The Food Album

~ Release by “Weird Al” Yankovic (see all versions of this release, 5 available)

Tracklist

▼CD 1
#TitleRatingLength
1Fat
engineer and mixer:
Tony Papa
producer:
Rick Derringer
accordion, keyboard and lead vocals:
“Weird Al” Yankovic
bass guitar:
Steve Jay (bassist)
guitar:
Rick Derringer and Jim West (supporting musician for "Weird Al" Yankovic)
mandolin:
Jim West (supporting musician for "Weird Al" Yankovic)
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
saxophone:
Joe Sublett (The Texacali Horns)
synthesizer:
Kim Bullard
turntable:
Ronny Jay
background vocals:
Nicolette Larson, Steve Jay (bassist), Jim West (supporting musician for "Weird Al" Yankovic) and “Weird Al” Yankovic
arranger:
Al Yankovic
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), RCA/Jive Label Group (add no releases here!) (in 1988) and Volcano Entertainment III, L.L.C. (in 1988)
recorded at:
Santa Monica Sound Recorders in Santa Monica, California, United States
recording of:
Fat
lyricist:
Al Yankovic
composer:
Michael Jackson (“King of Pop”)
publisher:
Mijac Music
parody version of:
Bad
43:37
2Lasagna
engineer and mixer:
Tony Papa
producer:
Rick Derringer
accordion, keyboard and lead vocals:
“Weird Al” Yankovic
bass guitar:
Steve Jay (bassist)
guitar:
Rick Derringer and Jim West (supporting musician for "Weird Al" Yankovic)
mandolin:
Jim West (supporting musician for "Weird Al" Yankovic)
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
saxophone:
Joe Sublett (The Texacali Horns)
synthesizer:
Kim Bullard
turntable:
Ronny Jay
background vocals:
Nicolette Larson, Steve Jay (bassist), Jim West (supporting musician for "Weird Al" Yankovic) and “Weird Al” Yankovic
arranger:
Al Yankovic
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), RCA/Jive Label Group (add no releases here!) (in 1988) and Volcano Entertainment III, L.L.C. (in 1988)
recorded at:
Santa Monica Sound Recorders in Santa Monica, California, United States
recording of:
Lasagna
lyricist and arranger:
Al Yankovic
composer:
[traditional] (special purpose artist)
translated parody version of:
La bamba (additional lyrics by Ritchie Valens)
3.52:47
3Addicted to Spuds
assistant engineer:
Jamey Dell
engineer and mixer:
Tony Papa
producer:
Rick Derringer
bass:
Steve Jay (bassist)
guitar:
Jim West (supporting musician for "Weird Al" Yankovic) and Rick Derringer
keyboard:
“Weird Al” Yankovic
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
synthesizer:
Pat Regan (engineer)
background vocals and lead vocals:
“Weird Al” Yankovic
arranger:
Al Yankovic
phonographic copyright (℗) by:
Volcano Entertainment III, L.L.C. (in 1986)
recorded at:
Santa Monica Sound Recorders in Santa Monica, California, United States
recording of:
Addicted to Spuds
lyricist:
A. Yankovic
composer:
R. Palmer (English singer-songwriter)
publisher:
Bungalow Music and Universal‐Songs of PolyGram International, Inc.
parody version of:
Addicted to Love
3.53:51
4I Love Rocky Road
engineer:
Peter Kelsey
producer:
Rick Derringer
accordion and lead vocals:
“Weird Al” Yankovic
banjo and ukulele:
Richard Bennett (American guitarist)
bass:
Steve Jay (bassist)
bongos:
Joel Miller
guitar:
Rick Derringer
harmonica and saxophone:
William K. Anderson
harp:
Dorothy Remsen
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
phonographic copyright (℗) by:
Volcano Entertainment III, L.L.C. (in 1983, in 1986) and Scotti Bros. Records (in 1990)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
I Love Rocky Road
lyricist:
Al Yankovic
composer:
Jake Hooker (rock guitarist, songwriter, producer & manager, member of The Arrows) and Alan Merrill
parody version of:
I Love Rock ’n’ Roll
32:35
5Spam
producer:
Rick Derringer
arranger:
Al Yankovic
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989) and Volcano Entertainment III, L.L.C. (in 1989)
recording of:
Spam
lyricist:
Al Yankovic
composer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
parody version of:
Stand
3.353:01
6Eat It
engineer:
Tony Papa
producer:
Rick Derringer
accordion:
“Weird Al” Yankovic
banjo, bass guitar and talking drum:
Steve Jay (bassist)
body percussion [musical hands]:
“Musical Mike” Kieffer
bongos:
Joel Miller
clarinet:
Joel Peskin
guitar family:
Rick Derringer and Jim West (supporting musician for "Weird Al" Yankovic)
mandolin:
Rick Derringer
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
piano and synthesizer:
Pat Regan (engineer) and “Weird Al” Yankovic
saxophone:
Jimmy Zavala
trumpet:
Warren Leuning
tuba:
Jim Self
background vocals:
Pattie Brooks (American singer), Lisa Popeil (Celebrity voice coach), Petsye Powell and Andrea Robinson
bass vocals:
Bob Tebow
vocals:
“Weird Al” Yankovic
arranger:
“Weird Al” Yankovic
phonographic copyright (℗) by:
RCA/Jive Label Group (add no releases here!) (in 1984), Volcano Entertainment III, L.L.C. (in 1984) and Scotti Bros. Records (in 1990)
recording of:
Eat It
lyricist:
A. Yankovic
composer:
M. Jackson (“King of Pop”)
publisher:
Mijac Music
parody version of:
Beat It
3.853:20
7The White Stuff
assistant engineer:
Jamey Dell and Colin Sauers
engineer and mixer:
Tony Papa
producer:
Al Yankovic
phonographic copyright (℗) by:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (in 1992) and Volcano Entertainment III, L.L.C. (in 1992)
recording of:
The White Stuff
lyricist:
Al Yankovic
composer:
Maurice Starr
parody version of:
You Got It (The Right Stuff)
32:44
8My Bologna
engineer:
Peter Kelsey
producer:
Rick Derringer
accordion and lead vocals:
“Weird Al” Yankovic
banjo and ukulele:
Richard Bennett (American guitarist)
bass:
Steve Jay (bassist)
bongos:
Joel Miller
guitar:
Rick Derringer
harmonica and saxophone:
William K. Anderson
harp:
Dorothy Remsen
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
phonographic copyright (℗) by:
Volcano Entertainment III, L.L.C. (in 1983, in 1986) and Scotti Bros. Records (in 1990)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
My Bologna
lyricist:
Al Yankovic
composer:
Berton Averre and Doug Fieger
parody version of:
My Sharona
3.52:01
9Taco Grande
assistant engineer:
Jamey Dell and Colin Sauers
engineer and mixer:
Tony Papa
producer:
Al Yankovic
guest vocals:
Cheech Marin
phonographic copyright (℗) by:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (in 1992) and Volcano Entertainment III, L.L.C. (in 1992)
recording of:
Taco Grande
lyricist:
Al Yankovic
composer:
Gerardo Mejia, Alberto Slezynger, Rosa Soy and Christian Carlos Warren
parody version of:
Rico Suave
2.353:46
10The Rye or the Kaiser (Theme From Rocky XIII)
engineer:
Tony Papa
producer:
Rick Derringer
accordion:
“Weird Al” Yankovic
banjo, bass guitar and talking drum:
Steve Jay (bassist)
body percussion [musical hands]:
“Musical Mike” Kieffer
bongos:
Joel Miller
clarinet:
Joel Peskin
guitar family:
Rick Derringer and Jim West (supporting musician for "Weird Al" Yankovic)
mandolin:
Rick Derringer
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
piano and synthesizer:
Pat Regan (engineer) and “Weird Al” Yankovic
saxophone:
Jimmy Zavala
trumpet:
Warren Leuning
tuba:
Jim Self
background vocals:
Pattie Brooks (American singer), Lisa Popeil (Celebrity voice coach), Petsye Powell and Andrea Robinson
bass vocals:
Bob Tebow
vocals:
“Weird Al” Yankovic
phonographic copyright (℗) by:
Volcano Entertainment III, L.L.C. (in 1984) and Scotti Bros. Records (in 1990)
recording of:
Theme From Rocky XIII
lyricist:
A. Yankovic
composer:
F. Sullivan (US guitarist and songwriter, member of Survivor) and J. Peterik
parody version of:
Eye of the Tiger
3.753:36
11Eat It (Without Vocals)
recording of:
Eat It
lyricist:
A. Yankovic
composer:
M. Jackson (“King of Pop”)
publisher:
Mijac Music
parody version of:
Beat It
3:20