NOW That’s What I Call 70s

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

Digital Media 1
Digital Media 2
#TitleArtistRatingLength
1The Grease Mega‐Mix
lead vocals:
Olivia Newton‐John (British-Australian singer, actress and activist) and John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (Duo)
DJ-mixer:
Ian Curnow and Phil Harding (engineer, producer and remixer)
performer:
Olivia Newton‐John (British-Australian singer, actress and activist) and John Travolta (American actor and singer)
phonographic copyright (℗) by:
Universal International Music B.V. (company, do not use as label) (in 1990, in 2003)
DJ-mix of and mash-up of:
Greased Lightnin’ by John Travolta, Summer Nights by John Travolta, Olivia Newton‐John & Cast and You’re the One That I Want by John Travolta & Olivia Newton‐John
recording of:
The Grease Megamix
writer:
Warren Casey, John Farrar and Jim Jacobs
medley of:
Greased Lightnin’
medley of:
You’re the One That I Want (Grease)
medley of:
Summer Nights (Grease song)
John Travolta & Olivia Newton‐John3.654:52
2ABC
drums (drum set):
Gene Pello (in 1970-01)
electric bass guitar:
Wilton Felder (in 1970-01) and Bob West (US session bassist, producer & songwriter) (in 1970-01)
guitar:
Don Peake (in 1970-01), Louis Shelton (in 1970-01) and David T. Walker (in 1970-01)
keyboard:
Freddie Perren (in 1970-01)
background vocals:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Marlon Jackson (in 1970-01) and Tito Jackson (in 1970-01)
background vocals and lead vocals:
Michael Jackson (“King of Pop”) (in 1970-01)
lead vocals:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1970-01) and Tito Jackson (in 1970-01)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1970)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (in 1970-01)
recording of:
ABC (in 1970-01)
writer:
Berry Gordy, Fonce Mizell, Freddie Perren and Deke Richards (American songwriter and record producer)
composer:
Erik Huber (audio engineer, producer, composer)
publisher:
Jobete Music Co., Inc. and ソニー・ミュージックパブリッシング フジパシフィック事業部
The Jackson 54.13:00
3Don’t Go Breaking My Heart
recorded in:
Toronto, Ontario, Canada (in 1976-05)
producer:
Gus Dudgeon
bongos, congas and tambourine:
Ray Cooper (percussionist) (in 1976-05)
drums (drum set):
Roger Pope (in 1976-05)
electric bass guitar:
Kenny Passarelli (Bass, piano) (in 1976-05)
electric guitar:
Davey Johnstone (in 1976-05)
Rhodes piano [Fender Rhodes electric piano]:
James Newton Howard (American score composer) (in 1976-05)
background vocals:
Curt Boettcher (in 1976-05), Cidny Bullens (American singer-songwriter) (in 1976-05) and Kiki Dee (in 1976-05)
guest vocals:
Kiki Dee (in 1976-05)
lead vocals:
Elton John (English singer, songwriter, pianist, and composer) (in 1976-05)
orchestrator:
James Newton Howard (American score composer)
phonographic copyright (℗) by:
This Record Co. Ltd. (copyright holder)
recording of:
Don’t Go Breaking My Heart (in 1976-05)
lyricist:
Carte Blanche (aka. Bernie Taupin, Onions)
composer:
Ann Orson (English singer, songwriter, pianist, and composer)
publisher:
Rocket Music Ltd. and Universal‐Songs of PolyGram International, Inc.
music quoted on:
Hold Me Closer
Elton John & Kiki Dee3.554:33
4Heart of Glass
assistant engineer:
Grey Russell
engineer:
Peter Coleman (British Engineer & Producer)
assistant producer:
Peter Coleman (British Engineer & Producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison
drums (drum set):
Clem Burke
guitar:
Frank Infante and Chris Stein
keyboard:
Jimmy Destri
vocals:
Deborah Harry
phonographic copyright (℗) by:
Chrysalis (in 1978) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
part of:
TV Cream: Real 100 Best Singles Ever (number: 2), Indie 88: Top 500 Indie Rock Songs (number: 138), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 138) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 255)
recording of:
Heart of Glass
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS-affiliated), Monster Island Music Publishing Corporation, フジパシフィックミュージック and Rare Blue Music Inc (in 1978)
version of:
Once I Had a Love
Blondie4.63:51
5I Feel Love (edit)
recording of:
I Feel Love
lyricist:
Pete Bellotte (English lyricist and producer)
composer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
publisher:
Budde Music Inc. (US publisher), Rick's Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music and Warner Chappell
Donna Summer43:48
6Oye como va
engineer:
David Brown (US producer, engineer - Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-08)
congas and percussion:
Michael Carabello (on 1970-07-08)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-08)
drums (drum set):
Michael Shrieve (on 1970-07-08)
guitar:
Carlos Santana (on 1970-07-08)
keyboard and lead vocals:
Gregg Rolie (on 1970-07-08)
percussion:
Rico Reyes (on 1970-07-08)
tabla:
Steven Saphore (on 1970-07-08)
background vocals:
Rico Reyes (on 1970-07-08) and Carlos Santana (on 1970-07-08)
vocals:
Carlos Santana (on 1970-07-08)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios in San Francisco, California, United States (on 1970-07-08)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 479)
cover recording of:
Oye como va (on 1970-07-08)
lyricist and composer:
Tito Puente
publisher:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing, LLC (1995–2020), Windswept Pacific Music Ltd., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
Man on Fire
Santana4.44:19
7Stuck in the Middle With You
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1972)
music videos:
Stuck in the Middle With You by Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
lyricist and composer:
Gerald Rafferty and Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd and PolyGram Music Publishing Ltd.
Stealers Wheel43:25
8Walk on the Wild Side (remastered)
producer:
David Bowie, Lou Reed and Mick Ronson (British guitarist)
baritone saxophone:
Ronnie Ross (in 1972-08)
double bass and electric bass guitar:
Herbie Flowers (in 1972-08)
membranophone:
John Halsey (in 1972-08)
background vocals:
The Thunder Thighs (70s UK vocal group) (in 1972-08)
lead vocals:
Lou Reed (in 1972-08)
brass arranger and strings arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie, Lou Reed and Mick Ronson (British guitarist)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1972-08)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
part of:
Indie 88: Top 500 Indie Rock Songs (number: 75), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 221)
recording of:
Walk on the Wild Side (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
Lou Reed4.154:13
9Everybody’s Talkin’
earliest release:
Everybody’s Talkin’ by Nilsson
part of:
New York Post: 100 Greatest Covers (2007) (number: 51)
cover recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation and Third Palm Music
Harry Nilsson42:45
10I Can See Clearly Now
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1972)
recording of:
I Can See Clearly Now
lyricist and composer:
Johnny Nash
publisher:
Cayman Music, CP Masters B V, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Johnny Nash4.52:49
11I’m Not in Love (edit)
bass and guitar:
Graham Gouldman
effects [musical effects]:
Eric
electric piano and lead vocals:
Eric Stewart
Moog:
Kevin Godley
piano:
Lol Creme
synclavier [control desk]:
Eric, Graham, Kevin and Lol
background vocals:
Lol Creme, Kevin Godley and Graham Gouldman
edit of:
I’m Not in Love (album version) by 10cc
recording of:
I’m Not in Love (in 1975)
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Music Publishing (do not use as a release label!), Schubert Music Publishing, St. Anne's Music, St. Anne’s Music Ltd., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), Man-Ken Music Ltd. (in 1975) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
10cc43:47
12It’s Too LateCarole King43:55
13The Gambler
engineer:
Billy Sherrill (US songwriter/producer/arranger)
producer:
Larry Butler (US country music producer, songwriter & pianist)
lead vocals:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographic copyright (℗) by:
Liberty Records, Inc. (in 1978)
recorded at:
Jack Clement Recording Studio in Nashville, Tennessee, United States
cover recording of:
The Gambler
writer and composer:
Don Schlitz
publisher:
Sony/ATV Cross Keys Publishing and Writer's Night Music
Kenny Rogers53:32
14Jolene
engineer:
Tom Pick
producer:
Bob Ferguson
banjo:
Bobby Thompson (guitar & banjo player) (on 1972-05-03) and Buck Trent (on 1972-05-03)
bass:
Bobby Dyson (on 1972-05-03)
drums (drum set):
Kenny Malone (session drummer/percussion) (on 1972-05-03)
electric guitar:
Jimmy Colvard (American session guitarist) (on 1972-05-03)
fiddle:
Johnny Gimble (on 1972-05-03) and Mack Magaha (Bluegrass Fiddler) (on 1972-05-03)
guitar:
Dolly Parton (on 1972-05-03)
guitar [rhythm guitar]:
Dave Kirby (US country singer/songwriter) (on 1972-05-03)
piano:
Hargus "Pig" Robbins (on 1972-05-03)
steel guitar:
Stu Basore (on 1972-05-03)
background vocals:
Joe Babcock (on 1972-05-03), Dolores Edgin (on 1972-05-03), June Page (on 1972-05-03) and Hurshel Wiginton (on 1972-05-03)
vocals:
Dolly Parton (on 1972-05-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1973) and Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1972-05-03)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 28), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 63) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 217)
recording of:
Jolene (on 1972-05-03)
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Owepar Publishing Inc. and Velvet Apple Music
Dolly Parton4.252:42
15Take Me Home, Country RoadsJohn Denver3:12
16Baker Street (edit)
bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (in 1977)
drums (drum set):
Henry Spinetti (in 1977)
guitar [lead guitar]:
Hugh Burns (in 1977)
guitar [rhythm guitar]:
Nigel Jenkins (in 1977)
keyboard:
Tommy Eyre (in 1977)
percussion:
Glen LeFleur (in 1977)
saxophone:
Raphael Ravenscroft (in 1977)
lead vocals:
Gerry Rafferty (in 1977)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (in 1977)
edit of:
Baker Street by Gerry Rafferty
recording of:
Baker Street (in 1977)
lyricist and composer:
Gerry Rafferty
publisher:
B Music, EMI Music Publishing (do not use as a release label!), Icon Music Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Stage Three Music Publishing Limited and Universal‐Songs of PolyGram International, Inc.
Gerry Rafferty44:09
17Live and Let Die
recording engineer:
Bill Price (UK producer/engineer) (from 1972-10-19 until 1972-10-20)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (from 1972-10-19 until 1972-10-20) and Paul McCartney (The Beatles) (from 1972-10-19 until 1972-10-20)
mixer:
Bill Price (UK producer/engineer) (on 1972-10-21)
bass guitar:
Denny Laine (from 1972-10-19 until 1972-10-20)
bass guitar, electric guitar and percussion, piano and lead vocals:
Paul McCartney (The Beatles) (from 1972-10-19 until 1972-10-20)
drums (drum set):
Denny Seiwell (drummer / percussionist) (from 1972-10-19 until 1972-10-20)
duck call and timpani:
Ray Cooper (percussionist) (from 1972-10-19 until 1972-10-20)
electric guitar:
Denny Laine (from 1972-10-19 until 1972-10-20) and Henry McCullough (Northern Irish guitarist, vocalist and songwriter) (from 1972-10-19 until 1972-10-20)
percussion:
Ray Cooper (percussionist) (from 1972-10-19 until 1972-10-20) and Denny Seiwell (drummer / percussionist) (from 1972-10-19 until 1972-10-20)
background vocals:
Denny Laine (from 1972-10-19 until 1972-10-20) and Linda McCartney (from 1972-10-19 until 1972-10-20)
orchestrator:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney-related, NYC-based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 1973)
additionally recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-20)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-19)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-21)
recording of:
Live and Let Die (from 1972-10-19 until 1972-10-20)
writer:
Linda McCartney and Paul McCartney (The Beatles)
publisher:
EMI United Partnership Ltd. and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Paul McCartney & Wings4.13:12
18Love Is the Drug
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1975), Virgin EG Records Ltd. (in 1975) and Virgin Records Ltd. (not for release label use!) (in 1999)
recording of:
Love Is the Drug
lyricist:
Bryan Ferry
composer:
Andy Mackay (of Roxy Music)
publisher:
BMG Songs Ltd., E.G. Music Inc., Universal Music–MGB Songs and E.G. Music Ltd. (publisher) (in 1975)
Roxy Music4.24:08
19Teenage Kicks
engineer:
Roger Bechirian
producer:
Roger Bechirian and The Undertones (Northern Irish punk rock band)
recorded at:
Wizard Studios in Belfast, Belfast, County Antrim, County Down, Northern Ireland, United Kingdom
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 59)
recording of:
Teenage Kicks
lyricist and composer:
John O’Neill (of The Undertones)
publisher:
Universal Music Corporation (USA, affiliated with ASCAP) and Universal/MCA Music Ltd. (not for release label use!)
The Undertones4.62:27
20Ever Fallen in Love (With Someone You Shouldn’t’ve)
engineer:
Doug Bennett (producer, engineer) and Martin Rushent
producer and mixer:
Martin Rushent
arranger:
Buzzcocks
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at and mixed at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 276)
recording of:
Ever Fallen in Love (With Someone You Shouldn’t’ve)
lyricist and composer:
Pete Shelley (Buzzcocks lead singer) (in 1977-11)
publisher:
Complete Music Ltd.
Buzzcocks4.82:42
21Video Killed the Radio Star (single version)
producer:
The Buggles
electric guitar and lead vocals:
Trevor Horn (in 1979)
keyboard:
Geoff Downes (in 1979)
choir vocals:
Debi Doss (photographer and singer, kinks) (in 1979) and Linda Jardim (in 1979)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1979)
recording of:
Video Killed the Radio Star
writer:
Geoff Downes, Trevor Horn and Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Buggles43:23

Credits

Release

purchase for download:https://itunes.apple.com/gb/album/id1171880671 [info] (ended)