Vaughan Williams Greatest Hits

~ Release by Ralph Vaughan Williams; Academy of St Martin in the Fields, Sir Neville Marriner, Iona Brown (see all versions of this release, 1 available)

Tracklist

▼CD 1
#	Title	Artist	Rating	Length
1	Fantasia on Greensleeves orchestra: Academy of St Martin in the Fields conductor: Neville Marriner (conductor) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1981) recording of: Fantasia on “Greensleeves” composer: Ralph Vaughan Williams (English composer) (from 1924 until 1928) arranger: Ralph Greaves (in 1934) publisher: Oxford University Press (in 1936) is based on: Greensleeves (generic entry for traditional and unknown arrangements) is based on: Lovely Joan (traditional English folk song) is based on: Sir John in Love	Ralph Vaughan Williams		4:26
2	The Lark Ascending producer: Michael Bremner (producer/engineer) violin: Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1971-05-12 until 1971-05-14) orchestra: Academy of St Martin in the Fields (from 1971-05-12 until 1971-05-14) conductor: Neville Marriner (conductor) (from 1971-05-12 until 1971-05-14) balance engineer: Stanley Goodall (engineer) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1972) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-05-12 until 1971-05-14) recording of: The Lark Ascending (for violin and orchestra) (from 1971-05-12 until 1971-05-14) composer: Ralph Vaughan Williams (English composer) (in 1914) premiered at: [concert] (1921-06-14) premiered at: Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14) arrangement of: The Lark Ascending (for violin and piano)	Ralph Vaughan Williams		16:05
3	English Folk Song Suite: I. Seventeen Come Sunday orchestra: Academy of St Martin in the Fields conductor: Neville Marriner (conductor) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1981) recording of: English Folk Song Suite: I. March “Seventeen Come Sunday” (orchestrated by Jacob) orchestrator: Gordon Jacob (composer) (in 1924) composer: Ralph Vaughan Williams (English composer) (in 1923) publisher: Boosey & Hawkes Music Publishers, Ltd arrangement of: English Folk Song Suite: I. March “Seventeen Come Sunday” (for military band) part of: English Folk Song Suite (orch. Jacob)	Ralph Vaughan Williams		3:19
4	English Folk Song Suite: II. Intermezzo: My Bonny Boy orchestra: Academy of St Martin in the Fields conductor: Neville Marriner (conductor) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1981) recording of: English Folk Song Suite: II. Intermezzo “My Bonny Boy” (orchestrated by Jacob) orchestrator: Gordon Jacob (composer) (in 1924) composer: Ralph Vaughan Williams (English composer) (in 1923) publisher: Boosey & Hawkes Music Publishers, Ltd arrangement of: English Folk Song Suite: II. Intermezzo “My Bonny Boy” (for military band) part of: English Folk Song Suite (orch. Jacob)	Ralph Vaughan Williams		3:19
5	English Folk Song Suite: III. March: Folk Songs From Somerset orchestra: Academy of St Martin in the Fields conductor: Neville Marriner (conductor) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1981) recording of: English Folk Song Suite: III. March “Folk Songs From Somerset” (orchestrated by Jacob) orchestrator: Gordon Jacob (composer) (in 1924) composer: Ralph Vaughan Williams (English composer) (in 1923) publisher: Boosey & Hawkes Music Publishers, Ltd part of: English Folk Song Suite (orch. Jacob)	Ralph Vaughan Williams		3:51
6	Overture: The Wasps orchestra: Academy of St Martin in the Fields conductor: Neville Marriner (conductor) phonographic copyright (℗) by: Universal International Music B.V. (company, do not use as label) (in 1995) recording of: Aristophanic Suite “The Wasps”: I. Overture composer: Ralph Vaughan Williams (English composer) (in 1912) part of: Aristophanic Suite “The Wasps”	Ralph Vaughan Williams		9:01
7	Concerto Grosso: I. Intrada orchestra: Academy of St Martin in the Fields conductor: Neville Marriner (conductor) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1979) recording of: Concerto Grosso: I. Intrada composer: Ralph Vaughan Williams (English composer) part of: Concerto Grosso	Ralph Vaughan Williams		2:18
8	Concerto Grosso: II. Burlesca ostinata orchestra: Academy of St Martin in the Fields conductor: Neville Marriner (conductor) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1979) recording of: Concerto Grosso: II. Burlesca ostinata composer: Ralph Vaughan Williams (English composer) part of: Concerto Grosso	Ralph Vaughan Williams		2:37
9	Concerto Grosso: III. Sarabande orchestra: Academy of St Martin in the Fields conductor: Neville Marriner (conductor) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1979) recording of: Concerto Grosso: III. Sarabande composer: Ralph Vaughan Williams (English composer) part of: Concerto Grosso	Ralph Vaughan Williams		3:12
10	Concerto Grosso: IV. Scherzo orchestra: Academy of St Martin in the Fields conductor: Neville Marriner (conductor) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1979) recording of: Concerto Grosso: IV. Scherzo composer: Ralph Vaughan Williams (English composer) part of: Concerto Grosso	Ralph Vaughan Williams		2:07
11	Concerto Grosso: V. March and Reprise orchestra: Academy of St Martin in the Fields conductor: Neville Marriner (conductor) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1979) recording of: Concerto Grosso: V. March and Reprise composer: Ralph Vaughan Williams (English composer) part of: Concerto Grosso	Ralph Vaughan Williams		4:05
12	Fantasia on a Theme by Thomas Tallis producer: Michael Bremner (producer/engineer) orchestra: Academy of St Martin in the Fields (from 1971-05-12 until 1971-05-14) conductor: Neville Marriner (conductor) (from 1971-05-12 until 1971-05-14) balance engineer: Stanley Goodall (engineer) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1972) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-05-12 until 1971-05-14) recording of: Fantasia on a Theme by Thomas Tallis (from 1971-05-12 until 1971-05-14) composer: Ralph Vaughan Williams (English composer) (in 1910) is based on: Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)	Ralph Vaughan Williams		15:16

Credits

Release

Discogs:	https://www.discogs.com/release/15806787 [info]
ASIN:	US: B0009XFJ36 [info]

Release information

Barcode:: 028947678168
Format:: CD
Length:: 1:09:36

Additional details

Type:: Album + Compilation
Status:: Official
Language:: English
Script:: Latin
Data Quality:: Normal

Labels

Decca Classics
B0004918-02

Release events

United States
2005

Release group rating

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External links

Editing

Last updated on 2022-05-30 07:00 UTC