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~ Release by Maria Callas (see all versions of this release, 2 available)

Tracklist

▶CD 1
▼CD 2
#TitleRatingLength
1Norma: “Casta Diva”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical record producer, 1906-1979)
editor:
Jennifer Howells
choir vocals:
Coro del Teatro alla Scala di Milano (from 1960-09-05 until 1960-09-12)
soprano vocals [Norma]:
Maria Callas (soprano) (from 1960-09-05 until 1960-09-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1960-09-05 until 1960-09-12)
conductor:
Tullio Serafin (conductor) (from 1960-09-05 until 1960-09-12)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1960-09-05 until 1960-09-12)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (from 1960-09-05 until 1960-09-12)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
5:38
2Le Barbier de Séville: “Una voce poco fa”
recorded in:
London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
baritone vocals:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” (Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
6:24
3Ernani: “Surta è la notte… Ernani, involami”
soprano vocals:
Maria Callas (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Nicola Rescigno (conductor)
recording of:
Ernani: Atto I. (no. 4a) Scena “Surta è la notte” (Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 4b) Cavatina “Ernani!… Ernani, involami” (Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
6:15
4Aïda: “Ritorna vincitor !”
soprano vocals:
Maria Callas (soprano)
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Nicola Rescigno (conductor)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l'amor mio …” – “I sacri nomi di padre, d'amante” (Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
7:10
5Orphée et Eurydice: “J’ai perdu mon Eurydice”
producer:
Walter Legge (British classical record producer, 1906-1979)
editor:
Jennifer Howells
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-03-31)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-03-31)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-03-31)
balance engineer:
Francis Dillnutt (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-03-28 until 1961-03-31)
recording of:
Orphée et Eurydice, Wq. 41 : Acte III, Scène 1, N° 43. Air “J’ai perdu mon Eurydice” (Orphée) (from 1961-03-28 until 1961-03-31)
composer:
Christoph Willibald Gluck (composer)
translated version of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
part of:
Orphée et Eurydice, Wq. 41 : Acte III
4:29
6Carmen: “L’amour est un oiseau rebelle”
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
editor:
Jennifer Howells
choir vocals:
Chœur René Duclos (from 1964-07-06 until 1964-07-20)
soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre de l’Opéra national de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
is based on:
El arreglito
music quoted on:
Nxde
part of:
Carmen : Acte I
4:24
7Carmen: “Près des remparts de Séville”
soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
4:37
8Carmen: “Les triangles des sistres tintaient”
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
choir vocals:
Chœur René Duclos (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals:
Jane Berbié (mezzo-soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals:
Nadine Sautereau (French soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre de l’Opéra national de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
4:23
9Roméo et Juliette: “Ah! je veux vivre dans ce rêve”
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-04-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-03-28 until 1961-04-05)
recording of:
Roméo et Juliette : Acte I. No. 3 Ariette « Je veux vivre dans ce rêve » (Juliette) (from 1961-03-28 until 1961-04-05)
composer:
Charles Gounod (French composer) (from 1865 until 1866)
librettist:
Jules Barbier and Michel Carré (librettist)
publisher:
Choudens
part of:
Roméo et Juliette : Acte I
3:45
10Werther: “Werther! qui m’aurait dit… Des cris joyeux”
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Charlotte]:
Maria Callas (soprano) (from 1963-05-02 until 1963-05-08)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1963-05-02 until 1963-05-08)
conductor:
Georges Prêtre (conductor) (from 1963-05-02 until 1963-05-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-05-02 until 1963-05-08)
recording of:
Werther : Acte III. « Ces lettres ! ... ces lettres ! ... je les relis sans cesse ! » - « Je vous écris de ma petite chambre » – « Des cris joyeux » (Charlotte) (Air des lettres) (from 1963-05-02 until 1963-05-08)
composer:
Jules Massenet (French Romantic composer)
part of:
Werther : Acte III (Charlotte et Werther)
recording of:
Werther : Acte III. « Werther ! Qui m'aurait dit » (Charlotte) (from 1963-05-02 until 1963-05-08)
composer:
Jules Massenet (French Romantic composer)
part of:
Werther : Acte III (Charlotte et Werther)
7:08
11Samson et Dalila: “Printemps qui commence”
soprano vocals:
Maria Callas (soprano) (from 1963-05-02 until 1963-05-08)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1963-05-02 until 1963-05-08)
conductor:
Georges Prêtre (conductor) (from 1963-05-02 until 1963-05-08)
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila) (from 1963-05-02 until 1963-05-08)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
5:21
12Samson et Dalila: “Mon cœur s’ouvre à ta voix”
soprano vocals:
Maria Callas (soprano) (from 1963-05-02 until 1963-05-08)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1963-05-02 until 1963-05-08)
conductor:
Georges Prêtre (conductor) (from 1963-05-02 until 1963-05-08)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s'ouvre à ta voix » (Dalila) (from 1963-05-02 until 1963-05-08)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
5:21
13Manon: “Je ne suis que faiblesse… Adieu, notre petite table”
soprano vocals:
Maria Callas (soprano)
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Georges Prêtre (conductor)
recording of:
Manon : Acte II. « Adieu, notre petite table » (Manon)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte II
3:24
14Louise: “Depuis le jour”
soprano vocals:
Maria Callas (soprano)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France)
conductor:
Georges Prêtre (conductor)
recording of:
Louise: Acte III, Scène I. “Depuis le jour” (Louise)
composer:
Gustave Charpentier (composer)
part of:
Louise: Acte III, Scène I.
4:47
15Faust: “Un bouquet!… Ah! je ris” (air des bijoux)
soprano vocals:
Maria Callas (soprano)
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Georges Prêtre (conductor)
recording of:
Faust : Acte III. « Un bouquet ! … Ô Dieu ! que de bijoux ! » … No. 14b « Ah ! Je ris ! » (Marguerite) (Air des bijoux / Jewel Song)
composer:
Charles Gounod (French composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
5:30

Credits

Release

ASIN:ES: B004QTIHLU [info]