Definitive Black and Blue Sessions

~ Release by Clarence “Gatemouth” Brown (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleRatingLength
1Choo Choo Ch’Boogie
bass:
Roland Lobligeois (on 1973-08-01)
drums (drum set):
Paul Gunther (on 1973-08-01)
guitar:
Clarence “Gatemouth” Brown (on 1973-08-01)
organ:
Milt Buckner (US jazz pianist/organist) (on 1973-08-01)
piano:
Jay McShann (on 1973-08-01)
tenor saxophone:
Arnett Cobb (on 1973-08-01)
recorded at:
Studio Hoche (Barclay) in Paris, Île-de-France, France (on 1973-08-01)
recording of:
Choo Choo Ch’Boogie (on 1973-08-01)
writer:
Denver Darling, Milt Gabler and Vaughn Horton
publisher:
Rytvoc (ASCAP) and Warner/Chappell
4:10
2Somebody Done Changed the Lock on My Door
drums (drum set):
Michael Silva (in 1973-07)
guitar:
Clarence “Gatemouth” Brown (in 1973-07)
organ:
Milt Buckner (US jazz pianist/organist) (in 1973-07)
tenor saxophone:
Arnett Cobb (in 1973-07)
recorded at:
Studio Condorcet in Toulouse, Haute-Garonne, Occitanie, France (from 1973-07-23 until 1973-07-24)
recording of:
Somebody Done Changed the Lock on My Door (in 1973-07)
lyricist and composer:
Casey Bill Weldon (blues slide guitar player)
publisher:
Universal/MCA Music Ltd. (not for release label use!)
7:54
3Let the Good Times Roll [Take 2]
drums (drum set):
Michael Silva (in 1973-07)
guitar:
Clarence “Gatemouth” Brown (in 1973-07)
organ:
Milt Buckner (US jazz pianist/organist) (in 1973-07)
tenor saxophone:
Arnett Cobb (in 1973-07)
recorded at:
Studio Condorcet in Toulouse, Haute-Garonne, Occitanie, France (from 1973-07-23 until 1973-07-24)
recording of:
Let the Good Times Roll (in 1973-07)
writer:
Fleecie Moore (in 1946) and Sam Theard (in 1946)
publisher:
Rytvoc, Inc. (ASCAP), Theard Swanson Publishing and Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
4:25
4Salt Pork, West Virginia
drums (drum set):
Michael Silva (in 1973-07)
guitar:
Clarence “Gatemouth” Brown (in 1973-07)
organ:
Milt Buckner (US jazz pianist/organist) (in 1973-07)
tenor saxophone:
Arnett Cobb (in 1973-07)
recorded at:
Studio Condorcet in Toulouse, Haute-Garonne, Occitanie, France (from 1973-07-23 until 1973-07-24)
recording of:
Salt Pork, West Virginia (in 1973-07)
writer:
Fleecie Moore and William J. Tennyson, Jr.
4:12
5Is You Is or Is You Ain’t My Baby [Master Take 3]
drums (drum set):
Michael Silva (in 1973-07)
guitar:
Clarence “Gatemouth” Brown (in 1973-07)
organ:
Milt Buckner (US jazz pianist/organist) (in 1973-07)
tenor saxophone:
Arnett Cobb (in 1973-07)
recorded at:
Studio Condorcet in Toulouse, Haute-Garonne, Occitanie, France (from 1973-07-23 until 1973-07-24)
recording of:
Is You Is or Is You Ain’t My Baby? (in 1973-07)
writer:
Bill Austin (in 1944) and Louis Jordan (US jazz, blues and r&b musician and songwriter) (in 1944)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:57
6Caldonia (What Makes Your Big Head So Hard?)
drums (drum set):
Michael Silva (in 1973-07)
guitar:
Clarence “Gatemouth” Brown (in 1973-07)
organ:
Milt Buckner (US jazz pianist/organist) (in 1973-07)
tenor saxophone:
Arnett Cobb (in 1973-07)
recorded at:
Studio Condorcet in Toulouse, Haute-Garonne, Occitanie, France (from 1973-07-23 until 1973-07-24)
recording of:
Caldonia (What Makes Your Big Head Hard?) (in 1973-07)
lyricist and composer:
Louis Jordan (US jazz, blues and r&b musician and songwriter) and Fleecie Moore
writer:
Fleecie Moore
publisher:
Chappell Morris Ltd., Cherio Corp. and Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (on 1945-04-16)
3:53
7Ain’t Nobody Here But Us Chickens
drums (drum set):
Michael Silva (in 1973-07)
guitar:
Clarence “Gatemouth” Brown (in 1973-07)
organ:
Milt Buckner (US jazz pianist/organist) (in 1973-07)
tenor saxophone:
Arnett Cobb (in 1973-07)
recorded at:
Studio Condorcet in Toulouse, Haute-Garonne, Occitanie, France (from 1973-07-23 until 1973-07-24)
recording of:
Ain’t Nobody Here but Us Chickens (in 1973-07)
writer:
Alex Kramer and Joan Whitney
5:09
8Ain’t That Just Like a Woman
drums (drum set):
Michael Silva (in 1973-07)
guitar:
Clarence “Gatemouth” Brown (in 1973-07)
organ:
Milt Buckner (US jazz pianist/organist) (in 1973-07)
tenor saxophone:
Arnett Cobb (in 1973-07)
recorded at:
Studio Condorcet in Toulouse, Haute-Garonne, Occitanie, France (from 1973-07-23 until 1973-07-24)
recording of:
Ain’t That Just Like a Woman (in 1973-07)
writer:
Claude Demetrius and Fleecie Moore
publisher:
Cherio Music
5:28
9Its Low Down Dirty Shame
drums (drum set):
Michael Silva (in 1973-07)
guitar:
Clarence “Gatemouth” Brown (in 1973-07)
organ:
Milt Buckner (US jazz pianist/organist) (in 1973-07)
tenor saxophone:
Arnett Cobb (in 1973-07)
recorded at:
Studio Condorcet in Toulouse, Haute-Garonne, Occitanie, France (from 1973-07-23 until 1973-07-24)
recording of:
It's a Low-Down Dirty Shame (in 1973-07)
lyricist and composer:
Ollie Shepard (1940's blues artist)
6:15
10Is You Is or Is You Ain’t My Baby [Take 1][#]
drums (drum set):
Michael Silva (in 1973-07)
guitar:
Clarence “Gatemouth” Brown (in 1973-07)
organ:
Milt Buckner (US jazz pianist/organist) (in 1973-07)
tenor saxophone:
Arnett Cobb (in 1973-07)
recorded at:
Studio Condorcet in Toulouse, Haute-Garonne, Occitanie, France (from 1973-07-23 until 1973-07-24)
recording of:
Is You Is or Is You Ain’t My Baby? (in 1973-07)
writer:
Bill Austin (in 1944) and Louis Jordan (US jazz, blues and r&b musician and songwriter) (in 1944)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:33
11Is You Is or Is You Ain’t My Baby [Take 2][#]
drums (drum set):
Michael Silva (in 1973-07)
guitar:
Clarence “Gatemouth” Brown (in 1973-07)
organ:
Milt Buckner (US jazz pianist/organist) (in 1973-07)
tenor saxophone:
Arnett Cobb (in 1973-07)
recorded at:
Studio Condorcet in Toulouse, Haute-Garonne, Occitanie, France (from 1973-07-23 until 1973-07-24)
recording of:
Is You Is or Is You Ain’t My Baby? (in 1973-07)
writer:
Bill Austin (in 1944) and Louis Jordan (US jazz, blues and r&b musician and songwriter) (in 1944)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:21
12Let the Good Times Roll [Take 1][#]
drums (drum set):
Michael Silva (in 1973-07)
guitar:
Clarence “Gatemouth” Brown (in 1973-07)
organ:
Milt Buckner (US jazz pianist/organist) (in 1973-07)
tenor saxophone:
Arnett Cobb (in 1973-07)
recorded at:
Studio Condorcet in Toulouse, Haute-Garonne, Occitanie, France (from 1973-07-23 until 1973-07-24)
recording of:
Let the Good Times Roll (in 1973-07)
writer:
Fleecie Moore (in 1946) and Sam Theard (in 1946)
publisher:
Rytvoc, Inc. (ASCAP), Theard Swanson Publishing and Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
4:10

Credits

Release

photography:Jean-Pierre Tahmazian
mastering:Xavier Brunetière (French mastering engineer)
mastered at:Studio Cargo in Montreuil, Seine-Saint-Denis, Île-de-France, France