saint Dick
blink‐1823.92:23
56Reach for the Sky
assistant engineer:
Jeff Moses
engineer:
Cameron Webb (engineer)
producer and mixer:
Mike Ness and Cameron Webb (engineer)
mixed at:
Larrabee Sound North in Universal City, California, United States
recording of:
Reach for the Sky
lyricist and composer:
Mike Ness
Social Distortion53:31
57Punk Rock Princess (New album mix)
Something Corporate3:52
58Euro‐barge
The Vandals1:53
59Letters to You
recording engineer, producer and mixer:
Mark Trombino
bass guitar:
Derek Doherty
drums (drum set):
Alex Pappas
guitar:
Alex Linares (guitarist in Finch) and Randy Strohmeyer
vocals:
Nate Barcalow
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2002)
recorded at:
Big Fish Recording Studio in Encinitas, California, United States
mixed at:
The Robot Factory in Los Angeles, California, United States
music videos:
Letters to You by Finch
recording of:
Letters to You
lyricist:
Nate Barcalow
composer:
Finch (US post-hardcore band)
Finch43:20
60Savior
recording of:
Savior
Rise Against44:02
61Jerry Was a Race Car Driver
recorded in:
Berkeley, California, United States (in 1991-01)
engineer:
Ron Rigler (sound engineer) (in 1991-01)
producer:
Primus (US rock band)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (in 1991-01)
music videos:
Jerry Was a Race Car Driver by Primus
recording of:
Jerry Was a Race Car Driver
lyricist:
Les Claypool
composer:
Tim Alexander (drummer, member of Primus), Les Claypool and Larry LaLonde
Primus4.453:10
62Code Blue
T.S.O.L.2:08
63Watch the Girl Destroy Me
Possum Dixon3:43
64Undone - The Sweater Song
assistant engineer:
Hal Belknap, David Heglmeier and Daniel Smith (engineer)
engineer:
Chris Shaw (US producer & engineer)
producer:
Ric Ocasek
bass guitar [bass]:
Matt Sharp (Weezer/The Rentals)
drums (drum set):
Patrick Wilson (Weezer/The Special Goodness)
guitar:
Brian Bell (guitarist) and Rivers Cuomo (US singer, guitarist & songwriter of Weezer)
vocals:
Brian Bell (guitarist), Rivers Cuomo (US singer, guitarist & songwriter of Weezer) and Matt Sharp (Weezer/The Rentals)
phonographic copyright (℗) by:
Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1994)
recorded at and mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1993-08 until 1993-09)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 30)
recording of:
Undone – The Sweater Song (from 1993-08 until 1993-09)
lyricist and composer:
Rivers Cuomo (US singer, guitarist & songwriter of Weezer)
premiered by:
Weezer (American rock band)
publisher:
E.O. Smith Music
Weezer4.255:05
65Girl in the Green Jacket
Bigwig2:47
66United States of WhateverLiam Lynch4.351:31
67Down in the Tube Station at Midnight (Full version)
producer:
Vic Coppersmith‐Heaven
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use! aka Polydor Ltd. or Polydor Ltd. (London), fka Polydor Records Ltd.)
recorded at:
Eden Studios (2nd location, Chiswick, 72-07) in Chiswick, Hounslow, London (Greater London), England, United Kingdom and RAK Studios in London (Greater London), England, United Kingdom (on 1978-08-07)
recording of:
Down in the Tube Station at Midnight (on 1978-08-07)
lyricist and composer:
Paul Weller
publisher:
BMG Music Publishing Ltd. and Stylist Music Ltd.
The Jam44:43
68Cherry Bomb
arranger:
Scott Anderson (The Runaways co -writer, -ordinator, -arranger), Kim Fowley and The Runaways (US 1970s all girl rock group)
phonographic copyright (℗) by:
Phonogram, Inc. (in 1976)
recorded at:
Criterion Studios in Los Angeles, California, United States
recording of:
Cherry Bomb
lyricist:
Kim Fowley
composer:
Joan Jett
publisher:
Jett Pack Music, Inc. and Peermusic Ltd. (BMI)
The Runaways4.152:18
69The Impression That I GetThe Mighty Mighty Bosstones4.253:14
70Lipstick
Guttermouth2:52
71Angel
recording of:
Angel
lyricist:
Ryan Kepke
composer:
Slick Shoes
Slick Shoes2:16
72One Way or Another
assistant engineer:
Grey Russell and Peter Coleman (British Engineer & Producer)
engineer:
Peter Coleman (British Engineer & Producer)
assistant producer:
Peter Coleman (British Engineer & Producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (Recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 298)
recording of:
One Way or Another (from 1978-06 until 1978-07)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), Chrysalis Songs, EMI Music Publishing Ltd. (PRS-affiliated), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
Blondie43:28
73Flavor of the Weak
recording of:
Flavor of the Weak
lyricist and composer:
Stacy Jones (US musician, songwriter, producer; in American Hi-Fi, Letters to Cleo)
publisher:
Disciples of Judra and Universal Music–MGB Songs
American Hi‐Fi4.13:08
74Feel Good Drag
recording engineer, producer and mixer:
Neal Avron
assistant engineer:
Dave Colvin, Mike Laza and Alyssa Pittaluga
engineer:
Erich Talaba
assistant mixer:
Nicolas Fournier
performer:
Stephen Christian, Christian McAlhaney, Joseph Milligan, Deon Rexroat and Nathan Young (US drummer for Anberlin)
phonographic copyright (℗) by:
Universal Republic Records (2006-2012) (in 2008)
recorded at:
NRG Recording Studio in North Hollywood, Los Angeles, California, United States (from 2008-03 until 2008-05) and The Boat (PCP Labs) in Silver Lake, Los Angeles, California, United States (from 2008-03 until 2008-05)
mixed at:
Paramount Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
The Feel Good Drag
lyricist:
Stephen Christian
writer:
Deon Rexroat and Nathan Young (US drummer for Anberlin)
composer:
Anberlin, Stephen Christian and Joseph Milligan
publisher:
Noise in National Music
Anberlin3:07
75California Sky
Unwritten Law3:00
76Lust for Life
engineer:
Eduard Meyer and Colin Thurston
producer:
Bewlay Bros.
bass guitar:
Tony Sales (from 1977-06-04 until 1977-06-18)
drums (drum set), shakers and tambourine:
Hunt Sales (from 1977-06-04 until 1977-06-18)
guitar:
Carlos Alomar (from 1977-06-04 until 1977-06-18) and Ricky Gardiner (from 1977-06-04 until 1977-06-18)
piano:
David Bowie (from 1977-06-04 until 1977-06-18)
background vocals:
Hunt Sales (from 1977-06-04 until 1977-06-18) and Tony Sales (from 1977-06-04 until 1977-06-18)
lead vocals:
Iggy Pop (from 1977-06-04 until 1977-06-18)
recorded at:
Hansa Studio III in Berlin, Germany (from 1977-06-04 until 1977-06-18)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 67), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 147) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 325)
recording of:
Lust for Life (from 1977-06-04 until 1977-06-18)
lyricist:
Iggy Pop
composer:
David Bowie and Iggy Pop
publisher:
Bewlay Bros. Music, Fleur Music Ltd. (publisher), Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Bug Music (music publishing) (in 1988) and James Osterberg Music (in 1988)
Iggy Pop4.55:11
77Mommy’s Little Monster
Social Distortion3:32
78Punk Rawk Show (Teenage Politics album version)
MxPx2:32
79Better Off Dead
New Found Glory2:48
80Sink or Swim
Bigwig2:45
81Salt for Your Wounds
AFI2:24
82Abolish Government/Silent Majority
T.S.O.L.1:59
83Phoebe Cates
producer:
Jerry Finn
publisher:
Rich Ninja Music
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001)
recording of:
Phoebe Cates
writer:
Damon DeLaPaz, Adam Lewis (Fenix TX bassist), Donnie Reyes and William Salazar
publisher:
Rich Ninja Music and Universal Publishing Inc.
Fenix TX43:40
84Going Underground
producer:
Vic Coppersmith‐Heaven
bass:
Bruce Foxton
drums (drum set):
Rick Buckler
guitar:
Paul Weller
vocals:
Bruce Foxton and Paul Weller
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use! aka Polydor Ltd. or Polydor Ltd. (London), fka Polydor Records Ltd.) (in 1980)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1980-01-16)
recording of:
Going Underground (on 1980-01-16)
lyricist and composer:
Paul Weller
publisher:
BMG Music Publishing Ltd. and Stylist Music Ltd.
The Jam4.252:54