| # | Title | Artist | Rating | Length |
|---|
| 1 | Cum On Feel the Noize | Quiet Riot | 4.5 | 4:51 |
| 2 | Talk Dirty to Me | Poison | 4.6 | 3:45 |
| 3 | Heaven Tonight | Yngwie J. Malmsteen’s Rising Force | 4 | 4:06 |
| 4 | The Final Countdown- recording engineer and mixer:
- Wally Buck and Kevin Elson
- producer:
- Kevin Elson
- bass guitar [bass]:
- John Levén
- drums (drum set) [drums]:
- Ian Haugland
- guitar:
- John Norum
- keyboard:
- Mic Michaeli
- lead vocals:
- Joey Tempest
- phonographic copyright (℗) by:
- CBS, Inc. (in 1986) and Sony Music Entertainment Inc. (in 1986)
- produced for:
- Elson Music Vision, Inc.
- recorded at and mixed at:
- Fantasy Studios in Berkeley, California, United States, Powerplay Studios in Maur, Zürich, Switzerland and Soundtrade Studios in Solna City, Stockholms län, Sweden
- recording of:
- The Final Countdown
- lyricist and composer:
- Joey Tempest
- publisher:
- EMI , EMI Music Publishing Ltd. and Seven Doors Music
| Europe | 4 | 5:09 |
| 5 | Gypsy Road- assistant recording engineer:
- Thom Cadley and Ryan Dorn
- engineer:
- Andy Johns
- producer:
- Eric Brittingham, Andy Johns and Tom Keifer
- assistant mixer:
- George Cowan
- mixer:
- Michael Barbiero and Steve Thompson
- acoustic guitar, harmonica, steel guitar [national steel guitar] and lead vocals:
- Tom Keifer
- additional drums (drum set):
- Denny Carmassi and Cozy Powell
- additional guest Hammond organ [B3], additional guest piano and additional guest synthesizer:
- Rick Criniti
- additional keyboard:
- Kurt Shore and John Webster
- additional pedal steel guitar:
- Jay Levine
- additional percussion:
- Paulinho da Costa
- bass guitar [12 string bass], electric bass guitar and background vocals:
- Eric Brittingham
- drums (drum set):
- Fred Coury
- electric guitar:
- Tom Keifer and Jeff LaBar
- phonographic copyright (℗) by:
- PolyGram Records, Inc.
- recorded at:
- Kajem/Victory Studios in Philadelphia, Pennsylvania, United States and Bearsville Studios in Bearsville, New York, United States (from 1987 until 1988)
- mixed at:
- Bearsville Studios in Bearsville, New York, United States
- recording of:
- Gypsy Road
- lyricist and composer:
- Tom Keifer
| Cinderella | 3 | 3:56 |
| 6 | Kiss Me Deadly- assistant engineer:
- Charlie Brocco, Jimmy Hoyson, Brett Swain and Toby Wright
- engineer and mixer:
- George Tutko
- producer:
- Mike Chapman
- additional guest drums (drum set) and additional guest percussion:
- Craig Krampf (in 1987)
- bass guitar:
- Donnie Nossov (in 1987)
- drums (drum set):
- Myron Grombacher (in 1987)
- guitar:
- Lita Ford (in 1987)
- keyboard:
- David Ezrin (in 1987)
- guest background vocals:
- Mike Chapman (in 1987) and Llory McDonald (in 1987)
- vocals and performer:
- Lita Ford (in 1987)
- recorded at:
- Record One in Sherman Oaks, Los Angeles, California, United States (in 1987)
- mixed at:
- One on One Studios in North Hollywood, Los Angeles, California, United States and The Village in Los Angeles, California, United States
- part of:
- Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 33)
- recording of:
- Kiss Me Deadly (in 1987)
- lyricist and composer:
- Mick Smiley
- publisher:
- Mike Chapman Publishing Enterprises, The Twin Towers Co. and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Lita Ford | 4 | 3:58 |
| 7 | Never Enough- producer:
- Duane Baron, John Purdell and Tom Werman
- recording of:
- Never Enough
- writer:
- Paul Black , Mick Cripps, Tracii Guns, Phil Lewis , Kelly Nickels, Jeff Paris, Steve Riley , Phil Roy and Gregg Tripp
- publisher:
- Blue Raincoat Songs Ltd., PRI Songs Inc., Sony Music Publishing (Japan) Inc., Trippland Music, Universal‐Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| L.A. Guns | 4 | 4:14 |
| 8 | Someone Like You | Bang Tango | | 4:23 |
| 9 | Stone Cold | Rainbow | 3 | 5:18 |
| 10 | Blackout- engineer:
- Mike Beiriger, Dieter Dierks, David Hewitt and Gerd Rautenbach
- producer:
- Dieter Dierks
- mixer:
- Mike Beiriger, Dieter Dierks and Gerd Rautenbach
- acoustic guitar and electric guitar [rhythm guitar]:
- Matthias Jabs (from 1981-11 until 1982-01) and Rudolf Schenker (from 1981-11 until 1982-01)
- bass guitar:
- Francis Buchholz (from 1981-11 until 1982-01)
- drums (drum set) and percussion:
- Herman Rarebell (from 1981-11 until 1982-01)
- electric guitar [lead guitar] and slide guitar:
- Matthias Jabs (from 1981-11 until 1982-01)
- background vocals:
- Francis Buchholz (from 1981-11 until 1982-01), Matthias Jabs (from 1981-11 until 1982-01), Klaus Meine (from 1981-11 until 1982-01), Herman Rarebell (from 1981-11 until 1982-01) and Rudolf Schenker (from 1981-11 until 1982-01)
- lead vocals:
- Klaus Meine (from 1981-11 until 1982-01)
- arranger:
- Dieter Dierks
- phonographic copyright (℗) by:
- The Island Def Jam Music Group (in 1982)
- recorded at:
- Dierks Studios in Pulheim, Nordrhein-Westfalen, Germany (from 1981-11 until 1982-01) and Villa San Pecaïre in Grasse, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France (from 1981-11 until 1982-01)
- mixed at:
- Dierks Studios in Pulheim, Nordrhein-Westfalen, Germany (in 1982)
- recording of:
- Blackout (from 1981-11 until 1982-01)
- lyricist:
- Sonja Kittelsen, Klaus Meine and Herman Rarebell
- composer:
- Rudolf Schenker
- publisher:
- Arabella Musikverlag GmbH
| Scorpions | 5 | 3:49 |
| 11 | Eyes of a Stranger- assistant engineer:
- Jim Campbell , Glen "The Snake" Robinson and Paul Milner
- engineer:
- James “Jimbo” Barton and Paul Northfield
- producer:
- Peter Collins
- assistant mixer:
- Ronald Prent
- mixer:
- James “Jimbo” Barton
- 12 string guitar, acoustic guitar and electric guitar:
- Chris DeGarmo and Michael Wilton
- bass guitar:
- Eddie Jackson
- cello:
- Michael Kamen
- drums (drum set) and percussion:
- Scott Rockenfield
- keyboard, lead vocals and whistling:
- Geoff Tate
- choir vocals:
- The Moronic Monks of Morin Heights
- spoken vocals [Dr.X]:
- Anthony Valentine
- spoken vocals [News Anchorman]:
- Mike Snyder
- spoken vocals [Nurse]:
- Debbie Wheeler
- spoken vocals [Preacher]:
- Scott Mateer
- spoken vocals [Sister Mary]:
- Pamela Moore
- conductor:
- Snakemeister
- chorus master:
- Michael Kamen
- recorded at:
- Kajem/Victory Studios in Philadelphia, Pennsylvania, United States and Le Studio in Morin‐Heights, Québec, Canada
- mixed at:
- Wisseloord Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands
- recording of:
- Eyes of a Stranger
- writer:
- Chris DeGarmo and Geoff Tate
- publisher:
- Queensrÿche Publishing Company and Screen Gems–EMI Music, Inc.
| Queensrÿche | 4.35 | 6:37 |
| 12 | It's Not Love | Dokken | | 5:00 |
| 13 | Seventeen- engineer and producer:
- Beau Hill
- recording of:
- Seventeen
- writer:
- Reb Beach, Beau Hill and Kip Winger
- publisher:
- Blue 32 Music Inc., BMG Gold Songs, BMG Platinum Songs US, EMI Virgin Music, Inc., EMI Virgin Songs, Inc., Julian Kelly Music, Small Hope Music, Varseau Music and フジパシフィックミュージック BMG事業部
| Winger | 4 | 4:05 |
| 14 | New Thing | Enuff Z’Nuff | | 4:18 |
| 15 | Mutha (Don't Wanna Go to School Today) | Extreme | | 4:53 |
| 16 | We're Not Gonna Take It- recording engineer and mixer:
- Geoff Workman
- assistant engineer:
- Gary McGachan
- engineer:
- John Agnello, Greg Laney and Geoff Workman
- producer:
- Tom Werman
- bass guitar:
- Mark Mendoza
- drums (drum set):
- A.J. Pero
- electric guitar:
- Jay Jay French and Eddie Ojeda
- background vocals:
- Jay Jay French, Mark Mendoza , Eddie Ojeda, A.J. Pero and Dee Snider
- lead vocals:
- Dee Snider
- arranger:
- Twisted Sister and Tom Werman
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio in Los Angeles, California, United States (from 1984-02 until 1984-03)
- part of:
- Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 81)
- recording of:
- We’re Not Gonna Take It
- lyricist and composer:
- Dee Snider
- publisher:
- Universal Tunes
| Twisted Sister | 4.55 | 3:38 |
