The Complete Buddy Rich: The Classic Albums 1946–1956

~ Release by Buddy Rich (see all versions of this release, 1 available)

Tracklist

CD 1
CD 2
CD 3
CD 4
CD 5
#TitleRatingLength
1Goody Goody3:15
2Out of This World
instrumental recording of:
Out of This World
lyricist:
Johnny Mercer (in 1945)
composer:
Harold Arlen (in 1945)
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
3:33
3Skylark
instrumental recording of:
Skylark
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael (in 1941)
publisher:
Frank Music Corp., George Simon Music Co., George Simon, Inc., Hoagy Publishing Co., Songs of Peer, Ltd. (ASCAP), The Johnny Mercer Foundation, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
日音 Synch事業部
3:10
4AC‐Cent‐Tchu‐Ate the Positive
instrumental recording of:
Ac‐cent‐tchu‐ate the Positive
lyricist:
Johnny Mercer (in 1944)
composer:
Harold Arlen (in 1944)
publisher:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:03
5One for My Baby (and One More for the Road)
instrumental recording of:
One for My Baby (and One More for the Road)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
4:18
6Fools Rush In (Where Angels Fear to Tread)
instrumental recording of:
Fools Rush In (Where Angels Fear to Tread)
lyricist:
Johnny Mercer
composer:
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publications, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Corp., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
4:23
7Blues in the Night
instrumental recording of:
Blues in the Night (My Mama Done Tol' Me)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
3:07
8Day In Day Out
instrumental recording of:
Day In, Day Out
lyricist:
Johnny Mercer (in 1939)
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
2:58
9Travelin’ Light
instrumental recording of:
Travelin’ Light
lyricist:
Johnny Mercer
composer:
Jimmy Mundy and Trummy Young
3:20
10Too Marvelous for Words
instrumental recording of:
Too Marvelous for Words
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:10
11This Time the Dream’s on Me
instrumental recording of:
This Time the Dream’s on Me
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
4:06
12Dream
instrumental recording of:
Dream
lyricist and composer:
Johnny Mercer (in 1944)
publisher:
Capitol Songs Inc., Michael H. Goldsen Inc., Warner Bros. Music Corp., Warner Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3:21
13Blue and Sentimental
recorded in:
Los Angeles, California, United States (on 1956-08-25)
engineer:
Val Valentin
producer:
Norman Granz
bass and double bass:
Joe Mondragon (on 1956-08-25)
drums (drum set):
Buddy Rich (on 1956-08-25)
flute and saxophone and woodwind:
Buddy Collette (on 1956-08-25)
guitar:
Bill Pittman (on 1956-08-25)
piano:
Jimmy Rowles (on 1956-08-25)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-25)
tenor saxophone and valve trombone and valve trombone:
Bob Enevoldsen (on 1956-08-25)
trombone:
Frank Rosolino (on 1956-08-25)
trumpet:
Pete Candoli (on 1956-08-25), Harry “Sweets” Edison (on 1956-08-25) and Conrad Gozzo (on 1956-08-25)
orchestra:
Buddy Rich and His Orchestra (on 1956-08-25)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (on 1956-08-25)
recording of:
Blue and Sentimental (on 1956-08-25)
composer:
Count Basie (pianist), Mack David (American lyricist and songwriter) and Jerry Livingston (songwriter)
4:49
14Down for Double
recorded in:
Los Angeles, California, United States (on 1956-08-25)
engineer:
Val Valentin
producer:
Norman Granz
bass and double bass:
Joe Mondragon (on 1956-08-25)
drums (drum set):
Buddy Rich (on 1956-08-25)
flute and saxophone and woodwind:
Buddy Collette (on 1956-08-25)
guitar:
Bill Pittman (on 1956-08-25)
piano:
Jimmy Rowles (on 1956-08-25)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-25)
tenor saxophone and valve trombone and valve trombone:
Bob Enevoldsen (on 1956-08-25)
trombone:
Frank Rosolino (on 1956-08-25)
trumpet:
Pete Candoli (on 1956-08-25), Harry “Sweets” Edison (on 1956-08-25) and Conrad Gozzo (on 1956-08-25)
orchestra:
Buddy Rich and His Orchestra (on 1956-08-25)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (on 1956-08-25)
recording of:
Down for Double (on 1956-08-25)
writer:
Freddie Green
4:10
15Jump for Me
recording of:
Jump for Me
composer:
Count Basie (pianist) (in 1939)
5:45
16Blues for Basie
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (on 1956-08-24)
drums (drum set):
Buddy Rich (on 1956-08-24)
flute and saxophone:
Buddy Collette (on 1956-08-24)
guitar:
Bill Pitman (on 1956-08-24)
piano:
Jimmy Rowles (on 1956-08-24)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-24)
tenor saxophone and valve trombone:
Bob Enevoldsen (on 1956-08-24)
trombone:
Frank Rosolino (on 1956-08-24)
trumpet:
Pete Candoli (on 1956-08-24), Harry “Sweets” Edison (on 1956-08-24) and Conrad Gozzo (on 1956-08-24)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (on 1956-08-24)
recording of:
Blues for Basie
composer:
Harry “Sweets” Edison
7:20
17Jumping at the Woodside
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (on 1956-08-25)
drums (drum set):
Buddy Rich (on 1956-08-25)
flute and saxophone:
Buddy Collette (on 1956-08-25)
guitar:
Bill Pitman (on 1956-08-25)
piano:
Jimmy Rowles (on 1956-08-25)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-25)
tenor saxophone and valve trombone:
Bob Enevoldsen (on 1956-08-25)
trombone:
Frank Rosolino (on 1956-08-25)
trumpet:
Pete Candoli (on 1956-08-25), Harry “Sweets” Edison (on 1956-08-25) and Conrad Gozzo (on 1956-08-25)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (on 1956-08-25)
recording of:
Jumpin’ at the Woodside (original instrumental)
composer:
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部, ワーナー・チャペル音楽出版 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
6:26
18Ain’t It the Truth
recorded in:
Los Angeles, California, United States (on 1956-08-25)
engineer:
Val Valentin
producer:
Norman Granz
bass and double bass:
Joe Mondragon (on 1956-08-25)
drums (drum set):
Buddy Rich (on 1956-08-25)
flute and saxophone and woodwind:
Buddy Collette (on 1956-08-25)
guitar:
Bill Pittman (on 1956-08-25)
piano:
Jimmy Rowles (on 1956-08-25)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-25)
tenor saxophone and valve trombone and valve trombone:
Bob Enevoldsen (on 1956-08-25)
trombone:
Frank Rosolino (on 1956-08-25)
trumpet:
Pete Candoli (on 1956-08-25), Harry “Sweets” Edison (on 1956-08-25) and Conrad Gozzo (on 1956-08-25)
orchestra:
Buddy Rich and His Orchestra (on 1956-08-25)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (on 1956-08-25)
recording of:
Ain’t It the Truth (Basie/Harding/Palmer)
composer:
Count Basie (pianist), Buster Harding and Jack Palmer (Jazz pianist and composer)
3:01
19Shorty George
recorded in:
Los Angeles, California, United States (on 1956-08-24)
engineer:
Val Valentin
producer:
Norman Granz
bass and double bass:
Joe Mondragon (on 1956-08-24)
drums (drum set):
Buddy Rich (on 1956-08-24)
flute and saxophone and woodwind:
Buddy Collette (on 1956-08-24)
guitar:
Bill Pittman (on 1956-08-24)
piano:
Jimmy Rowles (on 1956-08-24)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-24)
tenor saxophone and valve trombone and valve trombone:
Bob Enevoldsen (on 1956-08-24)
trombone:
Frank Rosolino (on 1956-08-24)
trumpet:
Pete Candoli (on 1956-08-24), Harry “Sweets” Edison (on 1956-08-24) and Conrad Gozzo (on 1956-08-24)
orchestra:
Buddy Rich and His Orchestra (on 1956-08-24)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (on 1956-08-24)
recording of:
Shorty George (on 1956-08-24)
composer:
Count Basie (pianist) and Harry “Sweets” Edison
recording of:
Shorty George (Basie/Gibson)
composer:
Count Basie (pianist) and Andy Gibson (trumpet, arranger, composer)
5:14
209.20 Special
recorded in:
Los Angeles, California, United States (on 1956-08-24)
engineer:
Val Valentin
producer:
Norman Granz
bass and double bass:
Joe Mondragon (on 1956-08-24)
drums (drum set):
Buddy Rich (on 1956-08-24)
flute and saxophone and woodwind:
Buddy Collette (on 1956-08-24)
guitar:
Bill Pittman (on 1956-08-24)
piano:
Jimmy Rowles (on 1956-08-24)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-24)
tenor saxophone and valve trombone and valve trombone:
Bob Enevoldsen (on 1956-08-24)
trombone:
Frank Rosolino (on 1956-08-24)
trumpet:
Pete Candoli (on 1956-08-24), Harry “Sweets” Edison (on 1956-08-24) and Conrad Gozzo (on 1956-08-24)
orchestra:
Buddy Rich and His Orchestra (on 1956-08-24)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (on 1956-08-24)
recording of:
9:20 Special (on 1956-08-24)
lyricist:
William Engvick (in 1941)
writer:
Jack Palmer (Jazz pianist and composer) (in 1941)
composer:
William Engvick (in 1941) and Earle Warren (in 1941)
instrumental recording of:
9:20 Special
lyricist:
William Engvick (in 1941)
writer:
Jack Palmer (Jazz pianist and composer) (in 1941)
composer:
William Engvick (in 1941) and Earle Warren (in 1941)
4:36