The Operas

~ Release by Mozart; Solti (see all versions of this release, 2 available)

Tracklist

▶CD 1: Così fan tutte
▶CD 2: Così fan tutte
▶CD 3: Così fan tutte
▶CD 4: Don Giovanni
▶CD 5: Don Giovanni
▶CD 6: Don Giovanni
▶CD 7: Die Entführung aus dem Serail
▶CD 8: Die Entführung aus dem Serail
▶CD 9: Le nozze di Figaro
▶CD 10: Le nozze di Figaro
▶CD 11: Le nozze di Figaro
▶CD 12: Die Zauberflöte
▼CD 13: Die Zauberflöte
#TitleArtistRatingLength
1Die Zauberflöte, K. 620: Act II, Scene I. No. 9 Marsch der Priester
producer:
Christopher Raeburn
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart6:33
2Die Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester)
producer:
Christopher Raeburn
bass vocals [Sarastro]:
Martti Talvela (operatic bass) (in 1969-10)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970) and The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:21
3Die Zauberflöte, K. 620: Act II, Scene II. Dialogue "Eine schreckliche Nacht!" (Tamino, Papageno)
producer:
Christopher Raeburn
baritone vocals [Papageno]:
Hermann Prey (baritone) (in 1969-10)
tenor vocals [Tamino]:
Stuart Burrows (tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. Dialog „Eine schreckliche Nacht!” … „Papageno! Wo denkst du, daß wir uns befinden?” (Tamino, Papageno, Sprecher, Zweiter Sprecher) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:54
4Die Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Papageno, Tamino)
producer:
Christopher Raeburn
baritone vocals [Papageno]:
Hermann Prey (baritone) (in 1969-10)
tenor vocals [Tamino]:
Stuart Burrows (tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:44
5Die Zauberflöte, K. 620: Act II, Scene VII. No. 13 Aria "Alles fühlt der Liebe Freuden" (Monostatos)
producer:
Christopher Raeburn
tenor vocals [Monostatos]:
Gerhard Stolze (German tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:34
6Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht)
producer:
Christopher Raeburn
soprano vocals [Die Königin der Nacht]:
Cristina Deutekom (soprano) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:09
7Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro)
producer:
Christopher Raeburn
bass vocals [Sarastro]:
Martti Talvela (operatic bass) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart6:47
8Die Zauberflöte, K. 620: Act II, Scene XVI. No. 16 Trio "Seid uns zum zweiten Mal willkommen" (Knaben)
producer:
Christopher Raeburn
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:55
9Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina)
producer:
Christopher Raeburn
soprano vocals [Pamina]:
Pilar Lorengar (soprano) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden” (Pamina) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:46
10Die Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester)
producer:
Christopher Raeburn
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:05
11Die Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino)
producer:
Christopher Raeburn
bass vocals [Sarastro]:
Martti Talvela (operatic bass) (in 1969-10)
soprano vocals [Pamina]:
Pilar Lorengar (soprano) (in 1969-10)
tenor vocals [Tamino]:
Stuart Burrows (tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:58
12Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno)
producer:
Christopher Raeburn
baritone vocals [Papageno]:
Hermann Prey (baritone) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart6:02
▶CD 14: Die Zauberflöte
▶CD 15: Bonus CD