At the Octoroon Balls

~ Release by Wynton Marsalis (see all versions of this release, 2 available)

Tracklist

CD 1
#TitleRatingLength
1At The Octoroon Balls (String Quartet No. 1): Come Long Fiddler
recording engineer and mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (in 1988-12)
assistant engineer:
Jeff Francis (engineer) (in 1988-12)
engineer:
Gus Skinas (audio engineer) (in 1988-12)
producer:
Steven Epstein (classical music producer) (in 1988-12)
editor:
Todd Whitelock (engineer) (in 1988-12) and Robert Wolff (engineer) (in 1988-12)
strings:
Orion String Quartet (in 1988-12)
recorded at:
Giandomenico Studios in Collingswood, New Jersey, United States (in 1988-12)
9:42
2At The Octoroon Balls (String Quartet No. 1): Mating Calls & Delta Rhythms
recording engineer and mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (in 1988-12)
assistant engineer:
Jeff Francis (engineer) (in 1988-12)
engineer:
Gus Skinas (audio engineer) (in 1988-12)
producer:
Steven Epstein (classical music producer) (in 1988-12)
editor:
Todd Whitelock (engineer) (in 1988-12) and Robert Wolff (engineer) (in 1988-12)
strings:
Orion String Quartet (in 1988-12)
recorded at:
Giandomenico Studios in Collingswood, New Jersey, United States (in 1988-12)
5:31
3At The Octoroon Balls (String Quartet No. 1): Creole Contradanzas
recording engineer and mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (in 1988-12)
assistant engineer:
Jeff Francis (engineer) (in 1988-12)
engineer:
Gus Skinas (audio engineer) (in 1988-12)
producer:
Steven Epstein (classical music producer) (in 1988-12)
editor:
Todd Whitelock (engineer) (in 1988-12) and Robert Wolff (engineer) (in 1988-12)
strings:
Orion String Quartet (in 1988-12)
recorded at:
Giandomenico Studios in Collingswood, New Jersey, United States (in 1988-12)
5:00
4At The Octoroon Balls (String Quartet No. 1): Many Gone
recording engineer and mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (in 1988-12)
assistant engineer:
Jeff Francis (engineer) (in 1988-12)
engineer:
Gus Skinas (audio engineer) (in 1988-12)
producer:
Steven Epstein (classical music producer) (in 1988-12)
editor:
Todd Whitelock (engineer) (in 1988-12) and Robert Wolff (engineer) (in 1988-12)
strings:
Orion String Quartet (in 1988-12)
recorded at:
Giandomenico Studios in Collingswood, New Jersey, United States (in 1988-12)
8:57
5At The Octoroon Balls (String Quartet No. 1): Hellbound Highball
recording engineer and mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (in 1988-12)
assistant engineer:
Jeff Francis (engineer) (in 1988-12)
engineer:
Gus Skinas (audio engineer) (in 1988-12)
producer:
Steven Epstein (classical music producer) (in 1988-12)
editor:
Todd Whitelock (engineer) (in 1988-12) and Robert Wolff (engineer) (in 1988-12)
strings:
Orion String Quartet (in 1988-12)
recorded at:
Giandomenico Studios in Collingswood, New Jersey, United States (in 1988-12)
8:22
6At The Octoroon Balls (String Quartet No. 1): Blue Lights on the Bayou
recording engineer and mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (in 1988-12)
assistant engineer:
Jeff Francis (engineer) (in 1988-12)
engineer:
Gus Skinas (audio engineer) (in 1988-12)
producer:
Steven Epstein (classical music producer) (in 1988-12)
editor:
Todd Whitelock (engineer) (in 1988-12) and Robert Wolff (engineer) (in 1988-12)
strings:
Orion String Quartet (in 1988-12)
recorded at:
Giandomenico Studios in Collingswood, New Jersey, United States (in 1988-12)
2:33
7At The Octoroon Balls (String Quartet No. 1): Rampart St. Row House Rag
recording engineer and mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (in 1988-12)
assistant engineer:
Jeff Francis (engineer) (in 1988-12)
engineer:
Gus Skinas (audio engineer) (in 1988-12)
producer:
Steven Epstein (classical music producer) (in 1988-12)
editor:
Todd Whitelock (engineer) (in 1988-12) and Robert Wolff (engineer) (in 1988-12)
strings:
Orion String Quartet (in 1988-12)
recorded at:
Giandomenico Studios in Collingswood, New Jersey, United States (in 1988-12)
4:54
8A Fiddler’s Tale Suite: The Fiddler's March
recording engineer and mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (in 1988-05)
assistant engineer:
Jeff Francis (engineer) (in 1988-05)
editor:
Todd Whitelock (engineer) (in 1988-05) and Robert Wolff (engineer) (in 1988-05)
trumpet:
Wynton Marsalis (in 1988-05)
orchestra:
Chamber Music Society of Lincoln Center (performer and promoter) (in 1988-05)
performer:
Steven Epstein (classical music producer) (in 1988-05)
recorded at:
Giandomenico Studios in Collingswood, New Jersey, United States (in 1988-05)
3:22
9A Fiddler’s Tale Suite: A Fiddler's Soul
recording engineer and mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (in 1988-05)
assistant engineer:
Jeff Francis (engineer) (in 1988-05)
editor:
Todd Whitelock (engineer) (in 1988-05) and Robert Wolff (engineer) (in 1988-05)
trumpet:
Wynton Marsalis (in 1988-05)
orchestra:
Chamber Music Society of Lincoln Center (performer and promoter) (in 1988-05)
performer:
Steven Epstein (classical music producer) (in 1988-05)
recorded at:
Giandomenico Studios in Collingswood, New Jersey, United States (in 1988-05)
3:15
10A Fiddler’s Tale Suite: Pastorale
recording engineer and mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (in 1988-05)
assistant engineer:
Jeff Francis (engineer) (in 1988-05)
editor:
Todd Whitelock (engineer) (in 1988-05) and Robert Wolff (engineer) (in 1988-05)
trumpet:
Wynton Marsalis (in 1988-05)
orchestra:
Chamber Music Society of Lincoln Center (performer and promoter) (in 1988-05)
performer:
Steven Epstein (classical music producer) (in 1988-05)
recorded at:
Giandomenico Studios in Collingswood, New Jersey, United States (in 1988-05)
4:13
11A Fiddler’s Tale Suite: Happy March
recording engineer and mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (in 1988-05)
assistant engineer:
Jeff Francis (engineer) (in 1988-05)
editor:
Todd Whitelock (engineer) (in 1988-05) and Robert Wolff (engineer) (in 1988-05)
trumpet:
Wynton Marsalis (in 1988-05)
orchestra:
Chamber Music Society of Lincoln Center (performer and promoter) (in 1988-05)
performer:
Steven Epstein (classical music producer) (in 1988-05)
recorded at:
Giandomenico Studios in Collingswood, New Jersey, United States (in 1988-05)
2:25
12A Fiddler’s Tale Suite: Concert Piece
recording engineer and mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (in 1988-05)
assistant engineer:
Jeff Francis (engineer) (in 1988-05)
editor:
Todd Whitelock (engineer) (in 1988-05) and Robert Wolff (engineer) (in 1988-05)
trumpet:
Wynton Marsalis (in 1988-05)
orchestra:
Chamber Music Society of Lincoln Center (performer and promoter) (in 1988-05)
performer:
Steven Epstein (classical music producer) (in 1988-05)
recorded at:
Giandomenico Studios in Collingswood, New Jersey, United States (in 1988-05)
3:07
13A Fiddler’s Tale Suite: Tango, Waltz, Ragtime
recording engineer and mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (in 1988-05)
assistant engineer:
Jeff Francis (engineer) (in 1988-05)
editor:
Todd Whitelock (engineer) (in 1988-05) and Robert Wolff (engineer) (in 1988-05)
trumpet:
Wynton Marsalis (in 1988-05)
orchestra:
Chamber Music Society of Lincoln Center (performer and promoter) (in 1988-05)
performer:
Steven Epstein (classical music producer) (in 1988-05)
recorded at:
Giandomenico Studios in Collingswood, New Jersey, United States (in 1988-05)
7:30
14A Fiddler’s Tale Suite: The Devil's Dance
recording engineer and mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (in 1988-05)
assistant engineer:
Jeff Francis (engineer) (in 1988-05)
editor:
Todd Whitelock (engineer) (in 1988-05) and Robert Wolff (engineer) (in 1988-05)
trumpet:
Wynton Marsalis (in 1988-05)
orchestra:
Chamber Music Society of Lincoln Center (performer and promoter) (in 1988-05)
performer:
Steven Epstein (classical music producer) (in 1988-05)
recorded at:
Giandomenico Studios in Collingswood, New Jersey, United States (in 1988-05)
2:37
15A Fiddler’s Tale Suite: Big Chorale
recording engineer and mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (in 1988-05)
assistant engineer:
Jeff Francis (engineer) (in 1988-05)
editor:
Todd Whitelock (engineer) (in 1988-05) and Robert Wolff (engineer) (in 1988-05)
trumpet:
Wynton Marsalis (in 1988-05)
orchestra:
Chamber Music Society of Lincoln Center (performer and promoter) (in 1988-05)
performer:
Steven Epstein (classical music producer) (in 1988-05)
recorded at:
Giandomenico Studios in Collingswood, New Jersey, United States (in 1988-05)
2:49
16A Fiddler’s Tale Suite: The Blues on Top
recording engineer and mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (in 1988-05)
assistant engineer:
Jeff Francis (engineer) (in 1988-05)
editor:
Todd Whitelock (engineer) (in 1988-05) and Robert Wolff (engineer) (in 1988-05)
trumpet:
Wynton Marsalis (in 1988-05)
orchestra:
Chamber Music Society of Lincoln Center (performer and promoter) (in 1988-05)
performer:
Steven Epstein (classical music producer) (in 1988-05)
recorded at:
Giandomenico Studios in Collingswood, New Jersey, United States (in 1988-05)
2:27