| # | Title | Artist | Rating | Length |
|---|
| 1 | Another One Bites the Dust- engineer:
- Mack
- co-producer:
- Mack
- producer:
- Mack , Brian May , Queen and Roger Taylor
- bass, bass guitar, guitar, keyboard, piano [piano (reversed)] and synthesizer [synthesizer (reversed)]:
- John Deacon (from 1980-02 until 1980-05)
- drums (drum set) and electronic instruments [electronic percussion]:
- Roger Taylor (from 1980-02 until 1980-05)
- electric guitar:
- John Deacon (from 1980-02 until 1980-05) and Brian May (from 1980-02 until 1980-05)
- background vocals and lead vocals:
- Freddie Mercury (from 1980-02 until 1980-05)
- performer:
- Queen
- phonographic copyright (℗) by:
- Hollywood Records, Inc. (in 1980, in 2014), Queen Productions Ltd. (in 1980, in 2011) and Raincloud Productions Ltd. (in 1980, in 2014)
- recorded at:
- Musicland Studios in München, Bayern, Germany (from 1979-06 until 1980-05)
- recording of:
- Another One Bites the Dust (from 1980-02 until 1980-05)
- lyricist and composer:
- John Deacon
- publisher:
- EMI Music Publishing Ltd. , EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Beechwood Music Corp. (in 1980), Queen Music Ltd. (in 1980) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- part of:
- We Will Rock You
- part of:
- We Will Rock You
| Queen | 4.2 | 3:37 |
| 2 | Call Me- producer:
- Giorgio Moroder
- bass guitar:
- Nigel Harrison (in 1979)
- drums (drum set):
- Clem Burke (in 1979)
- guitar:
- Frank Infante (in 1979) and Chris Stein (in 1979)
- keyboard:
- Jimmy Destri (in 1979)
- lead vocals:
- Deborah Harry (in 1979)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998) and Capitol Records, Inc. (in 1998)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- recording of:
- Call Me (in 1979)
- writer:
- Deborah Harry and Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | 4.15 | 3:34 |
| 3 | Centerfold | The J. Geils Band | 4.15 | 3:40 |
| 4 | We Got the Beat- additional assistant recording engineer:
- James Ball, Eric Kortee and Darroll Gustamachio
- assistant recording engineer:
- Ted Blechta and John Terelle
- recording engineer and mixer:
- Rob Freeman
- producer:
- Rob Freeman and Richard Gottehrer
- assistant mixer:
- Gray Russell
- bass guitar and guitar:
- Kathy Valentine
- drums (drum set) and percussion:
- Gina Schock
- guitar [lead guitar] and keyboard:
- Charlotte Caffey
- guitar [rhythm guitar]:
- Jane Wiedlin
- lead vocals:
- Belinda Carlisle
- vocals:
- Charlotte Caffey and Jane Wiedlin
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 2016)
- additionally recorded at:
- Sound Mixers Studio in New York, New York, United States and The Record Plant in Midtown Manhattan, New York, New York, United States
- recorded at:
- Pennylane Studios in New York, New York, United States
- mixed at:
- Sound Mixers Studio in New York, New York, United States
- recording of:
- We Got the Beat
- lyricist and composer:
- Charlotte Caffey
- writer:
- The Go‐Go’s
- publisher:
- Daddy-Oh Music and Universal Music–MGB Songs
| The Go‐Go’s | 4.4 | 2:33 |
| 5 | Stop Draggin' My Heart Around | Stevie Nicks with Tom Petty and the Heartbreakers | 4.45 | 4:04 |
| 6 | Juke Box Hero- assistant engineer:
- Edwin Hobgood and Michael Sauvage
- engineer:
- Tony Platt , Brad Samuelsohn and Dave Wittman
- producer:
- Mick Jones and Robert John “Mutt” Lange
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar [lead guitar] and keyboard:
- Mick Jones
- synthesizer:
- Thomas Dolby and Larry Fast
- background vocals:
- Dennis Elliott, Mick Jones , Robert John “Mutt” Lange, Ian Lloyd , Mark Rivera and Rick Wills
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1981, in 2002) and Rhino Entertainment Company (in 2009)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Juke Box Hero
- writer:
- Lou Gramm and Mick Jones
- publisher:
- Somerset Songs Publishing Inc., フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
| Foreigner | 3.75 | 4:22 |
| 7 | Almost Saturday Night | Dave Edmunds | 5 | 2:13 |
| 8 | Radio Free Europe | R.E.M. | 5 | 3:49 |
| 9 | Gloria | U2 | 4.2 | 4:11 |
| 10 | In the Air Tonight | Phil Collins | 4.3 | 5:24 |
| 11 | Once in a Lifetime- assistant engineer:
- Kendal Stubbs
- engineer:
- Dave Jerden
- producer:
- Brian Eno
- mixer:
- David Byrne , Brian Eno, Dave Jerden and John Potoker
- background vocals:
- Brian Eno and Nona Hendryx
- lead vocals:
- David Byrne
- arranger:
- Talking Heads
- vocals arranger:
- David Byrne and Brian Eno
- phonographic copyright (℗) by:
- Sire Records Company (in 1980)
- additionally recorded at:
- Sigma Sound Studios in New York, New York, United States
- recorded at:
- Compass Point Studios in Nassau, Bahamas and Sigma Sound Studios in New York, New York, United States (lead vocals, background vocals)
- part of:
- The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 28), Helsingin Sanomat: 100 maailman parasta laulua (number: 35) and Indie 88: Top 500 Indie Rock Songs (number: 54)
- recording of:
- Once in a Lifetime
- lyricist:
- David Byrne
- composer:
- David Byrne , Brian Eno, Chris Frantz, Jerry Harrison and Tina Weymouth
- publisher:
- Bleu Disque Music Co., Careers‐BMG Music Publishing, Inc., E.G. Music Ltd. and Index Music
| Talking Heads | 4.55 | 4:20 |
| 12 | Master Blaster (Jammin') | Stevie Wonder | 4.75 | 5:11 |
| 13 | Ashes to Ashes- recording engineer:
- David Bowie (from 1980-02-15 until 1980-06) and Tony Visconti (from 1980-02-15 until 1980-06)
- assistant engineer:
- Larry Alexander (from 1980-02 until 1980-04) and Jeff Hendrickson (from 1980-02 until 1980-04)
- producer:
- David Bowie and Tony Visconti
- drums (drum set):
- Dennis Davis (from 1980-02-15 until 1980-06)
- electric bass guitar:
- George Murray (from 1980-02-15 until 1980-06)
- guitar:
- Carlos Alomar (from 1980-02-15 until 1980-06)
- guitar synthesizer [Roland GR-500 guitar synthesizer]:
- Chuck Hammer (from 1980-02-15 until 1980-06)
- Minimoog and analog synthesizer [Yamaha CS-80]:
- Andy Clark (from 1980-02-15 until 1980-06)
- percussion and shakers:
- Tony Visconti (from 1980-02-15 until 1980-06)
- piano [flanged piano]:
- Roy Bittan (from 1980-02-15 until 1980-06)
- background vocals and lead vocals:
- David Bowie (from 1980-04 until 1980-06)
- phonographic copyright (℗) by:
- Mainman S.A. (in 1992) and Tintoretto Music (in 1992)
- recorded at:
- Power Station Studios in Manhattan, New York, New York, United States (from 1980-02-15 until 1980-06) and Good Earth Studios in Soho, Westminster, London , England, United Kingdom (from 1980-04 until 1980-06)
- recording of:
- Ashes to Ashes (from 1980-02-15 until 1980-06)
- lyricist and composer:
- David Bowie
- publisher:
- EMI Music Publishing , EMI Music Publishing Ltd. , RZO Music Ltd, Screen Gems–EMI Music, Inc. and Tintoretto Music
| David Bowie | 4.35 | 4:25 |
| 14 | Love Will Tear Us Apart- producer:
- Martin Hannett and Joy Division
- bass:
- Peter Hook
- drums (drum set):
- Stephen Morris
- guitar:
- Bernard Albrecht
- vocals:
- Bernard Albrecht and Ian Curtis
- recorded at:
- Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 5), Helsingin Sanomat: 100 maailman parasta laulua (number: 14), NME: Greatest “Indie” Anthems Ever: 2007 (number: 19), Pitchfork: The Story of Goth in 33 Songs, The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 41) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 179)
- recording of:
- Love Will Tear Us Apart
- lyricist:
- Ian Curtis
- composer:
- Ian Curtis, Peter Hook, Stephen Morris and Bernard Sumner
- publisher:
- Fractured Music and Zomba Music Publishers Ltd.
| Joy Division | 4.5 | 3:28 |
| 15 | Whip It | DEVO | 4.5 | 2:42 |
| 16 | Private Idaho | The B‐52’s | 4.65 | 3:38 |
| 17 | Marie Marie | The Blasters | 5 | 2:09 |
| 18 | I Don't Like Mondays | The Boomtown Rats | 5 | 3:49 |
| 19 | Tempted | Squeeze | 4.15 | 4:02 |
| 20 | Redemption Song- engineer:
- Errol Brown
- executive producer:
- Chris Blackwell
- producer:
- Chris Blackwell and Bob Marley & The Wailers
- mixer:
- Chris Blackwell and The Wailers
- acoustic guitar and lead vocals:
- Bob Marley
- phonographic copyright (℗) by:
- Island Records, Inc. (in 1980)
- recorded at and mixed at:
- Tuff Gong Studios in Kingston, Jamaica
- part of:
- The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 42) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 66)
- recording of:
- Redemption Song
- lyricist and composer:
- Bob Marley
- publisher:
- Almo Music Corp. , Bob Marley Music, Gallo Music Publishers, Rondor Music (London) Ltd., シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部, Blue Mountain Music (in 1980), Bob Marley Music Inc. (in 1980), Fifty Six Hope Road Music Limited (in 1980) and Odnil Music Ltd. (in 1980)
- music quoted on:
- Run for Cover
| Bob Marley & The Wailers | 4 | 3:47 |
