| # | Title | Rating | Length |
|---|
| 1 | Dreaming- engineer:
- Peter Coleman and David Tickle
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1979-05 until 1979-06)
- drums (drum set):
- Clem Burke (from 1979-05 until 1979-06)
- guitar:
- Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
- keyboard:
- Jimmy Destri (from 1979-05 until 1979-06)
- background vocals:
- Ellie Greenwich (from 1979-05 until 1979-06)
- lead vocals:
- Deborah Harry (from 1979-05 until 1979-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1979, in 2001), Chrysalis Records (in 1979), Chrysalis Records Ltd. (in 1979), Chrysalis Records, Inc. (in 1979, in 2001) and Capitol Records (in 2001)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios in Manhattan, New York, New York, United States (from 1979-05 until 1979-06)
- mixed at:
- MCA Whitney Recording Studios in Glendale, California, United States
- part of:
- The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 414)
- recording of:
- Dreaming (from 1979-05 until 1979-06)
- writer:
- Deborah Harry and Chris Stein
- publisher:
- Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. , Chrysalis Records Ltd. and EMI Music Publishing Ltd.
| 3.5 | 3:06 |
| 2 | Call Me- producer:
- Giorgio Moroder
- bass guitar:
- Nigel Harrison (in 1979)
- drums (drum set):
- Clem Burke (in 1979)
- guitar:
- Frank Infante (in 1979) and Chris Stein (in 1979)
- keyboard:
- Jimmy Destri (in 1979)
- lead vocals:
- Deborah Harry (in 1979)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998) and Capitol Records, Inc. (in 1998)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- recording of:
- Call Me (in 1979)
- writer:
- Deborah Harry and Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| 4.15 | 3:32 |
| 3 | One Way or Another- assistant engineer:
- Grey Russell and Peter Coleman
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1978-06 until 1978-07)
- drums (drum set):
- Clem Burke (from 1978-06 until 1978-07)
- guitar:
- Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
- keyboard:
- Jimmy Destri (from 1978-06 until 1978-07)
- lead vocals:
- Deborah Harry (from 1978-06 until 1978-07)
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records, Inc. (in 1978, in 2001), Chrysalis Records (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 298)
- recording of:
- One Way or Another (from 1978-06 until 1978-07)
- writer:
- Nigel Harrison and Deborah Harry
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Chrysalis Songs, EMI Music Publishing Ltd. , Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
| 4 | 3:33 |
| 4 | Heart of Glass | 4 | 4:32 |
| 5 | The Tide Is High- assistant engineer:
- Gary Boatner and Doug Schwartz
- engineer:
- Lenise Bent
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1980)
- drums (drum set):
- Clem Burke (in 1980)
- guest percussion:
- Alex Acuña (in 1980), Ollie E. Brown (in 1980) and Emil Richards (in 1980)
- guitar:
- Frank Infante (in 1980) and Chris Stein (in 1980)
- keyboard:
- Jimmy Destri (in 1980)
- timpani:
- Chris Stein (in 1980)
- lead vocals:
- Deborah Harry (in 1980)
- instruments arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2001), Capitol Records (in 2001) and Capitol Records, Inc. (in 2001)
- recorded at:
- Power Station Studios in Manhattan, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
- cover recording of:
- The Tide Is High (in 1980)
- additional writer:
- Howard Barrett and Tyrone Evans
- writer:
- John Holt
- publisher:
- B & C Music Corp., Copyright Control , Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
- lyrics quoted on:
- Numba 1 (Tide Is High)
- lyrics quoted on:
- Numba 1 (Tide Is High)
| 4.15 | 4:44 |
| 6 | X Offender- recording engineer:
- Rob Freeman (from 1976-08 until 1976-09)
- assistant engineer:
- Don Hünerberg
- engineer:
- Rob Freeman and Craig Leon
- producer:
- Richard Gottehrer and Craig Leon
- bass guitar:
- Chris Stein (from 1976-08 until 1976-09)
- drums (drum set):
- Clem Burke (from 1976-08 until 1976-09)
- farfisa, grand piano, piano and synthesizer [roland]:
- Jimmy Destri (from 1976-08 until 1976-09)
- guitar:
- Gary Valentine (from 1976-08 until 1976-09)
- lead vocals:
- Deborah Harry (from 1976-08 until 1976-09)
- remixer:
- Craig Leon
- phonographic copyright (℗) by:
- Chrysalis Records (in 1976), Chrysalis Records, Inc. (in 1977, in 2001), Capitol Records (in 2001) and Capitol Records, Inc. (in 2001)
- recorded at:
- Plaza Sound Studios in New York, New York, United States (from 1976-08 until 1976-09)
- recording of:
- X Offender (from 1976-08 until 1976-09)
- writer:
- Gary Lachman and Deborah Harry
- publisher:
- Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), EMI Music , Jiru Music, Inc. and Norfolk Square Music
| 3.8 | 3:11 |
| 7 | Hanging On the Telephone- assistant engineer:
- Grey Russell and Peter Coleman
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1978-06 until 1978-07)
- drums (drum set):
- Clem Burke (from 1978-06 until 1978-07)
- guitar:
- Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
- keyboard:
- Jimmy Destri (from 1978-06 until 1978-07)
- lead vocals:
- Deborah Harry (from 1978-06 until 1978-07)
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records, Inc. (in 1978, in 2001), Chrysalis Records (in 1978), Chrysalis Records Ltd. (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- cover recording of:
- Hanging On the Telephone (from 1978-06 until 1978-07)
- lyricist and composer:
- Jack Lee
- publisher:
- BMG Blue, Chrysalis Music Ltd. , Chrysalis Records Ltd. , Chrysalis Songs, EMI Music Publishing Ltd. , Red Admiral Music Inc. and Rare Blue Music Inc (in 1978)
| 4.2 | 2:21 |
| 8 | Rip Her to Shreds- recording engineer:
- Rob Freeman (from 1976-08 until 1976-09)
- assistant engineer:
- Don Hünerberg
- engineer:
- Rob Freeman and Craig Leon
- producer:
- Richard Gottehrer
- bass guitar:
- Gary Valentine (from 1976-08 until 1976-09)
- drums (drum set):
- Clem Burke (from 1976-08 until 1976-09)
- farfisa, grand piano, piano and synthesizer [roland]:
- Jimmy Destri (from 1976-08 until 1976-09)
- guitar:
- Chris Stein (from 1976-08 until 1976-09)
- lead vocals:
- Deborah Harry (from 1976-08 until 1976-09)
- remixer:
- Craig Leon
- phonographic copyright (℗) by:
- Chrysalis Records (in 1976), Chrysalis Records Ltd. (in 1977), Chrysalis Records, Inc. (in 1977, in 2001), Capitol Records (in 2001) and Capitol Records, Inc. (in 2001)
- recorded at:
- Plaza Sound Studios in New York, New York, United States (from 1976-08 until 1976-09)
- recording of:
- Rip Her to Shreds (from 1976-08 until 1976-09)
- writer:
- Deborah Harry and Chris Stein
- publisher:
- Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), EMI Music , EMI Music Publishing Ltd. and Jiru Music, Inc.
| 3.3 | 3:21 |
| 9 | Rapture | 4.2 | 5:36 |
| 10 | Atomic- engineer:
- Peter Coleman and David Tickle
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1979-05 until 1979-06)
- drums (drum set):
- Clem Burke (from 1979-05 until 1979-06)
- guitar:
- Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
- keyboard:
- Jimmy Destri (from 1979-05 until 1979-06)
- background vocals:
- Ellie Greenwich (from 1979-05 until 1979-06)
- lead vocals:
- Deborah Harry (from 1979-05 until 1979-06)
- phonographic copyright (℗) by:
- Chrysalis Records , Chrysalis Records Ltd. (in 1979), Chrysalis Records, Inc. (in 1979, in 2001), Capitol Records (in 2001) and Capitol Records, Inc. (in 2001)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios in Manhattan, New York, New York, United States (from 1979-05 until 1979-06)
- mixed at:
- MCA Whitney Recording Studios in Glendale, California, United States
- recording of:
- Atomic (from 1979-05 until 1979-06)
- writer:
- Jimmy Destri and Deborah Harry
- publisher:
- Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. , Chrysalis Records Ltd. and EMI Music Publishing Ltd.
| 3.85 | 4:39 |
| 11 | Picture This- assistant engineer:
- Grey Russell and Peter Coleman
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1978-06 until 1978-07)
- drums (drum set):
- Clem Burke (from 1978-06 until 1978-07)
- guitar:
- Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
- keyboard:
- Jimmy Destri (from 1978-06 until 1978-07)
- lead vocals:
- Deborah Harry (from 1978-06 until 1978-07)
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records, Inc. (in 1978, in 2001), Chrysalis Records (in 1978), Chrysalis Records Ltd. (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- recording of:
- Picture This (from 1978-06 until 1978-07)
- writer:
- Jimmy Destri, Deborah Harry and Chris Stein
- publisher:
- Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. , EMI Music Publishing Ltd. and Rare Blue Music Inc (in 1978)
| 3.6 | 2:55 |
| 12 | In the Flesh | | 2:30 |
| 13 | Denis- engineer:
- Rob Freeman
- producer:
- Richard Gottehrer
- bass guitar:
- Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
- drums (drum set):
- Clem Burke (from 1977-06 until 1977-07)
- electric guitar [lead guitar] and vibraphone:
- Chris Stein (from 1977-06 until 1977-07)
- electric guitar [rhythm guitar]:
- Frank Infante (from 1977-06 until 1977-07)
- farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
- Jimmy Destri (from 1977-06 until 1977-07)
- background vocals:
- Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
- lead vocals:
- Deborah Harry (from 1977-06 until 1977-07)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1977), Chrysalis Records, Inc. (in 1977, in 2001) and Chrysalis Records Ltd. (in 1978)
- recorded at:
- Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
- cover recording of:
- Denise (from 1977-06 until 1977-07)
- lyricist and composer:
- Neil Levenson
- publisher:
- Bright Tunes Music Corp., EMI Music Publishing Ltd. , Minder Music Ltd. and Taking Care of Business Music Inc.
| 3.6 | 2:19 |
| 14 | (I’m Always Touched by Your) Presence, Dear- engineer:
- Rob Freeman
- producer:
- Richard Gottehrer
- bass guitar:
- Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
- drums (drum set):
- Clem Burke (from 1977-06 until 1977-07)
- electric guitar [lead guitar] and vibraphone:
- Chris Stein (from 1977-06 until 1977-07)
- electric guitar [rhythm guitar]:
- Frank Infante (from 1977-06 until 1977-07)
- farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
- Jimmy Destri (from 1977-06 until 1977-07)
- background vocals:
- Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
- lead vocals:
- Deborah Harry (from 1977-06 until 1977-07)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1977, in 2001), Chrysalis Records (in 1977), Chrysalis Records, Inc. (in 1977, in 1978, in 2001), Chrysalis Records Ltd. (in 1978) and Capitol Records (in 2001)
- recorded at:
- Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
- recording of:
- (I’m Always Touched by Your) Presence, Dear (from 1977-06 until 1977-07)
- lyricist and composer:
- Gary Joseph Lachman
- publisher:
- Chrysalis Music , Chrysalis Music Ltd. , EMI Music Publishing Ltd. , Jiru Music, Inc. and Monster Island Music Publishing Corporation
| 3.05 | 2:42 |
| 15 | Union City Blue- engineer:
- Peter Coleman and David Tickle
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1979-05 until 1979-06)
- drums (drum set):
- Clem Burke (from 1979-05 until 1979-06)
- guitar:
- Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
- keyboard:
- Jimmy Destri (from 1979-05 until 1979-06)
- lead vocals:
- Deborah Harry (from 1979-05 until 1979-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1979, in 2001), Chrysalis Records (in 1979), Chrysalis Records Ltd. (in 1979), Chrysalis Records, Inc. (in 1979, in 2001) and Capitol Records (in 2001)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios in Manhattan, New York, New York, United States (from 1979-05 until 1979-06)
- mixed at:
- MCA Whitney Recording Studios in Glendale, California, United States
- recording of:
- Union City Blue (from 1979-05 until 1979-06)
- writer:
- Nigel Harrison and Deborah Harry
- publisher:
- BMG Blue, BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Chrysalis Records Ltd. , Chrysalis Songs, EMI Music Publishing Ltd. and Monster Island Music Publishing Corporation
| 3 | 3:21 |
| 16 | The Hardest Part- engineer:
- Peter Coleman and David Tickle
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1979-05 until 1979-06)
- drums (drum set):
- Clem Burke (from 1979-05 until 1979-06)
- guitar:
- Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
- keyboard:
- Jimmy Destri (from 1979-05 until 1979-06)
- lead vocals:
- Deborah Harry (from 1979-05 until 1979-06)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1979), Chrysalis Records, Inc. (in 1979, in 2001), Capitol Records (in 2001) and Capitol Records, Inc. (in 2001)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios in Manhattan, New York, New York, United States (from 1979-05 until 1979-06)
- mixed at:
- MCA Whitney Recording Studios in Glendale, California, United States
- recording of:
- The Hardest Part (from 1979-05 until 1979-06)
- writer:
- Deborah Harry and Chris Stein
- publisher:
- Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Records Ltd. and EMI Music Publishing Ltd.
| 1 | 3:40 |
| 17 | Island of Lost Souls- engineer:
- Markie Iannello and Doug Schwartz
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1981)
- drums (drum set):
- Clem Burke (in 1981)
- guest saxophone:
- Robert Aaron (in 1981)
- guitar:
- Frank Infante (in 1981) and Chris Stein (in 1981)
- keyboard:
- Jimmy Destri (in 1981)
- lead vocals:
- Deborah Harry (in 1981)
- instruments arranger:
- Robert Aaron
- phonographic copyright (℗) by:
- Chrysalis Records Ltd. and Chrysalis Records, Inc. (in 1982, in 2001)
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States (in 1981)
- mixed at:
- United Western Recorders in Hollywood, Los Angeles, California, United States
- recording of:
- Island of Lost Souls (in 1981)
- lyricist:
- Deborah Harry
- composer:
- Chris Stein
- publisher:
- Chrysalis Music , Chrysalis Music Ltd. , Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1982)
| | 4:40 |
| 18 | Sunday Girl | | 3:03 |
| 19 | Maria- recording engineer and producer:
- Craig Leon
- mixer:
- Steve Shipley
- bass guitar:
- Leigh Foxx
- guitar:
- Paul Carbonara
- performer:
- Clem Burke, Jimmy Destri, Deborah Harry and Chris Stein
- phonographic copyright (℗) by:
- Beyond Music (in 1998)
- recorded at:
- Chung King House Of Metal in New York, New York, United States, Electric Lady Studios in Greenwich Village, New York, New York, United States and Red Night Recording in New York, New York, United States
- mixed at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom and Encore Recording Studios in Burbank, California, United States
- recording of:
- Maria
- lyricist and composer:
- Jimmy Destri
- publisher:
- Dick Johnson Songs
| 4.4 | 4:09 |
