Classic Columbia and Okeh Benny Goodman Orchestra Sessions (1939–1958)

~ Release by Benny Goodman and His Orchestra (see all versions of this release, 1 available)

Tracklist

▶CD 1
▶CD 2
▶CD 3
▶CD 4
▼CD 5
#TitleRatingLength
1At the Darktown Strutters Ball
recorded in:
New York, New York, United States (on 1942-01-15)
alto saxophone:
Sol Kane (on 1942-01-15) and Clint Neagley (on 1942-01-15)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-01-15)
double bass:
Sid Weiss (on 1942-01-15)
drums (drum set):
Ralph Collier (on 1942-01-15)
guitar:
Tom Morgan (Big band era guitarist) (on 1942-01-15)
piano:
Mel Powell (on 1942-01-15)
tenor saxophone:
George Berg (on 1942-01-15) and Vido Musso (on 1942-01-15)
trombone:
Cutty Cutshall (on 1942-01-15)
trumpet:
Al Davis (on 1942-01-15), Jimmy Maxwell (Trumpet) (on 1942-01-15) and Bernie Privin (on 1942-01-15)
orchestra:
Benny Goodman and His Orchestra (on 1942-01-15)
recording of:
Darktown Strutters’ Ball (on 1942-01-15)
lyricist and composer:
Shelton Brooks (in 1917)
publisher:
Leo Feist, Inc.
part of:
For Me and My Gal (1942 movie)
2:25
2Jersey Bounce
recorded in:
New York, New York, United States (on 1942-01-15)
alto saxophone:
Sol Kane (on 1942-01-15) and Clint Neagley (on 1942-01-15)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-01-15)
double bass:
Sid Weiss (on 1942-01-15)
drums (drum set):
Ralph Collier (on 1942-01-15)
guitar:
Tom Morgan (Big band era guitarist) (on 1942-01-15)
piano:
Mel Powell (on 1942-01-15)
tenor saxophone:
George Berg (on 1942-01-15) and Vido Musso (on 1942-01-15)
trombone:
Cutty Cutshall (on 1942-01-15)
trumpet:
Al Davis (on 1942-01-15), Jimmy Maxwell (Trumpet) (on 1942-01-15) and Bernie Privin (on 1942-01-15)
orchestra:
Benny Goodman and His Orchestra (on 1942-01-15)
recording of:
Jersey Bounce (on 1942-01-15)
lyricist:
Robert B. Wright
composer:
Tiny Bradshaw, Edward Johnson (US songwriter) and Bobby Plater
2:55
3A String of Pearls
recorded in:
New York, New York, United States (on 1942-02-05)
alto saxophone:
Sol Kane (on 1942-02-05)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-02-05)
double bass:
Sid Weiss (on 1942-02-05)
drums (drum set):
Ralph Collier (on 1942-02-05)
guitar:
Tom Morgan (Big band era guitarist) (on 1942-02-05)
piano:
Mel Powell (on 1942-02-05)
tenor saxophone:
George Berg (on 1942-02-05), Vido Musso (on 1942-02-05) and Clint Neagley (on 1942-02-05)
trombone:
Cutty Cutshall (on 1942-02-05) and Lou McGarity (on 1942-02-05)
trumpet:
Al Davis (on 1942-02-05), Jimmy Maxwell (Trumpet) (on 1942-02-05) and Bernie Privin (on 1942-02-05)
orchestra:
Benny Goodman and His Orchestra (on 1942-02-05)
instrumental recording of:
A String of Pearls (on 1942-02-05)
lyricist:
Eddie DeLange
composer:
Jerry Gray (US big band arranger and conductor)
publisher:
Chappell & Co. and Scarsdale Music (ASCAP)
recording of:
A String of Pearls
lyricist:
Eddie DeLange
composer:
Jerry Gray (US big band arranger and conductor)
publisher:
Chappell & Co. and Scarsdale Music (ASCAP)
2:58
4Ramona
recorded in:
New York, New York, United States (on 1942-02-05)
alto saxophone:
Sol Kane (on 1942-02-05)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-02-05)
double bass:
Sid Weiss (on 1942-02-05)
drums (drum set):
Ralph Collier (on 1942-02-05)
guitar:
Tom Morgan (Big band era guitarist) (on 1942-02-05)
piano:
Mel Powell (on 1942-02-05)
tenor saxophone:
George Berg (on 1942-02-05), Vido Musso (on 1942-02-05) and Clint Neagley (on 1942-02-05)
trombone:
Cutty Cutshall (on 1942-02-05) and Lou McGarity (on 1942-02-05)
trumpet:
Al Davis (on 1942-02-05), Jimmy Maxwell (Trumpet) (on 1942-02-05) and Bernie Privin (on 1942-02-05)
orchestra:
Benny Goodman and His Orchestra (on 1942-02-05)
instrumental recording of:
Ramona (English version) (on 1942-02-05)
lyricist:
L. Wolfe Gilbert
composer:
Mabel Wayne (in 1928)
2:50
5Before (Rachmaninoff Special)
recorded in:
New York, New York, United States (on 1942-03-12)
alto saxophone:
Sol Kane (on 1942-03-12) and Bud Shiffman (on 1942-03-12)
baritone saxophone:
Art Ralston (on 1942-03-12)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-03-12)
double bass:
Sid Weiss (on 1942-03-12)
drums (drum set):
Ralph Collier (on 1942-03-12)
guitar:
Tom Morgan (Big band era guitarist) (on 1942-03-12)
piano:
Mel Powell (on 1942-03-12)
tenor saxophone:
George Berg (on 1942-03-12) and Vido Musso (on 1942-03-12)
trombone:
Cutty Cutshall (on 1942-03-12) and Lou McGarity (on 1942-03-12)
trumpet:
Jimmy Maxwell (Trumpet) (on 1942-03-12), John Napton (on 1942-03-12) and Bernie Privin (on 1942-03-12)
orchestra:
Benny Goodman and His Orchestra (on 1942-03-12)
3:29
6Peter and the Wolf
recorded in:
New York, New York, United States (on 1942-03-12)
alto saxophone:
Sol Kane (on 1942-03-12) and Bud Shiffman (on 1942-03-12)
baritone saxophone:
Art Ralston (on 1942-03-12)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-03-12)
double bass:
Sid Weiss (on 1942-03-12)
drums (drum set):
Ralph Collier (on 1942-03-12)
guitar:
Tom Morgan (Big band era guitarist) (on 1942-03-12)
piano:
Mel Powell (on 1942-03-12)
tenor saxophone:
George Berg (on 1942-03-12) and Vido Musso (on 1942-03-12)
trombone:
Cutty Cutshall (on 1942-03-12) and Lou McGarity (on 1942-03-12)
trumpet:
Jimmy Maxwell (Trumpet) (on 1942-03-12), John Napton (on 1942-03-12) and Bernie Privin (on 1942-03-12)
orchestra:
Benny Goodman and His Orchestra (on 1942-03-12)
3:12
7Six Flats Unfurnished
recorded in:
New York, New York, United States (on 1942-07-27)
alto saxophone:
Clint Neagley (on 1942-07-27) and Hymie Shertzer (on 1942-07-27)
baritone saxophone:
Bob Poland (on 1942-07-27)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-07-27)
double bass:
Cliff Hill (bass) (on 1942-07-27)
drums (drum set):
Hud Davies (on 1942-07-27)
guitar:
Dave Barbour (on 1942-07-27)
piano:
Mel Powell (on 1942-07-27)
tenor saxophone:
Leonard Sims (on 1942-07-27) and Jon Walton (on 1942-07-27)
trombone:
Charlie Castaldo (on 1942-07-27) and Lou McGarity (on 1942-07-27)
trumpet:
Benny Baker (on 1942-07-27), Al Davis (on 1942-07-27), Tony Faso (on 1942-07-27) and Jimmy Maxwell (Trumpet) (on 1942-07-27)
orchestra:
Benny Goodman and His Orchestra (on 1942-07-27)
recording of:
Six Flats Unfurnished (on 1942-07-27)
writer:
Richard Maltby (Richard Maltby, Sr., 1914-1991)
3:17
8After You’ve Gone
recorded in:
New York, New York, United States (on 1942-07-27)
alto saxophone:
Clint Neagley (on 1942-07-27) and Hymie Shertzer (on 1942-07-27)
baritone saxophone:
Bob Poland (on 1942-07-27)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-07-27)
double bass:
Cliff Hill (bass) (on 1942-07-27)
drums (drum set):
Hud Davies (on 1942-07-27)
guitar:
Dave Barbour (on 1942-07-27)
piano:
Mel Powell (on 1942-07-27)
tenor saxophone:
Leonard Sims (on 1942-07-27) and Jon Walton (on 1942-07-27)
trombone:
Charlie Castaldo (on 1942-07-27) and Lou McGarity (on 1942-07-27)
trumpet:
Benny Baker (on 1942-07-27), Tony Faso (on 1942-07-27) and Jimmy Maxwell (Trumpet) (on 1942-07-27)
orchestra:
Benny Goodman and His Orchestra (on 1942-07-27)
instrumental recording of:
After You’ve Gone (on 1942-07-27)
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
2:32
9Mission to Moscow
recorded in:
New York, New York, United States (on 1942-07-30)
alto saxophone:
Clint Neagley (on 1942-07-30) and Hymie Shertzer (on 1942-07-30)
baritone saxophone:
Bob Poland (on 1942-07-30)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-07-30)
double bass:
Cliff Hill (bass) (on 1942-07-30)
drums (drum set):
Hud Davies (on 1942-07-30)
guitar:
Dave Barbour (on 1942-07-30)
piano:
Mel Powell (on 1942-07-30)
tenor saxophone:
Leonard Sims (on 1942-07-30) and Jon Walton (on 1942-07-30)
trombone:
Charlie Castaldo (on 1942-07-30) and Lou McGarity (on 1942-07-30)
trumpet:
Tony Faso (on 1942-07-30), Jimmy Maxwell (Trumpet) (on 1942-07-30) and Lawrence Stearns (on 1942-07-30)
orchestra:
Benny Goodman and His Orchestra (on 1942-07-30)
recording of:
Mission to Moscow (on 1942-07-30)
composer:
Mel Powell
2:38
10Love Walked In
recorded in:
New York, New York, United States (on 1945-03-17)
alto saxophone:
Aaron Sachs (on 1945-03-17) and Bill Shine (on 1945-03-17)
baritone saxophone:
Danny Bank (reeds) (on 1945-03-17)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1945-03-17)
double bass:
Clyde Lombardi (on 1945-03-17)
drums (drum set):
Morey Feld (on 1945-03-17)
guitar:
Mike Bryan (Musician - Guitar Player) (on 1945-03-17)
piano:
Charlie Queener (on 1945-03-17)
tenor saxophone:
Al Epstein (on 1945-03-17) and Stan Kosow (on 1945-03-17)
trombone:
Bill Pritchard (on 1945-03-17), Sy Shaeffer (on 1945-03-17) and Trummy Young (on 1945-03-17)
trumpet:
Vince Badale (American jazz trumpeter) (on 1945-03-17), Al Cuozzo (on 1945-03-17), Tony Faso (on 1945-03-17) and Stan Fishelson (on 1945-03-17)
orchestra:
Benny Goodman and His Orchestra (on 1945-03-17)
recording of:
Love Walked In (on 1945-03-17)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
3:05
11Clarinade
recorded in:
New York, New York, United States (on 1945-05-16)
alto saxophone:
Aaron Sachs (on 1945-05-16) and Bill Shine (on 1945-05-16)
baritone saxophone:
Danny Bank (reeds) (on 1945-05-16)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1945-05-16)
double bass:
Clyde Lombardi (on 1945-05-16)
drums (drum set):
Morey Feld (on 1945-05-16)
guitar:
Mike Bryan (Musician - Guitar Player) (on 1945-05-16)
piano:
Charlie Queener (on 1945-05-16)
tenor saxophone:
Ray Beller (on 1945-05-16) and Stan Kosow (on 1945-05-16)
trombone:
Eddie Aulino (on 1945-05-16), Chauncey Welsch (on 1945-05-16) and Trummy Young (on 1945-05-16)
trumpet:
Vince Badale (American jazz trumpeter) (on 1945-05-16), Al Cuozzo (on 1945-05-16), Al Davis (on 1945-05-16), Tony Faso (on 1945-05-16), Frank LePinto (on 1945-05-16) and Frank LoPinto (on 1945-05-16)
orchestra:
Benny Goodman and His Orchestra (on 1945-05-16)
recording of:
Clarinade (Arr. for big band and clarinet) (on 1945-05-16)
composer:
Mel Powell
arranger:
Chris Walden
arrangement of:
Clarinade
2:40
12Jersey Bounce (alternate take 1)
recorded in:
New York, New York, United States (on 1942-01-23)
alto saxophone:
Sol Kane (on 1942-01-23)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-01-23)
double bass:
Sid Weiss (on 1942-01-23)
drums (drum set):
Ralph Collier (on 1942-01-23)
guitar:
Tom Morgan (Big band era guitarist) (on 1942-01-23)
piano:
Mel Powell (on 1942-01-23)
tenor saxophone:
George Berg (on 1942-01-23), Vido Musso (on 1942-01-23) and Clint Neagley (on 1942-01-23)
trombone:
Cutty Cutshall (on 1942-01-23) and Lou McGarity (on 1942-01-23)
trumpet:
Al Davis (on 1942-01-23), Jimmy Maxwell (Trumpet) (on 1942-01-23) and Bernie Privin (on 1942-01-23)
orchestra:
Benny Goodman and His Orchestra (on 1942-01-23)
recording of:
Jersey Bounce (on 1942-01-23)
lyricist:
Robert B. Wright
composer:
Tiny Bradshaw, Edward Johnson (US songwriter) and Bobby Plater
3:04
13At the Darktown Strutters Ball (alternate take 4)
recorded in:
New York, New York, United States (on 1942-01-15)
alto saxophone:
Sol Kane (on 1942-01-15) and Clint Neagley (on 1942-01-15)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-01-15)
double bass:
Sid Weiss (on 1942-01-15)
drums (drum set):
Ralph Collier (on 1942-01-15)
guitar:
Tom Morgan (Big band era guitarist) (on 1942-01-15)
piano:
Mel Powell (on 1942-01-15)
tenor saxophone:
George Berg (on 1942-01-15) and Vido Musso (on 1942-01-15)
trombone:
Cutty Cutshall (on 1942-01-15)
trumpet:
Al Davis (on 1942-01-15), Jimmy Maxwell (Trumpet) (on 1942-01-15) and Bernie Privin (on 1942-01-15)
orchestra:
Benny Goodman and His Orchestra (on 1942-01-15)
recording of:
Darktown Strutters’ Ball (on 1942-01-15)
lyricist and composer:
Shelton Brooks (in 1917)
publisher:
Leo Feist, Inc.
part of:
For Me and My Gal (1942 movie)
2:28
14At the Darktown Strutters Ball (alternate take 3)
recorded in:
New York, New York, United States (on 1942-01-15)
alto saxophone:
Sol Kane (on 1942-01-15) and Clint Neagley (on 1942-01-15)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-01-15)
double bass:
Sid Weiss (on 1942-01-15)
drums (drum set):
Ralph Collier (on 1942-01-15)
guitar:
Tom Morgan (Big band era guitarist) (on 1942-01-15)
piano:
Mel Powell (on 1942-01-15)
tenor saxophone:
George Berg (on 1942-01-15) and Vido Musso (on 1942-01-15)
trombone:
Cutty Cutshall (on 1942-01-15)
trumpet:
Al Davis (on 1942-01-15), Jimmy Maxwell (Trumpet) (on 1942-01-15) and Bernie Privin (on 1942-01-15)
orchestra:
Benny Goodman and His Orchestra (on 1942-01-15)
recording of:
Darktown Strutters’ Ball (on 1942-01-15)
lyricist and composer:
Shelton Brooks (in 1917)
publisher:
Leo Feist, Inc.
part of:
For Me and My Gal (1942 movie)
2:23
15At the Darktown Strutters Ball (alternate take 2)
recorded in:
New York, New York, United States (on 1942-01-15)
alto saxophone:
Sol Kane (on 1942-01-15) and Clint Neagley (on 1942-01-15)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-01-15)
double bass:
Sid Weiss (on 1942-01-15)
drums (drum set):
Ralph Collier (on 1942-01-15)
guitar:
Tom Morgan (Big band era guitarist) (on 1942-01-15)
piano:
Mel Powell (on 1942-01-15)
tenor saxophone:
George Berg (on 1942-01-15) and Vido Musso (on 1942-01-15)
trombone:
Cutty Cutshall (on 1942-01-15)
trumpet:
Al Davis (on 1942-01-15), Jimmy Maxwell (Trumpet) (on 1942-01-15) and Bernie Privin (on 1942-01-15)
orchestra:
Benny Goodman and His Orchestra (on 1942-01-15)
recording of:
Darktown Strutters’ Ball (on 1942-01-15)
lyricist and composer:
Shelton Brooks (in 1917)
publisher:
Leo Feist, Inc.
part of:
For Me and My Gal (1942 movie)
2:26
16Jersey Bounce (alternate take 4)
recorded in:
New York, New York, United States (on 1942-01-23)
alto saxophone:
Sol Kane (on 1942-01-23)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-01-23)
double bass:
Sid Weiss (on 1942-01-23)
drums (drum set):
Ralph Collier (on 1942-01-23)
guitar:
Tom Morgan (Big band era guitarist) (on 1942-01-23)
piano:
Mel Powell (on 1942-01-23)
tenor saxophone:
George Berg (on 1942-01-23), Vido Musso (on 1942-01-23) and Clint Neagley (on 1942-01-23)
trombone:
Cutty Cutshall (on 1942-01-23) and Lou McGarity (on 1942-01-23)
trumpet:
Al Davis (on 1942-01-23), Jimmy Maxwell (Trumpet) (on 1942-01-23) and Bernie Privin (on 1942-01-23)
orchestra:
Benny Goodman and His Orchestra (on 1942-01-23)
recording of:
Jersey Bounce (on 1942-01-23)
lyricist:
Robert B. Wright
composer:
Tiny Bradshaw, Edward Johnson (US songwriter) and Bobby Plater
3:04
17Jersey Bounce (alternate take 3)
recorded in:
New York, New York, United States (on 1942-01-23)
alto saxophone:
Sol Kane (on 1942-01-23)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-01-23)
double bass:
Sid Weiss (on 1942-01-23)
drums (drum set):
Ralph Collier (on 1942-01-23)
guitar:
Tom Morgan (Big band era guitarist) (on 1942-01-23)
piano:
Mel Powell (on 1942-01-23)
tenor saxophone:
George Berg (on 1942-01-23), Vido Musso (on 1942-01-23) and Clint Neagley (on 1942-01-23)
trombone:
Cutty Cutshall (on 1942-01-23) and Lou McGarity (on 1942-01-23)
trumpet:
Al Davis (on 1942-01-23), Jimmy Maxwell (Trumpet) (on 1942-01-23) and Bernie Privin (on 1942-01-23)
orchestra:
Benny Goodman and His Orchestra (on 1942-01-23)
recording of:
Jersey Bounce (on 1942-01-23)
lyricist:
Robert B. Wright
composer:
Tiny Bradshaw, Edward Johnson (US songwriter) and Bobby Plater
2:55
18A String of Pearls (alternate take 3)
recorded in:
New York, New York, United States (on 1942-02-05)
alto saxophone:
Sol Kane (on 1942-02-05)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-02-05)
double bass:
Sid Weiss (on 1942-02-05)
drums (drum set):
Ralph Collier (on 1942-02-05)
guitar:
Tom Morgan (Big band era guitarist) (on 1942-02-05)
piano:
Mel Powell (on 1942-02-05)
tenor saxophone:
George Berg (on 1942-02-05), Vido Musso (on 1942-02-05) and Clint Neagley (on 1942-02-05)
trombone:
Cutty Cutshall (on 1942-02-05) and Lou McGarity (on 1942-02-05)
trumpet:
Al Davis (on 1942-02-05), Jimmy Maxwell (Trumpet) (on 1942-02-05) and Bernie Privin (on 1942-02-05)
orchestra:
Benny Goodman and His Orchestra (on 1942-02-05)
recording of:
A String of Pearls (on 1942-02-05)
lyricist:
Eddie DeLange
composer:
Jerry Gray (US big band arranger and conductor)
publisher:
Chappell & Co. and Scarsdale Music (ASCAP)
recording of:
A String of Pearls
lyricist:
Eddie DeLange
composer:
Jerry Gray (US big band arranger and conductor)
publisher:
Chappell & Co. and Scarsdale Music (ASCAP)
3:00
19A String of Pearls (alternate take 2)
recorded in:
New York, New York, United States (on 1942-02-05)
alto saxophone:
Sol Kane (on 1942-02-05)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-02-05)
double bass:
Sid Weiss (on 1942-02-05)
drums (drum set):
Ralph Collier (on 1942-02-05)
guitar:
Tom Morgan (Big band era guitarist) (on 1942-02-05)
piano:
Mel Powell (on 1942-02-05)
tenor saxophone:
George Berg (on 1942-02-05), Vido Musso (on 1942-02-05) and Clint Neagley (on 1942-02-05)
trombone:
Cutty Cutshall (on 1942-02-05) and Lou McGarity (on 1942-02-05)
trumpet:
Al Davis (on 1942-02-05), Jimmy Maxwell (Trumpet) (on 1942-02-05) and Bernie Privin (on 1942-02-05)
orchestra:
Benny Goodman and His Orchestra (on 1942-02-05)
recording of:
A String of Pearls (on 1942-02-05)
lyricist:
Eddie DeLange
composer:
Jerry Gray (US big band arranger and conductor)
publisher:
Chappell & Co. and Scarsdale Music (ASCAP)
recording of:
A String of Pearls
lyricist:
Eddie DeLange
composer:
Jerry Gray (US big band arranger and conductor)
publisher:
Chappell & Co. and Scarsdale Music (ASCAP)
3:01
20Ramona (alternate take 3)
recorded in:
New York, New York, United States (on 1942-02-05)
alto saxophone:
Sol Kane (on 1942-02-05)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-02-05)
double bass:
Sid Weiss (on 1942-02-05)
drums (drum set):
Ralph Collier (on 1942-02-05)
guitar:
Tom Morgan (Big band era guitarist) (on 1942-02-05)
piano:
Mel Powell (on 1942-02-05)
tenor saxophone:
George Berg (on 1942-02-05), Vido Musso (on 1942-02-05) and Clint Neagley (on 1942-02-05)
trombone:
Cutty Cutshall (on 1942-02-05) and Lou McGarity (on 1942-02-05)
trumpet:
Al Davis (on 1942-02-05), Jimmy Maxwell (Trumpet) (on 1942-02-05) and Bernie Privin (on 1942-02-05)
orchestra:
Benny Goodman and His Orchestra (on 1942-02-05)
instrumental recording of:
Ramona (English version) (on 1942-02-05)
lyricist:
L. Wolfe Gilbert
composer:
Mabel Wayne (in 1928)
2:46
21Ramona (alternate take 2)
recorded in:
New York, New York, United States (on 1942-02-05)
alto saxophone:
Sol Kane (on 1942-02-05)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-02-05)
double bass:
Sid Weiss (on 1942-02-05)
drums (drum set):
Ralph Collier (on 1942-02-05)
guitar:
Tom Morgan (Big band era guitarist) (on 1942-02-05)
piano:
Mel Powell (on 1942-02-05)
tenor saxophone:
George Berg (on 1942-02-05), Vido Musso (on 1942-02-05) and Clint Neagley (on 1942-02-05)
trombone:
Cutty Cutshall (on 1942-02-05) and Lou McGarity (on 1942-02-05)
trumpet:
Al Davis (on 1942-02-05), Jimmy Maxwell (Trumpet) (on 1942-02-05) and Bernie Privin (on 1942-02-05)
orchestra:
Benny Goodman and His Orchestra (on 1942-02-05)
instrumental recording of:
Ramona (English version) (on 1942-02-05)
lyricist:
L. Wolfe Gilbert
composer:
Mabel Wayne (in 1928)
2:47
22Ramona (breakdown)
recorded in:
New York, New York, United States (on 1942-02-05)
alto saxophone:
Sol Kane (on 1942-02-05)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-02-05)
double bass:
Sid Weiss (on 1942-02-05)
drums (drum set):
Ralph Collier (on 1942-02-05)
guitar:
Tom Morgan (Big band era guitarist) (on 1942-02-05)
piano:
Mel Powell (on 1942-02-05)
tenor saxophone:
George Berg (on 1942-02-05), Vido Musso (on 1942-02-05) and Clint Neagley (on 1942-02-05)
trombone:
Cutty Cutshall (on 1942-02-05) and Lou McGarity (on 1942-02-05)
trumpet:
Al Davis (on 1942-02-05), Jimmy Maxwell (Trumpet) (on 1942-02-05) and Bernie Privin (on 1942-02-05)
orchestra:
Benny Goodman and His Orchestra (on 1942-02-05)
recording of:
Ramona (English version)
lyricist:
L. Wolfe Gilbert
composer:
Mabel Wayne (in 1928)
2:30
23After You’ve Gone (alternate take 3)
recorded in:
New York, New York, United States (on 1942-07-27)
alto saxophone:
Clint Neagley (on 1942-07-27) and Hymie Shertzer (on 1942-07-27)
baritone saxophone:
Bob Poland (on 1942-07-27)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-07-27)
double bass:
Cliff Hill (bass) (on 1942-07-27)
drums (drum set):
Hud Davies (on 1942-07-27)
guitar:
Dave Barbour (on 1942-07-27)
piano:
Mel Powell (on 1942-07-27)
tenor saxophone:
Leonard Sims (on 1942-07-27) and Jon Walton (on 1942-07-27)
trombone:
Charlie Castaldo (on 1942-07-27) and Lou McGarity (on 1942-07-27)
trumpet:
Benny Baker (on 1942-07-27), Tony Faso (on 1942-07-27) and Jimmy Maxwell (Trumpet) (on 1942-07-27)
orchestra:
Benny Goodman and His Orchestra (on 1942-07-27)
instrumental recording of:
After You’ve Gone (on 1942-07-27)
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
recording of:
After You’ve Gone
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
2:33
24After You’ve Gone (alternate take 2)
recorded in:
New York, New York, United States (on 1942-07-27)
alto saxophone:
Clint Neagley (on 1942-07-27) and Hymie Shertzer (on 1942-07-27)
baritone saxophone:
Bob Poland (on 1942-07-27)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-07-27)
double bass:
Cliff Hill (bass) (on 1942-07-27)
drums (drum set):
Hud Davies (on 1942-07-27)
guitar:
Dave Barbour (on 1942-07-27)
piano:
Mel Powell (on 1942-07-27)
tenor saxophone:
Leonard Sims (on 1942-07-27) and Jon Walton (on 1942-07-27)
trombone:
Charlie Castaldo (on 1942-07-27) and Lou McGarity (on 1942-07-27)
trumpet:
Benny Baker (on 1942-07-27), Tony Faso (on 1942-07-27) and Jimmy Maxwell (Trumpet) (on 1942-07-27)
orchestra:
Benny Goodman and His Orchestra (on 1942-07-27)
instrumental recording of:
After You’ve Gone (on 1942-07-27)
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
recording of:
After You’ve Gone
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
2:29
25Mission to Moscow (alternate take 3)
recorded in:
New York, New York, United States (on 1942-07-30)
alto saxophone:
Clint Neagley (on 1942-07-30) and Hymie Shertzer (on 1942-07-30)
baritone saxophone:
Bob Poland (on 1942-07-30)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-07-30)
double bass:
Cliff Hill (bass) (on 1942-07-30)
drums (drum set):
Hud Davies (on 1942-07-30)
guitar:
Dave Barbour (on 1942-07-30)
piano:
Mel Powell (on 1942-07-30)
tenor saxophone:
Leonard Sims (on 1942-07-30) and Jon Walton (on 1942-07-30)
trombone:
Charlie Castaldo (on 1942-07-30) and Lou McGarity (on 1942-07-30)
trumpet:
Tony Faso (on 1942-07-30), Jimmy Maxwell (Trumpet) (on 1942-07-30) and Lawrence Stearns (on 1942-07-30)
orchestra:
Benny Goodman and His Orchestra (on 1942-07-30)
recording of:
Mission to Moscow (on 1942-07-30)
composer:
Mel Powell
2:56
26Mission to Moscow (alternate take 2)
recorded in:
New York, New York, United States (on 1942-07-30)
alto saxophone:
Clint Neagley (on 1942-07-30) and Hymie Shertzer (on 1942-07-30)
baritone saxophone:
Bob Poland (on 1942-07-30)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-07-30)
double bass:
Cliff Hill (bass) (on 1942-07-30)
drums (drum set):
Hud Davies (on 1942-07-30)
guitar:
Dave Barbour (on 1942-07-30)
piano:
Mel Powell (on 1942-07-30)
tenor saxophone:
Leonard Sims (on 1942-07-30) and Jon Walton (on 1942-07-30)
trombone:
Charlie Castaldo (on 1942-07-30) and Lou McGarity (on 1942-07-30)
trumpet:
Tony Faso (on 1942-07-30), Jimmy Maxwell (Trumpet) (on 1942-07-30) and Lawrence Stearns (on 1942-07-30)
orchestra:
Benny Goodman and His Orchestra (on 1942-07-30)
recording of:
Mission to Moscow (on 1942-07-30)
composer:
Mel Powell
2:56
27Love Walked In (alternate take 1)
recorded in:
New York, New York, United States (on 1945-03-17)
alto saxophone:
Aaron Sachs (on 1945-03-17) and Bill Shine (on 1945-03-17)
baritone saxophone:
Danny Bank (reeds) (on 1945-03-17)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1945-03-17)
double bass:
Clyde Lombardi (on 1945-03-17)
drums (drum set):
Morey Feld (on 1945-03-17)
guitar:
Mike Bryan (Musician - Guitar Player) (on 1945-03-17)
piano:
Charlie Queener (on 1945-03-17)
tenor saxophone:
Al Epstein (on 1945-03-17) and Stan Kosow (on 1945-03-17)
trombone:
Bill Pritchard (on 1945-03-17), Sy Shaeffer (on 1945-03-17) and Trummy Young (on 1945-03-17)
trumpet:
Vince Badale (American jazz trumpeter) (on 1945-03-17), Al Cuozzo (on 1945-03-17), Tony Faso (on 1945-03-17) and Stan Fishelson (on 1945-03-17)
orchestra:
Benny Goodman and His Orchestra (on 1945-03-17)
instrumental recording of:
Love Walked In (on 1945-03-17)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
3:11
▶CD 6
▶CD 7