FriendsReunited.co.uk: 42 Classroom Classics From the 80s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell
part of:
New York Post: 100 Greatest Covers (2007) (number: 10) and Pitchfork: The Story of Goth in 33 Songs
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
Soft Cell3.92:39
2Wake Me Up Before You Go-Go
assistant engineer:
Paul Gomersau
engineer:
Chris Porter (engineer and producer)
producer:
George Michael
keyboard:
Tommy Eyre
saxophone:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
arranger:
George Michael
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984)
recording of:
Wake Me Up Before You Go‐Go
lyricist and composer:
George Michael
publisher:
Chappell Music (UK)
Wham!3.853:52
3I’m Still Standing
recording engineer:
Bill Price (UK producer/engineer)
producer:
Chris Thomas (UK record producer / remixer)
drums (drum set):
Nigel Olsson
electric bass guitar:
Dee Murray
electric guitar:
Davey Johnstone
piano, synthesizer and lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
background vocals:
Davey Johnstone, Dee Murray and Nigel Olsson
recorded at:
AIR Studios Montserrat in Saint Peter, Montserrat (on 1983-06-26)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
I’m Still Standing
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal‐Songs of PolyGram International, Inc.
music quoted on:
Bennie and the Bunnies (from the score of the 2011 animation film "Gnomeo & Juliet")
Elton John3.653:00
4Karma Chameleon
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross-Trevor (engineer)
producer:
Steve Levine
mixer:
Steve Levine and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
harmonica:
Judd Lander (in 1983)
background vocals:
Helen Terry (UK singer) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use!) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
Karma Chameleon by Culture Club
recording of:
Karma Chameleon (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG VM Music Ltd. (from 2013-05 to present)
Culture Club3.94:00
5Hungry Like the Wolf
engineer and producer:
Colin Thurston
performer:
Duran Duran (English rock band) (in 1982)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1998)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 398)
recording of:
Hungry Like the Wolf
writer:
Simon Le Bon (Singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran3.253:26
6That’s Entertainment
engineer:
George Chambers (engineer a/k/a George “Chappie” Chambers) and Alan Douglas (Scottish born engineer)
producer:
Vic Coppersmith‐Heaven and The Jam (late 70s/early 80s UK punk/mod revival band)
acoustic guitar, electric guitar [backwards] and lead vocals:
Paul Weller (on 1980-10-22)
bass guitar:
Bruce Foxton (on 1980-10-22)
snare drum and tambourine:
Rick Buckler (on 1980-10-22)
vocals:
Bruce Foxton (on 1980-10-22)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use! aka Polydor Ltd. or Polydor Ltd. (London), fka Polydor Records Ltd.)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1980-10-22)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 306)
recording of:
That’s Entertainment (on 1980-10-22)
lyricist and composer:
Paul Weller
publisher:
BMG Music Publishing Ltd., Stylist Music Ltd. and And Son Music Ltd. (from 1980 to present)
The Jam3.13:35
7Take On Me
producer:
Alan Tarney
mixer:
a‐ha and John Ratcliff
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
part of:
The Downloader’s Music Source Book (number: 284)
recording of:
Take On Me
writer:
Magne Furuholmen, Morten Harket and Paul Waaktaar-Savoy
publisher:
ATV Music Ltd.
A‐ha4.453:48
8Relax
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luis Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (Member of Frankie Goes to Hollywood)
conductor:
Stuart Bruce
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; also referred to as Zang Tumb Tuum or Zang Tuum Tumb) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
recording of:
Relax
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd.
music quoted on:
Mope
Frankie Goes to Hollywood3.953:57
9Stand and Deliver
recording of:
Stand and Deliver
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants3:07
10Rock the Casbah
engineer:
Bob Clearmountain
producer:
Guy Stevens
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 58)
recording of:
Rock the Casbah
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
The Clash4.453:42
11Addicted to Love
recording of:
Addicted to Love
lyricist and composer:
Robert Palmer (English singer-songwriter)
publisher:
Heavy Nova Music, Island Music Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Robert Palmer44:13
12Baby I Don’t Care
recording of:
Baby I Don’t Care (Transvision Vamp)
lyricist and composer:
Nick Christian Sayer
publisher:
Notting Hill Music (publisher)
Transvision Vamp3:44
13The Love Cats
producer:
Steve Nye (producer, engineer and pianist), Chris Parry, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Phil Thornalley
mixer:
Chris Parry, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Phil Thornalley
bass:
Phil Thornalley
drums (drum set):
Andy Anderson (drummer for The Cure)
guitar and guitar and keyboard:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
keyboard:
Laurence Tolhurst
vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
phonographic copyright (℗) by:
Fiction Records (not for release label use! please use "Fiction" for that instead)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 448)
recording of:
The Lovecats
lyricist and composer:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
publisher:
APB Music Co.
The Cure3.93:42
14Never Gonna Give You Up
keyboard [Fairlight] programming:
Ian Curnow
engineer:
Mark McGuire (UK producer/engineer)
producer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
mixer:
Pete Hammond (UK producer aka "Mixmaster")
guitar:
Matt Aitken
keyboard:
Matt Aitken and Mike Stock (of Stock Aitken Waterman)
lead vocals:
Rick Astley (English singer, songwriter and radio personality)
music videos:
Never Gonna Give You Up by Rick Astley
recording of:
Never Gonna Give You Up (in 1987)
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music Ltd., BMG Music Publishing Ltd., Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc., Universal Music Careers, Universal‐Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント, ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部 and Terrace Music (in 1987)
Rick Astley4.453:33
15We Close Our Eyes
producer:
Gary Stevenson
recording of:
We Close Our Eyes
writer:
Peter Cox (Artist and songwriter) and Richard Drummie
Go West33:48
16Don’t Leave Me This Way
producer:
Mike Thorne (UK producer & keyboardist)
vocals:
Sarah Jane Morris
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
writer:
Kenneth Gamble, Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards3.44:32
17The Only Way Is Up
producer:
Coldcut (Matt Black & Jonathan More)
phonographic copyright (℗) by:
Big Life (in 1988)
produced for:
Ahead Of Our Time Productions
cover recording of:
The Only Way Is Up
writer:
Johnny Henderson (southern soul songwriter) and George Jackson (US soul songwriter/vocalist)
publisher:
Big Life Music (in 1988) and Malaco Music (publisher related to Malaco Records) (in 1988)
Yazz & The Plastic Population3.54:02
18The Look of Love
recording of:
The Look of Love
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc. (The American arm of Virgin's publishing company)
ABC3:12
19Frankie
producer:
Nile Rodgers
recording of:
Frankie
lyricist and composer:
Denise Rich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge4:17
20Centerfold
engineer:
David Thoener
producer:
Seth Justman
arranger:
Seth Justman
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981) and EMI Catalog (in 2006)
part of:
TV Cream: Real 100 Best Singles Ever (number: 38)
recording of:
Centerfold (song by The J. Geils Band)
lyricist and composer:
Seth Justman
publisher:
Rondor Music (London) Ltd. and Warner/Chappell Music Ltd. (1996–2019)
The J Geils Band4.153:38
21Break My Stride
drums (drum set) programming:
John Gilston
producer:
Peter Bunetta, Rick Chudacoff and Bill Elliott (keyboardist/composer)
analog synthesizer [Prophet-5]:
Bill Elliott (keyboardist/composer) and Matthew Wilder
drum machine [Oberheim DMX], drums (drum set) and percussion:
Peter Bunetta
guitar:
Dennis Herring
background vocals:
Greg Prestopino, Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) and Matthew Wilder
lead vocals:
Matthew Wilder
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
recorded at:
Pasha Studios in Hollywood, Los Angeles, California, United States (in 1983)
recording of:
Break My Stride
writer:
Greg Prestopino and Matthew Wilder
publisher:
Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) and Streetwise Music (US publisher) (in 1983)
Matthew Wilder3.43:01
22Come On Eileen
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland
publisher:
EMI Music Publishing Ltd. (PRS-affiliated)
lyrics quoted on:
Kom igen Lena!
Dexys Midnight Runners3:51
▶CD 2

Credits

Release

photography:Fin Costello
Gered Mankowitz
Sam Newman (photographer)
Michael Ochs
David Redfern
Sten Rosenhund (photographer)
Charlyn Zlotnik (phoographer)
manufactured by:Disctronics
distributed by and marketed by:Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK)
copyrighted (©) by and phonographic copyright (℗) by:Universal Music TV (UK, a division of Universal Music Operations Limited) (in 2003)
licensed to:Universal Music TV (UK, a division of Universal Music Operations Limited)
Discogs:https://www.discogs.com/release/3700526 [info]
ASIN:UK: B00006S04C [info]