The Greatest Hits

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 2 available)

Annotation

This release is from the US subsidiary of Intersound. It is actually labelled "Reference Gold by Intersound"

Annotation last modified on 2013-05-16 11:31 UTC.

Tracklist

CD 1
#TitleRatingLength
1Eine kleine Nachmusik — Allegro5:23
2Piano Concerto No.21 — Andante (“Elvira Madigan” Theme)
piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) and Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
35:38
3Overture to The Marriage of Figaro
orchestra:
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), Berlin Symphony Orchestra (almost certainly a Scholz fake artist), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (LPO), London Philharmonic Orchestra (Alfred Scholz pseudonym) and Philharmonia Slovanica Orchester (an Alfred Scholz pseudonym)
conductor:
Pietro di la Corona (Alfred Scholz pseudonym), Laurence Gordon Siegel (conductor, possibly another pseudonym Alfred Scholz created) and Alfred Scholz
recording of:
Le nozze di Figaro, K. 492: Sinfonia
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492
44:19
4Clarinet Concerto — Adagio
clarinet:
Jozé Ostrac (clarinettist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (conductor, pseudonym for Alfred Scholz)
performer:
Joze Ostrack
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
7:26
5Symphony No.35, “Haffner” — Allegro con spirito
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (conductor, pseudonym for Alfred Scholz)
recording of:
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”: I. Allegro con spirito
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”
5:55
6Horn Concerto No.2 — Rondo
French horn:
Josef Dokupil (horn player, an Alfred Scholz pseudonym)
horn:
Josef Dokupil (horn player, an Alfred Scholz pseudonym) and K. Sreter (an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Philharmonia Slavonica (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (conductor, pseudonym for Alfred Scholz)
performer:
Kamil Streter (an Alfred Scholz pseudonym)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Concerto for Horn no. 2 in E-flat major, K. 417
4:05
7Piano Concerto No.20 — Romance
piano:
Angela Giulini (fictitious pianist created by Alfred Scholz) and Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
8:45
8Symphony No.31, “Paris” — Allegro assai
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Alfred Scholz
recording of:
Symphony no. 31 in D major, K. 300a/297 "Paris": I. Allegro assai
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Symphony no. 31 in D major, K. 300a/297 "Paris"
7:41
9Overture to The Clemency of Titus
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), National Symphony Orchestra Olsztyn (probably a fake artist by Alfred Scholz) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Igor Gogol (conductor, probably a pseudonym for Alfred Scholz), Anton Nanut (conductor), Kurt Redel (flutist and conductor) and Alfred Scholz
recording of:
La clemenza di Tito, K. 621: Ouverture
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
La clemenza di Tito, K. 621
4:42
10Highlights from “Coronation” Mass — Kyrie
choir vocals:
Mozarteum Chor Salzburg
orchestra:
Camerata Academica of Salzburg (Austrian chamber orchestra) and Mozarteum Orchester Salzburg
conductor:
Ernst Hinreiner (conductor)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: I. Kyrie
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe”
2:42
11Highlights from “Coronation” Mass — Gloria
choir vocals:
Mozarteum Chor Salzburg
orchestra:
Camerata Academica of Salzburg (Austrian chamber orchestra) and Mozarteum Orchester Salzburg
conductor:
Ernst Hinreiner (conductor)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: II. Gloria
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe”
4:59
12Highlights from “Coronation” Mass — Benedictus3:45
13Highlights from “Coronation” Mass — Agnus Dei6:31
CD 2