You're My Thrill

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼Digital Media 1
#TitleArtistRatingLength
1Stella by Starlight
cover recording of:
Stella by Starlight
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
part of:
The Real Book (compilation of jazz standards, Volume I)
Miles Davis, John Coltrane & Bill Evans4:48
2I Only Have Eyes For You
recording of:
I Only Have Eyes for You
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
Billie Holiday2:54
3Mood Indigo
banjo:
Fred Guy (on 1930-12-10)
double bass:
Wellman Braud (on 1930-12-10)
drums (drum set):
Sonny Greer (on 1930-12-10)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1930-12-10)
reeds:
Barney Bigard (on 1930-12-10), Harry Carney (on 1930-12-10) and Johnny Hodges (on 1930-12-10)
trombone:
Joe "Tricky Sam" Nanton (on 1930-12-10)
trumpet:
Freddy Jenkins (on 1930-12-10), Arthur Whetsel (on 1930-12-10) and Cootie Williams (on 1930-12-10)
valve trombone:
Juan Tizol (on 1930-12-10)
recording of:
Mood Indigo (1930 jazz composition and song) (on 1930-12-10)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS-affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
Duke Ellington & His Orchestra3:15
4I've Been Loving You Too Long (To Stop Now)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 25)
recording of:
I’ve Been Loving You Too Long
writer:
Jerry Butler (soul singer) (in 1965) and Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) and Wildwood Music Ltd.
Otis Redding33:02
5Stormy Weather
producer:
Leonard Chess, Leonard & Phil Chess (Legendary US production duo) and Phil Chess
lead vocals:
Etta James
orchestra:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
cover recording of:
Stormy Weather (in 1960-10)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Etta James33:09
6You're Looking Good Tonight (The Folklore of...)
recording of:
You’re Looking Good Tonight
lyricist and composer:
John Lee Hooker (US blues singer, songwriter & guitarist)
John Lee Hooker2:58
7Everytime I Think of You
recorded in:
Houston, Texas, United States (in 1951)
tenor saxophone:
Bill Harvey (saxophone) (in 1951)
lead vocals:
Willie Mae "Big Mama" Thornton (in 1951)
orchestra:
Bill Harvey’s Orchestra (in 1951)
recorded at:
ACA Studio in Houston, Texas, United States (in 1951)
recording of:
Everytime I Think of You (in 1951)
writer:
James Copeland (1950's blues composer)
Big Mama Thornton2:57
8All Your Love (I Miss Loving) (I'm Satisfied)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2010)
recording of:
All Your Love (I Miss Loving)
lyricist and composer:
Otis Rush
publisher:
BMG Platinum Songs US and Conrad Music (publisher; do NOT use as release label)
Otis Rush52:38
9All of Me (From Sweet and Lowdown)
recording of:
All of Me
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Peermusic, Round Hill Songs, Sony/ATV Tunes LLC and 日音 Synch事業部
Django Reinhardt2:49
10Falling In Love With Love
cover recording of:
Falling in Love With Love
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, Volume I)
Helen Merrill3:52
11You're My Thrill
Aaron Sachs Sextet3:10
12The Man I Love
recording engineer:
Rupert Coulson (sound engineer)
mixer:
Rupert Coulson (sound engineer) and Martin Giles (mastering engineer)
harmonica:
Larry Adler
vocals:
Kate Bush
performer:
Steve Orchard (producer and engineer)
cover recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (soundtrack of the 1977 film)
Larry Adler feat. Kate Bush3:18
13My Heart Stood Still
recording engineer:
Rudy van Gelder (on 1956-03-12)
double bass [bass]:
Oscar Pettiford (on 1956-03-12)
drums (drum set):
Shadow Wilson (on 1956-03-12)
electric guitar [guitar]:
Kenny Burrell (on 1956-03-12)
piano:
Tommy Flanagan (on 1956-03-12)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-03-12)
recorded at:
Audio-Video Studios (NYC) in New York, New York, United States (on 1956-03-12)
instrumental recording of:
My Heart Stood Still (on 1956-03-12)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Lauerence Harms Inc., Warner Bros. (holding: File NO Releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
Kenny Burrell5:14
14Love Walked In
engineer:
John Kraus
producer:
Russell Keith
cover recording of:
Love Walked In
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
Abbey Lincoln2:33
15To A Wild Rose
recording of:
To a Wild Rose (Banks arrangement)
composer:
Edward MacDowell (American composer, pianist)
arranger:
Don Banks (composer)
arrangement of:
10 Woodland Sketches, op. 51, no. 1: To a Wild Rose
Oscar Peterson2:35
16We Are In Love
producer:
Harry Connick, Jr. and Marc Shaiman (American score composer and lyricist)
recording of:
We Are in Love
lyricist and composer:
Harry Connick, Jr.
publisher:
Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
Harry Connick, Jr.2:41
17The Touch of Your Lips
recording of:
The Touch of Your Lips
lyricist and composer:
Ray Noble
publisher:
Anne-Rachel Music, Jerry Leiber Music, Range Road Music and Silver Seahorse Music LLC
Chet Baker2:40
18Alone Together
double bass:
Addison Farmer (on 1954-11-09)
drums (drum set):
Herb Lovelle (on 1954-11-09)
piano:
Wynton Kelly (on 1954-11-09)
trumpet:
Art Farmer (on 1954-11-09)
instrumental recording of:
Alone Together (on 1954-11-09)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Art Farmer4:02
19It Ain't Necessarily So
recorded in:
New York, New York, United States (on 1960-12-19)
producer:
Didier C. Deutsch and Tom Ruff
conductor:
Robert Mersey
arranger:
Robert Mersey
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1961)
cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (on 1960-12-19)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
Aretha Franklin32:57
20Night and Day
Ella Fitzgerald3:05
21Prelude To a Kiss
cover recording of:
Prelude to a Kiss
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
Nancy Wilson2:44
22Ain't That Love
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone [baritone sax]:
Emmott Dennis (on 1956-11-26)
bass:
Roosevelt "Whiskey" Sheffield (on 1956-11-26)
drums (drum set):
William Peeples (on 1956-11-26)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1956-11-26)
tambourine:
Jerry Wexler (on 1956-11-26)
tenor saxophone [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1956-11-26)
trumpet:
Joe Bridgewater (on 1956-11-26) and John Hunt (trumpeter) (on 1956-11-26)
background vocals:
The Raelettes (on 1956-11-26)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1956-11-26)
arranger:
Ray Charles (soul musician, singer and songwriter)
recording of:
Ain’t That Love (on 1956-11-26)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Progressive Music (publisher)
Ray Charles2:51
23Imagination
Stan Getz2:30

Credits

Release

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