Nutcracker / Swan Lake

~ Parution par Пётр Ильич Чайковский (afficher toutes les versions de cette parution, 11 proposées)

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▼CD 1
noTitreÉvaluationDurée
1The Nutcracker Ballet Suite, op. 71: Overture
orchestre :
Berlin Festival Orchestra (possibly another Scholtz pseudonym), Leipzig Philharmonic Orchestra (FICTIONAL / used for an Alfred Scholz (style) release - NOT the Philharmonie Leipzig (est. 2000)), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) et Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
chef d’orchestre :
Henry Adolph (conductor, an Alfred Scholz pseudonym), Gerhard Bosse (as used for an Alfred Scholz release - NOT the real artist), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) et Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of :
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto
compositeur :
Пётр Ильич Чайковский (Russian romantic composer) (jusqu’au 1892)
partie de :
The Nutcracker (suite from the ballet), op. 71a
3:18
2The Nutcracker Ballet Suite, op. 71: March
orchestre :
Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (an Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) et Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
chef d’orchestre :
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) et Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of :
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
compositeur :
Пётр Ильич Чайковский (Russian romantic composer)
partie de :
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
recording of :
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (March)
compositeur :
Пётр Ильич Чайковский (Russian romantic composer)
partie de :
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1)
2:48
3The Nutcracker Ballet Suite, op. 71: Fee dragée
orchestre :
Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) et Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
chef d’orchestre :
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) et Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of :
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
compositeur :
Пётр Ильич Чайковский (Russian romantic composer)
partie de :
Fantasia (Disney soundtrack)
partie de :
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
révision de :
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy)
recording of :
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy)
compositeur :
Пётр Ильич Чайковский (Russian romantic composer)
arrangement de :
The Nutcracker, Op. 71: Dance of the Sugarplum Fairy, Extract (Arrangement for solo piano by Pauline Hall)
partie de :
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
2:09
4The Nutcracker Ballet Suite, op. 71: Trepak
orchestre :
Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (an Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) et Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
chef d’orchestre :
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) et Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of :
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace
compositeur :
Пётр Ильич Чайковский (Russian romantic composer)
partie de :
Fantasia (Disney soundtrack)
partie de :
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
1:16
5The Nutcracker Ballet Suite, op. 71: Arabian Dance
orchestre :
Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) et Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
chef d’orchestre :
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) et Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of :
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto
compositeur :
Пётр Ильич Чайковский (Russian romantic composer)
partie de :
Fantasia (Disney soundtrack)
partie de :
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
3:41
6The Nutcracker Ballet Suite, op. 71: Chinese Dance
orchestre :
Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) et Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
chef d’orchestre :
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) et Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of :
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato
compositeur :
Пётр Ильич Чайковский (Russian romantic composer)
partie de :
Fantasia (Disney soundtrack)
partie de :
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
1:24
7The Nutcracker Ballet Suite, op. 71: Dance of the Flutes
orchestre :
Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) et Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
chef d’orchestre :
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) et Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of :
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
compositeur :
Пётр Ильич Чайковский (Russian romantic composer)
partie de :
Fantasia (Disney soundtrack)
partie de :
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
révision de :
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
2:40
8The Nutcracker Ballet Suite, op. 71: Waltz of the Flowers
orchestre :
Berlin Festival Orchestra (possibly another Scholtz pseudonym), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) et Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
chef d’orchestre :
Henry Adolph (conductor, an Alfred Scholz pseudonym), Pietro di la Corona (Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) et Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of :
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
compositeur :
Пётр Ильич Чайковский (Russian romantic composer)
partie de :
Fantasia (Disney soundtrack)
partie de :
The Nutcracker (suite from the ballet), op. 71a
révision de :
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (valse des fleurs; waltz of the flowers)
7:14
9The Swan Lake Suite, op. 20: Dance of the Swans
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) et Symphonic Festival Orchestra (Alfred Scholz pseudonym)
chef d’orchestre :
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) et Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created)
recording of :
The Swan Lake (suite from the ballet), op. 20a: I. Scène
compositeur :
Пётр Ильич Чайковский (Russian romantic composer) (le 1876)
partie de :
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
partie de :
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
3:15
10The Swan Lake Suite, op. 20: Waltz
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym) et Symphonic Festival Orchestra (Alfred Scholz pseudonym)
chef d’orchestre :
Henry Adolph (conductor, an Alfred Scholz pseudonym) et Alberto Lizzio (conductor, pseudonym for Alfred Scholz)
recording of :
The Swan Lake (suite from the ballet), op. 20a: II. Valse
compositeur :
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (le 1876)
partie de :
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
partie de :
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
7:43
11The Swan Lake Suite, op. 20: Pas de deux
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) et Symphonic Festival Orchestra (Alfred Scholz pseudonym)
chef d’orchestre :
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) et Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created)
recording of :
The Swan Lake (suite from the ballet), op. 20a: II. Valse
compositeur :
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (le 1876)
partie de :
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
partie de :
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
recording of :
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes
compositeur :
Пётр Ильич Чайковский (Russian romantic composer) (le 1876)
partie de :
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
partie de :
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
1:40
12The Swan Lake Suite, op. 20: Pas d'action
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym) et Symphonic Festival Orchestra (Alfred Scholz pseudonym)
chef d’orchestre :
Henry Adolph (conductor, an Alfred Scholz pseudonym) et Alberto Lizzio (conductor, pseudonym for Alfred Scholz)
recording of :
The Swan Lake (suite from the ballet), op. 20a: IV. Scène
compositeur :
Пётр Ильич Чайковский (Russian romantic composer) (le 1876)
partie de :
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
partie de :
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
8:04
13The Swan Lake Suite, op. 20: Hungarian Dance (Csardas)
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym) et Symphonic Festival Orchestra (Alfred Scholz pseudonym)
chef d’orchestre :
Henry Adolph (conductor, an Alfred Scholz pseudonym) et Alberto Lizzio (conductor, pseudonym for Alfred Scholz)
recording of :
The Swan Lake (suite from the ballet), op. 20a: V. Czardas: Danse hongroise
compositeur :
Пётр Ильич Чайковский (Russian romantic composer) (le 1876)
partie de :
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
partie de :
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
2:52
14The Swan Lake Suite, op. 20: Spanish Dance
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym) et Symphonic Festival Orchestra (Alfred Scholz pseudonym)
chef d’orchestre :
Henry Adolph (conductor, an Alfred Scholz pseudonym) et Alberto Lizzio (conductor, pseudonym for Alfred Scholz)
recording of :
The Swan Lake (suite from the ballet), op. 20a: VI. Danse espagnole
compositeur :
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (le 1876)
partie de :
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
2:25
15The Swan Lake Suite, op. 20: Neapolitan Dance
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym) et Symphonic Festival Orchestra (Alfred Scholz pseudonym)
chef d’orchestre :
Henry Adolph (conductor, an Alfred Scholz pseudonym) et Alberto Lizzio (conductor, pseudonym for Alfred Scholz)
recording of :
The Swan Lake (suite from the ballet), op. 20a: VII. Danse napolitaine
compositeur :
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (le 1876)
partie de :
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
2:08
16The Swan Lake Suite, op. 20: Mazurka
orchestre :
Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), London Festival Orchestra (Alfred Scholz pseudonym) et Symphonic Festival Orchestra (Alfred Scholz pseudonym)
chef d’orchestre :
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) et Peter Stern (conductor, supposedly a faux artist Alfred Scholz created)
recording of :
The Swan Lake (suite from the ballet), op. 20a: VIII. Mazurka
compositeur :
Пётр Ильич Чайковский (Russian romantic composer)
partie de :
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
3:50