| # | Title | Artist | Rating | Length |
|---|
| 1 | Messe in h-Moll, BWV 232: Ia. Kyrie: Coro "Kyrie eleison" | Johann Sebastian Bach | | 9:58 |
| 2 | Messe in h-Moll, BWV 232: Ib. Kyrie: Duetto (Soprano I, Soprano II) "Christe eleison" | Johann Sebastian Bach | | 5:07 |
| 3 | Messe in h-Moll, BWV 232: Ic. Kyrie: Coro "Kyrie eleison" | Johann Sebastian Bach | | 2:58 |
| 4 | Messe in h-Moll, BWV 232: IIa. Gloria: Coro "Gloria in excelsis Deo" | Johann Sebastian Bach | | 1:31 |
| 5 | Messe in h-Moll, BWV 232: IIb. Gloria: Coro "Et in terra pax" | Johann Sebastian Bach | | 4:59 |
| 6 | Messe in h-Moll, BWV 232: IIc. Gloria: Aria (Soprano II) "Laudamus te" | Johann Sebastian Bach | | 4:11 |
| 7 | Messe in h-Moll, BWV 232: IId. Gloria: Coro "Gratias agimus tibi"- recording engineer:
- Thomas Dappelo
- assistant engineer:
- Raphaël Allain
- producer:
- Jean-Pierre Loisil
- alto vocals:
- Nathalie Stutzmann (in 2008-07) and Terry Wey (in 2008-07)
- bass vocals:
- Christian Immler (in 2008-07) and Luca Tittoto (in 2008-07)
- soprano vocals:
- Lucy Crowe (in 2008-07), Юлия Михайловна Лежнева (in 2008-07), Joanne Lunn (in 2008-07) and Blandine Staskiewicz (in 2008-07)
- tenor vocals:
- Colin Balzer (in 2008-07) and Markus Brutscher (in 2008-07)
- orchestra:
- Les Musiciens du Louvre (in 2008-07)
- conductor:
- Marc Minkowski (in 2008-07)
- recorded at:
- Church of San Domingos de Bonaval in Santiago de Compostela, A Coruña, Galicia, Spain (in 2008-07)
- recording of:
- h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (in 2008-07)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:37 |
| 8 | Messe in h-Moll, BWV 232: IIe. Gloria: Duetto (Soprano I, Tenore) "Domine Deus" | Johann Sebastian Bach | | 5:41 |
| 9 | Messe in h-Moll, BWV 232: IIf. Gloria: Coro "Qui tollis peccata mundi"- recording engineer:
- Thomas Dappelo
- assistant engineer:
- Raphaël Allain
- producer:
- Jean-Pierre Loisil
- alto vocals:
- Nathalie Stutzmann (in 2008-07) and Terry Wey (in 2008-07)
- bass vocals:
- Christian Immler (in 2008-07) and Luca Tittoto (in 2008-07)
- soprano vocals:
- Lucy Crowe (in 2008-07), Юлия Михайловна Лежнева (in 2008-07), Joanne Lunn (in 2008-07) and Blandine Staskiewicz (in 2008-07)
- tenor vocals:
- Colin Balzer (in 2008-07) and Markus Brutscher (in 2008-07)
- orchestra:
- Les Musiciens du Louvre (in 2008-07)
- conductor:
- Marc Minkowski (in 2008-07)
- recorded at:
- Church of San Domingos de Bonaval in Santiago de Compostela, A Coruña, Galicia, Spain (in 2008-07)
- recording of:
- h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (in 2008-07)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:37 |
| 10 | Messe in h-Moll, BWV 232: IIg. Gloria: Aria (Alto) "Qui sedes ad dextram Patris" | Johann Sebastian Bach | | 4:44 |
| 11 | Messe in h-Moll, BWV 232: IIh. Gloria: Aria (Basso) "Quoniam tu solus Sanctus" | Johann Sebastian Bach | | 4:26 |
| 12 | Messe in h-Moll, BWV 232: IIi. Gloria: Coro "Cum Sancto Spiritu" | Johann Sebastian Bach | | 3:35 |
