Bach 2000: The Complete Bach Edition, Volume 1: Sacred Cantatas: BWV 1-14, 16-47

~ Release by Johann Sebastian Bach (see all versions of this release, 13 available)

Tracklist

▶CD 1: Sacred Cantatas: BWV 1-3
▶CD 2: Sacred Cantatas: BWV 4-6
▶CD 3: Sacred Cantatas: BWV 7-9
▶CD 4: Sacred Cantatas: BWV 10-12
▶CD 5: Sacred Cantatas: BWV 13, 14, 16
▶CD 6: Sacred Cantatas: BWV 17-19
▶CD 7: Sacred Cantatas: BWV 20-21
▼CD 8: Sacred Cantatas: BWV 22-25
#TitleRatingLength
1Cantata, BWV 22 "Jesus nahm zu sich die Zwölfe": I. Arioso (Tenore, Basso) e Coro "Jesus nahm zu sich die Zwölfe und sprach"
bass vocals:
Max van Egmond (bass-baritone) (from 1972-01 until 1972-04)
choir vocals:
Choir of King’s College, Cambridge (from 1972-01 until 1972-04) and Tölzer Knabenchor (from 1972-01 until 1972-04)
tenor vocals:
Kurt Equiluz (tenor) (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
chorus master:
David Willcocks (from 1972-01 until 1972-04) and Gerhard Schmidt‐Gaden (conductor) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": I. Arioso (Tenore, Basso) e Coro "Jesus nahm zu sich die Zwölfe und sprach" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe"
4:51
2Cantata, BWV 22 "Jesus nahm zu sich die Zwölfe": II. Aria (Alto) "Mein Jesu, ziehe mich nach dir"
alto vocals:
Paul Esswood (countertenor) (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": II. Aria (Alto) "Mein Jesu, ziehe mich nach dir" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe"
5:05
3Cantata, BWV 22 "Jesus nahm zu sich die Zwölfe": III. Recitativo (Basso) "Mein Jesu, ziehe mich, so werd ich laufen"
bass vocals:
Max van Egmond (bass-baritone) (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": III. Recitativo (Basso) "Mein Jesu, ziehe mich, so werd ich laufen" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe"
2:06
4Cantata, BWV 22 "Jesus nahm zu sich die Zwölfe": IV. Aria (Tenore) "Mein alles in allem, mein ewiges Gut"
tenor vocals:
Kurt Equiluz (tenor) (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": IV. Aria (Tenore) "Mein alles in allem, mein ewiges Gut" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe"
3:42
5Cantata, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Choral "Ertöt uns durch dein Güte"
choir vocals:
Choir of King’s College, Cambridge (from 1972-01 until 1972-04) and Tölzer Knabenchor (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
chorus master:
David Willcocks (from 1972-01 until 1972-04) and Gerhard Schmidt‐Gaden (conductor) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Choral "Ertöt uns durch dein Güte" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe"
2:09
6Cantata, BWV 23 "Du wahrer Gott und Davids Sohn": I. Aria (Duetto: Soprano, Alto) "Du wahrer Gott und Davids Sohn"
alto vocals:
Paul Esswood (countertenor) (from 1972-01 until 1972-04)
treble vocals:
Walter Gampert (boy soprano) (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": I. Aria (Duetto: Soprano, Alto) "Du wahrer Gott und Davids Sohn" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn"
7:59
7Cantata, BWV 23 "Du wahrer Gott und Davids Sohn": II. Recitativo (Tenore) "Ach! gehe nicht vorüber"
tenor vocals:
Marius van Altena (tenor) (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": II. Recitativo (Tenore) "Ach! gehe nicht vorüber" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn"
1:31
8Cantata, BWV 23 "Du wahrer Gott und Davids Sohn": III. Coro "Aller Augen warten, Herr"
choir vocals:
Choir of King’s College, Cambridge (from 1972-01 until 1972-04) and Tölzer Knabenchor (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
chorus master:
David Willcocks (from 1972-01 until 1972-04) and Gerhard Schmidt‐Gaden (conductor) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": III. Coro "Aller Augen warten, Herr" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn"
4:29
9Cantata, BWV 23 "Du wahrer Gott und Davids Sohn": IV. Choral "Christe, du Lamm Gottes"
choir vocals:
Choir of King’s College, Cambridge (from 1972-01 until 1972-04) and Tölzer Knabenchor (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
chorus master:
David Willcocks (from 1972-01 until 1972-04) and Gerhard Schmidt‐Gaden (conductor) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": IV. Choral "Christe, du Lamm Gottes" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn"
5:09
10Cantata, BWV 24 "Ein ungefärbt Gemüte": I. Aria (Alto) "Ein ungefärbt Gemüte"
alto vocals:
Paul Esswood (countertenor) (from 1972-06 until 1972-10)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-10)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-10)
recorded at:
Casino Zögernitz in Wien, Austria (from 1972-06 until 1972-10)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": I. Aria (Alto) "Ein ungefärbt Gemüte" (from 1972-06 until 1972-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
3:34
11Cantata, BWV 24 "Ein ungefärbt Gemüte": II. Recitativo (Tenore) "Die Redlichkeit ist eine von den Gottesgaben"
tenor vocals:
Kurt Equiluz (tenor) (from 1972-06 until 1972-10)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-10)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-10)
recorded at:
Casino Zögernitz in Wien, Austria (from 1972-06 until 1972-10)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": II. Recitativo (Tenore) "Die Redlichkeit ist eine von den Gottesgaben" (from 1972-06 until 1972-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
1:52
12Cantata, BWV 24 "Ein ungefärbt Gemüte": III. Coro "Alles nun, das ihr wollet"
choir vocals:
Chorus Viennensis (from 1972-06 until 1972-10) and Wiener Sängerknaben (from 1972-06 until 1972-10)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-10)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-10)
recorded at:
Casino Zögernitz in Wien, Austria (from 1972-06 until 1972-10)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": III. Coro (Soprano, Alto, Tenore, Basso) "Alles nun, das ihr wollet" (from 1972-06 until 1972-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
3:59
13Cantata, BWV 24 "Ein ungefärbt Gemüte": IV. Recitativo (Basso) "Die Heuchelei ist eine Brut, die Belial gehecket"
bass vocals:
Max van Egmond (bass-baritone) (from 1972-06 until 1972-10)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-10)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-10)
recorded at:
Casino Zögernitz in Wien, Austria (from 1972-06 until 1972-10)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": IV. Recitativo (Basso) "Die Heuchelei ist eine Brut" (from 1972-06 until 1972-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
1:29
14Cantata, BWV 24 "Ein ungefärbt Gemüte": V. Aria (Tenore) "Treu und Wahrheit sei der Grund"
tenor vocals:
Kurt Equiluz (tenor) (from 1972-06 until 1972-10)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-10)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-10)
recorded at:
Casino Zögernitz in Wien, Austria (from 1972-06 until 1972-10)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": V. Aria (Tenore) "Treu und Wahrheit sei der Grund" (from 1972-06 until 1972-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
3:39
15Cantata, BWV 24 "Ein ungefärbt Gemüte": VI. Choral "O Gott, du frommer Gott"
choir vocals:
Chorus Viennensis (from 1972-06 until 1972-10) and Wiener Sängerknaben (from 1972-06 until 1972-10)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-10)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-10)
recorded at:
Casino Zögernitz in Wien, Austria (from 1972-06 until 1972-10)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": VI. Choral "O Gott, du frommer Gott" (from 1972-06 until 1972-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
2:42
16Cantata, BWV 25 "Es ist nichts Gesundes an meinem Leibe": I. Coro "Es ist nichts Gesundes an meinem Leibe"
choir vocals:
Chorus Viennensis (from 1972-06 until 1972-10) and Wiener Sängerknaben (from 1972-06 until 1972-10)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-10)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-10)
recorded at:
Casino Zögernitz in Wien, Austria (from 1972-06 until 1972-10)
recording of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": I. Coro "Es ist nichts Gesundes an meinem Leibe" (from 1972-06 until 1972-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe"
4:44
17Cantata, BWV 25 "Es ist nichts Gesundes an meinem Leibe": II. Recitativo (Tenore) "Die ganze Welt ist nur ein Hospital"
tenor vocals:
Kurt Equiluz (tenor) (from 1972-06 until 1972-10)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-10)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-10)
recorded at:
Casino Zögernitz in Wien, Austria (from 1972-06 until 1972-10)
recording of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": II. Recitativo (Tenore) "Die ganze Welt ist nur ein Hospital" (from 1972-06 until 1972-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe"
1:27
18Cantata, BWV 25 "Es ist nichts Gesundes an meinem Leibe": III. Aria (Basso) "Ach, wo hol ich Armer Rat?"
bass vocals:
Max van Egmond (bass-baritone) (from 1972-06 until 1972-10)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-10)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-10)
recorded at:
Casino Zögernitz in Wien, Austria (from 1972-06 until 1972-10)
recording of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": III. Aria (Basso) "Ach, wo hol ich Armer Rat?" (from 1972-06 until 1972-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe"
3:06
19Cantata, BWV 25 "Es ist nichts Gesundes an meinem Leibe": IV. Recitativo (Soprano) "O Jesu, lieber Meister, zu dir flieh ich"
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-10)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-10)
recorded at:
Casino Zögernitz in Wien, Austria (from 1972-06 until 1972-10)
recording of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": IV. Recitativo (Soprano) "O Jesu, lieber Meister" (from 1972-06 until 1972-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe"
1:11
20Cantata, BWV 25 "Es ist nichts Gesundes an meinem Leibe": V. Aria (Soprano) "Öffne meinen schlechten Liedern"
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-10)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-10)
recorded at:
Casino Zögernitz in Wien, Austria (from 1972-06 until 1972-10)
recording of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": V. Aria (Soprano) "Öffne meinen schlechten Liedern" (from 1972-06 until 1972-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe"
3:39
21Cantata, BWV 25 "Es ist nichts Gesundes an meinem Leibe": VI. Choral "Ich will alle meine Tage rühmen deine starke Hand"
choir vocals:
Chorus Viennensis (from 1972-06 until 1972-10) and Wiener Sängerknaben (from 1972-06 until 1972-10)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-10)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-10)
recorded at:
Casino Zögernitz in Wien, Austria (from 1972-06 until 1972-10)
recording of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": VI. Choral "Ich will alle meine Tage" (from 1972-06 until 1972-10)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 101)
part of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe"
1:11
▶CD 9: Sacred Cantatas: BWV 26-29
▶CD 10: Sacred Cantatas: BWV 30-31
▶CD 11: Sacred Cantatas: BWV 32-34
▶CD 12: Sacred Cantatas: BWV 35-36
▶CD 13: Sacred Cantatas: BWV 37-40
▶CD 14: Sacred Cantatas: BWV 41-43
▶CD 15: Sacred Cantatas: BWV 44-47

Credits

Release

part of:Bach 2000 (multi-volume box set) (number: 1) (order: 1)
ASIN:US: B00001IV8B [info]
US: B00002DF3M [info]