# | Title | Artist | Rating | Length |
---|
1 | Purple Rain- recording engineer:
- David Rivkin (in 1983) and David Leonard (in 1983)
- producer:
- Prince and The Revolution
- bass guitar:
- Brown Mark (on 1983-08-03)
- cello:
- David Coleman (on 1983-08-03) and Suzie Katayama (on 1983-08-03)
- drums (drum set) and percussion:
- Bobby Z. (on 1983-08-03)
- guitar:
- Wendy Melvoin (on 1983-08-03)
- instruments:
- Prince (on 1983-08-03)
- keyboard:
- Lisa Coleman (on 1983-08-03) and Doctor Fink (on 1983-08-03)
- viola and violin:
- Novi Novog (on 1983-08-03)
- additional vocals:
- Brown Mark (on 1983-08-03), Lisa Coleman (on 1983-08-03), Doctor Fink (on 1983-08-03) and Wendy Melvoin (on 1983-08-03)
- lead vocals:
- Prince (on 1983-08-03)
- performer:
- Prince (on 1983-08-03) and The Revolution (on 1983-08-03)
- strings arranger:
- Lisa Coleman and Prince
- arranger:
- Prince and The Revolution
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1984), WEA International Inc. (in 1984) and NPG Records, Inc. (in 2017)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States and First Avenue in Minneapolis, Minnesota, United States (on 1983-08-03)
- engineered at:
- Sunset Sound in Hollywood, Los Angeles, California, United States (from 1983-08 until 1983-09)
- part of:
- The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 18), Helsingin Sanomat: 100 maailman parasta laulua (number: 39) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 143)
- live recording of:
- Purple Rain (on 1983-08-03)
- lyricist and composer:
- Prince
- publisher:
- Because Éditions, Controversy Music and Island Music Ltd.
| Prince | 4.25 | 8:41 |
2 | Can’t Get You out of My Head | Kylie Minogue | 3.75 | 3:51 |
3 | Rockabye- additional drum machine programming:
- Luke Patterson
- programming:
- Jack Patterson and Hal Ritson
- additional sound engineer:
- Hal Ritson
- sound engineer:
- Dann Pursey , Chris Laws and Anthony Leung
- audio engineer:
- Drew Smith and Tom AD Fuller
- producer:
- Steve Mac , Jack Patterson and Mark Ralph
- mixer:
- Jack Patterson and Mark Ralph
- cello:
- Grace Chatto
- drums (drum set):
- Luke Patterson
- keyboard:
- Steve Mac
- piano:
- Jack Patterson
- viola:
- James Boyd
- violin:
- Braimah Kanneh-Mason and Beatrice Philips
- additional vocals:
- Kelly Barnes
- background vocals:
- Caroline Ailin and Grace Chatto
- lead vocals:
- Anne‐Marie and Sean Paul
- performer:
- Clean Bandit
- phonographic copyright (℗) by:
- Asylum Records (in 2016), Atlantic Records UK (in 2016) and Major Tom’s (in 2016)
- recorded at:
- Club Ralph in London , England, United Kingdom, Rokstone Studios in London , England, United Kingdom and The Crypt Studio in Crouch End, Haringey, London , England, United Kingdom
- mixed at:
- Club Ralph in London , England, United Kingdom
- recording of:
- Rockabye
- writer:
- Steve Mac , Ammar Malik, Jack Patterson , Sean Paul Henriques and Ina Wroldsen
- publisher:
- BMG Rights Management (UK) Ltd. , Dutty Rock Music, EMI April Music Inc., EMI Music Publishing Ltd. , Lotzah Balls Soup, Maru Cha Cha, Reservoir Reverb Music Publishing Ltd, Rokstone Music Ltd. and Where Da Katz At
| Clean Bandit feat. Sean Paul & Anne‐Marie | 3.1 | 4:10 |
4 | These Days | Rudimental feat. Jess Glynne, Macklemore & Dan Caplen | 4 | 3:32 |
5 | Take On Me | a‐ha | 4.45 | 3:45 |
6 | Respect | Aretha Franklin | | 2:27 |
7 | Le Freak | Chic | 4.45 | 3:30 |
8 | Hungry Like the Wolf (2009 remaster) | Duran Duran | | 3:41 |
9 | True (single edit) | Spandau Ballet | 3.65 | 5:28 |
10 | Stand by Me- recorded in:
- New York, New York, United States (on 1960-10-27)
- vocals:
- Ben E. King (on 1960-10-27)
- conductor:
- Stan Applebaum (on 1960-10-27)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- H.H.O. Ltd
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Rock and Roll Hall of Fame - 500 Songs That Shaped Rock, Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 121) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 131)
- recording of:
- Stand by Me (on 1960-10-27)
- publisher:
- Mike Stoller
- writer:
- Ben E. King, Jerry Leiber and Mike Stoller
- publisher:
- Hornall Brothers Music , Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt GmbH & Co. KG, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music and Unichappell Music
| Ben E. King | 4.65 | 2:55 |
11 | I’ll Be Missing You | Diddy feat. Faith Evans & 112 | 3 | 5:02 |
12 | West End Girls (2001 remaster) | Pet Shop Boys | 3.8 | 4:05 |
13 | The Best (edit) | Tina Turner | 3.9 | 4:10 |
14 | December, 1963 (Oh What a Night!) | Frankie Valli & The Four Seasons | | 3:32 |
15 | Crazy | Gnarls Barkley | 4.2 | 2:58 |
16 | Believe | Cher | 3.7 | 3:59 |
17 | New Rules | Dua Lipa | 3.4 | 3:29 |
18 | Blue Monday ’88 | New Order | 5 | 4:05 |
19 | Girls and Boys | Blur | 4 | 4:19 |
20 | Titanium | David Guetta feat. Sia | 3.9 | 4:05 |
21 | Hold My Hand- additional membranophone [drum] programming:
- Wez Clarke and TIEKS
- additional programming:
- Wez Clarke
- membranophone [drum] programming:
- Starsmith
- engineer:
- Mike Horner
- co-producer:
- Jack Patterson
- producer:
- Starsmith
- mixer:
- Wez Clarke
- bass:
- Dominic Grant
- membranophone:
- Anthony "Sweetstix" Lewis
- percussion:
- Jack Dow-Smith
- piano:
- Starsmith and Anthony Strong
- synthesizer [synthesizers] and tenor saxophone:
- Starsmith
- trumpet:
- Jon Eades
- lead vocals:
- Jess Glynne
- horn arranger:
- Starsmith
- phonographic copyright (℗) by:
- Atlantic Records UK Ltd (in 2015)
- recorded at:
- Metropolis in London , England, United Kingdom, RAK Studios in London , England, United Kingdom and The Estate in London , England, United Kingdom
- engineered at:
- RAK Studios in London , England, United Kingdom
- recording of:
- Hold My Hand
- writer:
- Janée Bennett, Jess Glynne, Jack Patterson and Ina Wroldsen
- publisher:
- Black Butter Music Publishing Ltd, EMI Blackwood Music Inc. , EMI Music Publishing Ltd. , Reverb America Music, Reverb Music Ltd., Universal Music Publishing Ltd. and Universal‐Songs of PolyGram International, Inc.
| Jess Glynne | 4 | 3:47 |
22 | Baker Street- recording engineer:
- Barry Hammond
- producer:
- Hugh Murphy and Gerry Rafferty
- mixer:
- Declan O’Doherty
- bass:
- Gary Taylor
- drums (drum set):
- Henry Spinetti
- electric guitar:
- Hugh Burns and Nigel Jenkins
- Moog and keyboard:
- Tommy Eyre
- percussion:
- Glen LeFleur
- saxophone:
- Raphael Ravenscroft
- lead vocals:
- Gerry Rafferty
- strings arranger:
- Graham Preskett
- phonographic copyright (℗) by:
- Parlophone Records Ltd. (in 1978) and United Artists Music and Records Group, Inc. (in 1978)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
- mixed at:
- Advision Studios in Fitzrovia, Camden, Westminster, London , England, United Kingdom
- recording of:
- Baker Street
- lyricist and composer:
- Gerry Rafferty
- publisher:
- B Music, EMI Music Publishing , Icon Music Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Stage Three Music Publishing Limited and Universal‐Songs of PolyGram International, Inc.
| Gerry Rafferty | 3.5 | 6:06 |
23 | Ain’t Nobody | Rufus & Chaka Khan | 3.7 | 4:46 |
24 | Pure Shores | All Saints | 3.65 | 4:29 |
25 | My Girl | Otis Redding | 4.35 | 2:55 |
26 | We Are Family | Sister Sledge | 4.4 | 3:37 |
27 | Around the World | Daft Punk | 4.2 | 7:10 |
28 | Just the Way You Are- producer:
- Needlz and The Smeezingtons
- phonographic copyright (℗) by:
- Elektra Entertainment Group, Inc. (in 2010) and WEA International Inc. (in 2010)
- music videos:
- Just the Way You Are by Bruno Mars
- recording of:
- Just the Way You Are
- writer:
- Khari Cain , Philip Lawrence , Ari Levine, Bruno Mars and Khalil Walton
- publisher:
- BMG Gold Songs, BMG Onyx Songs, Dry Rain Entertainment, Mars Force Music, Music Famamanem LP, Roc Nation Music, Round Hill Harmonies, Toy Plane Music, Upper Deck, Warner Geo‐Met‐Ric Music, WC Music Corp., シンコーミュージック・エンタテイメント, フジパシフィックミュージック BMG事業部, ヤマハミュージックエンタテインメントホールディングス , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| Bruno Mars | 4.15 | 3:41 |
29 | Return of the Mack | Mark Morrison | 4 | 3:31 |
30 | Mysterious Girl (radio edit) | Peter Andre | 2.85 | 3:37 |
31 | Attention- recording engineer and producer:
- Charlie Puth
- assistant mixer:
- Chris Galland and Jeff Jackson
- mixer:
- Manny Marroquin
- bass:
- Charlie Puth
- guitar:
- Jan Ozveren
- phonographic copyright (℗) by:
- Artist Partner Group, Inc. (in 2018) and WEA International Inc. (in 2018)
- recorded at:
- Atlantic Records @ A Studio in Los Angeles, California, United States
- mixed at:
- Larrabee Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Attention
- writer:
- Jacob Kasher and Charlie Puth
- publisher:
- Artist 101 Publishing Group, Charlie Puth Music Publishing, KMR Music Royalties II SCSp, Kobalt Songs Music Publishing , Prescription Songs and Rap Kingpin Music
| Charlie Puth | 3.8 | 3:29 |
32 | Heatwave | Wiley feat. Ms. D | 3 | 3:15 |
33 | You’re Beautiful | James Blunt | 4.4 | 3:33 |
34 | You Sexy Thing | Hot Chocolate | 3.8 | 4:05 |
35 | I’m Gonna Be (500 Miles) | The Proclaimers | 4 | 3:39 |
36 | New Shoes | Paolo Nutini | 3 | 3:24 |
37 | Kiss From a Rose | Seal | 3.75 | 4:48 |
38 | Wuthering Heights- engineer:
- Jon Kelly
- producer:
- Andrew Powell
- drums (drum set):
- Stuart Elliott (from 1977-07 until 1977-08)
- piano, background vocals and lead vocals:
- Kate Bush (from 1977-07 until 1977-08)
- arranger:
- Andrew Powell
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1977, in 1978), EMI Records USA (in 1977, in 1978), EMI‐USA Records (in 1977, in 1978), EMI America Records, Inc. (in 1982) and EMI France (in 1995)
- recorded at:
- AIR London Studios in London , England, United Kingdom (from 1977-07 until 1977-08)
- part of:
- Helsingin Sanomat: 100 maailman parasta laulua (number: 18)
- recording of:
- Wuthering Heights (from 1977-07 until 1977-08)
- publisher:
- Kate Bush (from 1978 to present)
- lyricist and composer:
- Kate Bush (on 1977-03-05)
- publisher:
- Castle , Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. and EMI Music Publishing Ltd. (from 1978 to present)
| Kate Bush | 3.9 | 4:27 |
39 | Rio | Duran Duran | 4 | 5:15 |
40 | I Want to Know What Love Is (1999 remaster)- additional engineer:
- Josh Abbey, Larry Alexander , Jason Corsaro, Joe Ferla and Howie Lindeman
- assistant engineer:
- Bobby Cohen , Tim Crich and Scott "Abada" Mabuchi
- engineer:
- Frank Filipetti
- producer:
- Mick Jones and Alex Sadkin
- additional keyboard:
- Tom Bailey
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar:
- Mick Jones
- additional vocals:
- Jennifer Holliday
- background vocals:
- Donnie Harper, Mick Jones and Rick Wills
- choir vocals:
- The New Jersey Mass Choir
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1984) and Rhino Entertainment Company (in 2009)
- additionally recorded at:
- Right Track Recording in Manhattan, New York, New York, United States
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States
- mixed at:
- Right Track Recording in Manhattan, New York, New York, United States
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 476)
- recording of:
- I Want to Know What Love Is
- lyricist and composer:
- Mick Jones
- publisher:
- Somerset Songs Publishing Inc., Warner Brothers Music Ltd. , Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Foreigner | 3.9 | 5:05 |
41 | House of the Rising Sun | The Animals | | 4:30 |
42 | Stars | Simply Red | 2.5 | 4:09 |
43 | That’s the Way (I Like It) | KC & the Sunshine Band | | 5:06 |
44 | I’m a Believer | The Monkees | 4.85 | 2:47 |
45 | Hooked on a Feeling | Blue Swede | 4.05 | 2:53 |
46 | Yellow | Coldplay | 3.55 | 4:27 |
47 | Song 2 (2012 remaster)- engineer:
- John Smith
- producer:
- Stephen Street
- publisher:
- EMI Music Publishing Ltd.
- phonographic copyright (℗) by:
- EMI Records Ltd (in 1997)
- part of:
- NME: Greatest “Indie” Anthems Ever: 2007 (number: 15) and Indie 88: Top 500 Indie Rock Songs (number: 57)
- recording of:
- Song 2
- lyricist:
- Damon Albarn
- composer:
- Damon Albarn, Graham Coxon, Alex James and Dave Rowntree
- publisher:
- EMI Blackwood Music Inc. , EMI Music Publishing Ltd. , Kobalt Music Publishing Ltd. , Sony Music Publishing (Japan) Inc., Sony/ATV Music Publishing (UK) Ltd., Warner–Tamerlane Publishing Corp. , Warner/Chappell Music Ltd. , Wixen Music UK Ltd., ソニー・ミュージックパブリッシング A事業部, ソニー・ミュージックパブリッシング EMI外国事業部 , ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Blur | 4.15 | 2:01 |
48 | Feel Good Inc. | Gorillaz | 3.95 | 3:43 |
49 | Work It | Missy Elliott | | 4:21 |
50 | 7 Years | Lukas Graham | 3.1 | 3:57 |
51 | Dry Your Eyes | The Streets | 3.65 | 4:29 |
52 | Forget You | CeeLo Green | 3.35 | 3:43 |
53 | Love Shack (single version) | The B‐52’s | 3.5 | 4:21 |
54 | There Is a Light That Never Goes Out (2011 remaster) | The Smiths | 4.35 | 4:05 |
55 | Are You Gonna Be My Girl | Jet | 3.7 | 3:34 |
56 | I’ll Be There for You | The Rembrandts | 4 | 3:08 |
57 | I Love It | Icona Pop feat. Charli XCX | 3.95 | 2:36 |
58 | Feel So Good | Mase | | 3:25 |
59 | Just a Friend | Biz Markie | 3.75 | 3:58 |
60 | Girls Like | Tinie Tempah feat. Zara Larsson | 4 | 3:15 |
61 | Prayer in C (Robin Schulz radio edit) | Lilly Wood and The Prick | 3.55 | 3:09 |
62 | Ironic (2015 remaster) | Alanis Morissette | 3.95 | 3:50 |
63 | Like Glue | Sean Paul | 4 | 3:53 |
64 | Airplanes | B.o.B feat. Hayley Williams | 4.5 | 3:00 |
65 | Sleeping Satellite | Tasmin Archer | | 4:19 |
66 | Brass in Pocket | Pretenders | 4.25 | 3:04 |
67 | Long Train Runnin’ | The Doobie Brothers | 4.1 | 3:27 |
68 | Light My Fire- engineer and mixer:
- Bruce Botnick
- producer:
- Paul A. Rothchild
- drums (drum set):
- John Densmore (in 1966-09)
- guitar:
- Robby Krieger (in 1966-09)
- keyboard:
- Ray Manzarek (in 1966-09)
- vocals:
- Jim Morrison (in 1966-09)
- phonographic copyright (℗) by:
- Elektra Entertainment (in 1967), Elektra Records (in 1967, in 2017), Elektra (in 1971) and Rhino Entertainment Company (in 2017)
- engineered at:
- Sunset Sound Recorders in Hollywood, Los Angeles, California, United States
- music videos:
- Light My Fire by The Doors
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 35) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 310)
- recording of:
- Light My Fire (in 1966-09)
- writer:
- John Densmore, Robby Krieger , Ray Manzarek and Jim Morrison
- publisher:
- Doors Music Company, Nipper Music, Rondor Music (London) Ltd. and 日音 Synch事業部
| The Doors | 4.2 | 7:10 |
69 | Golden Brown | The Stranglers | 4.5 | 3:27 |
70 | Good Feeling | Flo Rida | 3.5 | 4:08 |
71 | We Are Young | fun. feat. Janelle Monáe | 3.85 | 4:11 |
72 | One Week | Barenaked Ladies | 4.1 | 2:50 |
73 | Turn Me On | Kevin Lyttle | 4.25 | 3:12 |
74 | Listen to Your Heart | Roxette | 3.25 | 5:28 |
75 | Drive | The Cars | 4.05 | 3:54 |
76 | Ain’t No Doubt | Jimmy Nail | | 4:08 |
77 | Somewhere Only We Know | Lily Allen | 4 | 3:29 |
78 | Replay- recording of:
- Replay
- writer:
- Jason Desrouleaux, Jonathan Rotem, Keidran Jones, Kisean Anderson , Thomas Theron and Timothy Theron
- publisher:
- Art in the Fodder Music, Beluga Heights Music, Eyes above Water Music, Irving Music, Inc., Jason Derulo Publishing, Jonathan Rotem Music, Sony/ATV Songs LLC, TNT Explosive Publishing, Universal Music Corp. and Yaggamentz Music
| Iyaz | 4 | 3:02 |
79 | Move On Up | Curtis Mayfield | | 2:46 |
80 | Love Like This | Faith Evans | | 4:36 |
81 | Land of 1000 Dances | Wilson Pickett | 4 | 2:27 |
82 | You’re So Vain | Carly Simon | 4.85 | 4:18 |
83 | If You Leave Me Now- recording engineer:
- Armin Steiner (strings)
- assistant engineer:
- Tom Likes
- engineer:
- Wayne Tarnowski
- producer:
- James William Guercio
- acoustic guitar and bass:
- James William Guercio (from 1976-03 until 1976-04)
- lead vocals:
- Peter Cetera (from 1976-03 until 1976-04)
- French horn arranger and strings arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Warner Strategic Marketing Inc. (in 1976) and Rhino Entertainment Company (in 2002)
- recorded at:
- Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings) and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
- mixed at:
- Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
- recording of:
- If You Leave Me Now (from 1976-03 until 1976-04)
- lyricist:
- Peter Cetera
- composer:
- Peter Cetera (in 1976)
- publisher:
- Big Elk Music, BMG Music Publishing Ltd., Copyright Control , Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
| Chicago | 4.4 | 3:55 |
84 | Life’s Been Good | Joe Walsh | 4 | 4:39 |
85 | La bamba | Los Lobos | 4.3 | 2:56 |
86 | Under the Boardwalk | The Drifters | 4.5 | 2:38 |
87 | Walk On By- vocals:
- Dionne Warwick
- phonographic copyright (℗) by:
- WEA International Inc. (in 1984)
- part of:
- The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 51) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 70)
- recording of:
- Walk On By
- lyricist:
- Hal David
- composer:
- Burt Bacharach
- publisher:
- Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control , JAC Music Co., Inc., New Hidden Valley Music Co., Universal/MCA Music Ltd. , Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- フジパシフィックミュージック BMG事業部 and フジパシフィックミュージック 第2事業部
- part of:
- Baby It’s You!
| Dionne Warwick | 4.5 | 2:55 |
88 | When a Man Loves a Woman- recorded in:
- Muscle Shoals, Alabama, United States (on 1966-02-17)
- producer:
- Marlin Greene and Quin Ivy
- double bass:
- Albert Lowe Jr. (on 1966-02-17)
- drums (drum set):
- Roger Hawkins (on 1966-02-17)
- farfisa [farfisa organ]:
- Spooner Oldham (on 1966-02-17)
- guitar:
- Marlin Greene (on 1966-02-17)
- vocals:
- Percy Sledge (on 1966-02-17)
- phonographic copyright (℗) by:
- H.H.O. Ltd and Atlantic Recording Corporation (in 1966)
- recorded at:
- Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
- part of:
- Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 54)
- recording of:
- When a Man Loves a Woman (on 1966-02-17)
- writer:
- Calvin Lewis and Andrew Wright
- publisher:
- Mijac Music, Pronto Music, Inc. , Warner Chappell Music Ltd. , Warner Chappell North America, Warner/Chappell, Pronto Music (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
| Percy Sledge | 4.35 | 2:50 |
89 | I Wanna Be the Only One | Eternal feat. Bebe Winans | 2.5 | 3:37 |
90 | You Might Need Somebody | Shola Ama | | 4:53 |
91 | Sailing | Rod Stewart | | 4:38 |
92 | Hi Ho Silver Lining | Jeff Beck | 2 | 2:56 |
93 | I Got You Babe | Sonny & Cher | 4.35 | 3:10 |
94 | Cannonball | Damien Rice | 4.35 | 5:10 |
95 | All I Have to Do Is Dream | The Everly Brothers | | 2:24 |
96 | Summer Holiday | Cliff Richard & The Shadows | 5 | 2:07 |
97 | Iris | The Goo Goo Dolls | 4.2 | 4:50 |
98 | (Sittin’ on) The Dock of the Bay- producer:
- Jerry Bruckheimer, Steve Cropper and Don Simpson
- bass guitar:
- Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
- drums (drum set):
- Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
- guitar:
- Steve Cropper (from 1967-11-22 until 1967-12-07)
- keyboard:
- Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
- trumpet:
- Wayne Jackson (from 1967-11-22 until 1967-12-07)
- vocals:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- whistling:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1968)
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 26), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 38) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
- recording of:
- (Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music , Irving Music, Inc., Universal Music Publishing, Synch Division, Warner Bros. , Warner Bros. Music Ltd. , Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
| Otis Redding | 4.45 | 2:47 |
99 | Summer Breeze | Seals and Crofts | 4.35 | 3:25 |
100 | Beyond the Sea | Bobby Darin | 5 | 2:52 |