Nights of Ballads and Blues

~ Release by McCoy Tyner (see all versions of this release, 7 available)

Tracklist

▼12" Vinyl 1
#TitleRatingLength
A1Satin Doll
recording engineer:
Rudy van Gelder (on 1963-03-04)
producer:
Bob Thiele (producer & songwriter)
double bass [bass]:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1963-03-04)
drums (drum set):
Lex Humphries (on 1963-03-04)
piano:
McCoy Tyner (jazz pianist) (on 1963-03-04)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1963-03-04)
instrumental recording of:
Satin Doll (on 1963-03-04)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music Inc and WB Music Corp. (1929–2019)
5:40
A2We'll Be Together Again
recording engineer:
Rudy van Gelder (on 1963-03-04)
producer:
Bob Thiele (producer & songwriter)
double bass [bass]:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1963-03-04)
drums (drum set):
Lex Humphries (on 1963-03-04)
piano:
McCoy Tyner (jazz pianist) (on 1963-03-04)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1963-03-04)
instrumental recording of:
We’ll Be Together Again (on 1963-03-04)
lyricist:
Frankie Laine
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Japan, subsidiary of Nichion) and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
3:40
A3'Round Midnight
recording engineer:
Rudy van Gelder (on 1963-03-04)
producer:
Bob Thiele (producer & songwriter)
double bass [bass]:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1963-03-04)
drums (drum set):
Lex Humphries (on 1963-03-04)
piano:
McCoy Tyner (jazz pianist) (on 1963-03-04)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1963-03-04)
recording of:
’Round Midnight (on 1963-03-04)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
6:22
A4For Heaven's Sake
recording engineer:
Rudy van Gelder (on 1963-03-04)
producer:
Bob Thiele (producer & songwriter)
double bass [bass]:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1963-03-04)
drums (drum set):
Lex Humphries (on 1963-03-04)
piano:
McCoy Tyner (jazz pianist) (on 1963-03-04)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1963-03-04)
instrumental recording of:
For Heaven’s Sake (on 1963-03-04)
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc.
3:48
B1Star Eyes
recording engineer:
Rudy van Gelder (on 1963-03-04)
producer:
Bob Thiele (producer & songwriter)
double bass [bass]:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1963-03-04)
drums (drum set):
Lex Humphries (on 1963-03-04)
piano:
McCoy Tyner (jazz pianist) (on 1963-03-04)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1963-03-04)
instrumental recording of:
Star Eyes (on 1963-03-04)
composer:
Gene de Paul and Don Raye
publisher:
Red Cape Songs
5:04
B2Blue Monk
recording engineer:
Rudy van Gelder (on 1963-03-04)
producer:
Bob Thiele (producer & songwriter)
double bass [bass]:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1963-03-04)
drums (drum set):
Lex Humphries (on 1963-03-04)
piano:
McCoy Tyner (jazz pianist) (on 1963-03-04)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1963-03-04)
recording of:
Blue Monk (on 1963-03-04)
publisher:
Thelonious Monk
composer:
Thelonious Monk
5:22
B3Groove Waltz
recording engineer:
Rudy van Gelder (on 1963-03-04)
producer:
Bob Thiele (producer & songwriter)
double bass [bass]:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1963-03-04)
drums (drum set):
Lex Humphries (on 1963-03-04)
piano:
McCoy Tyner (jazz pianist) (on 1963-03-04)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1963-03-04)
recording of:
Groove Waltz (on 1963-03-04)
composer:
McCoy Tyner (jazz pianist)
5:30
B4Days of Wine and Roses
recording engineer:
Rudy van Gelder (on 1963-03-04)
producer:
Bob Thiele (producer & songwriter)
double bass [bass]:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1963-03-04)
drums (drum set):
Lex Humphries (on 1963-03-04)
piano:
McCoy Tyner (jazz pianist) (on 1963-03-04)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1963-03-04)
recording of:
Days of Wine and Roses (on 1963-03-04)
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Johnny Mercer Music Publishing, Inc., M. Witmark & Sons, Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
part of:
Grammy Award: Song of the Year nominees (number: 1964 winner) and Academy Award for Best Original Song (number: 35)
3:23