J.S. Bach, Beethoven, Brahms: Choral Music (1947-1958)

~ Release by Herbert von Karajan (see all versions of this release, 1 available)

Annotation

Part of the Karajan Official Remastered Edition series.

Annotation last modified on 2023-02-04 11:11 UTC.

Tracklist

▶CD 1: J.S. Bach: Mass in B minor - beginning
▼CD 2: J.S. Bach: Mass in B minor - conclusion, Appendix
#TitleArtistRatingLength
1Mass in B minor, BWV 232: Symbolum Nicenum. Et incarnatus est (chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:10
2Mass in B minor, BWV 232: Symbolum Nicenum. Crucifixus (chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:46
3Mass in B minor, BWV 232: Symbolum Nicenum. Et resurrexit (chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:57
4Mass in B minor, BWV 232: Symbolum Nicenum. Et in Spiritum Sanctum Dominum (bass)
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Heinz Rehfuss (baritone) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach6:37
5Mass in B minor, BWV 232: Symbolum Nicenum. Confiteor (chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:37
6Mass in B minor, BWV 232: Symbolum Nicenum. Et exspecto (chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:55
7Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Sanctus (chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach6:23
8Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Osanna in excelsis (chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:42
9Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Benedictus (tenor)
producer:
Walter Legge (British classical record producer, 1906-1979)
tenor vocals:
Nicolai Gedda (tenor) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:47
10Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Osanna in excelsis (chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:45
11Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Agnus Dei (contralto)
producer:
Walter Legge (British classical record producer, 1906-1979)
contralto vocals:
Marga Höffgen (contralto) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach6:59
12Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Dona nobis pacem (chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:11
13Mass in B minor, BWV 232: Appendix. Christe eleison (soprano/contralto)
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
contralto vocals:
Kathleen Ferrier (contralto) (on 1950-06-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1950-06-15)
orchestra:
Wiener Symphoniker (on 1950-06-15)
conductor:
Herbert von Karajan (conductor) (on 1950-06-15)
balance engineer:
Anthony Griffith (engineer)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (on 1950-06-15)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (on 1950-06-15)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:36
14Mass in B minor, BWV 232: Appendix. Laudamus te (soprano)
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1950-06-15)
orchestra:
Wiener Symphoniker (on 1950-06-15)
conductor:
Herbert von Karajan (conductor) (on 1950-06-15)
balance engineer:
Anthony Griffith (engineer)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (on 1950-06-15)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (on 1950-06-15)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:48
15Mass in B minor, BWV 232: Appendix. Qui sedes (contralto)
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
contralto vocals:
Kathleen Ferrier (contralto) (on 1950-06-15)
orchestra:
Wiener Symphoniker (on 1950-06-15)
conductor:
Herbert von Karajan (conductor) (on 1950-06-15)
balance engineer:
Anthony Griffith (engineer)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (on 1950-06-15)
Johann Sebastian Bach3:40
16Mass in B minor, BWV 232: Appendix. Et in unum Dominum (soprano/contralto)
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
contralto vocals:
Kathleen Ferrier (contralto) (on 1950-06-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1950-06-15)
orchestra:
Wiener Symphoniker (on 1950-06-15)
conductor:
Herbert von Karajan (conductor) (on 1950-06-15)
balance engineer:
Anthony Griffith (engineer)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (on 1950-06-15)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (on 1950-06-15)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:19
17Mass in B minor, BWV 232: Appendix. Agnus Dei (contralto)
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
contralto vocals:
Kathleen Ferrier (contralto) (on 1950-06-15)
orchestra:
Wiener Symphoniker (on 1950-06-15)
conductor:
Herbert von Karajan (conductor) (on 1950-06-15)
balance engineer:
Anthony Griffith (engineer)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (on 1950-06-15)
Johann Sebastian Bach5:31
▶CD 3: Brahms: Ein deutsches Requiem (1947)
▶CD 4: Beethoven: Missa solemnis - beginning (1958)
▶CD 5: Beethoven: Missa solemnis - conclusion (1958) / Ah! perfido / Fidelio - Abscheulicher! / Mozart: Ave verum corpus / Richard Strauss: Vier letzte Lieder