Helge Rosvaenge: Konzert 1959

~ Release by Helge Rosvænge (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Così fan tutte: „Der Odem der Liebe”
producer:
Jürgen E. Schmidt (producer, co-owner of Preiser Records)
tenor vocals:
Helge Rosvænge (tenor) (on 1959-05-30)
orchestra:
Philharmonia Hungarica (on 1959-05-30)
conductor:
Zoltán Rozsnyai (Hungarian conductor) (on 1959-05-30)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1959-05-30)
live partial recording of:
Così fan tutte, K. 588 (German version) (on 1959-05-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Così fan tutte ossia La scuola degli amanti, K. 588
Wolfgang Amadeus Mozart5:06
2Fidelio: „Gott! welch' Dunkel hier“
producer:
Jürgen E. Schmidt (producer, co-owner of Preiser Records)
tenor vocals:
Helge Rosvænge (tenor) (on 1959-05-30)
orchestra:
Philharmonia Hungarica (on 1959-05-30)
conductor:
Zoltán Rozsnyai (Hungarian conductor) (on 1959-05-30)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1959-05-30)
live recording of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan) (on 1959-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven10:46
3Oberon: „Seit frühster Jugend in Kampf und Streit”
producer:
Jürgen E. Schmidt (producer, co-owner of Preiser Records)
tenor vocals:
Helge Rosvænge (tenor) (on 1959-05-30)
orchestra:
Philharmonia Hungarica (on 1959-05-30)
conductor:
Zoltán Rozsnyai (Hungarian conductor) (on 1959-05-30)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1959-05-30)
live recording of:
Oberon: "Von Jugend auf im Kampfgefild" (German translation) (on 1959-05-30)
composer:
Carl Maria von Weber (composer)
librettist:
James Robinson Planché
translator:
Theodor Hell
Carl Maria von Weber6:49
4Der Rosenkavalier: “Di rigori armato il seno”
producer:
Jürgen E. Schmidt (producer, co-owner of Preiser Records)
tenor vocals:
Helge Rosvænge (tenor) (on 1959-05-30)
orchestra:
Philharmonia Hungarica (on 1959-05-30)
conductor:
Zoltán Rozsnyai (Hungarian conductor) (on 1959-05-30)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1959-05-30)
live recording of:
Der Rosenkavalier, op. 59: Akt I. "Di rigori armato il seno" (Ein Sänger) (on 1959-05-30)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:36
5Der Rosenkavalier: Zuneigung
producer:
Jürgen E. Schmidt (producer, co-owner of Preiser Records)
tenor vocals:
Helge Rosvænge (tenor) (on 1959-05-30)
orchestra:
Philharmonia Hungarica (on 1959-05-30)
conductor:
Zoltán Rozsnyai (Hungarian conductor) (on 1959-05-30)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1959-05-30)
live recording of:
Zueignung, op. 10 no. 1 (orchestrated by Strauss) (on 1959-05-30)
orchestrator:
Richard Strauss (German composer) (in 1940)
lyricist:
Hermann von Gilm zu Rosenegg
composer:
Richard Strauss (German composer) (in 1885)
orchestration of:
Zueignung, op. 10 no. 1 (for voice and piano)
Richard Strauss2:11
6Cavalleria rusticana: „Mutter, der Rote war allzu feurig”
producer:
Jürgen E. Schmidt (producer, co-owner of Preiser Records)
tenor vocals:
Helge Rosvænge (tenor) (on 1959-05-30)
orchestra:
Philharmonia Hungarica (on 1959-05-30)
conductor:
Zoltán Rozsnyai (Hungarian conductor) (on 1959-05-30)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1959-05-30)
live recording of:
Cavalleria rusticana: „Mutter, der Rote war allzu feurig” (Turiddu, Lucia) (on 1959-05-30)
composer:
Pietro Mascagni (composer & conductor)
translated version of:
Cavalleria Rusticana: "A voi tutti salute!" (Alfio, Coro, Lola)
translated version of:
Cavalleria rusticana: “Mamma, quel vino è generoso, è certo” (Turiddu, Lucia, Donne) (Addio alla madre)
part of:
Cavalleria rusticana (german lyrics)
Pietro Mascagni4:02
7Das Mädchen aus dem goldenen Westen: „Lasset sie glauben”
producer:
Jürgen E. Schmidt (producer, co-owner of Preiser Records)
tenor vocals:
Helge Rosvænge (tenor) (on 1959-05-30)
orchestra:
Philharmonia Hungarica (on 1959-05-30)
conductor:
Zoltán Rozsnyai (Hungarian conductor) (on 1959-05-30)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1959-05-30)
live recording of:
Das Mädchen aus dem goldenen Westen: „Lasset sie glauben” (on 1959-05-30)
Giacomo Puccini2:24
8Die Macht des Schicksal: „Die Welt ist nur ein Traum”
producer:
Jürgen E. Schmidt (producer, co-owner of Preiser Records)
tenor vocals:
Helge Rosvænge (tenor) (on 1959-05-30)
orchestra:
Philharmonia Hungarica (on 1959-05-30)
conductor:
Zoltán Rozsnyai (Hungarian conductor) (on 1959-05-30)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1959-05-30)
live recording of:
Die Macht des Schicksals: Die Welt ist nur ein Traum / Du stiegst empor (on 1959-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Die Macht des Schicksals
Giuseppe Verdi6:24
9Der Troubadour: „Daß nur für mich dein Herz erbebt”
producer:
Jürgen E. Schmidt (producer, co-owner of Preiser Records)
tenor vocals:
Helge Rosvænge (tenor) (on 1959-05-30)
orchestra:
Philharmonia Hungarica (on 1959-05-30)
conductor:
Zoltán Rozsnyai (Hungarian conductor) (on 1959-05-30)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1959-05-30)
live recording of:
Der Troubadour: „Daß nur für mich dein Herz erbebt” (on 1959-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Der Troubadour
Giuseppe Verdi3:39
10Der Troubadour: „Lodern zum Himmel seh' ich die Flammen”
producer:
Jürgen E. Schmidt (producer, co-owner of Preiser Records)
tenor vocals:
Helge Rosvænge (tenor) (on 1959-05-30)
orchestra:
Philharmonia Hungarica (on 1959-05-30)
conductor:
Zoltán Rozsnyai (Hungarian conductor) (on 1959-05-30)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1959-05-30)
live recording of:
Der Troubadour: 2. Akt "Lodernde Flammen" (on 1959-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena)
part of:
Der Troubadour
Giuseppe Verdi1:47
11Carmen: „Hier an dem Herzen treu geborgen”
producer:
Jürgen E. Schmidt (producer, co-owner of Preiser Records)
tenor vocals:
Helge Rosvænge (tenor) (on 1959-05-30)
orchestra:
Philharmonia Hungarica (on 1959-05-30)
conductor:
Zoltán Rozsnyai (Hungarian conductor) (on 1959-05-30)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1959-05-30)
live recording of:
Carmen: „Hier an dem Herzen treu geborgen” (on 1959-05-30)
composer:
Georges Bizet (composer)
part of:
Carmen (german lyrics)
Georges Bizet4:22
12Der Bajazzo: „Jetzt spielen!” / „Hüll dich in Tand nur”
producer:
Jürgen E. Schmidt (producer, co-owner of Preiser Records)
tenor vocals:
Helge Rosvænge (tenor) (on 1959-05-30)
orchestra:
Philharmonia Hungarica (on 1959-05-30)
conductor:
Zoltán Rozsnyai (Hungarian conductor) (on 1959-05-30)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1959-05-30)
live recording of:
Der Bajazzo: Akt I. „Jetzt spielen!” / „Hüll dich in Tand nur” (Canio) (on 1959-05-30)
composer:
Ruggero Leoncavallo (composer)
translated version of:
Pagliacci: Atto I. “Recitar!” - “Vesti la giubba” (Canio)
part of:
Der Bajazzo: Akt I
Ruggero Leoncavallo3:55
13Tosca: „Mario Cavaradossi?”
bass vocals [Schließer]:
Martin Abendroth (german bass-baritone) (on 1957-03-03)
tenor vocals [Cavaradossi]:
Helge Rosvænge (tenor) (on 1957-03-03)
orchestra:
Orchester der Deutschen Staatsoper Berlin (on 1957-03-03)
conductor:
Hans Löwlein (conductor) (on 1957-03-03)
recorded at:
Staatsoper Unter den Linden in Berlin, Germany (on 1957-03-03)
live recording of:
Tosca: 3. Akt: „Mario Cavaradossi? – Hierher” (Schließer, Cavaradossi) (on 1957-03-03)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi)
part of:
Tosca (German translation)
Giacomo Puccini4:11
14Tosca: „Und es blitzen die Sterne”
tenor vocals [Cavaradossi]:
Helge Rosvænge (tenor) (on 1957-03-03)
orchestra:
Orchester der Deutschen Staatsoper Berlin (on 1957-03-03)
conductor:
Hans Löwlein (conductor) (on 1957-03-03)
recorded at:
Staatsoper Unter den Linden in Berlin, Germany (on 1957-03-03)
live recording of:
Tosca: 3. Akt. „Und es blitzen die Sterne” (Cavaradossi) (“E lucevan le stelle”) (on 1957-03-03)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
part of:
Tosca (German translation)
Giacomo Puccini3:14
15Tosca: „Ha! Geleit für Floria Tosca”
soprano vocals [Tosca]:
Gisela Behm (german soprano) (on 1957-03-03)
tenor vocals [Cavaradossi]:
Helge Rosvænge (tenor) (on 1957-03-03)
orchestra:
Orchester der Deutschen Staatsoper Berlin (on 1957-03-03)
conductor:
Hans Löwlein (conductor) (on 1957-03-03)
recorded at:
Staatsoper Unter den Linden in Berlin, Germany (on 1957-03-03)
live recording of:
Tosca: 3. Akt: „Ha! Geleit für Floria Tosca!” (Cavaradossi, Tosca) (on 1957-03-03)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca)
part of:
Tosca (German translation)
Giacomo Puccini2:29
16Tosca: „Die zarten Hände”
soprano vocals [Tosca]:
Gisela Behm (german soprano) (on 1957-03-03)
tenor vocals [Cavaradossi]:
Helge Rosvænge (tenor) (on 1957-03-03)
orchestra:
Orchester der Deutschen Staatsoper Berlin (on 1957-03-03)
conductor:
Hans Löwlein (conductor) (on 1957-03-03)
recorded at:
Staatsoper Unter den Linden in Berlin, Germany (on 1957-03-03)
live recording of:
Tosca: 3. Akt: „Die zarten Hände” - „Bald naht sich die Stunde” (Cavaradossi, Tosca) (on 1957-03-03)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca)
translated version of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca)
part of:
Tosca (German translation)
Giacomo Puccini3:03
17Tosca: „Nur deinetwegen wollt' ich noch nicht sterben”
soprano vocals [Tosca]:
Gisela Behm (german soprano) (on 1957-03-03)
tenor vocals [Cavaradossi]:
Helge Rosvænge (tenor) (on 1957-03-03)
orchestra:
Orchester der Deutschen Staatsoper Berlin (on 1957-03-03)
conductor:
Hans Löwlein (conductor) (on 1957-03-03)
recorded at:
Staatsoper Unter den Linden in Berlin, Germany (on 1957-03-03)
live recording of:
Tosca: 3. Akt: „Nur deinetwegen wollt' ich noch nicht sterben” (Tosca) (on 1957-03-03)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “Amaro sol per te m’era il morire” (Cavaradossi, Tosca)
part of:
Tosca (German translation)
Giacomo Puccini2:19
18Tosca: „Und sie kommen nicht”
bass vocals [Sciarrone]:
Walter Stoll (bass-baritone) (on 1957-03-03)
soprano vocals [Tosca]:
Gisela Behm (german soprano) (on 1957-03-03)
tenor vocals [Spoletta]:
Heinz Braun (tenor) (on 1957-03-03)
orchestra:
Orchester der Deutschen Staatsoper Berlin (on 1957-03-03)
conductor:
Hans Löwlein (conductor) (on 1957-03-03)
recorded at:
Staatsoper Unter den Linden in Berlin, Germany (on 1957-03-03)
live recording of:
Tosca: 3. Akt. „Und sie kommen nicht” (Tosca, Sciarrone, Spoletta, Chor) (on 1957-03-03)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta)
part of:
Tosca (German translation)
Giacomo Puccini6:11

Credits

Release

ASIN:US: B00000C3IX [info]