| # | Title | Artist | Rating | Length |
|---|
| 1 | When a Man Loves a Woman- recorded in:
- Muscle Shoals, Alabama, United States (on 1966-02-17)
- producer:
- Marlin Greene and Quin Ivy
- double bass:
- Albert Lowe Jr. (on 1966-02-17)
- drums (drum set):
- Roger Hawkins (on 1966-02-17)
- farfisa [farfisa organ]:
- Spooner Oldham (on 1966-02-17)
- guitar:
- Marlin Greene (on 1966-02-17)
- vocals:
- Percy Sledge (on 1966-02-17)
- phonographic copyright (℗) by:
- H.H.O. Ltd and Atlantic Recording Corporation (in 1966)
- recorded at:
- Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
- part of:
- Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 54)
- recording of:
- When a Man Loves a Woman (on 1966-02-17)
- writer:
- Calvin Lewis and Andrew Wright
- publisher:
- Mijac Music, Pronto Music, Inc. , Warner Chappell Music Ltd. , Warner Chappell North America, Warner/Chappell, Pronto Music (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
| Percy Sledge | 4.35 | 2:52 |
| 2 | Just the Two of Us | Bill Withers & Grover Washington, Jr. | | 5:01 |
| 3 | One Day I’ll Fly Away | Randy Crawford | | 5:01 |
| 4 | Love X Love- recording engineer and mixer:
- Bruce Swedien
- assistant engineer:
- Sheridan Eldridge, Ralph Osborne and Mark Sackett
- producer:
- Quincy Jones
- bass guitar:
- Louis Johnson and Abraham Laboriel
- drums (drum set):
- John “JR” Robinson
- flute and saxophone:
- Kim Hutchcroft and Larry Williams
- guitar:
- George Benson
- keyboard:
- Greg Phillinganes
- percussion:
- Paulinho da Costa
- trumpet:
- Jerry Hey
- background vocals:
- Patti Austin, Tom Bahler, Jim Gilstrap, Diva Gray and Jocelyn Allen
- vocals:
- George Benson
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1980)
- produced for:
- Quincy Jones Productions, Inc.
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States and Kendun Recorders in Burbank, California, United States
- mixed at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- recording of:
- Love × Love
- lyricist and composer:
- Rod Temperton
- publisher:
- Rodsongs , ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| George Benson | | 4:46 |
| 5 | I Go to Sleep | The Pretenders | | 2:57 |
| 6 | Lessons in Love | Level 42 | 3.6 | 4:05 |
| 7 | Wouldn’t It Be Good- recording engineer:
- Julian Mendelsohn (in 1983)
- producer:
- Peter Collins
- mixer:
- Julian Mendelsohn
- lead vocals:
- Nik Kershaw (in 1983)
- horn arranger:
- Jerry Hey and Nik Kershaw
- arranger:
- Nik Kershaw
- phonographic copyright (℗) by:
- MCA Records Ltd. (in 1984)
- mixed at:
- Sarm East Studios in Whitechapel, Tower Hamlets, London , England, United Kingdom
- recording of:
- Wouldn’t It Be Good (in 1983)
- lyricist and composer:
- Nik Kershaw
- publisher:
- Arctic King, Imagem Music GmbH , Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music (London) Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
- part of:
- Gotcha!
| Nik Kershaw | 4.5 | 4:29 |
| 8 | Take on Me | a‐ha | 4.45 | 3:46 |
| 9 | When Doves Cry | Prince | 4.25 | 3:51 |
| 10 | Higher Love | Steve Winwood | 5 | 4:04 |
| 11 | Gimme All Your Lovin’ | ZZ Top | 4.15 | 3:59 |
| 12 | Heartache Avenue | The Maisonettes | 4 | 2:55 |
| 13 | It’s Raining | Darts | | 3:45 |
| 14 | Everything I Own | Ken Boothe | | 3:16 |
| 15 | I Wanna Wake Up With You | Boris Gardiner | | 4:00 |
| 16 | You Are So Beautiful | Sam Moore | | 3:41 |
| 17 | Words | F.R. David | 4.65 | 3:31 |
| 18 | Escape (The Pina Colada Song) | Rupert Holmes | | 3:51 |
| 19 | Arthur’s Theme (The Best You Can Do)- additional engineer:
- John Guess, Lee Herschberg, Mark Linett and Richard Mullen
- assistant engineer:
- Stuart Gitlin and Margaret Gwynne
- producer:
- Michael Omartian
- mixer:
- Chet Himes
- lead vocals:
- Christopher Cross
- conductor:
- Michael Omartian
- strings arranger:
- Michael Omartian
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- concertmaster:
- Assa Drori
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1983)
- recorded at and mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Arthur’s Theme (Best That You Can Do)
- writer:
- Peter Allen , Burt Bacharach, Carole Bayer Sager and Christopher Cross
- publisher:
- Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing, Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- Academy Award for Best Original Song (number: 54)
| Christopher Cross | 5 | 3:54 |
| 20 | Send in the Clowns | Judy Collins | | 4:00 |
