Opernarien

~ Release by Mozart; Elisabeth Schwarzkopf, Herbert von Karajan, Josef Krips, John Pritchard, Warwick Braithwaite (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Le nozze di Figaro: Atto I: "Non so più cosa son" (Cherubino)
soprano vocals [Cherubino]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1952-07-01 until 1952-07-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1952-07-01 until 1952-07-04)
conductor:
Sir John Pritchard (conductor) (from 1952-07-01 until 1952-07-04)
balance engineer:
Douglas Larter (from 1952-07-01 until 1952-07-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1952-07-01 until 1952-07-04)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (from 1952-07-01 until 1952-07-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart2:42
2Le nozze di Figaro: Atto II: "Voi che sapete" (Cherubino)
soprano vocals [Cherubino]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1952-07-01 until 1952-07-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1952-07-01 until 1952-07-04)
conductor:
Sir John Pritchard (conductor) (from 1952-07-01 until 1952-07-04)
balance engineer:
Douglas Larter (from 1952-07-01 until 1952-07-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1952-07-01 until 1952-07-04)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (from 1952-07-01 until 1952-07-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart2:59
3Le nozze di Figaro: Atto IV: "Giunse alfin il momento... Deh vieni, non tardar" (Susanna)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1952-07-01 until 1952-07-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1952-07-01 until 1952-07-04)
conductor:
Sir John Pritchard (conductor) (from 1952-07-01 until 1952-07-04)
balance engineer:
Douglas Larter (from 1952-07-01 until 1952-07-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1952-07-01 until 1952-07-04)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna) (from 1952-07-01 until 1952-07-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV
Wolfgang Amadeus Mozart5:22
4Le nozze di Figaro: Atto II: "Porgi amor" (La Contessa)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1952-07-01 until 1952-07-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1952-07-01 until 1952-07-04)
conductor:
Sir John Pritchard (conductor) (from 1952-07-01 until 1952-07-04)
balance engineer:
Douglas Larter (from 1952-07-01 until 1952-07-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1952-07-01 until 1952-07-04)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (from 1952-07-01 until 1952-07-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart4:14
5Le nozze di Figaro: Atto III: "Dove sono i bei momenti" (La Contessa)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1952-09-09 until 1952-09-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1952-09-09 until 1952-09-16)
conductor:
Sir John Pritchard (conductor) (from 1952-09-09 until 1952-09-16)
balance engineer:
Douglas Larter (from 1952-09-09 until 1952-09-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1952-09-09 until 1952-09-16)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (from 1952-09-09 until 1952-09-16)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III
Wolfgang Amadeus Mozart4:54
6Don Giovanni: Atto I: "Batti, batti, o bel Masetto" (Zerlina)
soprano vocals [Zerlina]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1952-07-01 until 1952-07-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1952-07-01 until 1952-07-04)
conductor:
Sir John Pritchard (conductor) (from 1952-07-01 until 1952-07-04)
balance engineer:
Douglas Larter (from 1952-07-01 until 1952-07-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1952-07-01 until 1952-07-04)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (from 1952-07-01 until 1952-07-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:32
7Don Giovanni: Atto II: "Vedrai carino" (Zerlina)
soprano vocals [Zerlina]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1952-07-01 until 1952-07-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1952-07-01 until 1952-07-04)
conductor:
Sir John Pritchard (conductor) (from 1952-07-01 until 1952-07-04)
balance engineer:
Douglas Larter (from 1952-07-01 until 1952-07-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1952-07-01 until 1952-07-04)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (from 1952-07-01 until 1952-07-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:34
8Don Giovanni: Atto II: "Crudele?... Non mi dir" (Donna Anna)
soprano vocals [Donna Anna]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1952-07-01 until 1952-07-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1952-07-01 until 1952-07-04)
conductor:
Sir John Pritchard (conductor) (from 1952-07-01 until 1952-07-04)
balance engineer:
Douglas Larter (from 1952-07-01 until 1952-07-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1952-07-01 until 1952-07-04)
recording of:
Don Giovanni: Atto II. No. 23 Recitativo accompagnato “Crudele! - Ah no, mio bene!” (Donna Anna) (from 1952-07-01 until 1952-07-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna) (from 1952-07-01 until 1952-07-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart7:21
9Idomeneo: Atto III: "Zeffiretti lusinghieri" (Ilia)
soprano vocals [Ilia]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1952-09-09 until 1952-09-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1952-09-09 until 1952-09-16)
conductor:
Sir John Pritchard (conductor) (from 1952-09-09 until 1952-09-16)
balance engineer:
Douglas Larter (from 1952-09-09 until 1952-09-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1952-09-09 until 1952-09-16)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) (from 1952-09-09 until 1952-09-16)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart5:54
10Die Entführung aus dem Serail: Akt II: "Welcher Kummer... Traurigkeit" (Konstanze)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1946-10-31)
orchestra:
Wiener Philharmoniker (on 1946-10-31)
conductor:
Josef Krips (conductor and violinist) (on 1946-10-31)
balance engineer:
Douglas Larter (on 1946-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1946-10-31)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10a Rezitativ "Welcher Kummer herrscht in meiner Seele" (Konstanze) (on 1946-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart9:10
11Die Entführung aus dem Serail: Akt II: "Martern aller Arten" (Konstanze)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1946-10-23)
orchestra:
Wiener Philharmoniker (on 1946-10-23)
conductor:
Herbert von Karajan (conductor) (on 1946-10-23)
balance engineer:
Douglas Larter (on 1946-10-23)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (on 1946-10-23)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (on 1946-10-23)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart8:59
12Die Zauberflöte: Akt II: "Ach, ich fühl's" (Pamina)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1948-04-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1948-04-12)
conductor:
Warwick Braithwaite (conductor) (on 1948-04-12)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1948-04-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1948-04-12)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden” (Pamina) (on 1948-04-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:26

Credits

Release

part of:Références (EMI) (order: 10)
Discogs:https://www.discogs.com/release/8526917 [info]
ASIN:FR: B00000DO6W [info]