Secular Songs & Dances from the Middle Ages

~ Release by Modo Antiquo, Bettina Hoffmann (see all versions of this release, 1 available)

Annotation

Cardboard box, containing 6 individual cardboard sleeves for each cd.

Individual barcodes:

CD 1: 5028421288819
CD 2: 5028421288826
CD 3: 5028421288833
CD 4: 5028421288840
CD 5: 5028421288857
CD 6: 5028421288864

92888/* are the individual disc cat#s.

Annotation last modified on 2017-07-23 00:00 UTC.

Tracklist

▶CD 1: Carmina Burana, Part I
▶CD 2: Carmina Burana, Part II
▶CD 3: Music for the Crusades, Part I
▼CD 4: Music for the Crusades, Part II
#TitleArtistRatingLength
1III. Passagium Laboriosum, Ja nuns hons pris, 1
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
recording of:
Ja nus hons pris (from 2000-01-24 until 2000-01-29)
lyricist and composer:
Richard I (king of England)
Richard I.8:18
2III. Passagium Laboriosum, Ja nuns hons pris, 2
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
recording of:
Ja nus hons pris (from 2000-01-24 until 2000-01-29)
lyricist and composer:
Richard I (king of England)
Richard I.1:17
3III. Passagium Laboriosum, Desolata mater / Que nutritos / Filios enutrivi (from Roman de Fauvel)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
[anonymous]2:45
4III. Passagium Laboriosum, Maugré tous sainz et maugré dieu ausi
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
recording of:
Maugré tous sainz et maugré dieu ausi (from 2000-01-24 until 2000-01-29)
writer:
Huon D'oisy (Medieval Poet)
Huon d'Oisi4:27
5III. Passagium Laboriosum, Congregati sunt
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
[anonymous]2:44
6III. Passagium Laboriosum, La Quarte Estampie Royal
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
recording of:
La quarte Estampie real (from 2000-01-24 until 2000-01-29)
composed in:
France
composer:
XIIIth Century French anonymous (Special Purpose Artist)
[anonymous]2:24
7III. Passagium Laboriosum, In gotes namen fara wir
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
[anonymous]0:58
8III. Passagium Laboriosum, Chanterai por mon coraige
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
recording of:
Chanterai por mon corage (from 2000-01-24 until 2000-01-29)
lyricist:
Guiot de Dijon
Guiot de Dijon7:48
9III. Passagium Laboriosum, Diro satis percussus vulnere - Tristan's Lament
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
Riccardo di San Germano / Anon.3:59
10III. Passagium Laboriosum, Nus ne porroit de mauvese reson
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
recording of:
Nus ne porroit de mauvese reson (from 2000-01-24 until 2000-01-29)
writer:
French anon. of the Crusades (Special Purpose Artist)
[anonymous]3:40
11IV. Hierosolyma Caelestis, Ierusalem mirabilis
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
[anonymous]4:53
12IV. Hierosolyma Caelestis, Nû alrêst lebe ich mir werde
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
recording of:
Nu alrest lebe ich mir werde (Palästinalied) (Nu alrest lebe ich mir werde) (from 2000-01-24 until 2000-01-29)
lyricist and composer:
Walther von der Vogelweide
Walther von der Vogelweide11:28
13IV. Hierosolyma Caelestis, Nomen a solemnibus, CB 52
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana, Italy (from 2000-01-24 until 2000-01-29)
recording of:
Nomen a solemnibus (from 2000-01-24 until 2000-01-29)
composer:
[anonymous] (Special Purpose Artist)
part of:
Carmina Gulatorum et Potatorum, Carmina Moralia et Divina and Carmina Burana (number: 52)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]3:57
▶CD 5: French and English Instrumental Dances in the Middle-Ages
▶CD 6: Dança Amorosa, Italian Dances