Tracklist

CD 72: Mozart: Idomeneo (Acts I & II beg.)
CD 73: Mozart: Idomeneo (Acts II cont. & III beg.)
CD 74: Mozart: Idomeneo (Act III cont.)
CD 75: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
#TitleArtistRatingLength
1Die Entführung aus dem Serail, K. 384: Ouvertüre
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart4:17
2Die Entführung aus dem Serail, K. 384: Erster Aufzug. Nr. 1 Arie: »Hier soll ich dich denn sehen« (Belmonte) / Dialog: »Aber wie soll ich in den Palast kommen?« (Belmonte)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:39
3Die Entführung aus dem Serail, K. 384: Erster Aufzug. Nr. 2 Lied un Duett: »Wer ein Liebchen hat gefunden« - »Verwünscht seist du« (Osmin, Belmonte)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene II. No. 2 Lied und Duett "Wer ein Liebchen hat gefunden" (Osmin) / "Verwünscht seist du samt deinem Liede!" (Osmin, Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart6:23
4Die Entführung aus dem Serail, K. 384: Erster Aufzug. Dialog: »Nun, wie steht's, Osmin?« (Pedrillo, Osmin)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act I, Nun, wie steht's, Osmin? (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart0:21
5Die Entführung aus dem Serail, K. 384: Erster Aufzug. Nr. 3 Arie: »Solche hergelaufne Laffen« (Osmin, Pedrillo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. No. 3 Arie "Solche hergelauf'ne Laffen" (Osmin) / Akt I, Szene III. Dialog "Was bist du nur für ein Mensch!" (Pedrillo) / Akt I, Szene III. "Erst geköpft, dann gehangen" (Osmin) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart4:51
6Die Entführung aus dem Serail, K. 384: Erster Aufzug. Dialog: »Geh nur, verwünschter Aufpasser« (Pedrillo, Belmonte)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene IV. Dialog "Geh nur, verwünschter Aufpasser!" (Pedrillo, Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:58
7Die Entführung aus dem Serail, K. 384: Erster Aufzug. Nr. 4 Rezitativ und Arie: »Konstanze, dich wiederzusehen!« - »O wie ängstlich, o wie feurig« (Belmonte)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart5:02
8Die Entführung aus dem Serail, K. 384: Erster Aufzug. Dialog: »Herr, geschwind auf die Seite« (Pedrillo) / Nr. 5a Marsch
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. Dialog "Geschwind, geschwind auf die Seite" (Pedrillo) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:59
9Die Entführung aus dem Serail, K. 384: Erster Aufzug. Nr. 5b Chor der Janitscharen: »Singt dem großen Bassa Lieder«
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
baritone vocals [Solo quartet in the Janissaries' chorus]:
Julian Clarkson (baritone) (in 1991-07)
countertenor vocals [Solo quartet in the Janissaries' chorus]:
Richard Wyn Roberts (in 1991-07)
soprano vocals [Solo quartet in the Janissaries' chorus]:
Angela Kazimierczuk (Classical soprano) (in 1991-07)
tenor vocals [Solo quartet in the Janissaries' chorus]:
Paul Tindall (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VI. No. 5b Chor de Janitscharen "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:34
10Die Entführung aus dem Serail, K. 384: Erster Aufzug. Dialog: »Immer noch trarig, geliebte Konstanze?« (Selim, Konstanze)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
spoken vocals [Selim, Bassa]:
Hans-Peter Minetti (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart0:37
11Die Entführung aus dem Serail, K. 384: Erster Aufzug. Nr. 6 Arie: »Ach, ich liebte, war so glücklich« (Konstanze)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. No. 6 Arie "Ach ich liebte, war so glücklich" (Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart4:54
12Die Entführung aus dem Serail, K. 384: Erster Aufzug. Dialog: »Du bist so großmutig, so gut« (Konstanze, Selim, Pedrillo, Belmonte) - »Ha, Triumph, Triumph, Herr!« (Pedrillo, Belmonte) - »Wohin?« / »Hinein!« (Osmin, Pedrillo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
spoken vocals [Selim, Bassa]:
Hans-Peter Minetti (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act I, Du bist so großmütig, so gut / Ha, Triumph, Triumph, Herr! / Wohin? ... Hinein! (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart2:40
13Die Entführung aus dem Serail, K. 384: Erster Aufzug. Nr. 7 Terzett: »Marsch, marsch, marsch! Trollt euch fort!« (Osmin, Belmonte, Pedrillo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene X. No. 7 Terzett "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:22
14Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Dialog: »Gift und Dolch!« - »Oh, des Zankens, Befehlens und Murren« (Osmin, Blonde) / Nr. 8 Arie: »Durch Zärtlichkeit und Schmeicheln« (Blonde)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. Dialog "O, des Zankens, Befehlens und Murrens wird auch kein Ende!" (Blonde) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart4:41
15Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Dialog: »Zärtlichkeit! Schmeicheln!« (Osmin, Blonde)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart0:47
16Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Nr. 9 Duett: »Ich gehe, doch rate ich dir« (Osmin, Blonde)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 9 Duett "Ich gehe, doch rate ich dir" (Osmin, Blonde) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart3:31
17Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Dialog: »Wie traurig Konstanze daherkommt!« (Blonde) / Nr. 10 Rezitativ und Arie: »Welchere Wechsel herrscht in meiner Seele« - »Traurigkeit ward mir zum Lose« (Konstanze)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act II, Scene II. No. 10 Aria "Traurigkeit ward mir zum Lose" (Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart9:27
18Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Dialog: »Ach mein bestes Fräulein!« (Blonde, Konstanze) - »Nun, Konstanze, denkst du meinem Begehren nach?« (Selim, Konstanze)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
spoken vocals [Selim, Bassa]:
Hans-Peter Minetti (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. Dialog "Ach mein bestes Fräulein" (Blonde, Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Christoph Friedrich Bretzner
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart0:54
19Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Nr. 11 Arie: »Martern aller Arten« (Konstanze)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart9:25
20Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Dialog: »Ist das ein Traum?« (Selim)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
spoken vocals [Selim, Bassa]:
Hans-Peter Minetti (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act II, Scene IV. Dialog "Ist das ein Traum?" (Selim) (in 1991-07)
lyricist:
Johann Gottlieb Stephanie ('The Younger')
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart0:42
CD 76: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
CD 77: Mozart: Le nozze di Figaro (Acts I & II beg.)
CD 78: Mozart: Le nozze di Figaro (Acts II cont. & III)
CD 79: Mozart: Le nozze di Figaro (Act IV)
CD 80: Mozart: Don Giovanni (Act I beg.)
CD 81: Mozart: Don Giovanni (Acts I cont. & II beg.)
CD 82: Mozart: Don Giovanni (Act II cont.)
CD 83: Mozart: Così fan tutte (Act I beg.)