The Great Operas

~ Release by Verdi (see all versions of this release, 1 available)

Annotation

Individual barcodes:

CD 1/2: 5028421996561
CD 3/4: 5028421996578
CD 5/6: 5028421996585
CD 7/8: 5028421996592
CD 9/10: 5028421996608
CD 11/12: 5028421996615
CD 13/14: 5228421996626
CD 15/16: 5028421996639
CD 17/18: 5028421996646
CD 19/20: 5028421996653
CD 21/22: 5028421996660
CD 23-25: 5028421996677

Annotation last modified on 2015-02-14 03:00 UTC.

Tracklist

▶CD 1: La traviata
▶CD 2: La traviata
▶CD 3: Il trovatore
▶CD 4: Il trovatore
▶CD 5: Rigoletto
▶CD 6: Rigoletto
▶CD 7: Aida
▶CD 8: Aida
▶CD 9: Simon Boccanegra
▶CD 10: Simon Boccanegra
▶CD 11: Un ballo in maschera (1966, Leinsdorf)
▶CD 12: Un ballo in maschera (1966, Leinsdorf)
▶CD 13: Otello
▶CD 14: Otello
▶CD 15: Macbeth
▶CD 16: Macbeth
▶CD 17: Ernani
▶CD 18: Ernani
▶CD 19: Luisa Miller
▼CD 20: Luisa Miller
#TitleArtistRatingLength
1Luisa Miller: Atto II, Scena II. "Egli delira; sul mattin degli anni"
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
bass vocals:
Giorgio Tozzi (operatic bass)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (in 1964)
recording of:
Luisa Miller: Atto II, Nº 8a. Recitativo "Egli delira: sul mattin degli anni" (Walter)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi2:40
2Luisa Miller: Atto II, Scena II. "L'alto retaggio non ho bramato"
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
bass vocals:
Ezio Flagello (operatic bass / baritone) and Giorgio Tozzi (operatic bass)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (in 1964)
recording of:
Luisa Miller: Atto II, Nº 8c. Duetto "L'alto retaggio non ho bramato" (Walter, Wurm)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi2:36
3Luisa Miller: Atto II, Scena II. "O meco incolume"
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
bass vocals:
Ezio Flagello (operatic bass / baritone) and Giorgio Tozzi (operatic bass)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (in 1964)
recording of:
Luisa Miller: Atto II, Nº 8d."O meco incolume sarai, lo giuro" (Walter, Wurm)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi1:26
4Luisa Miller: Atto II, Scena II. "Vien la Duchessa!"
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
bass vocals:
Giorgio Tozzi (operatic bass)
mezzo-soprano vocals:
Shirley Verrett (mezzo-soprano)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (in 1964)
recording of:
Luisa Miller: Atto II, Nº 9a. Recitativo "Vien la duchessa!" (Walter, Federica)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi6:19
5Luisa Miller: Atto II, Scena III. "Il foglio dunque?"
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
tenor vocals:
Carlo Bergonzi (tenor) and Piero de Palma (tenor)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (in 1964)
recording of:
Luisa Miller: Atto II, Nº 10a. Scena “Il foglio dunque?” – “Oh! Fede negar potessi” (Rodolfo, Farmer)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi2:44
6Luisa Miller: Atto II, Scena III. "Quando le sere al placido"
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
tenor vocals:
Carlo Bergonzi (tenor) (in 1964)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (in 1964)
recording of:
Luisa Miller: Atto II, Nº 10b. Aria "Quando la sere al placido" (Rodolfo) (in 1964)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi3:39
7Luisa Miller: Atto II, Scena III. "Di mi chiedeste?"
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
bass vocals:
Ezio Flagello (operatic bass / baritone) and Giorgio Tozzi (operatic bass)
choir vocals:
Coro della RCA Italiana
tenor vocals:
Carlo Bergonzi (tenor)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
chorus master:
Nino Antonellini (Chorus master)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (in 1964)
recording of:
Luisa Miller: Atto II, Nº 10c."Di me chiedeste?" (Wurm, Rodolfo, Servi, Walter)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi2:34
8Luisa Miller: Atto II, Scena III. "L'ara, o l'avello apprestami"
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
bass vocals:
Giorgio Tozzi (operatic bass)
choir vocals:
Coro della RCA Italiana
tenor vocals:
Carlo Bergonzi (tenor)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
chorus master:
Nino Antonellini (Chorus master)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (in 1964)
recording of:
Luisa Miller: Atto II, Nº 10d. Cabaletta "L'ara, o l'avello apprestami" (Rodolfo, Walter, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi3:33
9Luisa Miller: Atto II, Scena III. "Come in un giorno solo"
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
choir vocals:
Coro della RCA Italiana
mezzo-soprano vocals:
Gabriella Carturan (mezzo-soprano)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
chorus master:
Nino Antonellini (Chorus master)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (in 1964)
recording of:
Luisa Miller: Atto III, Nº 11. Coro "Come in un giorno solo" (Laura, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
Giuseppe Verdi4:44
10Luisa Miller: Atto II, Scena III. "Pallida, mesta sei!"
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
baritone vocals:
Cornell MacNeil (American baritone)
soprano vocals:
Anna Moffo (soprano)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (in 1964)
recording of:
Luisa Miller: Atto III, Nº 12a. Recitativo "Pallida...mesta sei!..." (Miller, Luisa)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
Giuseppe Verdi2:47
11Luisa Miller: Atto II, Scena III. "La tomba è un letto sparso di fiori"
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
baritone vocals:
Cornell MacNeil (American baritone) (in 1964)
soprano vocals:
Anna Moffo (soprano) (in 1964)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (in 1964)
recording of:
Luisa Miller: Atto III, Nº 12b. Duetto “La tomba è un letto sparso di fiori” (Luisa, Miller) (in 1964)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
Giuseppe Verdi5:20
12Luisa Miller: Atto II, Scena III. "Andrem, raminghi e poveri"
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
baritone vocals:
Cornell MacNeil (American baritone) (in 1964)
soprano vocals:
Anna Moffo (soprano) (in 1964)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (in 1964)
recording of:
Luisa Miller: Atto III, Nº 12d. Cabaletta "Andrem, raminghi e poveri" (Luisa, Miller) (in 1964)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
Giuseppe Verdi3:31
13Luisa Miller: Atto II, Scena III. "Ah! l'ultima preghiera"
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
soprano vocals:
Anna Moffo (soprano)
tenor vocals:
Carlo Bergonzi (tenor)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (in 1964)
recording of:
Luisa Miller: Atto III, Nº 13a. Scena "Ah! l'ultima preghiera" (Luisa, Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
Giuseppe Verdi10:00
14Luisa Miller: Atto II, Scena III. "Donna, per noi terribile"
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
baritone vocals:
Cornell MacNeil (American baritone)
soprano vocals:
Anna Moffo (soprano)
tenor vocals:
Carlo Bergonzi (tenor)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (in 1964)
recording of:
Luisa Miller: Atto III, Nº 13b. "Donna, per noi terrible" (Rodolfo, Luisa, Miller)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
Giuseppe Verdi5:32
15Luisa Miller: Atto II, Scena III. "Padre, ricevi l'estremo addio"
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
baritone vocals:
Cornell MacNeil (American baritone)
soprano vocals:
Anna Moffo (soprano)
tenor vocals:
Carlo Bergonzi (tenor)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (in 1964)
recording of:
Luisa Miller: Atto III, Nº 13c. Terzetto "Quai grida intesi!...Padre ricevi l'estremo addio" (Miller, Luisa, Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
Giuseppe Verdi4:16
▶CD 21: Falstaff
▶CD 22: Falstaff
▶CD 23: La forza del destino
▶CD 24: La forza del destino
▶CD 25: La forza del destino

Credits

Release

ASIN:DE: B002XH8J4W [info]