Shakespeare's Musick

~ Release by Philip Pickett, Musicians of The Globe (see all versions of this release, 1 available)

Annotation

7-CD compilation in the L'Oiseau-Lyre series.

Annotation last modified on 2020-01-24 00:16 UTC.

Tracklist

▶CD 1: Shakespeare's Musick: Songs and Dances from Shakespeare's Plays
▶CD 2: Oberon, the Faery Prince: A Masque of Prince Henries
▼CD 3: Purcell's Shakespeare: Purcell's Setting and Interpolation Made into Shakespeare's Plays
#TitleArtistRatingLength
1Timon of Athens: Act I - The Masque of Cupid and Bacchus. Overture
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Shepherd I]:
William Purefoy (in 1994-12)
baritone vocals [Bacchus]:
Roderick Williams (baritone vocalist and composer) (in 1994-12)
baritone vocals [Shepherd II]:
Nicholas Hurndall Smith (in 1994-12)
bass vocals [Shepherd III]:
Simon Grant (bass-baritone) (in 1994-12)
countertenor vocals [Satyr I]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
soprano vocals [Cupid]:
Libby Crabtree (in 1994-12)
soprano vocals [Nymph I]:
Julia Gooding (soprano) (in 1994-12)
soprano vocals [Nymph II]:
Helen Parker (vocalist) (in 1994-12)
tenor vocals [Satyr II]:
Andrew King (operatic tenor) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Timon of Athens, Z. 632: 1. Overture (in 1994-12)
composer:
Henry Purcell (baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell5:45
2Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 1 Duet: "Hark how the songsters of the grove"
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Shepherd I]:
William Purefoy (in 1994-12)
baritone vocals [Bacchus]:
Roderick Williams (baritone vocalist and composer) (in 1994-12)
baritone vocals [Shepherd II]:
Nicholas Hurndall Smith (in 1994-12)
bass vocals [Shepherd III]:
Simon Grant (bass-baritone) (in 1994-12)
countertenor vocals [Satyr I]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
soprano vocals [Cupid]:
Libby Crabtree (in 1994-12)
soprano vocals [Nymph I]:
Julia Gooding (soprano) (in 1994-12)
soprano vocals [Nymph II]:
Helen Parker (vocalist) (in 1994-12)
tenor vocals [Satyr II]:
Andrew King (operatic tenor) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Timon of Athens, Z. 632: 2. Duet "Hark! How the songsters of the grove" (in 1994-12)
lyricist:
Thomas Shadwell
composer:
Henry Purcell (baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:50
3Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 2 Solo: "Love in their little veins inspires"
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Shepherd I]:
William Purefoy (in 1994-12)
baritone vocals [Bacchus]:
Roderick Williams (baritone vocalist and composer) (in 1994-12)
baritone vocals [Shepherd II]:
Nicholas Hurndall Smith (in 1994-12)
bass vocals [Shepherd III]:
Simon Grant (bass-baritone) (in 1994-12)
countertenor vocals [Satyr I]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
soprano vocals [Cupid]:
Libby Crabtree (in 1994-12)
soprano vocals [Nymph I]:
Julia Gooding (soprano) (in 1994-12)
soprano vocals [Nymph II]:
Helen Parker (vocalist) (in 1994-12)
tenor vocals [Satyr II]:
Andrew King (operatic tenor) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Timon of Athens, Z. 632: 3. Solo "Love in their little veins inspires" (Cupid) (in 1994-12)
composer:
Henry Purcell (baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:27
4Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 3 Trio: "But ah! how much are our delights"
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Shepherd I]:
William Purefoy (in 1994-12)
baritone vocals [Bacchus]:
Roderick Williams (baritone vocalist and composer) (in 1994-12)
baritone vocals [Shepherd II]:
Nicholas Hurndall Smith (in 1994-12)
bass vocals [Shepherd III]:
Simon Grant (bass-baritone) (in 1994-12)
countertenor vocals [Satyr I]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
soprano vocals [Cupid]:
Libby Crabtree (in 1994-12)
soprano vocals [Nymph I]:
Julia Gooding (soprano) (in 1994-12)
soprano vocals [Nymph II]:
Helen Parker (vocalist) (in 1994-12)
tenor vocals [Satyr II]:
Andrew King (operatic tenor) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Timon of Athens, Z. 632: 4. Trio "But ah! How much are our delights" (in 1994-12)
composer:
Henry Purcell (baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell0:53
5Timon of Athens: Act I - The Masque of Cupid and Bacchus. Nos. 4 & 5 Solo & chorus: "Hence with your trifling deity"
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Shepherd I]:
William Purefoy (in 1994-12)
baritone vocals [Bacchus]:
Roderick Williams (baritone vocalist and composer) (in 1994-12)
baritone vocals [Shepherd II]:
Nicholas Hurndall Smith (in 1994-12)
bass vocals [Shepherd III]:
Simon Grant (bass-baritone) (in 1994-12)
countertenor vocals [Satyr I]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
soprano vocals [Cupid]:
Libby Crabtree (in 1994-12)
soprano vocals [Nymph I]:
Julia Gooding (soprano) (in 1994-12)
soprano vocals [Nymph II]:
Helen Parker (vocalist) (in 1994-12)
tenor vocals [Satyr II]:
Andrew King (operatic tenor) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Timon of Athens, Z. 632: 5. Solo "Hence with your trifling deity" (Bass) (in 1994-12)
composer:
Henry Purcell (baroque composer)
part of:
Timon of Athens (semi-opera)
recording of:
Timon of Athens, Z. 632: 6. Chorus "But over us no griefs prevail" (Trio) (in 1994-12)
composer:
Henry Purcell (baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell2:34
6Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 6 Solo: "Come all to me"
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Shepherd I]:
William Purefoy (in 1994-12)
baritone vocals [Bacchus]:
Roderick Williams (baritone vocalist and composer) (in 1994-12)
baritone vocals [Shepherd II]:
Nicholas Hurndall Smith (in 1994-12)
bass vocals [Shepherd III]:
Simon Grant (bass-baritone) (in 1994-12)
countertenor vocals [Satyr I]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
soprano vocals [Cupid]:
Libby Crabtree (in 1994-12)
soprano vocals [Nymph I]:
Julia Gooding (soprano) (in 1994-12)
soprano vocals [Nymph II]:
Helen Parker (vocalist) (in 1994-12)
tenor vocals [Satyr II]:
Andrew King (operatic tenor) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Timon of Athens, Z. 632: 7. Solo "Come, come all to me" (Cupid) (in 1994-12)
composer:
Henry Purcell (baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:15
7Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 7 Chorus: "Who can resist such mighty charms?"
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Shepherd I]:
William Purefoy (in 1994-12)
baritone vocals [Bacchus]:
Roderick Williams (baritone vocalist and composer) (in 1994-12)
baritone vocals [Shepherd II]:
Nicholas Hurndall Smith (in 1994-12)
bass vocals [Shepherd III]:
Simon Grant (bass-baritone) (in 1994-12)
countertenor vocals [Satyr I]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
soprano vocals [Cupid]:
Libby Crabtree (in 1994-12)
soprano vocals [Nymph I]:
Julia Gooding (soprano) (in 1994-12)
soprano vocals [Nymph II]:
Helen Parker (vocalist) (in 1994-12)
tenor vocals [Satyr II]:
Andrew King (operatic tenor) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Timon of Athens, Z. 632: 8. Chorus "Who can resist such mighty charms" (in 1994-12)
composer:
Henry Purcell (baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:55
8Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 8 Solo: "Return, revolting rebels!"
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Shepherd I]:
William Purefoy (in 1994-12)
baritone vocals [Bacchus]:
Roderick Williams (baritone vocalist and composer) (in 1994-12)
baritone vocals [Shepherd II]:
Nicholas Hurndall Smith (in 1994-12)
bass vocals [Shepherd III]:
Simon Grant (bass-baritone) (in 1994-12)
countertenor vocals [Satyr I]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
soprano vocals [Cupid]:
Libby Crabtree (in 1994-12)
soprano vocals [Nymph I]:
Julia Gooding (soprano) (in 1994-12)
soprano vocals [Nymph II]:
Helen Parker (vocalist) (in 1994-12)
tenor vocals [Satyr II]:
Andrew King (operatic tenor) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Timon of Athens, Z. 632: 9. Solo "Return, revolting rebels" (Bacchus (Bass)) (in 1994-12)
composer:
Henry Purcell (baroque composer) (in 1694)
part of:
Timon of Athens (semi-opera)
Henry Purcell2:16
9Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 9 Solo: "The cares of lovers"
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Shepherd I]:
William Purefoy (in 1994-12)
baritone vocals [Bacchus]:
Roderick Williams (baritone vocalist and composer) (in 1994-12)
baritone vocals [Shepherd II]:
Nicholas Hurndall Smith (in 1994-12)
bass vocals [Shepherd III]:
Simon Grant (bass-baritone) (in 1994-12)
countertenor vocals [Satyr I]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
soprano vocals [Cupid]:
Libby Crabtree (in 1994-12)
soprano vocals [Nymph I]:
Julia Gooding (soprano) (in 1994-12)
soprano vocals [Nymph II]:
Helen Parker (vocalist) (in 1994-12)
tenor vocals [Satyr II]:
Andrew King (operatic tenor) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Timon of Athens, Z. 632: 10. Solo "The cares of lovers" (Cupid) (in 1994-12)
composer:
Henry Purcell (baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:53
10Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 10 Solo: "Love quickly is pall'd"
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Shepherd I]:
William Purefoy (in 1994-12)
baritone vocals [Bacchus]:
Roderick Williams (baritone vocalist and composer) (in 1994-12)
baritone vocals [Shepherd II]:
Nicholas Hurndall Smith (in 1994-12)
bass vocals [Shepherd III]:
Simon Grant (bass-baritone) (in 1994-12)
countertenor vocals [Satyr I]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
soprano vocals [Cupid]:
Libby Crabtree (in 1994-12)
soprano vocals [Nymph I]:
Julia Gooding (soprano) (in 1994-12)
soprano vocals [Nymph II]:
Helen Parker (vocalist) (in 1994-12)
tenor vocals [Satyr II]:
Andrew King (operatic tenor) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Timon of Athens, Z. 632: 11. Solo "Love quickly is pall'd" (Alto) (in 1994-12)
composer:
Henry Purcell (baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:19
11Timon of Athens: Act I - The Masque of Cupid and Bacchus. Nos. 11 & 12 Duet & Chorus: "Come, let us agree"
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Shepherd I]:
William Purefoy (in 1994-12)
baritone vocals [Bacchus]:
Roderick Williams (baritone vocalist and composer) (in 1994-12)
baritone vocals [Shepherd II]:
Nicholas Hurndall Smith (in 1994-12)
bass vocals [Shepherd III]:
Simon Grant (bass-baritone) (in 1994-12)
countertenor vocals [Satyr I]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
soprano vocals [Cupid]:
Libby Crabtree (in 1994-12)
soprano vocals [Nymph I]:
Julia Gooding (soprano) (in 1994-12)
soprano vocals [Nymph II]:
Helen Parker (vocalist) (in 1994-12)
tenor vocals [Satyr II]:
Andrew King (operatic tenor) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Timon of Athens, Z. 632: 12. Duet "Come, let us agree" (Cupid (Soprano) and Bacchus (Bass)) (in 1994-12)
composer:
Henry Purcell (baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell2:33
12If Music Be the Food of Love, Z.379
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
soprano vocals:
Meredith Hall (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
If Music Be the Food of Love (in 1994-12)
lyricist:
Col. Henry Heveningham
composer:
David Dickau
part of:
Roud Folk Song Index (number: 51627)
Col. Henry Heveningham4:03
13Dido and Aeneas: Act 2 - The Witshes's Scene. Prelude for the Witches: "Wayward sisters"
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
baritone vocals:
Benjamin Bevan (in 1994-12)
baritone vocals [Sorceress]:
Roderick Williams (baritone vocalist and composer) (in 1994-12)
baritone vocals [Witch]:
Benjamin Bevan (in 1994-12) and Nicholas Hurndall Smith (in 1994-12)
bass-baritone vocals [Witch]:
Mark Rowlinson (in 1994-12)
mezzo-soprano vocals and mezzo-soprano vocals [Witch]:
Sally Bruce-Payne (in 1994-12)
mezzo-soprano vocals [Witch I]:
Teresa Shaw (in 1994-12)
soprano vocals:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Witch II]:
Catherine King (in 1994-12)
soprano vocals [Witch]:
Meredith Hall (in 1994-12), Helen Parker (vocalist) (in 1994-12) and Rosalind Waters (in 1994-12)
tenor vocals [Echo]:
Angus Smith (tenor) (in 1994-12)
tenor vocals [Witch]:
Andrew King (operatic tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (in 1994-12)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell4:35
14Dido and Aeneas: Act 2 - The Witshes's Scene. "But, ere we this perform"
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
baritone vocals:
Benjamin Bevan (in 1994-12)
baritone vocals [Sorceress]:
Roderick Williams (baritone vocalist and composer) (in 1994-12)
baritone vocals [Witch]:
Benjamin Bevan (in 1994-12) and Nicholas Hurndall Smith (in 1994-12)
bass-baritone vocals [Witch]:
Mark Rowlinson (in 1994-12)
mezzo-soprano vocals and mezzo-soprano vocals [Witch]:
Sally Bruce-Payne (in 1994-12)
mezzo-soprano vocals [Witch I]:
Teresa Shaw (in 1994-12)
soprano vocals:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Witch II]:
Catherine King (in 1994-12)
soprano vocals [Witch]:
Meredith Hall (in 1994-12), Helen Parker (vocalist) (in 1994-12) and Rosalind Waters (in 1994-12)
tenor vocals [Echo]:
Angus Smith (tenor) (in 1994-12)
tenor vocals [Witch]:
Andrew King (operatic tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches) (in 1994-12)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:18
15Dido and Aeneas: Act 2 - The Witshes's Scene. "In our deep vaulted cell"
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
baritone vocals:
Benjamin Bevan (in 1994-12)
baritone vocals [Sorceress]:
Roderick Williams (baritone vocalist and composer) (in 1994-12)
baritone vocals [Witch]:
Benjamin Bevan (in 1994-12) and Nicholas Hurndall Smith (in 1994-12)
bass-baritone vocals [Witch]:
Mark Rowlinson (in 1994-12)
mezzo-soprano vocals and mezzo-soprano vocals [Witch]:
Sally Bruce-Payne (in 1994-12)
mezzo-soprano vocals [Witch I]:
Teresa Shaw (in 1994-12)
soprano vocals:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Witch II]:
Catherine King (in 1994-12)
soprano vocals [Witch]:
Meredith Hall (in 1994-12), Helen Parker (vocalist) (in 1994-12) and Rosalind Waters (in 1994-12)
tenor vocals [Echo]:
Angus Smith (tenor) (in 1994-12)
tenor vocals [Witch]:
Andrew King (operatic tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus) (in 1994-12)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:07
16Dido and Aeneas: Act 2 - The Witshes's Scene. Echo Dance of Furies
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
baritone vocals:
Benjamin Bevan (in 1994-12)
baritone vocals [Sorceress]:
Roderick Williams (baritone vocalist and composer) (in 1994-12)
baritone vocals [Witch]:
Benjamin Bevan (in 1994-12) and Nicholas Hurndall Smith (in 1994-12)
bass-baritone vocals [Witch]:
Mark Rowlinson (in 1994-12)
mezzo-soprano vocals and mezzo-soprano vocals [Witch]:
Sally Bruce-Payne (in 1994-12)
mezzo-soprano vocals [Witch I]:
Teresa Shaw (in 1994-12)
soprano vocals:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Witch II]:
Catherine King (in 1994-12)
soprano vocals [Witch]:
Meredith Hall (in 1994-12), Helen Parker (vocalist) (in 1994-12) and Rosalind Waters (in 1994-12)
tenor vocals [Echo]:
Angus Smith (tenor) (in 1994-12)
tenor vocals [Witch]:
Andrew King (operatic tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies (in 1994-12)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:55
17The Tempest: Act 4. Air: "Dear pretty youth" (Dorinda)
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
soprano vocals:
Julia Gooding (soprano) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Dear Pretty Youth (in 1994-12)
composer:
Henry Purcell (baroque composer)
part of:
The Tempest, Z. 631
Henry Purcell2:23
18King Richard II: Act 4. Song: "Retir'd from any mortal's sight"
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
soprano vocals:
Helen Groves (British soprano) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
Henry Purcell4:04
19The Fairy Queen: Act 2 - Entrance of Night, Mystery, Secrecy and Sleep, with Attendants. No. 14: "See, even Night herself is here"
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Attendant]:
William Purefoy (in 1994-12)
baritone vocals [Attendant]:
Benjamin Bevan (in 1994-12), Nicholas Hurndall Smith (in 1994-12) and Roderick Williams (baritone vocalist and composer) (in 1994-12)
baritone vocals [Sleep]:
Roderick Williams (baritone vocalist and composer) (in 1994-12)
bass-baritone vocals [Attendant]:
Mark Rowlinson (in 1994-12)
countertenor vocals [Attendant] and countertenor vocals [Secrecy]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
mezzo-soprano vocals [Attendant]:
Sally Bruce-Payne (in 1994-12)
soprano vocals [Attendant solo]:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Attendant]:
Helen Groves (British soprano) (in 1994-12) and Rosalind Waters (in 1994-12)
soprano vocals [Mystery]:
Meredith Hall (in 1994-12)
soprano vocals [Night]:
Libby Crabtree (in 1994-12)
tenor vocals [Attendant]:
Simon Davies (tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "See, even Night herself is here" (in 1994-12)
composer:
Henry Purcell (baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell4:42
20The Fairy Queen: Act 2 - Entrance of Night, Mystery, Secrecy and Sleep, with Attendants. No. 15: "I am come to lock all fast"
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Attendant]:
William Purefoy (in 1994-12)
baritone vocals [Attendant]:
Benjamin Bevan (in 1994-12), Nicholas Hurndall Smith (in 1994-12) and Roderick Williams (baritone vocalist and composer) (in 1994-12)
baritone vocals [Sleep]:
Roderick Williams (baritone vocalist and composer) (in 1994-12)
bass-baritone vocals [Attendant]:
Mark Rowlinson (in 1994-12)
countertenor vocals [Attendant] and countertenor vocals [Secrecy]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
mezzo-soprano vocals [Attendant]:
Sally Bruce-Payne (in 1994-12)
soprano vocals [Attendant solo]:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Attendant]:
Helen Groves (British soprano) (in 1994-12) and Rosalind Waters (in 1994-12)
soprano vocals [Mystery]:
Meredith Hall (in 1994-12)
soprano vocals [Night]:
Libby Crabtree (in 1994-12)
tenor vocals [Attendant]:
Simon Davies (tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "I am come to lock all fast" (in 1994-12)
composer:
Henry Purcell (baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell1:28
21The Fairy Queen: Act 2 - Entrance of Night, Mystery, Secrecy and Sleep, with Attendants. No. 16: "One charming night"
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Attendant]:
William Purefoy (in 1994-12)
baritone vocals [Attendant]:
Benjamin Bevan (in 1994-12), Nicholas Hurndall Smith (in 1994-12) and Roderick Williams (baritone vocalist and composer) (in 1994-12)
baritone vocals [Sleep]:
Roderick Williams (baritone vocalist and composer) (in 1994-12)
bass-baritone vocals [Attendant]:
Mark Rowlinson (in 1994-12)
countertenor vocals [Attendant] and countertenor vocals [Secrecy]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
mezzo-soprano vocals [Attendant]:
Sally Bruce-Payne (in 1994-12)
soprano vocals [Attendant solo]:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Attendant]:
Helen Groves (British soprano) (in 1994-12) and Rosalind Waters (in 1994-12)
soprano vocals [Mystery]:
Meredith Hall (in 1994-12)
soprano vocals [Night]:
Libby Crabtree (in 1994-12)
tenor vocals [Attendant]:
Simon Davies (tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "One charming night" (in 1994-12)
composer:
Henry Purcell (baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:18
22The Fairy Queen: Act 2 - Entrance of Night, Mystery, Secrecy and Sleep, with Attendants. No. 17: "Hush, no more"
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Attendant]:
William Purefoy (in 1994-12)
baritone vocals [Attendant]:
Benjamin Bevan (in 1994-12), Nicholas Hurndall Smith (in 1994-12) and Roderick Williams (baritone vocalist and composer) (in 1994-12)
baritone vocals [Sleep]:
Roderick Williams (baritone vocalist and composer) (in 1994-12)
bass-baritone vocals [Attendant]:
Mark Rowlinson (in 1994-12)
countertenor vocals [Attendant] and countertenor vocals [Secrecy]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
mezzo-soprano vocals [Attendant]:
Sally Bruce-Payne (in 1994-12)
soprano vocals [Attendant solo]:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Attendant]:
Helen Groves (British soprano) (in 1994-12) and Rosalind Waters (in 1994-12)
soprano vocals [Mystery]:
Meredith Hall (in 1994-12)
soprano vocals [Night]:
Libby Crabtree (in 1994-12)
tenor vocals [Attendant]:
Simon Davies (tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "Hush, no more" (in 1994-12)
composer:
Henry Purcell (baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell5:07
23The Fairy Queen: Act 2 - Entrance of Night, Mystery, Secrecy and Sleep, with Attendants. No. 18: Dance for the Followers of the Night
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Attendant]:
William Purefoy (in 1994-12)
baritone vocals [Attendant]:
Benjamin Bevan (in 1994-12), Nicholas Hurndall Smith (in 1994-12) and Roderick Williams (baritone vocalist and composer) (in 1994-12)
baritone vocals [Sleep]:
Roderick Williams (baritone vocalist and composer) (in 1994-12)
bass-baritone vocals [Attendant]:
Mark Rowlinson (in 1994-12)
countertenor vocals [Attendant] and countertenor vocals [Secrecy]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
mezzo-soprano vocals [Attendant]:
Sally Bruce-Payne (in 1994-12)
soprano vocals [Attendant solo]:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Attendant]:
Helen Groves (British soprano) (in 1994-12) and Rosalind Waters (in 1994-12)
soprano vocals [Mystery]:
Meredith Hall (in 1994-12)
soprano vocals [Night]:
Libby Crabtree (in 1994-12)
tenor vocals [Attendant]:
Simon Davies (tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "Dance for the followers of night" (in 1994-12)
composer:
Henry Purcell (baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell4:02
24The Fairy Queen: Act 4 - Symphony: No. 30a: (Allegro)
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Attendant]:
William Purefoy (in 1994-12)
baritone vocals [Attendant]:
Benjamin Bevan (in 1994-12), Nicholas Hurndall Smith (in 1994-12) and Roderick Williams (baritone vocalist and composer) (in 1994-12)
baritone vocals [Sleep]:
Roderick Williams (baritone vocalist and composer) (in 1994-12)
bass-baritone vocals [Attendant]:
Mark Rowlinson (in 1994-12)
countertenor vocals [Attendant] and countertenor vocals [Secrecy]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
mezzo-soprano vocals [Attendant]:
Sally Bruce-Payne (in 1994-12)
soprano vocals [Attendant solo]:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Attendant]:
Helen Groves (British soprano) (in 1994-12) and Rosalind Waters (in 1994-12)
soprano vocals [Mystery]:
Meredith Hall (in 1994-12)
soprano vocals [Night]:
Libby Crabtree (in 1994-12)
tenor vocals [Attendant]:
Simon Davies (tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
partial recording of:
The Fairy Queen, Z. 629: Part IV "Epithalamium": Symphony (in 1994-12)
composer:
Henry Purcell (baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell0:37
25The Fairy Queen: Act 4 - Symphony: No. 30b: Canzona
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Attendant]:
William Purefoy (in 1994-12)
baritone vocals [Attendant]:
Benjamin Bevan (in 1994-12), Nicholas Hurndall Smith (in 1994-12) and Roderick Williams (baritone vocalist and composer) (in 1994-12)
baritone vocals [Sleep]:
Roderick Williams (baritone vocalist and composer) (in 1994-12)
bass-baritone vocals [Attendant]:
Mark Rowlinson (in 1994-12)
countertenor vocals [Attendant] and countertenor vocals [Secrecy]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
mezzo-soprano vocals [Attendant]:
Sally Bruce-Payne (in 1994-12)
soprano vocals [Attendant solo]:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Attendant]:
Helen Groves (British soprano) (in 1994-12) and Rosalind Waters (in 1994-12)
soprano vocals [Mystery]:
Meredith Hall (in 1994-12)
soprano vocals [Night]:
Libby Crabtree (in 1994-12)
tenor vocals [Attendant]:
Simon Davies (tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
partial recording of:
The Fairy Queen, Z. 629: Part IV "Epithalamium": Symphony (in 1994-12)
composer:
Henry Purcell (baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell1:25
26The Fairy Queen: Act 4 - Symphony: No. 30c: Largo
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Attendant]:
William Purefoy (in 1994-12)
baritone vocals [Attendant]:
Benjamin Bevan (in 1994-12), Nicholas Hurndall Smith (in 1994-12) and Roderick Williams (baritone vocalist and composer) (in 1994-12)
baritone vocals [Sleep]:
Roderick Williams (baritone vocalist and composer) (in 1994-12)
bass-baritone vocals [Attendant]:
Mark Rowlinson (in 1994-12)
countertenor vocals [Attendant] and countertenor vocals [Secrecy]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
mezzo-soprano vocals [Attendant]:
Sally Bruce-Payne (in 1994-12)
soprano vocals [Attendant solo]:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Attendant]:
Helen Groves (British soprano) (in 1994-12) and Rosalind Waters (in 1994-12)
soprano vocals [Mystery]:
Meredith Hall (in 1994-12)
soprano vocals [Night]:
Libby Crabtree (in 1994-12)
tenor vocals [Attendant]:
Simon Davies (tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
partial recording of:
The Fairy Queen, Z. 629: Part IV "Epithalamium": Symphony (in 1994-12)
composer:
Henry Purcell (baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell1:25
27The Fairy Queen: Act 4 - Symphony: No. 30d: Allegro - Adagio - Allegro
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Attendant]:
William Purefoy (in 1994-12)
baritone vocals [Attendant]:
Benjamin Bevan (in 1994-12), Nicholas Hurndall Smith (in 1994-12) and Roderick Williams (baritone vocalist and composer) (in 1994-12)
baritone vocals [Sleep]:
Roderick Williams (baritone vocalist and composer) (in 1994-12)
bass-baritone vocals [Attendant]:
Mark Rowlinson (in 1994-12)
countertenor vocals [Attendant] and countertenor vocals [Secrecy]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
mezzo-soprano vocals [Attendant]:
Sally Bruce-Payne (in 1994-12)
soprano vocals [Attendant solo]:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Attendant]:
Helen Groves (British soprano) (in 1994-12) and Rosalind Waters (in 1994-12)
soprano vocals [Mystery]:
Meredith Hall (in 1994-12)
soprano vocals [Night]:
Libby Crabtree (in 1994-12)
tenor vocals [Attendant]:
Simon Davies (tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
partial recording of:
The Fairy Queen, Z. 629: Part IV "Epithalamium": Symphony (in 1994-12)
composer:
Henry Purcell (baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell3:08
28The Fairy Queen: Act 4 - Solo & Chorus. No. 31: "Now the night"
recording engineer:
Jean-Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Attendant]:
William Purefoy (in 1994-12)
baritone vocals [Attendant]:
Benjamin Bevan (in 1994-12), Nicholas Hurndall Smith (in 1994-12) and Roderick Williams (baritone vocalist and composer) (in 1994-12)
baritone vocals [Sleep]:
Roderick Williams (baritone vocalist and composer) (in 1994-12)
bass-baritone vocals [Attendant]:
Mark Rowlinson (in 1994-12)
countertenor vocals [Attendant] and countertenor vocals [Secrecy]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
mezzo-soprano vocals [Attendant]:
Sally Bruce-Payne (in 1994-12)
soprano vocals [Attendant solo]:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Attendant]:
Helen Groves (British soprano) (in 1994-12) and Rosalind Waters (in 1994-12)
soprano vocals [Mystery]:
Meredith Hall (in 1994-12)
soprano vocals [Night]:
Libby Crabtree (in 1994-12)
tenor vocals [Attendant]:
Simon Davies (tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Now the night is chas'd away" (in 1994-12)
composer:
Henry Purcell (baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:20
▶CD 4: Thomas Linley Jr.: Ode on the Witches and Fairies of Shakespeare
▶CD 5: The Enchanted Island - Music for a Restoration "Tempest"
▶CD 6: Henry Rowley Bishop: Shakespeare at the Covent Garden
▶CD 7: Nutmeg and Ginger: Spicy Ballads from Shakespeare's London