# | Title | Rating | Length |
---|
1 | Dream World- cello:
- Marie Fera, Fredrick Seykora, Edgar Lustgarten and Jacqueline Lustgarten
- drums (drum set):
- Earl Palmer
- electric bass guitar:
- Max Bennett
- guitar:
- Mike Deasy, Gerry McGee and Al Hendrickson
- harpsichord:
- Don Randi
- horn:
- John Cave , David Duke and Arthur Maebe
- trombone:
- George Roberts
- trumpet:
- Buddy Childers and Jack Sheldon
- violin:
- Sam Freed, Nathan Kaproff, George Kast, Marvin Limonick, Alex Murray and Erno Neufeld
- vocals:
- Davy Jones
- arranger:
- Shorty Rogers
- recorded at:
- Western Recorders, Studio 2 in Hollywood, Los Angeles, California, United States (on 1968-02-06) and RCA Victor Studios in Hollywood, Los Angeles, California, United States (on 1968-02-08)
- recording of:
- Dream World (from 1968-02-06 until 1968-02-08)
- writer:
- Davy Jones and Steve Pitts
| | 3:21 |
2 | Auntie’s Municipal Court | | 4:03 |
3 | We Were Made for Each Other- cello:
- Marie Fera, Jacqueline Lustgarten, Kurt Reher and Eleanor Slatkin
- drums (drum set):
- Earl Palmer
- electric bass guitar:
- Max Bennett
- guitar:
- James Burton , Mike Deasy, Gerry McGee and Al Hendrickson
- harpsichord:
- Michael Melvoin
- horn:
- Vincent DeRosa, David Duke and Richard Perissi
- percussion:
- Milt Holland and Jerry Williams
- trombone:
- Lewis McCreary
- trumpet:
- Buddy Childers and Jack Sheldon
- violin:
- Alexander Murray , Sam Freed, Nathan Kaproff, George Kast, Marvin Limonick and Erno Neufeld
- vocals:
- Davy Jones
- arranger:
- Shorty Rogers
- recorded at:
- Western Recorders, Studio 2 in Hollywood, Los Angeles, California, United States (on 1968-02-06) and RCA Victor Studios in Hollywood, Los Angeles, California, United States (from 1968-02-07 until 1968-02-09)
- recording of:
- We Were Made for Each Other (from 1968-02-06 until 1968-02-09)
- writer:
- Carole Jill Bayer and George Fischoff
| | 2:25 |
4 | Tapioca Tundra | | 3:06 |
5 | Daydream Believer | 5 | 3:01 |
6 | Writing Wrongs | 3 | 5:09 |
7 | I’ll Be Back Up on My Feet | | 2:27 |
8 | The Poster- drums (drum set):
- Hal Blaine
- electric bass guitar:
- Lyle Ritz
- guitar:
- Al Casey , Mike Deasy and Howard Roberts
- organ:
- Don Randi
- percussion:
- Gary Coleman and Gene Estes
- saxophone and woodwind:
- John Lowe
- trombone:
- Milt Bernhart, Richard Leith , Lew McCreary and Frank Rosolino
- trumpet:
- Buddy Childers, Clyde Reasinger, Jack Sheldon and Tony Terran
- violin:
- Alexander Murray , Nathan Kaproff, George Kast, Marvin Limonick, Erno Neufeld and Ambrose Russo
- vocals:
- Davy Jones
- arranger:
- Shorty Rogers
- recorded at:
- RCA Victor Studios in Hollywood, Los Angeles, California, United States (from 1968-02-15 until 1968-02-17)
- recording of:
- The Poster (from 1968-02-15 until 1968-02-17)
- writer:
- Davy Jones and Steve Pitts
| | 2:21 |
9 | P.O. Box 9847 | | 3:16 |
10 | Magnolia Simms | | 3:48 |
11 | Valleri | 5 | 2:14 |
12 | Zor and Zam- drums (drum set):
- Hal Blaine (from 1968-01-07 until 1968-02-17), Eddie Hoh (from 1968-01-07 until 1968-02-17), Milt Holland (from 1968-01-07 until 1968-02-17) and Stan Levey (from 1968-01-07 until 1968-02-17)
- electric bass guitar:
- Max Bennett (from 1968-01-07 until 1968-02-17), Chip Douglas (from 1968-01-07 until 1968-02-17) and Rick Dey (from 1968-01-07 until 1968-02-17)
- guitar:
- Keith Allison (from 1968-01-07 until 1968-02-17) and Bill Chadwick (from 1968-01-07 until 1968-02-17)
- instruments:
- Henry Diltz (from 1968-01-07 until 1968-02-17)
- percussion:
- Hal Blaine (from 1968-01-07 until 1968-02-17), Micky Dolenz (from 1968-01-07 until 1968-02-17), Eddie Hoh (from 1968-01-07 until 1968-02-17), Milt Holland (from 1968-01-07 until 1968-02-17) and Stan Levey (from 1968-01-07 until 1968-02-17)
- piano:
- Michael Melvoin (from 1968-01-07 until 1968-02-17)
- saxophone:
- John Lowe (from 1968-01-07 until 1968-02-17)
- trombone:
- Milt Bernhart (from 1968-01-07 until 1968-02-17), Richard Leith (from 1968-01-07 until 1968-02-17), Lew McCreary (from 1968-01-07 until 1968-02-17) and Frank Rosolino (from 1968-01-07 until 1968-02-17)
- trumpet:
- Buddy Childers (from 1968-01-07 until 1968-02-17), Clyde Reasinger (from 1968-01-07 until 1968-02-17), Jack Sheldon (from 1968-01-07 until 1968-02-17) and Anthony Terran (from 1968-01-07 until 1968-02-17)
- violin:
- Alexander Murray (from 1968-01-07 until 1968-02-17), Nathan Kaproff (from 1968-01-07 until 1968-02-17), George Kast (from 1968-01-07 until 1968-02-17), Erno Neufeld (from 1968-01-07 until 1968-02-17) and Ambrose Russo (from 1968-01-07 until 1968-02-17)
- vocals:
- Micky Dolenz (from 1968-01-07 until 1968-02-17)
- arranger:
- Shorty Rogers
- recorded at:
- RCA Victor Studios in Hollywood, Los Angeles, California, United States (from 1968-01-07 until 1968-02-17)
- recording of:
- Zor and Zam (from 1968-01-07 until 1968-02-17)
- writer:
- Bill Chadwick and John Chadwick
| | 2:13 |
13 | Through the Looking Glass (1968 stereo mix) | | 2:49 |
14 | Long Title: Do I Have to Do This All Over Again (alternate mix)- drums (drum set):
- Dewey Martin
- electric bass guitar:
- Lance Wakely
- guitar:
- Stephen Stills, Peter Tork and Lance Wakely
- background vocals:
- Micky Dolenz
- vocals:
- Peter Tork
- recorded at:
- Sunset Sound Recorders in Hollywood, Los Angeles, California, United States (from 1968-01-25 until 1968-02-15), RCA Victor Studios in Hollywood, Los Angeles, California, United States (from 1968-01-27 until 1968-02-12) and Western Recorders in Los Angeles, California, United States (from 1968-01-28 until 1968-02-15)
- recording of:
- Long Title: Do I Have to Do This All Over Again (from 1968-01-25 until 1968-02-15)
- writer:
- Peter Tork
| | 2:36 |
15 | D.W. Washburn (1968 stereo mix) | | 2:50 |
16 | It’s Nice to Be With You (1968 stereo mix)- cello:
- Marie Fera, Jacqueline Lustgarten, Kurt Reher and Eleanor Slatkin
- drums (drum set):
- Earl Palmer
- electric bass guitar:
- Max Bennett
- guitar:
- James Burton , Mike Deasy, Gerry McGee and Al Hendrickson
- horn:
- Vincent DeRosa, Dick Perissi and David Duke
- piano:
- Michael Melvoin
- saxophone:
- Bill Hood
- trombone:
- Lou Blackburn and Lew McCreary
- trumpet:
- Buddy Childers, Ollie Mitchell and Jack Sheldon
- violin:
- Alexander Murray , Sam Freed, Nathan Kaproff, George Kast, Marvin Limonick and Erno Neufeld
- vocals:
- Davy Jones
- arranger:
- Shorty Rogers
- recorded at:
- RCA Victor Studios in Hollywood, Los Angeles, California, United States (from 1968-02-06 until 1968-03-14)
- recording of:
- It's Nice to Be With You (from 1968-02-06 until 1968-03-14)
- lyricist and composer:
- Jerry Goldstein
| | 2:53 |
17 | Carlisle Wheeling (1967 stereo mix) | | 3:08 |
18 | Rosemarie (1968 stereo mix) | | 2:39 |
19 | My Share of the Sidewalk (1968 stereo mix) | | 3:01 |
20 | Alvin (alternate take) | | 0:22 |
21 | We Were Made for Each Other (alternate backing track) | | 2:46 |
22 | The Girl I Left Behind Me (1967 stereo mix) | | 4:32 |
23 | Little Red Rider (acoustic version) | | 2:30 |
24 | Lady’s Baby (1968 stereo mix) | | 2:25 |
25 | Ceiling in My Room (1967 stereo mix) | | 3:50 |
26 | I’m a Man (backing track) | | 2:56 |
27 | Me Without You (1968 stereo mix) | | 2:16 |