Top 100 80s

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

Digital Media 1
#TitleArtistRatingLength
1The Sun Always Shines on T.V.a‐ha55:02
2Too Shy
drums (drum set) programming:
Jez Strode
engineer:
Colin Thurston
producer:
Nick Rhodes and Colin Thurston
bass guitar:
Nick Beggs
ebow [e bow] and guitar:
Steve Askew
synthesizer:
Stuart Croxford Neale
additional vocals:
Nick Beggs and Stuart Croxford Neale
lead vocals:
Limahl
arranger:
Kajagoogoo
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1982)
recording of:
Too Shy
writer:
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale and Jez Strode
Kajagoogoo43:41
3Geno
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Geno
writer:
Al Archer and Kevin Rowland
publisher:
EMI Music Publishing Ltd. (PRS-affiliated)
Dexys Midnight Runners3.353:26
4I Feel for You
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1984)
cover recording of:
I Feel for You
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Chaka Khan45:43
5True
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
performer:
Spandau Ballet
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
True
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd. and Reformation Publishing Inc.
music quoted on:
It’s True
Spandau Ballet3.655:28
6Never Can Say Goodbye
additional producer and additional mixer:
Shep Pettibone
producer:
Stephen Hague
phonographic copyright (℗) by:
London Records 90 Ltd. (renamed on 26th Aug 2011 as Warner Records 90 Ltd.) (in 1987) and London Records Ltd. (not release label) (in 1987)
cover recording of:
Never Can Say Goodbye
lyricist and composer:
Clifton Davis (musical theatre actor, singer and songwriter)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), EMI Songs Ltd., Jobete Music Co., Inc. and Portable Music Co., Inc.
The Communards34:45
7La bamba
producer:
Mitchell Froom
arranger:
Ritchie Valens
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
additional lyricist:
Ritchie Valens
composer:
[traditional] (special purpose artist)
publisher:
EMI Longitude Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
version of:
La bamba
Los Lobos4.32:55
8Frankie
producer:
Nile Rodgers
recording of:
Frankie
lyricist and composer:
Denise Rich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge4:17
9Black Velvet
producer:
David Tyson (Canadian producer/songwriter)
mixer:
Kevin Doyle (award-winning sound engineer, producer)
lead vocals:
Alannah Myles
phonographic copyright (℗) by:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 2) (number: 6)
recording of:
Black Velvet
writer:
David Tyson (Canadian producer/songwriter) and Christopher Ward (Canadian songwriter & veejay)
Alannah Myles4.34:47
10What Is Love?
engineer:
Stephen W. Tayler (UK engineer)
producer:
Rupert Hine
lead vocals:
Howard Jones (English singer, songwriter)
recording of:
What Is Love?
lyricist:
William Bryant (UK lyricist, writer and speaker) and Howard Jones (English singer, songwriter)
composer:
Howard Jones (English singer, songwriter)
publisher:
Howard Jones Music Ltd., Kobalt Music Group and Warner Chappell Publishing
Howard Jones53:37
11I Can’t Wait
mixer:
Peter Slaghuis
recording of:
I Can’t Wait
lyricist and composer:
John Smith (Nu Shooz)
publisher:
Poolside Music
Nu Shooz3.655:26
12Kids in America
engineer:
Stephen Stewart (engineer, guitarist of The Enid) and Steve Stewart
producer:
Ricky Wilde
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981)
drums (drum set):
Chris North (UK drummer of The Enid) (from 1980 until 1981)
guitar:
Francis Lickerish (from 1980 until 1981), James Stevenson (from 1980 until 1981), Steve Stewart (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
Ricky Wilde (from 1980 until 1981)
lead vocals:
Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1996, in 2001) and EMI Records Limited (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2006)
recorded at:
The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
RAK Studios in London (Greater London), England, United Kingdom
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
publisher:
Finchley Music Corp.
lyrics quoted on:
The Art of Losing
Kim Wilde4.353:24
13Somewhere in My Heart
producer:
Michael Jonzun
recording of:
Somewhere in My Heart
lyricist and composer:
Roddy Frame
Aztec Camera3.53:58
14What’s Love Got to Do With It
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
drums (drum set):
Graham Jarvis (UK session drummer)
guitar:
Terry Britten
keyboard:
Nick Glennie‐Smith and Billy Livsey
percussion:
Simon Morton
background vocals:
Terry Britten and Tessa Niles
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 134) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 309)
recording of:
What’s Love Got to Do With It
writer:
Graham Lyle and Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Tina Turner4.153:46
15Love in the First Degree
vocals:
Bananarama
phonographic copyright (℗) by:
London Records 90 Ltd. (renamed on 26th Aug 2011 as Warner Records 90 Ltd.) (in 1987)
recording of:
Love in the First Degree
writer:
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman and Keren Woodward
publisher:
All Boys Music Ltd., Mike Stock Publishing Limited, Reverb Music Ltd. (Siobhan Fahey), Sid’s Songs Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner/Chappell Music Ltd. (1996–2019)
Bananarama2.53:31
16Always
engineer:
Rory Young
producer:
David Lewis (member of Atlantic Starr) and Wayne Lewis (member of Atlantic Starr)
conductor:
Gene Page
arranger:
Gene Page
recording of:
Always
writer:
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) and Wayne Lewis (member of Atlantic Starr)
Atlantic Starr4:48
17Hit That Perfect Beat
engineer:
Tom Frederikse
producer:
Adam Williams
mixer:
Gareth Jones (UK producer/engineer)
lead vocals:
John Foster (John Jøn, Bronski Beat)
recording of:
Hit That Perfect Beat
writer:
Steve Bronski, John Foster (John Jøn, Bronski Beat) and Larry Steinbachek
Bronski Beat53:39
18Lean on MeClub Nouveau5:48
19Jump to the Beat
recording of:
Jump to the Beat
Stacy Lattisaw5:16
20Morning Train (Nine to Five)
recording of:
9 to 5
lyricist and composer:
Florrie Palmer
Sheena Easton43:20
21Mirror MirrorDollar3:31
22It Ain’t What You Do It’s the Way That You Do ItFun Boy Three with Bananarama42:52
23Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange
mixer:
Mike Shipley
bass:
Benjamin Orr
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek (in 1983)
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp. and Lido Music, Inc.
part of:
50 First Dates
The Cars4.053:54
24Feel So RealSteve Arrington5:09
25The Living Daylightsa‐ha34:47
26You Make Me Feel (Mighty Real)
producer:
Stephen Hague
cover recording of:
You Make Me Feel (Mighty Real)
writer:
Sylvester (US disco and soul singer-songwriter) and James Wirrick
Jimmy Somerville3.53:55
27Each Time You Break My HeartNick Kamen34:31
28We Close Our Eyes
producer:
Gary Stevenson
recording of:
We Close Our Eyes
writer:
Peter Cox (Artist and songwriter) and Richard Drummie
Go West33:41
29Gloria
recording engineer:
Jürgen Koppers (engineer, producer) and John Kovarek
producer:
Greg Mathieson and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
lead vocals:
Laura Branigan (from 1981 until 1982)
arranger:
Greg Mathieson
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
recorded at:
Rusk Sound Studios in Hollywood, Los Angeles, California, United States (from 1981 until 1982)
music videos:
Gloria (music video) by Laura Branigan
recording of:
Gloria (English version) (from 1981 until 1982)
lyricist and composer:
Giancarlo Bigazzi, Umberto Tozzi and Trevor Veitch
publisher:
Ed. Melodi s.r.l. Casa Editrice, S.I.A.E. Direzione Generale, Songs of Universal, Inc. and Sugar Song Publications, Inc.
translated version of:
Gloria (original Italian version)
Laura Branigan4:55
30Cupid / I’ve Loved You for a Long Time
edit of:
Medley: Cupid/I've Loved You For A Long Time by The Spinners
medley including a cover recording of:
Cupid
lyricist and composer:
Sam Cooke
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
medley including a recording of:
I've Loved You for a Long Time
lyricist and composer:
Michael Zager
Spinners43:56
31Lean on Me (Ah‐li‐ayo)
recording of:
Lean on Me (Ah-li-ayo)
lyricist and composer:
Simon Toulson-Clarke
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Red Box4:25
32You’re HistoryShakespear’s Sister24:26
33Living on the Ceiling
producer:
Mike Howlett
sitar:
Deepak
tabla:
Dinesh
remixer:
John Williams (English A&R executive, producer, songwriter...) and Dennis Weinreich
phonographic copyright (℗) by:
London Records Ltd. (not release label) (in 1982)
recording of:
Living on the Ceiling
writer:
Neil Arthur (singer, songwriter, producer) and Stephen Luscombe
publisher:
Complete Music Ltd.
Blancmange53:59
34Give Me the Night
producer:
Quincy Jones
bass:
Abraham Laboriel
bass synthesizer [synthesizer bass]:
Richard Tee
drums (drum set):
John “JR” Robinson (session drummer)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
flute and saxophone:
Kim Hutchcroft and Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
guitar:
George Benson (jazz guitarist/singer) and Lee Ritenour
percussion:
Paulinho da Costa
synthesizer:
Michael Boddicker
trumpet:
Jerry Hey
background vocals:
Patti Austin, Tom Bahler, Jim Gilstrap, Diva Gray and Jocelyn Allen
lead vocals:
George Benson (jazz guitarist/singer)
horn arranger and strings arranger:
Jerry Hey
arranger:
Quincy Jones and Rod Temperton
vocals arranger:
Rod Temperton
recording of:
Give Me the Night
lyricist and composer:
Rod Temperton
publisher:
Rodsongs (publisher), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
George Benson4.753:43
35What’s the Colour of Money
recording of:
What's the Colour of Money?
writer:
Mark Rogers (Hollywood Beyond) and Jamie B. Rose
Hollywood Beyond43:23
36This Corrosion
producer:
Jim Steinman
background vocals:
Tawatha Agee, Curtis King (American singer and songwriter), Holly Sherwood, Gina Taylor, Vaneese Thomas and Brenda White-King
choir vocals:
The New York Choral Society
lead vocals:
Andrew Eldritch
recording of:
This Corrosion
lyricist and composer:
Andrew Eldritch
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Sisters of Mercy4.2510:59
37Our Lips Are Sealed
producer:
David Byrne (Talking Heads)
remixer:
Fun Boy Three and Jeremy Green
cover recording of:
Our Lips Are Sealed
writer:
The Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall and Jane Wiedlin
publisher:
Gotown Music and Plangent Visions Music
Fun Boy Three3.22:51
38Cruel Summer
producer:
Steve Jolley and Tony Swain (songwriter, producer)
lead vocals:
Sara Dallin (in 1983-04), Siobhan Fahey (in 1983-04) and Keren Woodward (in 1983-04)
performer:
Bananarama (in 1983-04)
phonographic copyright (℗) by:
London Records 90 Ltd. (renamed on 26th Aug 2011 as Warner Records 90 Ltd.) (in 1983)
recording of:
Cruel Summer (in 1983-04)
lyricist:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) and Keren Woodward
composer:
Leo Birenberg, Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel (singer, songwriter, composer, producer, piano, guitar), Tony Swain (songwriter, producer) and Keren Woodward
publisher:
Reverb Music Ltd., Sony Music Publishing (UK) Ltd., Sony/ATV Music Publishing (UK) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama43:35
39Big in Japan
producer:
Orlando
phonographic copyright (℗) by:
WEA MUSIK GMBH (company, not a label) (from 1984 to present)
recording of:
Big in Japan
lyricist:
Marian Gold
composer:
Marian Gold, Lloyd Bernhard and Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville53:52
40Young at Heart
producer:
Bob Andrews (keyboardist and producer) and Colin Fairley
cover recording of:
Young at Heart
writer:
Sara Dallin, Siobhan Fahey, Robert Hodgens and Keren Woodward
The Bluebells2.53:26
41Waiting for a Girl Like You
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981)
recording of:
Waiting for a Girl Like You
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
フジパシフィック音楽出版 (until 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (from 2015-01-01 to present)
Foreigner4.54:47
42April Skies
producer:
Bill Price (UK producer/engineer)
recording of:
April Skies
writer:
Jim Reid (Jesus and Mary Chain) and William Reid (guitarist, The Jesus and Mary Chain)
The Jesus and Mary Chain43:11
43Forget Me Nots
performer:
Patrice Rushen
recording of:
Forget Me Nots
writer:
Terri McFaddin, Patrice Rushen and Freddie Washington (US session bassist)
publisher:
Baby Fingers Music, Freddie Dee Music, Global Musikverlag (Global Musik GmbH & Co. KG) and Yamina Music
Patrice Rushen3.54:35
44To Be or Not to BeBA Robertson3:21
45The Killing Moon
recording engineer and producer:
David Lord (British composer, engineer and producer)
mixer:
Echo & the Bunnymen and Gil Norton (British record producer)
arranger:
Adam Peters
recording of:
The Killing Moon
writer:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson and Will Sergeant
Echo & the Bunnymen4.655:46
46Rio
producer:
Colin Thurston
recording of:
Rio
writer:
Simon Le Bon (Singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran45:15
47Nelson Mandela (edit)
The Special AKA4:05
48Don’t Get Me Wrong
engineer:
Bruce Lampcov
producer:
Bob Clearmountain and Jimmy Iovine
mixer:
Bob Clearmountain
bass:
Chucho Merchán
drums (drum set) and percussion:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
guitar:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) and Robbie McIntosh (English guitarist for The Pretenders)
piano and synthesizer:
Wix (UK / Paul Wickens)
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK)
recording of:
Don’t Get Me Wrong
lyricist and composer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
Clive Banks Music and Hynde House of Hits Music
Pretenders4.23:47
49International RescueFuzzbox3:29
50Searching
recording of:
Searching
lyricist:
Paul Slade
composer:
Mauro Malavasi
Change3:33
51Let’s Hang On
Darts3:15
52Superwoman
recording of:
Superwoman (from 1988-03 until 1988-04)
writer:
Antonio M. Reid, Kenneth Edmonds (R&B musician Kenny Edmonds) and Daryl Simmons
Karyn White35:47
53You Might Need Somebody
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
bass:
Abraham Laboriel
drums (drum set):
Jeff Porcaro
guitar:
Steve Lukather and Dean Parks (American session guitarist)
horn:
Chuck Findley, Gary Herbig, Jim Horn (saxophonist, hornist, flutist and oboist), Bill Reichenbach, Jr. (jazz trombonist) and Larry Williams (Trumpet player)
keyboard:
Leon Pendarvis
percussion:
Lenny Castro
background vocals:
Marti McCall (session vocalist), Petsye Powell, Alphanette Silas and Phyllis St. James
horn arranger:
Bill Reichenbach, Jr. (jazz trombonist)
strings arranger:
Nick de Caro
cover recording of:
You Might Need Somebody
composer:
Nan O'Byrne (American songwriter and composer) and Tom Snow (US keyboardist/songwriter)
Randy Crawford4:14
54I’m Gonna Be (500 Miles)The Proclaimers43:39
55Everybody SalsaModern Romance3:22
56Sweet Love
engineer:
Barney Perkins
producer:
Michael J. Powell
bass guitar:
Freddie Washington (US session bassist)
guitar:
Greg Moore (US guitarist & songwriter)
keyboard:
Dean Gant
membranophone:
Ricky Lawson
percussion:
Paulinho da Costa
background vocals:
Jim Gilstrap, Bunny Hull and Darryl Phinnessee
background vocals and lead vocals:
Anita Baker
music videos:
Sweet Love by Anita Baker
recording of:
Sweet Love
composer:
Anita Baker, Gary Bias (jazz saxophonist) and Louis A. Johnson
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jobete Music
Anita Baker3.254:22
57Cry Boy Cry
recording of:
Cry Boy Cry
writer:
Andy O (member of Blue Zoo) and Tim Parry (guitarist)
Blue Zoo4:27
58Love Will Tear Us ApartJoy Division4.53:26
59Money’s Too Tight (to Mention)
recording of:
Money’s Too Tight (to Mention)
writer:
Billy Valentine (United States soul funk singer), John Valentine (Valentine Brothers) and Carolyn Wiggins
publisher:
Songs for Today Ltd
Simply Red4:29
60Big Area
recording of:
Big Area
lyricist:
Mark Shaw
composer:
Rob Downes, Alex Mungo, Mark Shaw, Jasper Stainthorpe, Scott Taylor (UK artist) and Steve Wren (drummer)
Then Jerico4:48
61Electric Youth
recording engineer:
Don Feinberg
keyboard and membranophone programming:
Fred Zarr
engineer:
Bill Esses and Matt Malles
producer:
Fred Zarr
mixer:
Bob Rosa, Tom Vercillo and Fred Zarr
acoustic guitar and electric guitar:
Ira Siegel
keyboard:
Fred Zarr
percussion:
Bashiri Johnson
background vocals:
Carrie Johnson and Libby Johnson
background vocals and lead vocals:
Debbie Gibson
arranger:
Debbie Gibson and Fred Zarr
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1989)
recording of:
Electric Youth
lyricist and composer:
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Debbie Gibson3.54:57
62Lip Up Fatty
producer:
Roger Lomas
phonographic copyright (℗) by:
Magnet Records Ltd.
recording of:
Lip Up Fatty
writer:
Louis Cook, Douglas Trendle, David Farren, Paul Hyman, Chris Kane (saxophone player), Andrew Marson, Alan Sayag, Martin Stewart (member of Bad Manners, The Selecter) and Brian Tuitt
publisher:
Magnet Music Ltd. (publisher)
Bad Manners42:46
63C’mon and Get My Love (radio version)
recording of:
C’mon and Get My Love
lyricist and composer:
Danny Poku
D‐Mob7:36
64Life in a Northern TownThe Dream Academy4.354:16
65Don’t Call Me Baby
recording of:
Don't Call Me Baby
lyricist:
Tracey Bryn
composer:
Tracey Bryn and Mike Jones (of Voice of the Beehive)
Voice of the Beehive3:06
66Legs
recording of:
Legs
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Music of Stage Three, Songs of Mosaic and Hamstein Music Co. (publisher) (in 1983)
ZZ Top4:35
67Got to Keep On
Cookie Crew4:42
68Hand Held in Black and WhiteDollar3:21
69The Last Film
Kissing the Pink3:26
70Broken Land
engineer:
Rafe McKenna
part of:
The Downloader’s Music Source Book (number: 214)
recording of:
Broken Land
lyricist and composer:
Pat Gribben
The Adventures55:03
71Buzz Buzz a Diddle It
Matchbox2:52
72Half a Minute
engineer and mixer:
Phil Harding (engineer, producer and remixer)
producer:
Mark Reilly (guitarist, vocalist, producer, songwriter) and Danny White (keyboardist)
baritone saxophone:
Ronnie Ross
keyboard:
Danny White (keyboardist)
percussion:
Robin Jones (Brazilian percussion)
vocals:
Basia and Mark Reilly (guitarist, vocalist, producer, songwriter)
vocals arranger:
Basia
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK) (in 1984)
recording of:
Half a Minute
writer:
Kito Poncioni, Mark Reilly (guitarist, vocalist, producer, songwriter) and Danny White (keyboardist)
Matt Bianco3.353:49
73Kokomo
engineer and mixer:
Keith Wechsler
producer:
Terry Melcher
accordion:
Van Dyke Parks (from 1988-03-22 until 1988-04-06)
acoustic guitar:
Jeffrey Foskett (from 1988-03-22 until 1988-04-06)
alto saxophone:
Joel Peskin (from 1988-03-22 until 1988-04-06)
bass:
Rod Clark (UK bassist) (from 1988-03-22 until 1988-04-06)
drums (drum set):
Jim Keltner (from 1988-03-22 until 1988-04-06)
slide guitar [electric slide guitar]:
Ry Cooder (from 1988-03-22 until 1988-04-06)
background vocals:
Al Jardine (from 1988-03-22 until 1988-04-06), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (from 1988-03-22 until 1988-04-06), Mike Love (Beach Boys) (from 1988-03-22 until 1988-04-06) and Carl Wilson (Beach Boys) (from 1988-03-22 until 1988-04-06)
lead vocals:
Mike Love (Beach Boys) (from 1988-03-22 until 1988-04-06) and Carl Wilson (Beach Boys) (from 1988-03-22 until 1988-04-06)
performer:
The Beach Boys (American rock band) (on 1988-03-22)
music videos:
Kokomo by The Beach Boys
recording of:
Kokomo (in 1988)
writer:
Mike Love (Beach Boys), Scott McKenzie, Terry Melcher and John Phillips (The Mamas & The Papas)
publisher:
Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division, Spirit One Music, Touchstone Pictures Music and Songs Inc. and Yamaha Music EH(CM)
The Beach Boys4.453:35
74Just Like Paradise
programming:
Brett Tuggle
engineer:
Magic Moreno, Doug Parry and Steve Vai
co-producer:
Steve Vai
producer:
David Lee Roth
bass guitar:
Billy Sheehan
drums (drum set) and percussion:
Gregg Bissonette (US jazz & rock drummer)
guitar:
Steve Vai
keyboard:
Brett Tuggle
additional background vocals:
Tommy Funderburk and Tom Kelly (songwriter)
background vocals:
Gregg Bissonette (US jazz & rock drummer), Billy Sheehan and Brett Tuggle
lead vocals:
David Lee Roth
recording of:
Just Like Paradise
writer:
David Lee Roth and Brett Tuggle
David Lee Roth4.54:03
75Let It Roll (vocal)
recording of:
Let It Roll
writer:
Vaughan Mason
Doug Lazy5:41
76Each and Every One
engineer:
Mike Pela
producer:
Robin Millar
bass:
Chucho Merchán (in 1984-01)
guitar family:
Ben Watt (in 1984-01)
horn [horns]:
Nigel Nash (saxophonist) (in 1984-01), Dick Pearce (trumpet) (in 1984-01) and Pete King (English alto saxophonist) (in 1984-01)
percussion:
Bosco d'Olivera (in 1984-01)
lead vocals:
Tracey Thorn (in 1984-01)
vocals:
Tracey Thorn (in 1984-01) and Ben Watt (in 1984-01)
guest performer:
Peter King (English alto saxophonist) (in 1984-01)
horn arranger:
Ben Watt
recorded at:
Power Plant in London (Greater London), England, United Kingdom (in 1984-01)
recording of:
Each and Every One (in 1984-01)
writer:
Tracey Thorn and Ben Watt
publisher:
Cherry Red Music (publisher) and Complete Music Ltd.
Everything but the Girl42:47
77Temptation
engineer:
Michael Johnson (UK recording engineer and producer)
producer:
New Order (UK synth pop band)
recording of:
Temptation (New Order)
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
New Order3.46:57
78Devotion (radio mix)
Ten City4:03
79The Sun Rising
recording of:
The Sun Rising
writer:
Jon Marsh and Steve Waddington
The Beloved5:05
80She Drives Me Crazy
engineer:
David Z. (producer/engineer David Rivkin)
co-producer:
Fine Young Cannibals and David Z. (producer/engineer David Rivkin)
bass, drum machine and keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, guitar and tambourine:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographic copyright (℗) by:
London Music Stream Ltd. (in 1988)
recording of:
She Drives Me Crazy (Fine Young Cannibals song)
writer:
Roland Gift and David Steele (UK musician, member of The Beat and Fine Young Cannibals)
Fine Young Cannibals4.23:35
81Twisted
Keith Sweat4:20
82Ain’t Nobody
additional synthesizer:
James Newton Howard (American score composer)
alto saxophone:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
bass:
Bobby Watson (bassist)
drums (drum set):
John “JR” Robinson (session drummer)
flute:
Gary Herbig, Ernie Watts (jazz and blues saxophonist) and Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
guitar:
Tony Maiden
keyboard:
Kevin Murphy (American keyboardist, Rufus & The American Breed) and David “Hawk” Wolinski
percussion:
Paulinho da Costa
tenor saxophone:
Gary Herbig and Ernie Watts (jazz and blues saxophonist)
trumpet:
Jerry Hey
vocals:
Chaka Khan and Tony Maiden
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 403)
recording of:
Ain’t Nobody
lyricist and composer:
David Wolinski
publisher:
Overdue Music
Chaka Khan3.74:40
83Get Tough
Kleeer8:41
84We Care a Lot
recording engineer:
Matt Wallace (US producer & engineer)
assistant engineer:
Jim "Watts" Verecke
producer:
Steve Berlin, Faith No More and Matt Wallace (US producer & engineer)
congas and drums (drum set):
Mike Bordin (American drummer)
electric bass guitar [bass]:
Billy Gould
electric guitar [guitars]:
Jim Martin (ex-Faith No More guitarist)
keyboard [keyboards]:
Roddy Bottum
background vocals [backing vocals]:
Mike Bordin (American drummer), Roddy Bottum, Billy Gould and Jim Martin (ex-Faith No More guitarist)
lead vocals [vocals]:
Chuck Mosely
phonographic copyright (℗) by:
Slash Records (US label, founded in 1978 in LA originally focused on local punk bands, now distributed by Warner Bros. Records.) (in 1987)
recorded at:
Control Center in Los Angeles, California, United States and Studio D in Sausalito, California, United States
mixed at:
Studio D in Sausalito, California, United States
music videos:
We Care a Lot by Faith No More and We Care a Lot (Official Music Video) by Faith No More
recording of:
We Care a Lot
lyricist:
Roddy Bottum and Chuck Mosely
composer:
Mike Bordin (American drummer), Roddy Bottum, Chuck Mosely, Faith No More, Billy Gould and Jim Martin (ex-Faith No More guitarist)
publisher:
Big Thrilling Music (Music publishing company) and Faith No More Music (Faith No More publishing company)
Faith No More4.34:03
85Jolene
cover recording of:
Jolene
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Owepar Publishing Inc. and Velvet Apple Music
Strawberry Switchblade6:14
86Remembrance Day
B-Movie4:05
87Boogie DownAl Jarreau4:00
88Hangin’
recording of:
Hangin'
composer:
Bernard Edwards and Nile Rodgers
Chic5:11
89Love Changes (Everything)
engineer:
Mike Ging and Bob Kraushaar
producer:
Stephen Hague
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1987)
recording of:
Love Changes (Everything)
writer:
Simon Climie, Rob Fisher (British keyboardist and half of the 80s synthpop duo Naked Eyes) and Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.854:28
90Bad Habits
recording of:
Bad Habit
writer:
Allen George (Songwriter - producer - keyboards player) and Fred McFarlane
publisher:
Captain Keyboard Music and Song a Tron Music
Jenny Burton4:29
91Ride Like the Wind
assistant engineer:
Stuart Gitlin
engineer and mixer:
Chet Himes
producer:
Michael Omartian
acoustic guitar, electric guitar, solo guitar and lead vocals:
Christopher Cross (US singer‐songwriter)
bass guitar:
Andy Salmon
drums (drum set):
Tommy Taylor (US drummer)
electric piano and piano:
Michael Omartian
percussion:
Lenny Castro
synthesizer:
Rob Meurer
background vocals:
Christopher Cross (US singer‐songwriter) and Michael McDonald (R&B & soul singer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
recorded at:
Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Ride Like the Wind
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
Pop ’n’ Roll Music (US work publisher), Shinko Music Entertainment Co., Ltd., Universal Music Publishing, Synch Division and Universal Music–MGB Songs
Christopher Cross44:35
92Off on Your Own (Girl)
Al B. Sure!4:09
93Baby I’m Scared of You
Womack & Womack5:38
94Baby, Come to Me
guest vocals:
Patti Austin
recording of:
Baby, Come to Me
writer:
Rod Temperton
Patti Austin3:35
95Drivin’ My Life Away
Eddie Rabbitt3:14
96Hallelujah (club mix edit)
recording of:
Hallelujah
composer:
Paul Davis (UK keyboardist for Happy Mondays), Mark Day (from Happy Mondays), Paul Ryder, Shaun Ryder and Gary Whelan
publisher:
Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019/05/16)
Happy Mondays5:37
97Gimme Your Love
New Edition4:12
98Forever Young
additional recording engineer:
Uli Rudolf
recording engineer and mixer:
Wolfgang Loos (from 1984-07 until 1984-08)
assistant programming:
Boris Balin and Thomas Beck (technical assistant, likely German)
programming:
Wolfgang Loos
producer:
Wolfgang Loos and Colin Pearson (producer and violinist)
additional keyboard:
Wolfgang Loos (from 1984-07 until 1984-08)
bass:
Ken Taylor (from 1984-07 until 1984-08)
drum machine:
Bernhard Lloyd (from 1984-07 until 1984-08)
drums (drum set):
Curt Cress (from 1984-07 until 1984-08)
keyboard:
Bernhard Lloyd (from 1984-07 until 1984-08) and Frank Mertens (German synthpop keyboardist Frank Sorgatz) (from 1984-07 until 1984-08)
background vocals:
Gulfstream (from 1984-07 until 1984-08) and The Rosie Singers (from 1984-07 until 1984-08)
lead vocals:
Marian Gold (from 1984-07 until 1984-08)
arranger:
Alphaville (German synth pop band) and Wolfgang Loos
phonographic copyright (℗) by:
WEA MUSIK GMBH (company, not a label) (from 1984 to present)
recorded at and mixed at:
Studio 54 (Berlin recording studio) in Germany (from 1984-07 until 1984-08)
recording of:
Forever Young (Alphaville song, “I want to be forever young”) (from 1984-07 until 1984-08)
orchestrator:
Wil Malone
lyricist:
Marian Gold
composer:
Marian Gold, Bernhard Lloyd and Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Downtown DMP Songs and Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.553:46
99Salsa House
recording of:
Salsa House
writer:
Richie Rich (80s-90s UK DJ/producer)
Richie Rich6:57
100We Call It Acieed
recording of:
We Call It Acieed
lyricist and composer:
Danny Poku
D‐Mob feat. Gary Haisman3:22

Credits

Release Group

part of:Top 100 (Rhino web series) (order: 1)