Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Annotation last modified on 2020-03-13 23:27 UTC.

Tracklist

CD 1: Cantatas 150, 4, 71, 196 (1706-1708)
#TitleRatingLength
1Nach dir, Herr, verlanget mich, BWV 150: 1. Sinfonia
producer:
Isabella de Sabata
orchestra:
English Baroque Soloists (on 2000-06-04)
conductor:
Sir John Eliot Gardiner (on 2000-06-04)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Sherborne Abbey in Dorset, England, United Kingdom (on 2000-06-04)
live recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": I. Sinfonia (on 2000-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
1:37
2Nach dir, Herr, verlanget mich, BWV 150: 2. Chorus: Nach dir, Herr, verlanget mich
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (on 2000-06-04)
orchestra:
English Baroque Soloists (on 2000-06-04)
conductor:
Sir John Eliot Gardiner (on 2000-06-04)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Sherborne Abbey in Dorset, England, United Kingdom (on 2000-06-04)
live recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": II. Coro "Nach dir, Herr, verlanget mich" (on 2000-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
3:19
3Nach dir, Herr, verlanget mich, BWV 150: 3. Aria: Doch bin und bleibe ich vergnügt
producer:
Isabella de Sabata
soprano vocals:
Joanne Lunn (British soprano vocalist) (on 2000-06-04)
orchestra:
English Baroque Soloists (on 2000-06-04)
conductor:
Sir John Eliot Gardiner (on 2000-06-04)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Sherborne Abbey in Dorset, England, United Kingdom (on 2000-06-04)
live recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": III. Aria (Sopran) "Doch bin und bleibe ich vergnügt" (on 2000-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
1:34
4Nach dir, Herr, verlanget mich, BWV 150: 4. Tutti: Leite mich in deiner Wahrheit
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (on 2000-06-04)
orchestra:
English Baroque Soloists (on 2000-06-04)
conductor:
Sir John Eliot Gardiner (on 2000-06-04)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Sherborne Abbey in Dorset, England, United Kingdom (on 2000-06-04)
live recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": IV. Coro "Leite mich in deiner Wahrheit" (on 2000-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
1:51
5Nach dir, Herr, verlanget mich, BWV 150: 5. Aria: Zedern müssen von den Winden
producer:
Isabella de Sabata
alto vocals:
Daniel Taylor (Canadian countertenor) (on 2000-06-04)
bass vocals:
Panajotis N. Iconomou (bass-baritone) (on 2000-06-04)
tenor vocals:
Paul Agnew (tenor / conductor) (on 2000-06-04)
orchestra:
English Baroque Soloists (on 2000-06-04)
conductor:
Sir John Eliot Gardiner (on 2000-06-04)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Sherborne Abbey in Dorset, England, United Kingdom (on 2000-06-04)
live recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": V. Aria (Terzetto Alt, Tenor, Bass) "Zedern müssen von den Winden" (on 2000-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
1:08
6Nach dir, Herr, verlanget mich, BWV 150: 6. Chorus: Meine Augen sehen stets zu dem Herrn
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (on 2000-06-04)
orchestra:
English Baroque Soloists (on 2000-06-04)
conductor:
Sir John Eliot Gardiner (on 2000-06-04)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Sherborne Abbey in Dorset, England, United Kingdom (on 2000-06-04)
live recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VI. Coro "Meine Augen sehen stets zu dem Herrn" (on 2000-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
2:05
7Nach dir, Herr, verlanget mich, BWV 150: 7. Tutti. Ciacona: Meine Tage in dem Leide
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (on 2000-06-04)
orchestra:
English Baroque Soloists (on 2000-06-04)
conductor:
Sir John Eliot Gardiner (on 2000-06-04)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Sherborne Abbey in Dorset, England, United Kingdom (on 2000-06-04)
live recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide" (on 2000-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
3:00
8Christ lag in Todes Banden, BWV 4: 1. Sinfonia
producer:
Isabella de Sabata
orchestra:
English Baroque Soloists (from 2000-04-23 until 2000-04-24)
conductor:
Sir John Eliot Gardiner (from 2000-04-23 until 2000-04-24)
balance engineer:
Jean-Marie Geijsen
recorded at:
Georgenkirche in Eisenach, Thüringen, Germany (from 2000-04-23 until 2000-04-24)
live recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia (from 2000-04-23 until 2000-04-24)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
1:23
9Christ lag in Todes Banden, BWV 4: 2. Versus 1: Christ lag in Todes Banden
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (from 2000-04-23 until 2000-04-24)
orchestra:
English Baroque Soloists (from 2000-04-23 until 2000-04-24)
conductor:
Sir John Eliot Gardiner (from 2000-04-23 until 2000-04-24)
balance engineer:
Jean-Marie Geijsen
recorded at:
Georgenkirche in Eisenach, Thüringen, Germany (from 2000-04-23 until 2000-04-24)
live recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden" (from 2000-04-23 until 2000-04-24)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
4:00
10Christ lag in Todes Banden, BWV 4: 3. Versus 2: Den Tod niemand zwingen kunnt
producer:
Isabella de Sabata
alto vocals:
Daniel Taylor (Canadian countertenor) (from 2000-04-23 until 2000-04-24)
soprano vocals:
Gillian Keith (soprano) (from 2000-04-23 until 2000-04-24)
orchestra:
English Baroque Soloists (from 2000-04-23 until 2000-04-24)
conductor:
Sir John Eliot Gardiner (from 2000-04-23 until 2000-04-24)
balance engineer:
Jean-Marie Geijsen
recorded at:
Georgenkirche in Eisenach, Thüringen, Germany (from 2000-04-23 until 2000-04-24)
live recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt" (from 2000-04-23 until 2000-04-24)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
5:33
11Christ lag in Todes Banden, BWV 4: 4. Versus 3: Jesus Christus, Gottes Sohn
producer:
Isabella de Sabata
tenor vocals:
James Gilchrist (tenor) (from 2000-04-23 until 2000-04-24)
orchestra:
English Baroque Soloists (from 2000-04-23 until 2000-04-24)
conductor:
Sir John Eliot Gardiner (from 2000-04-23 until 2000-04-24)
balance engineer:
Jean-Marie Geijsen
recorded at:
Georgenkirche in Eisenach, Thüringen, Germany (from 2000-04-23 until 2000-04-24)
live recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" (from 2000-04-23 until 2000-04-24)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
1:44
12Christ lag in Todes Banden, BWV 4: 5. Versus 4: Es war ein wunderlicher Krieg
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (from 2000-04-23 until 2000-04-24)
orchestra:
English Baroque Soloists (from 2000-04-23 until 2000-04-24)
conductor:
Sir John Eliot Gardiner (from 2000-04-23 until 2000-04-24)
balance engineer:
Jean-Marie Geijsen
recorded at:
Georgenkirche in Eisenach, Thüringen, Germany (from 2000-04-23 until 2000-04-24)
live recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg" (from 2000-04-23 until 2000-04-24)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
1:48
13Christ lag in Todes Banden, BWV 4: 6. Versus 5: Hier ist das rechte Osterlamm
producer:
Isabella de Sabata
bass vocals:
Stephen Varcoe (bass-baritone) (from 2000-04-23 until 2000-04-24)
orchestra:
English Baroque Soloists (from 2000-04-23 until 2000-04-24)
conductor:
Sir John Eliot Gardiner (from 2000-04-23 until 2000-04-24)
balance engineer:
Jean-Marie Geijsen
recorded at:
Georgenkirche in Eisenach, Thüringen, Germany (from 2000-04-23 until 2000-04-24)
live recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm" (from 2000-04-23 until 2000-04-24)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
4:23
14Christ lag in Todes Banden, BWV 4: 7. Versus 6: So feiern wir das hohe Fest
producer:
Isabella de Sabata
soprano vocals:
Gillian Keith (soprano) (from 2000-04-23 until 2000-04-24)
tenor vocals:
James Gilchrist (tenor) (from 2000-04-23 until 2000-04-24)
orchestra:
English Baroque Soloists (from 2000-04-23 until 2000-04-24)
conductor:
Sir John Eliot Gardiner (from 2000-04-23 until 2000-04-24)
balance engineer:
Jean-Marie Geijsen
recorded at:
Georgenkirche in Eisenach, Thüringen, Germany (from 2000-04-23 until 2000-04-24)
live recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest" (from 2000-04-23 until 2000-04-24)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
1:38
15Christ lag in Todes Banden, BWV 4: 8. Versus 7: Wir essen und leben wohl
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (from 2000-04-23 until 2000-04-24)
orchestra:
English Baroque Soloists (from 2000-04-23 until 2000-04-24)
conductor:
Sir John Eliot Gardiner (from 2000-04-23 until 2000-04-24)
balance engineer:
Jean-Marie Geijsen
recorded at:
Georgenkirche in Eisenach, Thüringen, Germany (from 2000-04-23 until 2000-04-24)
live recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" (from 2000-04-23 until 2000-04-24)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
1:21
16Gott ist mein König, BWV 71: 1. [Chorus:] Gott ist mein König
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (on 2000-07-23)
orchestra:
English Baroque Soloists (on 2000-07-23)
conductor:
Sir John Eliot Gardiner (on 2000-07-23)
balance engineer:
Jean-Marie Geijsen
recorded at:
Blasiuskirche in Mühlhausen, Thüringen, Germany (on 2000-07-23)
live recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": I. Coro (Sopran, Alt, Tenor, Bass) "Gott ist mein König von altersher" (on 2000-07-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
2:04
17Gott ist mein König, BWV 71: 2. Air: Ich bin nun achtzig Jahr
producer:
Isabella de Sabata
soprano vocals:
Joanne Lunn (British soprano vocalist) (on 2000-07-23)
tenor vocals:
Paul Agnew (tenor / conductor) (on 2000-07-23)
orchestra:
English Baroque Soloists (on 2000-07-23)
conductor:
Sir John Eliot Gardiner (on 2000-07-23)
balance engineer:
Jean-Marie Geijsen
recorded at:
Blasiuskirche in Mühlhausen, Thüringen, Germany (on 2000-07-23)
live recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": II. Aria (Sopran, Tenor) "Ich bin nun achtzig Jahr" (on 2000-07-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
3:36
18Gott ist mein König, BWV 71: 3. Fuga: Dein Alter sei wie deine Jugend
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (on 2000-07-23)
orchestra:
English Baroque Soloists (on 2000-07-23)
conductor:
Sir John Eliot Gardiner (on 2000-07-23)
balance engineer:
Jean-Marie Geijsen
recorded at:
Blasiuskirche in Mühlhausen, Thüringen, Germany (on 2000-07-23)
live recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": III. Fuga (Coro) "Dein Alter sei wie deine Jugend" (on 2000-07-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
2:05
19Gott ist mein König, BWV 71: 4. Arioso: Tag und Nacht ist dein
producer:
Isabella de Sabata
bass vocals:
Peter Harvey (bass-baritone) (on 2000-07-23)
orchestra:
English Baroque Soloists (on 2000-07-23)
conductor:
Sir John Eliot Gardiner (on 2000-07-23)
balance engineer:
Jean-Marie Geijsen
recorded at:
Blasiuskirche in Mühlhausen, Thüringen, Germany (on 2000-07-23)
live recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": IV. Arioso (Bass) "Tag und Nacht ist dein" (on 2000-07-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
2:57
20Gott ist mein König, BWV 71: 5. Air: Durch mächtige Kraft
producer:
Isabella de Sabata
alto vocals:
William Towers (Countertenor) (on 2000-07-23)
orchestra:
English Baroque Soloists (on 2000-07-23)
conductor:
Sir John Eliot Gardiner (on 2000-07-23)
balance engineer:
Jean-Marie Geijsen
recorded at:
Blasiuskirche in Mühlhausen, Thüringen, Germany (on 2000-07-23)
live recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": V. Aria (Alt) "Durch mächtige Kraft" (on 2000-07-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
1:12
21Gott ist mein König, BWV 71: 6. [Chorus:] Du wollest dem Feinde nicht geben
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (on 2000-07-23)
orchestra:
English Baroque Soloists (on 2000-07-23)
conductor:
Sir John Eliot Gardiner (on 2000-07-23)
balance engineer:
Jean-Marie Geijsen
recorded at:
Blasiuskirche in Mühlhausen, Thüringen, Germany (on 2000-07-23)
live recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": VI. Coro "Du wollest dem Feinde" (on 2000-07-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
3:12
22Gott ist mein König, BWV 71: 7. [Chorus:] Das neue Regiment auf jeglichen Wegen
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (on 2000-07-23)
orchestra:
English Baroque Soloists (on 2000-07-23)
conductor:
Sir John Eliot Gardiner (on 2000-07-23)
balance engineer:
Jean-Marie Geijsen
recorded at:
Blasiuskirche in Mühlhausen, Thüringen, Germany (on 2000-07-23)
live recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": VII. Coro (Sopran, Alt, Tenor, Bass) "Das neue Regiment" (on 2000-07-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
3:23
23Der Herr denket an uns, BWV 196: 1. Sinfonia
producer:
Tini Mathot
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
balance engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": I. Sinfonia (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
1:41
24Der Herr denket an uns, BWV 196: 2. [Chorus:] Der Herr denket an uns und segnet uns
producer:
Tini Mathot
choir vocals:
Amsterdam Baroque Choir (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
balance engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": II. Coro "Der Herr denket an uns" (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
1:53
25Der Herr denket an uns, BWV 196: 3. [Aria:] Er segnet, die den Herrn fürchten
producer:
Tini Mathot
soprano vocals:
Barbara Schlick (soprano) (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
balance engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": III. Aria (Sopran) "Er segnet, die den Herrn fürchten" (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
2:35
26Der Herr denket an uns, BWV 196: 4. [Duet:] Der Herr segne euch
producer:
Tini Mathot
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 1994-11-23 until 1994-12-03)
tenor vocals:
Guy de Mey (Belgian operatic tenor) (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
balance engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": IV. Duetto (Tenor, Bass) "Der Herr segne euch je mehr und mehr" (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
2:09
27Der Herr denket an uns, BWV 196: 5. Chorus: Ihr seid die Gesegneten des Herrn
producer:
Tini Mathot
choir vocals:
Amsterdam Baroque Choir (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
balance engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": V. Coro "Ihr seid die Gesegneten des Herrn" (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
2:42
CD 2: Cantatas 131, 106, 143, 18 (1708-1713)
CD 3: Cantatas 182, 12, 54, 172 (1714)
CD 4: Cantatas 21, 199 (1714)
CD 5: Cantatas 61, 63, 152, 158, 31 (1714-1715)
CD 6: Cantatas 165, 185, 163, 132, 155 (1715-1716)
CD 7: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
CD 8: Cantatas 75, 76, 24 (1723)
CD 9: Cantatas 167, 147, 186, 136 (1723)
CD 10: Cantatas 105, 46, 179, 50, 69a (1723)
CD 11: Cantatas 77, 25, 119, 138 (1723)
CD 12: Cantatas 95, 148, 48, 109 (1723)
CD 13: Cantatas 89, 60, 90, 70, 40 (1723)
CD 14: Cantatas 64, 190, 153, 65, 154 (1723-1724)
CD 15: Cantatas 73, 81, 83, 144, 181 (1724)
CD 16: Cantatas 18, 66, 134, 67 (1724)
CD 17: Cantatas 104, 166, 86, 37, 44 (1724)
CD 18: Cantatas 173, 184, 194 (1724)
CD 19: Cantatas 20, 2, 7, 135 (1724)
CD 20: Cantatas 10, 93, 107, 178 (1724)
CD 21: Cantatas 94, 101, 113 (1724)
CD 22: Cantatas 33, 78, 99, 8 (1724)
CD 23: Cantatas 130, 114, 96, 5 (1724)
CD 24: Cantatas 180, 38, 115, 139 (1724)
CD 25: Cantatas 26, 116, 62, 91, 121 (1724)
CD 26: Cantatas 133, 122, 41, 123 (1724-1725)
CD 27: Cantatas 124, 3, 111, 92 (1725)
CD 28: Cantatas 125, 126, 127 (1725)
CD 29: Cantatas 1, 6, 42 (1725)
CD 30: Cantatas 85, 103, 108, 87, 128 (1725)
CD 31: Cantatas 183, 74, 68, 175, 176 (1725)
CD 32: Cantatas 168, 137, 164, 79, 110 (1725)
CD 33: Cantatas 57, 151, 28, 16 (1725-1726)
CD 34: Cantatas 32, 13, 72, 43 (1726)
CD 35: Cantatas 146, 129, 39 (1726)
CD 36: Cantatas 88, 170, 187, 45 (1726)
CD 37: Cantatas 102, 35, 17, 19 (1726)
CD 38: Cantatas 27, 47, 169, 56 (1726)
CD 39: Cantatas 49, 98, 55, 52, 58 (1726-1727)
CD 40: Cantatas 82, 157, 84 (1727)
CD 41: Cantatas 34, 193, 117, 188 (1727-1728)
CD 42: Cantatas 171, 156, 159, 120a (1729)
CD 43: Cantatas 174, 149, 51, 192, 112 (1729-1731)
CD 44: Cantatas 29, 140, 36 (1731)
CD 45: Cantatas 177, 9, 97, 14 (1732-1735)
CD 46: Cantatas 100, 195, 197, 197a (c. 1728-1736)
CD 47: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
CD 48: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
CD 49: 4-Part Chorales, BWV 250-318 AC-GO
CD 50: 4-Part Chorales, BWV 319-381 GO-ME
CD 51: 4-Part Chorales, BWV 382-438 MI-WO
CD 52: Magnificat BWV 243, 243a
CD 53: Motets
CD 54: Mass in B minor (1 Mortensen)
CD 55: Mass in B minor (2 Mortensen)
CD 56: Mass in B minor (1 Brüggen)
CD 57: Mass in B minor (2 Brüggen) / Missa BWV 233
CD 58: Missas BWV 234-236
CD 59: St. John Passion (1724) (1 Gardiner)
CD 60: St. John Passion (1724) (2 Gardiner)
CD 61: St. John Passion (1749) (1 Suzuki)
CD 62: St. John Passion (1749) (2 Suzuki)
CD 63: St. Matthew Passion (1 Gardiner)
CD 64: St. Matthew Passion (2 Gardiner)
CD 65: St. Matthew Passion (1 McCreesh)
CD 66: St. Matthew Passion (2 McCreesh)
CD 67: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
CD 68: Easter Oratorio / Ascension Oratorio (Leonhardt)
CD 69: Christmas Oratorio (1 Gardiner)
CD 70: Christmas Oratorio (2 Gardiner)
CD 71: Christmas Oratorio (1 Chailly)
CD 72: Christmas Oratorio (2 Chailly)
CD 73: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
CD 74: Cantatas 134a, 203, 173a (1719-c. 1723)
CD 75: Cantatas 36c, 205, 34a (1725-1726)
CD 76: Cantatas 207, 204, 216a (1726-1728)
CD 77: Cantatas 198, 201 (1727-1729)
CD 78: Cantatas 213, 214 (1733)
CD 79: Cantatas 211, 215 (1734)
CD 80: Cantatas 206, 30a (1736-1737)
CD 81: Cantatas 209, 210, 212 (1730s-1740s)
CD 82: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
CD 83: Cantatas 56, 82, 4
CD 84: Cantatas 31, 104, 57
CD 85: Cantatas 199, 173, 74, 151
CD 86: Easter Oratorio / Cantata 140
CD 87: Cantatas 170, 159, 102
CD 88: Cantatas 80, 52, 84, 209
CD 89: Cantatas 82, 158, 56
CD 90: Cantatas 61, 63, 121, 28 (Advent & Christmas)
CD 91: Cantatas 64, 65, 111, 81 (Advent & Christmas)
CD 92: Cantatas 92, 126, 182 (Easter)
CD 93: Cantatas 1, 4, 67, 104 (Easter)
CD 94: Cantatas 34, 68, 39 (Whitsun)
CD 95: Cantatas 30, 147 (Whitsun)
CD 96: Cantatas 76, 21 (Trinity)
CD 97: Cantatas 135, 10, 45, 105 (Trinity)
CD 98: Cantatas 51, 78, 8, 130 (Trinity)
CD 99: Cantatas 27, 5, 60, 26 (Trinity)
CD 100: St. Matthew Passion (1 Richter)
CD 101: St. Matthew Passion (2 Richter)
CD 102: St. Matthew Passion (3 Richter)
CD 103: Great Singers (1952-1965)
CD 104: Great Singers (1967-2011)
CD 105: Great Singers (Period Instruments)
CD 106: Organ Works (Introduction 1)
CD 107: Organ Works (Introduction 2)
CD 108: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
CD 109: Passacaglia & Fugue, BWV 582 / Other Weimar works
CD 110: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
CD 111: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
CD 112: 6 Trio Sonatas, BWV 525-530 (Koopman)
CD 113: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
CD 114: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
CD 115: Early Chorale Preludes / Chorale Partitas
CD 116: Chorale Preludes (Mühlhausen & Weimar)
CD 117: Breitkopf Collection, BWV 690-713
CD 118: Orgelbüchlein (Preston)
CD 119: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
CD 120: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
CD 121: 21 Chorale Preludes, BWV 669-689 (Walcha)
CD 122: Clavier-Übung III (1) (Preston)
CD 123: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
CD 124: Free Works of Unproven Authenticity
CD 125: Chorale-Based Works of Unproven Authenticity (Fragments)
CD 126: Keyboard Works (Introduction 1: Harpsichord)
CD 127: Keyboard Works (Introduction 2: Piano)
CD 128: Early Fugues & Capriccios
CD 129: Early Suites & Sonatas
CD 130: Toccatas, BWV 910-916
CD 131: Virtuoso Fantasias & Fugues
CD 132: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
CD 133: 2- & 3-Part Inventions / Preludes, BWV 924-943
CD 134: English Suites 1-3 (Dreyfus)
CD 135: English Suites 4-6 (Dreyfus)
CD 136: French Suites 1-4 (Hogwood)
CD 137: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
CD 138: Partitas 1, 2, 6 (Rousset)
CD 139: Partitas 3-5 (Rousset)
CD 140: Italian Concerto / French Overture / 4 Duets (Rousset)
CD 141: The Well-Tempered Clavier, Book I (1 Gilbert)
CD 142: The Well-Tempered Clavier, Book I (2 Gilbert)
CD 143: The Well-Tempered Clavier, Book II (1 Gilbert)
CD 144: The Well-Tempered Clavier, Book II (2 Gilbert)
CD 145: Goldberg Variations (Rousset)
CD 146: Goldberg Variations (Esfahani)
CD 147: English Suites 1-3 (Pogorelich / Schiff / Argerich)
CD 148: English Suites 4-6 (Schiff / Bahrami / Hewitt)
CD 149: French Suites 1-3 (Perahia)
CD 150: French Suites 4-6 (Perahia)
CD 151: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
CD 152: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
CD 153: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
CD 154: The Well-Tempered Clavier, Book I (1 Pollini)
CD 155: The Well-Tempered Clavier, Book I (2 Pollini)
CD 156: The Well-Tempered Clavier, Book II (1 Schiff)
CD 157: The Well-Tempered Clavier, Book II (2 Schiff)
CD 158: Goldberg Variations (Schiff)
CD 159: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
CD 160: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
CD 161: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
CD 162: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
CD 163: Orgelbüchlein (Walcha)
CD 164: Brandenburg Concertos 1-6 (Goebel)
CD 165: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
CD 166: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
CD 167: Orchestral Suites 1-3 (Goebel)
CD 168: Orchestral Suites 2-4 (Goebel / Hogwood)
CD 169: Orchestral Suites 1-4 (Pinnock)
CD 170: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
CD 171: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
CD 172: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
CD 173: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
CD 174: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
CD 175: Brandenburg Concertos (Landmark Performances 1935-1964)
CD 176: Brandenburg Concertos (Landmark Performances 1967-2013)
CD 177: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
CD 178: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
CD 179: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
CD 180: Concertos (Alternative Instrumentations)
CD 181: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
CD 182: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
CD 183: Suites for "Lute"
CD 184: Cello Suites 1, 3, 5 (Watkin)
CD 185: Cello Suites 2, 4, 6 (Watkin)
CD 186: Violin Sonatas BWV 1014-1018
CD 187: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
CD 188: 5 Flute Sonatas / Partita for Solo Flute
CD 189: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
CD 190: Musical Offering / Canons (Goebel)
CD 191: The Art of Fugue (Accademia Bizantina, Dantone)
CD 192: The Art of Fugue (Aimard)
CD 193: The Art of Fugue (1742) (Gilbert)
CD 194: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
CD 195: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
CD 196: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
CD 197: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
CD 198: Cello Suites 1-3 (Fournier)
CD 199: Cello Suites 4-6 (Fournier)
CD 200: Solo & Chamber Works (Alternative Instrumentations)
CD 201: Clavier-Büchlein W. F. Bach (1)
CD 202: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
CD 203: Notenbüchlein A. M. Bach (1725) (1)
CD 204: Notenbüchlein A. M. Bach (1725) (2)
CD 205: Schemelli Gesangbuch BWV 439-474
CD 206: Schemelli Gesangbuch BWV 475-507
CD 207: Bach: Early Influences
CD 208: Concertos at Weimar (Telemann / Prince Johann Ernst)
CD 209: Concertos at Weimar (Vivaldi)
CD 210: Concertos at Weimar (Vivaldi / A. & B. Marcello)
CD 211: The Bach Family
CD 212: Bach & Other Composers (c. 1715-1730)
CD 213: Bach & Other Composers (c. 1730-1742)
CD 214: Bach & Other Composers (1742-1750)
CD 215: Bach Renewed (From Bach's Sons to Mahler)
CD 216: Bach Reimagined (Chaconne & Passacaglia)
CD 217: Bach Orchestrated (Reger to Stokowski)
CD 218: Inspired by Bach (Gounod to Pärt)
CD 219: Bach & The Virtuoso Piano (Liszt and Busoni)
CD 220: Bach & The Virtuoso Piano (The 20th Century)
CD 221: Bach à la Jazz
CD 222: New Colours of Bach
DVD-Video 223: Bach: A Passionate Life

Credits

Release

ASIN:US: B07D2Y539K [info]
discography entry:https://www.bach333.com/en/ [info]

Release Group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]