| # | Title | Artist | Rating | Length |
|---|
| 1 | Mass in B minor, BWV232: Symbolum Nicenum: Chorus: Credo in unum Deum | Johann Sebastian Bach | | 1:59 |
| 2 | Mass in B minor, BWV232: Symbolum Nicenum: Chorus: Patrem omnipotentem- recording engineer:
- David Hinitt
- producer:
- Adrian Peacock
- choir vocals:
- Choir of Trinity College (from 2017-01-12 until 2017-01-16)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
- conductor:
- Stephen Layton (from 2017-01-12 until 2017-01-16)
- concertmaster:
- Margaret Faultless (from 2017-01-12 until 2017-01-16)
- phonographic copyright (℗) by:
- Hyperion Records Ltd, London (in 2018)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (from 2017-01-12 until 2017-01-16)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:04 |
| 3 | Mass in B minor, BWV232: Symbolum Nicenum: Duet: Et in unum Dominum | Johann Sebastian Bach | | 4:23 |
| 4 | Mass in B minor, BWV232: Symbolum Nicenum: Chorus: Et incarnatus est | Johann Sebastian Bach | | 3:23 |
| 5 | Mass in B minor, BWV232: Symbolum Nicenum: Chorus: Crucifixus etiam pro nobis- recording engineer:
- David Hinitt
- producer:
- Adrian Peacock
- choir vocals:
- Choir of Trinity College (from 2017-01-12 until 2017-01-16)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
- conductor:
- Stephen Layton (from 2017-01-12 until 2017-01-16)
- concertmaster:
- Margaret Faultless (from 2017-01-12 until 2017-01-16)
- phonographic copyright (℗) by:
- Hyperion Records Ltd, London (in 2018)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (from 2017-01-12 until 2017-01-16)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:23 |
| 6 | Mass in B minor, BWV232: Symbolum Nicenum: Chorus: Et resurrexit tertia die | Johann Sebastian Bach | | 4:04 |
| 7 | Mass in B minor, BWV232: Symbolum Nicenum: Aria: Et in Spiritum Sanctum | Johann Sebastian Bach | | 5:18 |
| 8 | Mass in B minor, BWV232: Symbolum Nicenum: Chorus: Confiteor unum baptisma | Johann Sebastian Bach | | 3:55 |
| 9 | Mass in B minor, BWV232: Symbolum Nicenum: Chorus: Et exspecto resurrectionem- recording engineer:
- David Hinitt
- producer:
- Adrian Peacock
- choir vocals:
- Choir of Trinity College (from 2017-01-12 until 2017-01-16)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
- conductor:
- Stephen Layton (from 2017-01-12 until 2017-01-16)
- concertmaster:
- Margaret Faultless (from 2017-01-12 until 2017-01-16)
- phonographic copyright (℗) by:
- Hyperion Records Ltd, London (in 2018)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (from 2017-01-12 until 2017-01-16)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:05 |
| 10 | Mass in B minor, BWV232: Sanctus: Chorus: Sanctus | Johann Sebastian Bach | | 5:12 |
| 11 | Mass in B minor, BWV232: Osanna, Benedictus, Agnus Dei and Dona Nobis Pacem: Chorus: Osanna in excelsis- recording engineer:
- David Hinitt
- producer:
- Adrian Peacock
- choir vocals:
- Choir of Trinity College (from 2017-01-12 until 2017-01-16)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
- conductor:
- Stephen Layton (from 2017-01-12 until 2017-01-16)
- concertmaster:
- Margaret Faultless (from 2017-01-12 until 2017-01-16)
- phonographic copyright (℗) by:
- Hyperion Records Ltd, London (in 2018)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (from 2017-01-12 until 2017-01-16)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:42 |
| 12 | Mass in B minor, BWV232: Osanna, Benedictus, Agnus Dei and Dona Nobis Pacem: Aria: Benedictus- recording engineer:
- David Hinitt
- producer:
- Adrian Peacock
- tenor vocals:
- Gwilym Bowen (from 2017-01-12 until 2017-01-16)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
- conductor:
- Stephen Layton (from 2017-01-12 until 2017-01-16)
- concertmaster:
- Margaret Faultless (from 2017-01-12 until 2017-01-16)
- phonographic copyright (℗) by:
- Hyperion Records Ltd, London (in 2018)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (from 2017-01-12 until 2017-01-16)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 4:16 |
| 13 | Mass in B minor, BWV232: Osanna, Benedictus, Agnus Dei and Dona Nobis Pacem: Chorus: Osanna in excelsis- recording engineer:
- David Hinitt
- producer:
- Adrian Peacock
- choir vocals:
- Choir of Trinity College (from 2017-01-12 until 2017-01-16)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
- conductor:
- Stephen Layton (from 2017-01-12 until 2017-01-16)
- concertmaster:
- Margaret Faultless (from 2017-01-12 until 2017-01-16)
- phonographic copyright (℗) by:
- Hyperion Records Ltd, London (in 2018)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (from 2017-01-12 until 2017-01-16)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:45 |
| 14 | Mass in B minor, BWV232: Osanna, Benedictus, Agnus Dei and Dona Nobis Pacem: Aria: Agnus Dei- recording engineer:
- David Hinitt
- producer:
- Adrian Peacock
- countertenor vocals:
- Iestyn Davies (from 2017-01-12 until 2017-01-16)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
- conductor:
- Stephen Layton (from 2017-01-12 until 2017-01-16)
- concertmaster:
- Margaret Faultless (from 2017-01-12 until 2017-01-16)
- phonographic copyright (℗) by:
- Hyperion Records Ltd, London (in 2018)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (from 2017-01-12 until 2017-01-16)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 5:16 |
| 15 | Mass in B minor, BWV232: Osanna, Benedictus, Agnus Dei and Dona Nobis Pacem: Chorus: Dona nobis pacem- recording engineer:
- David Hinitt
- producer:
- Adrian Peacock
- choir vocals:
- Choir of Trinity College (from 2017-01-12 until 2017-01-16)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
- conductor:
- Stephen Layton (from 2017-01-12 until 2017-01-16)
- concertmaster:
- Margaret Faultless (from 2017-01-12 until 2017-01-16)
- phonographic copyright (℗) by:
- Hyperion Records Ltd, London (in 2018)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (from 2017-01-12 until 2017-01-16)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Dona nobis pacem
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:30 |
