Classic Soul Ballads

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶CD 1: Sexual Healing
▶CD 2: Let's Get It On
▼CD 3: Sweet Love
#TitleArtistRatingLength
1Something He Can Feel
recording engineer and engineer:
Roger Anfinsen
producer:
Curtis Mayfield
arranger:
Curtis Mayfield and Richard Tufo
orchestrator:
Richard Tufo
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
part of:
RuPaul’s Drag Race Lip Sync Performances (season 2) (number: 9)
recording of:
Something He Can Feel (from 1975-04-15 until 1976-04)
lyricist and composer:
Curtis Mayfield
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1975 to present)
Aretha Franklin6:20
2If Ever You're in My Arms Again
recording of:
If Ever You're in My Arms Again
writer:
Michael Masser, Tom Snow (US keyboardist/songwriter) and Cynthia Weil
Peabo Bryson44:14
3Let's Do It Again
engineer:
Roger Anfinsen and Fred Breitberg
producer:
Curtis Mayfield
arranger:
Gil Askey and Richard Tufo
recorded at:
Curtom Studios in Chicago, Illinois, United States
edit of:
Let’s Do It Again (long version) by The Staple Singers
recording of:
Let’s Do It Again
lyricist and composer:
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1975 to present)
The Staple Singers53:28
4I've Been Loving You Too Long (to Stop Now)
recording of:
I’ve Been Loving You Too Long
writer:
Jerry Butler (soul singer) (in 1965) and Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) and Wildwood Music Ltd.
Otis Redding2:55
5I'll Be Around
recording of:
I’ll Be Around
composer:
Thom Bell (keyboards, songwriter, producer) and Phil Hurtt
publisher:
Mighty Three Music Ld. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners3:13
6Giving You the Best That I Got
additional engineer:
Milton Chan (Recording Engineer)
assistant engineer:
Les Cooper (engineer), Fred Law, Bruce Nazarian and Tim Purvis
engineer:
Barney Perkins
executive producer:
Anita Baker
producer:
Michael J. Powell
bass:
Nathan East (in 1988)
drums (drum set):
Omar Hakim (in 1988)
keyboard:
Vernon Fails (in 1988)
percussion:
Paulinho da Costa (in 1988)
piano:
Dean Gant (in 1988)
background vocals:
Alex Brown (US soul vocalist, member of Raelets) (in 1988), Carl Carwell (in 1988), Angel Edwards (in 1988) and Valerie Pinkston (in 1988)
lead vocals:
Anita Baker (in 1988)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
recording of:
Giving You the Best That I Got (in 1988)
lyricist and composer:
Anita Baker, Randy Holland (songwriter/engineer) and Skip Scarborough
Anita Baker4:18
7Baby, Come to Me
guest vocals:
Patti Austin
recording of:
Baby, Come to Me
writer:
Rod Temperton
Patti Austin & James Ingram3:36
8Always
edit of:
Always by Atlantic Starr
recording of:
Always
writer:
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) and Wayne Lewis (member of Atlantic Starr)
Atlantic Starr34:01
9Just the Two of Us
performer:
Grover Washington, Jr.
recording of:
Just the Two of Us
writer:
Ralph MacDonald, William Salter and Bill Withers
Bill Withers & Grover Washington, Jr.3.53:59
10One in a Million You
Larry Graham4:10
11Oh Girl
recording of:
Oh Girl
lyricist and composer:
Eugene Record
publisher:
Unichappell Music, Inc.
The Chi‐Lites53:30
12Nite and Day
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
recording of:
Nite and Day
writer:
Al B. Sure! and Kyle West
Al B. Sure!53:59
13Sideshow
engineer:
Carl Parualo, Kenny Present, Jay Mark, Don Murray (Producer and engineer) and Joe Tarsia (engineer)
producer:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
arranger:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recording of:
Sideshow
writer:
Vinnie Barrett and Bobby Eli
publisher:
Poo Poo Publishing Co., Reservoir One America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Zella Music
Blue Magic54:13
14Sweet Love
engineer:
Barney Perkins
producer:
Michael J. Powell
bass guitar:
Freddie Washington (US session bassist)
guitar:
Greg Moore (US guitarist & songwriter)
keyboard:
Dean Gant
membranophone:
Ricky Lawson
percussion:
Paulinho da Costa
background vocals:
Jim Gilstrap, Bunny Hull and Darryl Phinnessee
background vocals and lead vocals:
Anita Baker
music videos:
Sweet Love by Anita Baker
recording of:
Sweet Love
composer:
Anita Baker, Gary Bias (jazz saxophonist) and Louis A. Johnson
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jobete Music
Anita Baker3.254:19
15(If Loving You Is Wrong) I Don't Want to Be Right
recording of:
(If Loving You Is Wrong) I Don’t Want to Be Right
writer:
Homer Banks, Carl Hampton and Raymond Jackson (songwriter, guitarist and producer)
publisher:
East Memphis Music, ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
Luther Ingram43:26
16Until You Come Back to Me (That's What I'm Gonna Do)
engineer:
Lew Hahn
producer:
Aretha Franklin, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1973-09-07)
drums (drum set):
Bernard “Pretty” Purdie (on 1973-09-07)
electric piano:
Donny Hathaway (on 1973-09-07)
guitar:
Hugh McCracken (on 1973-09-07)
organ:
Richard Tee (on 1973-09-07)
piano and lead vocals:
Aretha Franklin (on 1973-09-07)
solo flute:
Joe Farrell (on 1973-09-07)
synthesizer:
Ken Bichel (keyboardist) (on 1973-09-07)
background vocals:
Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (soul vocalist) (on 1973-09-07)
arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
writer:
Morris Broadnax, Clarence Paul and Stevie Wonder
publisher:
Blackbull Music, Jobete Music, Sawandi Music and Stone Agate Music
Aretha Franklin4.353:26
17Love Won't Let Me Wait
recording of:
Love Won’t Let Me Wait
writer:
Vinnie Barrett and Bobby Eli
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Prestige Music Co. (US, affiliated with BMI) and Sony Music Publishing (Japan) Inc.
Major Harris3:47
18When a Man Loves a Woman
recorded in:
Muscle Shoals, Alabama, United States (on 1966-02-17)
producer:
Marlin Greene ('60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene ('60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54)
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Pronto Music, Inc. (publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell, Pronto Music (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:52