Superhits: 1973

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

▼CD 1
Nr.TitelKünstlerBewertungLänge
1Delta Dawn
Produzent(in):
Tom Catalano
cover recording of:
Delta Dawn
Verfasser(in):
Larry Collins und Alex Harvey (American country singer of the early 70s)
publisher:
Big Ax Music, EMI April Music Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), フジパシフィックミュージック SBK事業部, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), イーエムアイ音楽出版 ソニー事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Helen Reddy3:09
2Bad Bad Leroy Brown
vocals:
Jim Croce (am 1972-06-02)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1972-06-02)
recording of:
Bad, Bad Leroy Brown (am 1972-06-02)
Texter und Komponist(in):
Jim Croce
publisher:
American Broadcasting Music, Inc., Blendingwell Music, Inc., Denjac Music Co., DenJac Music Company, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Jim Croce53:00
3Tie a Yellow Ribbon Round the Ole Oak Tree
recording of:
Tie a Yellow Ribbon Round the Ole Oak Tree
Verfasser(in):
Lawrence Russell Brown (lyricist) und Irwin Levine
publisher:
Irwin Levine Music (BMI-affiliated) und Larball Publishing Co., Inc.
Dawn featuring Tony Orlando53:22
4Shambala
recording of:
Shambala
Texter und Komponist(in):
Daniel Moore (producer, songwriter and vocalist)
Three Dog Night4.353:23
5Drift Away
recording of:
Drift Away
Texter und Komponist(in):
Mentor Williams (Songwriter & producer)
publisher:
Rondor Music (London) Ltd.
Dobie Gray3:56
6Call Me (Come Back Home)
Techniker(in):
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
Produzent(in):
Al Green und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
baritone saxophone:
James Mitchell (US saxophonist/arranger)
E-Bass:
Leroy Hodges
Gitarre:
Mabon Hodges
Klavier:
Archie Turner
Orgel und Klavier:
Charles Hodges (Soul Organist)
Posaune:
Jack Hale (trombone)
Schlagzeug:
Howard Grimes und Al Jackson, Jr. (Booker T & The MGs drummer)
Tenorsaxophon:
Ed Logan und Andrew Love
Trompete:
Wayne Jackson (trumpet/trombone (Memphis Horns/Mar-Keys))
Hintergrundgesang:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes und Sandra Rhodes
Saiteninstrumente arranger:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) und James Mitchell (US saxophonist/arranger)
aufgenommen bei:
Royal Studios in Memphis, Tennessee, Vereinigte Staaten
recording of:
Call Me (Come Back Home)
Komponist(in):
Al Green, Al Jackson, Jr. (Booker T & The MGs drummer) und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music und Irving Music, Inc.
Al Green4.53:04
7Don't Let Me Be Lonely Tonight
recording of:
Don’t Let Me Be Lonely Tonight
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc., EMI April Music Inc. und EMI Blackwood Music Inc. (1989-07-24–present)
James Taylor2:37
8Until You Come Back to Me (That's What I'm Gonna Do)
Techniker(in):
Lew Hahn
Produzent(in):
Aretha Franklin, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1973-09-07)
Gitarre:
Hugh McCracken (am 1973-09-07)
Hybrid-Piano:
Donny Hathaway (am 1973-09-07)
Klavier und Sologesang:
Aretha Franklin (am 1973-09-07)
Orgel:
Richard Tee (am 1973-09-07)
Schlagzeug:
Bernard “Pretty” Purdie (am 1973-09-07)
Solo-Flöte:
Joe Farrell (am 1973-09-07)
Synthesizer:
Ken Bichel (keyboardist) (am 1973-09-07)
Hintergrundgesang:
Margaret Branch (am 1973-09-07), Ann S. Clark (am 1973-09-07) und Pat Smith (soul vocalist) (am 1973-09-07)
arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (am 1973-09-07)
Verfasser(in):
Morris Broadnax, Clarence Paul und Stevie Wonder
publisher:
Blackbull Music, Jobete Music, Sawandi Music und Stone Agate Music
Aretha Franklin4.353:26
9You're So Vain
recording engineer und Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Bass:
Klaus Voorman (vom 1972-09 bis 1972-10)
Gitarre:
Jimmy Ryan (American guitarist and singer/songwriter) (vom 1972-09 bis 1972-10)
Klavier und Sologesang:
Carly Simon (vom 1972-09 bis 1972-10)
Perkussion:
Richard Perry (producer) (vom 1972-09 bis 1972-10)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (vom 1972-09 bis 1972-10)
Hintergrundgesang:
Mick Jagger (vom 1972-09 bis 1972-10)
Hintergrundgesang [additional background vocals]:
Carly Simon und Doris Troy
Saiteninstrumente arranger:
Carly Simon
Orchestrator(in):
Paul Buckmaster
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1972), Elektra Entertainment (renamed from Elektra 1989–2004; revived as Elektra 2009-06-01) (in 1978) und Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (vom 1972-09 bis 1972-10)
Teil von:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 495)
recording of:
You’re So Vain (vom 1972-09 bis 1972-10)
Texter und Komponist(in):
Carly Simon
publisher:
C’est Music
Carly Simon4.854:19
10Hello It's Me
recording of:
Hello, It’s Me
Texter und Komponist(in):
Todd Rundgren
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Todd Rundgren3:41
11The Morning After
recording of:
The Morning After (from "The Poseidon Adventure")
Verfasser(in):
Joel Hirschhorn (songwriter) und Al Kasha (composer, songwriter and arranger)
publisher:
Fox Fanfare Music und Twentieth Century Music Corp.
Teil von:
Academy Award for Best Original Song (Nummer: 45)
Maureen McGovern52:21
12Ain't No Woman (Like the One I've Got)
recording of:
Ain't No Woman (Like the One I've Got)
Verfasser(in):
Dennis Lambert und Brian Potter (US songwriter & producer)
publisher:
Songs of Universal, Inc.
lyrics quoted on:
Beware
Four Tops3:07
13Stuck in the Middle with You
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1972)
Musikvideos:
Stuck in the Middle With You von Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd und PolyGram Music Publishing Ltd.
Stealers Wheel43:27
14Could It Be I'm Falling in Love
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Thom Bell (keyboards, songwriter, producer)
Bass:
Ron Baker (in 1973)
Klavier:
Thom Bell (keyboards, songwriter, producer) (in 1973)
Perkussion [vibraphone, marimba]:
Vince Montana (in 1973)
Schlagzeug:
Earl Young (in 1973)
Baritongesang:
Henry Fambrough (in 1973)
Bass-Gesang:
Pervis Jackson (in 1973)
Hintergrundgesang:
Yvette Benson (in 1973), Carla Benton (in 1973) und Barbara Ingram (in 1973)
Tenor-Gesang:
Billy Henderson (Former member of The Spinners) (in 1973), Bobbie Smith (US R&B singer) (in 1973) und Philippé Wynne (in 1973)
Dirigent(in):
Thom Bell (keyboards, songwriter, producer) (in 1973)
Remix:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten
recording of:
Could It Be I’m Falling in Love (in 1973)
Verfasser(in):
Melvin Steals und Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners54:13
15Midnight Train to Georgia
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 432) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 470)
recording of:
Midnight Train to Georgia
Texter und Komponist(in):
James D. Weatherly (American singer/songwriter)
Gladys Knight and the Pips4.84:38
16Diamond Girl
recording of:
Diamond Girl
Texter:
James Seals
Komponist(in):
Dash Crofts und James Seals
Seals and Crofts53:53
17Touch Me in the Morning
recording of:
Touch Me in the Morning
Verfasser(in):
Michael Masser und Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Jobete Music und Jobete Music Co., Inc.
Diana Ross3:28
18The Cover of "Rolling Stone"
Produzent(in):
Ron Haffkine
recording of:
The Cover of “Rolling Stone”
Texter und Komponist(in):
Shel Silverstein
publisher:
Evil Eye Music Inc.
Dr. Hook and the Medicine Show2:56
19My Maria
recording of:
My Maria
Verfasser(in):
Daniel Moore (producer, songwriter and vocalist) und B.W. Stevenson
B.W. Stevenson52:26
20Wildflower
recording of:
Wildflower
Texter:
Thomas David Richardson (lyricist of Canadian band Skylark’s “Wildflower”)
Komponist(in):
Douglas Fraser Edwards
publisher:
Nettwerk Tunes
Skylark54:10
21All I Know
recording of:
All I Know
Texter und Komponist(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
Art Garfunkel3:43

Nennungen

Veröffentlichungsgruppe

Teil von:AM Gold (Time-Life Music) (Nummer: 3) (Reihenfolge: 3)