Really Mad About the Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1First Symphonic Suite - Rondeau (Masterpiece Theater)
organ:
Simon Preston (organist, conductor, composer)
timpani:
Norbert Schmitt (timpani)
trumpet:
Bernhard Läubin (trumpeter), Hannes Läubin (trumpeter) and Wolfgang Läubin (trumpeter)
recording of:
Suite de Symphonies no. 1: I. Rondeau
composer:
Jean‐Joseph Mouret (composer)
part of:
Suite de Symphonies no. 1
Hannes Läubin, Wolfgang Läubin & Bernhard Läubin1:56
2String Quintet In E Major - Menuetto
executive producer:
Alison Ames
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1992-03)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1992-03)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (in 1992-03)
composer:
Luigi Boccherini (composer) (in 1771)
part of:
Quintet in E major, G. 275, op. 11 no. 5
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements) (in 1992-03)
composer:
Luigi Boccherini (composer)
arrangement of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Orpheus Chamber Orchestra3:23
3Hungarian Dance No. 5 In G Minor
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
orchestra:
NDR Elbphilharmonie Orchester (1945–2016: NDR Sinfonieorchester) (in 1992-01)
conductor:
Sir John Eliot Gardiner (in 1992-01)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Großer Sendesaal (Landesfunkhaus Niedersachsen) in Hannover, Niedersachsen, Germany (in 1992-01)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, No. 5 in G minor: Allegro - Vivace (orch. Schmeling) (in 1992-01)
orchestrator:
Martin Schmeling
composer:
Johannes Brahms (German composer)
publisher:
Breitkopf & Härtel
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
Hungarian Dances for orchestra (Schmeling orchestration)
North German Radio Symphony Orchestra2:33
4Romeo And Juliet - Love Theme
orchestra:
New York Philharmonic
conductor:
Leonard Bernstein (US composer & conductor)
partial recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
New York Philharmonic3:59
5Pavane
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
producer:
Hanno Rinke
choir vocals:
Tanglewood Festival Chorus (in 1986-11)
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
chorus master:
John Oliver (chorus master) (in 1986-11)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) (in 1986-11)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Boston Symphony Orchestra6:47
6Serenade For Strings In C Major - Waltz
orchestra:
Chamber Orchestra of Europe (in 1992-03)
conductor:
Gérard Korsten (in 1992-03)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1992-03)
recording of:
Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse (in 1992-03)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
Chamber Orchestra of Europe3:44
7Radetzky March
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (from 1980-06-13 until 1980-12-04)
conductor:
Herbert von Karajan (conductor) (from 1980-06-13 until 1980-12-04)
arranger:
Max Schönherr
balance engineer:
Günter Hermanns (producer/engineer) (from 1980-06-13 until 1980-12-04)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1980-06-13 until 1980-12-04)
recording of:
Radetzky‐Marsch, op. 228 (from 1980-06-13 until 1980-12-04)
composer:
Johann Strauss (Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien, Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
Berlin Philharmonic2:26
8Tritsch-Tratsch Polka
producer:
Günther Breest (producer for classical music) and Michel Glotz
orchestra:
Berliner Philharmoniker (from 1980-06-13 until 1980-12-04)
conductor:
Herbert von Karajan (conductor) (from 1980-06-13 until 1980-12-04)
balance engineer:
Günter Hermanns (producer/engineer) (from 1980-06-13 until 1980-12-04)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1980-06-13 until 1980-12-04)
recording of:
Tritsch–Tratsch Polka, op. 214 (from 1980-06-13 until 1980-12-04)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 214)
Berliner Philharmoniker2:45
9Enigma Variations - Nimrod
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (German audio) (in 1987-04)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (in 1987-04)
publisher:
Sir Edward Elgar (dec’d) (composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Philharmonia Orchestra4:01
10Slavonic Dance No. 8 In G Minor
orchestra:
Israel Philharmonic Orchestra (on 1988-06-07)
conductor:
Leonard Bernstein (US composer & conductor) (on 1988-06-07)
recorded at:
Charles Bronfman Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv, Tel-Aviv, Israel (on 1988-06-07)
live recording of:
Slavonic Dances, op. 46, B. 83: No. 8 in G minor (Furiant) (for orchestra) (on 1988-06-07)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Isreal Philharmonic4:33
11Carmen - Entr'acte III
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (from 1982-09 until 1983-03)
conductor:
Herbert von Karajan (conductor) (from 1982-09 until 1983-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1982-09 until 1983-03)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1982-09 until 1983-03)
recording of:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
part of:
Carmen: Act II (english lyrics)
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
part of:
Carmen: Atto II (italian lyrics)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Berlin Philharmonic2:46
12A Midsummer Night's Dream - Wedding March
miscellaneous support:
Claudia Hamann (task: coordination)
producer:
Cord Garben
orchestra:
Chicago Symphony Orchestra (in 1984-07)
conductor:
James Levine (US conductor and pianist) (in 1984-07)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1984-07)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (in 1984-07)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61
Chicago Symphony Orchestra4:28
13Thaïs - Meditation
recording engineer:
Wolf-Dieter Karwatky (from 1992-11-17 until 1992-11-18) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (from 1992-11-17 until 1992-11-18)
additional producer:
Werner Mayer (classical producer) (from 1992-11-17 until 1992-11-18)
co-producer:
Ewald Markl
executive producer:
Roger Wright (pianist)
violin:
Anne‐Sophie Mutter (violinist) (from 1992-11-17 until 1992-11-18)
orchestra:
Wiener Philharmoniker (from 1992-11-17 until 1992-11-18)
conductor:
James Levine (US conductor and pianist) (from 1992-11-17 until 1992-11-18)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1993)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1992-11-17 until 1992-11-18)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (in 1992-11)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Thaïs: Acte II
Vienna Philharmonic6:39
14L'Arlésienne Suite No. 2 - Farandole
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (from 1983-09-28 until 1984-02-19)
conductor:
Herbert von Karajan (conductor) (from 1983-09-28 until 1984-02-19)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-09-28 until 1984-02-19)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1983-09-28 until 1984-02-19)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra) (from 1983-09-28 until 1984-02-19)
composer:
Georges Bizet (composer) (in 1872)
arranger:
Ernest Guiraud
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Berlin Philharmonic3:20
15Adagio In G Minor
engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
organ:
Edward Brewer (harpsichordist) (in 1989-04)
violin:
Eriko Sato (violinist) (in 1989-04)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 1989-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1990)
recorded at:
Performing Arts Center: Recital Hall (Purchase College) in Purchase, Harrison, New York, United States (from 1989-04 to present) and State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Adagio for Strings and Organ in G minor (in 1989-04)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music)
Orpheus Chamber Orchestra7:18
16The Birds
executive producer:
Alison Ames
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1991-12)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1991-12)
recording of:
Gli uccelli, P. 154: I. Preludio (Prelude) (in 1991-12)
composer:
Ottorino Respighi (composer) (in 1928)
is based on:
Arie in C per organo o clavicembalo No. 2
part of:
Gli uccelli, P. 154 (The Birds)
Orpheus Chamber Orchestra2:49
17Classical Symphony - Gavotta
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1987-12)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1987-12)
recording of:
Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotta. Non troppo allegro (in 1987-12)
composer:
Сергей Сергеевич Прокофьев (Russian composer) (in 1917)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 1 in D major, op. 25 “Classical”
Orpheus Chamber Orchestra1:30
18Perpetual Motion
guitar:
Göran Söllscher (classical guitarist) (in 1992-11)
violin:
Gil Shaham (violinist) (in 1992-11)
recording of:
Moto perpetuo, op. 11, MS 72 (for violin and guitar) (in 1992-11)
composer and arranger:
Niccolò Paganini (composer and violinist)
arrangement of:
Moto perpetuo, op. 11, MS 72 (for violin and orchestra)
Gil Shaham3:16
19Trumpet Concerto In E-Flat Major - Finale
trumpet:
Mark Bennett (trumpeter)
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
recording of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: III. Allegro
composer:
Joseph Haydn (composer) (in 1796)
part of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1
The English Concert4:20
20Symphony No. 3 - Fanfare For The Common Man
orchestra:
New York Philharmonic (on 1985-12-10)
conductor:
Leonard Bernstein (US composer & conductor) (on 1985-12-10)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1985-12-10)
live recording of:
Fanfare for the Common Man (on 1985-12-10)
composer:
Aaron Copland (composer) (in 1942)
New York Philharmonic3:12

Credits

Release

part of:Mad About (Deutsche Grammophon) (order: 19)
Discogs:https://www.discogs.com/release/2971079 [info]