Luciano Pavarotti - The Complete Opera Recordings

~ Release by Luciano Pavarotti (see all versions of this release, 6 available)

Annotation

Collection of 101 discs (95 CDs, 6 Blu-Ray Audio) of Pavarotti's complete opera recordings for Decca Classics.

Annotation last modified on 2020-03-18 00:46 UTC.

Tracklist

▶CD 1: Bellini: Beatrice di Tenda (I)
▶CD 2: Bellini: Beatrice di Tenda (II)
▶CD 3: Donizetti: La fille du régiment (I)
▶CD 4: Donizetti: La fille du régiment (II)
▶CD 5: Verdi: Messa da Requiem
▶CD 6: Mascagni: L'amico Fritz (I)
▶CD 7: Mascagni: L'amico Fritz (II)
▶CD 8: R. Strauss: Der Rosenkavalier (I)
▶CD 9: R. Strauss: Der Rosenkavalier (II)
▶CD 10: R. Strauss: Der Rosenkavalier (III)
▶CD 11: Donizetti: L'elisir d'amore (I)
▶CD 12: Donizetti: L'elisir d'amore (II)
▶CD 13: Verdi: Un ballo in maschera (I)
▶CD 14: Verdi: Un ballo in maschera (II)
▶CD 15: Verdi: Macbeth (I)
▶CD 16: Verdi: Macbeth (II)
▶CD 17: Rossini: Stabat Mater
▶CD 18: Verdi: Rigoletto (I)
▶CD 19: Verdi: Rigoletto (II)
▶CD 20: Donizetti: Lucia di Lammermoor (I)
▶CD 21: Donizetti: Lucia di Lammermoor (II)
▶CD 22: Puccini: Turandot (I)
▶CD 23: Puccini: Turandot (II)
▶CD 24: Puccini: La bohème (I)
▶CD 25: Puccini: La bohème (II)
▶CD 26: Bellini: I puritani (I)
▶CD 27: Bellini: I puritani (II)
▶CD 28: Bellini: I puritani (III)
▶CD 29: Puccini: Madama Butterfly (I)
▶CD 30: Puccini: Madama Butterfly (II)
▶CD 31: Donizetti: La favorita (I)
▶CD 32: Donizetti: La favorita (II)
▶CD 33: Donizetti: Maria Stuarda (I)
▶CD 34: Donizetti: Maria Stuarda (II)
▶CD 35: Verdi: Luisa Miller (I)
▶CD 36: Verdi: Luisa Miller (II)
▶CD 37: Mascagni: Cavalleria rusticana
▶CD 38: Leoncavalla: Pagliacci
▶CD 39: Verdi: Il trovatore (I)
▼CD 40: Verdi: Il trovatore (II)
#TitleArtistRatingLength
1Il trovatore: Parte III: “Il figlio della zingara”. “Or co' dadi, ma fra poco” (Armigeri)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
bass vocals [Ferrando]:
Nicolaï Ghiaurov (operatic bass) (in 1976-09)
choir vocals:
London Opera Chorus (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
Giuseppe Verdi2:11
2Il trovatore: Parte III: “Il figlio della zingara”. “Squilli, echeggi la tromba guerriera” (Armigeri)
recording engineer:
James Lock (engineer) (in 1976-09) and Kenneth Wilkinson (engineer) (in 1976-09)
producer:
Richard Beswick and Ray Minshull (record producer)
bass vocals [Ferrando]:
Nicolaï Ghiaurov (operatic bass) (in 1976-09)
choir vocals:
London Opera Chorus (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
recording of:
Il trovatore: Atto III, scena 1. “Squilli, echeggi la tromba guerriera” (Ferrando, soldiers) (in 1976-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:01
3Il trovatore: Parte III: “Il figlio della zingara”. “In braccio al mio rival!” (Conte)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
baritone vocals [Il Conte di Luna]:
Ingvar Wixell (baritone) (in 1976-09)
bass vocals [Ferrando]:
Nicolaï Ghiaurov (operatic bass) (in 1976-09)
choir vocals:
London Opera Chorus (in 1976-09)
mezzo-soprano vocals [Azucena]:
Marilyn Horne (American operatic mezzo-soprano) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
Giuseppe Verdi2:55
4Il trovatore: Parte III: “Il figlio della zingara”. “Giorni poveri vivea” (Azucena)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
baritone vocals [Il Conte di Luna]:
Ingvar Wixell (baritone) (in 1976-09)
bass vocals [Ferrando]:
Nicolaï Ghiaurov (operatic bass) (in 1976-09)
mezzo-soprano vocals [Azucena]:
Marilyn Horne (American operatic mezzo-soprano) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
Giuseppe Verdi4:58
5Il trovatore: Parte III: “Il figlio della zingara”. “Quale d'armi fragor” (Leonora)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
soprano vocals [Leonora]:
Joan Sutherland (soprano) (in 1976-09)
tenor vocals [Manrico (Il trovatore)]:
Luciano Pavarotti (tenor) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico) (in 1976-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:10
6Il trovatore: Parte III: “Il figlio della zingara”. “Ah sì, ben mio” (Manrico)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
tenor vocals [Manrico (Il trovatore)]:
Luciano Pavarotti (tenor) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (in 1976-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:02
7Il trovatore: Parte III: “Il figlio della zingara”. “L'onda de' suoni mistici” (Leonora, Manrico)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
soprano vocals [Leonora]:
Joan Sutherland (soprano) (in 1976-09)
tenor vocals [Manrico (Il trovatore)]:
Luciano Pavarotti (tenor) (in 1976-09)
tenor vocals [Ruiz]:
Graham Clark (tenor) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (in 1976-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi1:55
8Il trovatore: Parte III: “Il figlio della zingara”. “Di quella pira” (Manrico)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
choir vocals:
London Opera Chorus
soprano vocals [Leonora]:
Joan Sutherland (soprano) (from 1976-09-08 until 1977-03-26)
tenor vocals [Manrico (Il trovatore)]:
Luciano Pavarotti (tenor) (in 1976-09)
tenor vocals [Ruiz]:
Graham Clark (tenor)
vocals:
Graham Clark (tenor), Joan Sutherland (soprano) and Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1976-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:23
9Il trovatore: Parte IV: “Il supplizio”. “Siam giunti: ecco la torre” (Ruiz)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
soprano vocals [Leonora]:
Joan Sutherland (soprano) (in 1976-09)
tenor vocals [Ruiz]:
Graham Clark (tenor) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
Giuseppe Verdi3:11
10Il trovatore: Parte IV: “Il supplizio”. “D'amor sull'ali rosee” (Leonora)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
soprano vocals [Leonora]:
Joan Sutherland (soprano) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
Giuseppe Verdi3:49
11Il trovatore: Parte IV: “Il supplizio”. “Miserere d'un alma già vicina” (Voci interni)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
choir vocals:
London Opera Chorus (in 1976-09)
soprano vocals [Leonora]:
Joan Sutherland (soprano) (in 1976-09)
tenor vocals [Manrico (Il trovatore)]:
Luciano Pavarotti (tenor) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
Giuseppe Verdi5:16
12Il trovatore: Parte IV: “Il supplizio”. “Tu vedrai che amore in terra” (Leonora)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
soprano vocals:
Joan Sutherland (soprano) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
Giuseppe Verdi3:51
13Il trovatore: Parte IV: “Il supplizio”. “Udiste? Come albeggi” (Conte)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
baritone vocals and baritone vocals [Il Conte di Luna]:
Ingvar Wixell (baritone) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
Giuseppe Verdi0:58
14Il trovatore: Parte IV: “Il supplizio”. “A te davanti” (Leonora)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
baritone vocals [Il Conte di Luna]:
Ingvar Wixell (baritone) (in 1976-09)
soprano vocals [Leonora]:
Joan Sutherland (soprano) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
Giuseppe Verdi0:56
15Il trovatore: Parte IV: “Il supplizio”. “Mira di acerbe lagrime” (Leonora)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
baritone vocals [Il Conte di Luna]:
Ingvar Wixell (baritone) (in 1976-09)
soprano vocals [Leonora]:
Joan Sutherland (soprano) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
Giuseppe Verdi3:38
16Il trovatore: Parte IV: “Il supplizio”. “Vivra!... contende il giubilo” (Leonora)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
baritone vocals [Il Conte di Luna]:
Ingvar Wixell (baritone) (in 1976-09)
soprano vocals [Leonora]:
Joan Sutherland (soprano) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
Giuseppe Verdi2:08
17Il trovatore: Parte IV: “Il supplizio”. “Madre, non dormi?” (Manrico)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
mezzo-soprano vocals [Azucena]:
Marilyn Horne (American operatic mezzo-soprano) (in 1976-09)
tenor vocals [Manrico (Il trovatore)]:
Luciano Pavarotti (tenor) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
Giuseppe Verdi5:33
18Il trovatore: Parte IV: “Il supplizio”. “Sì; la stanchezza m'opprime” (Azucena)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
mezzo-soprano vocals [Azucena]:
Marilyn Horne (American operatic mezzo-soprano) (in 1976-09)
tenor vocals [Manrico (Il trovatore)]:
Luciano Pavarotti (tenor) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
Giuseppe Verdi3:35
19Il trovatore: Parte IV: “Il supplizio”. “Che!... non m'inganna quel fioco lume?” (Manrico)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
soprano vocals and soprano vocals [Leonora]:
Joan Sutherland (soprano) (in 1976-09)
tenor vocals and tenor vocals [Manrico (Il trovatore)]:
Luciano Pavarotti (tenor) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
Giuseppe Verdi1:17
20Il trovatore: Parte IV: “Il supplizio”. “Parlar non vuoi?”(Manrico)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
mezzo-soprano vocals [Azucena]:
Marilyn Horne (American operatic mezzo-soprano) (in 1976-09)
soprano vocals [Leonora]:
Joan Sutherland (soprano) (in 1976-09)
tenor vocals [Manrico (Il trovatore)]:
Luciano Pavarotti (tenor) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
Giuseppe Verdi3:16
21Il trovatore: Parte IV: “Il supplizio”. “Ti scosta! - Non respingermi!” (Manrico, Leonora)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
soprano vocals [Leonora]:
Joan Sutherland (soprano) (in 1976-09)
tenor vocals [Manrico (Il trovatore)]:
Luciano Pavarotti (tenor) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
Giuseppe Verdi1:13
22Il trovatore: Parte IV: “Il supplizio”. “Prima che d'altri vivere” (Leonora)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
baritone vocals [Il Conte di Luna]:
Ingvar Wixell (baritone) (in 1976-09)
mezzo-soprano vocals [Azucena]:
Marilyn Horne (American operatic mezzo-soprano) (in 1976-09)
soprano vocals [Leonora]:
Joan Sutherland (soprano) (in 1976-09)
tenor vocals [Manrico (Il trovatore)]:
Luciano Pavarotti (tenor) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
Giuseppe Verdi3:53
▶CD 41: Puccini: Tosca (I)
▶CD 42: Puccini: Tosca (II)
▶CD 43: Rossini: Petite messe solennelle
▶CD 44: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
▶CD 45: Rossini: Guglielmo Tell (I)
▶CD 46: Rossini: Guglielmo Tell (II)
▶CD 47: Rossini: Guglielmo Tell (III)
▶CD 48: Rossini: Guglielmo Tell (IV)
▶CD 49: Verdi: La traviata (I)
▶CD 50: Verdi: La traviata (II)
▶CD 51: Bellini: La sonnambula (I)
▶CD 52: Bellini: La sonnambula (II)
▶CD 53: Ponchielli: La Gioconda (I)
▶CD 54: Ponchielli: La Gioconda (II)
▶CD 55: Ponchielli: La Gioconda (III)
▶CD 56: Boito: Mefistofele (I)
▶CD 57: Boito: Mefistofele (II)
▶CD 58: Verdi: Un ballo in maschera (I)
▶CD 59: Verdi: Un ballo in maschera (II)
▶CD 60: Giordano: Andrea Chénier (I)
▶CD 61: Giordano: Andrea Chénier (II)
▶CD 62: Mozart: Idomeneo (I)
▶CD 63: Mozart: Idomeneo (II)
▶CD 64: Mozart: Idomeneo (III)
▶CD 65: Bellini: Norma (I)
▶CD 66: Bellini: Norma (II)
▶CD 67: Bellini: Norma (III)
▶CD 68: Verdi: Aida (I)
▶CD 69: Verdi: Aida (II)
▶CD 70: Verdi: Aida (III)
▶CD 71: Verdi: Ernani (I)
▶CD 72: Verdi: Ernani (II)
▶CD 73: Berlioz: Requiem
▶CD 74: Verdi: Rigoletto (I)
▶CD 75: Verdi: Rigoletto (II)
▶CD 76: Donizetti: L'elisir d'amore (I)
▶CD 77: Donizetti: L'elisir d'amore (II)
▶CD 78: Verdi: Il trovatore (I)
▶CD 79: Verdi: Il trovatore (II)
▶CD 80: Verdi: Otello (I)
▶CD 81: Verdi: Otello (II)
▶CD 82: Verdi: La traviata (I)
▶CD 83: Verdi: La traviata (II)
▶CD 84: Leoncavallo: Pagliacci
▶CD 85: Puccini: Manon Lescaut (I)
▶CD 86: Puccini: Manon Lescaut (II)
▶CD 87: Verdi: Don Carlo (I)
▶CD 88: Verdi: Don Carlo (II)
▶CD 89: Verdi: Don Carlo (III)
▶CD 90: Verdi: Rigoletto (I)
▶CD 91: Verdi: Rigoletto (II)
▶CD 92: Verdi: I Lombardi (I)
▶CD 93: Verdi: I Lombardi (II)
▶Blu-ray 94: Donizetti: L'elisir d'amore
▶Blu-ray 95: Verdi: Rigoletto
▶Blu-ray 96: Donizetti: Lucia di Lammermoor
▶Blu-ray 97: Puccini: Turandot
▶Blu-ray 98: Puccini: La bohème
▶Blu-ray 99: Puccini: Madama Butterfly
▶CD 100: Puccini: La bohème (I)
▶CD 101: Puccini: La bohème (II)