Dark Was the Night: The Essential Recordings of Blind Willie Johnson

~ Veröffentlichung von Blind Willie Johnson (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

▼CD 1
Nr.TitelBewertungLänge
1Let Your Light Shine on Me
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1929-12-10)
Gitarre:
Blind Willie Johnson (am 1929-12-10)
vocals:
Blind Willie Johnson (am 1929-12-10)
recording of:
Let Your Light Shine on Me (am 1929-12-10)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3:13
2God Don't Never Change
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1929-12-10)
Gitarre:
Blind Willie Johnson (am 1929-12-10)
vocals:
Blind Willie Johnson (am 1929-12-10)
recording of:
God Don't Never Change (am 1929-12-10)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
2:56
3Lord, I Just Can't Keep From Crying
recorded in:
Dallas, Texas, Vereinigte Staaten (am 1928-12-05)
Gitarre:
Blind Willie Johnson (am 1928-12-05)
vocals:
Willie B. Harris (am 1928-12-05) und Blind Willie Johnson (am 1928-12-05)
recording of:
Lord I Just Can’t Keep From Crying (am 1928-12-05)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3:04
4Keep Your Lamp Trimmed and Burnin'
recorded in:
Dallas, Texas, Vereinigte Staaten (am 1928-12-05)
Gitarre:
Blind Willie Johnson (am 1928-12-05)
vocals:
Willie B. Harris (am 1928-12-05) und Blind Willie Johnson (am 1928-12-05)
recording of:
Keep Your Lamp Trimmed and Burning (am 1928-12-05)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
basiert auf:
Keep Your Lamp Trimmed and Burning
3:06
5Dark Was the Night - Cold Was the Ground
recorded in:
Dallas, Texas, Vereinigte Staaten (am 1927-12-03)
Gitarre und sonstiger Gesang [humming and moaning]:
Blind Willie Johnson (am 1927-12-03)
vocals:
Blind Willie Johnson (am 1927-12-03)
Herausgeber:
Harmony (20s/30s US)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1999)
recording of:
Dark Was the Night, Cold Was the Ground (am 1927-12-03)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3.753:22
6Nobody's Fault but Mine
recorded in:
Dallas, Texas, Vereinigte Staaten (am 1927-12-03)
Gitarre:
Blind Willie Johnson (am 1927-12-03)
vocals:
Blind Willie Johnson (am 1927-12-03)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
It’s Nobody’s Fault but Mine (Blind Willie Johnson song) (am 1927-12-03)
Texter, Komponist(in) und arranger:
Blind Willie Johnson
vorher zugeschrieben zu:
[traditional] (special purpose artist)
3:11
7I Know His Blood Can Make Me Whole
recorded in:
Dallas, Texas, Vereinigte Staaten (am 1927-12-03)
Gitarre:
Blind Willie Johnson (am 1927-12-03)
vocals:
Blind Willie Johnson (am 1927-12-03)
recording of:
I Know His Blood Can Make Me Whole (am 1927-12-03)
Verfasser(in):
Blind Willie Johnson
53:06
8Mother's Children Have a Hard Time
recorded in:
Dallas, Texas, Vereinigte Staaten (am 1927-12-03)
Gitarre:
Blind Willie Johnson (am 1927-12-03)
vocals:
Blind Willie Johnson (am 1927-12-03)
recording of:
Mother's Children Have a Hard Time (am 1927-12-03)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3:23
9Jesus Make Up My Dying Bed
recorded in:
Dallas, Texas, Vereinigte Staaten (am 1927-12-03)
Gitarre:
Blind Willie Johnson (am 1927-12-03)
vocals:
Blind Willie Johnson (am 1927-12-03)
recording of:
Jesus Make Up My Dying Bed (am 1927-12-03)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
Version von:
Jesus Goin' A-Make Up My Dying Bed
3:13
10If I Had My Way I'd Tear the Building Down
recorded in:
Dallas, Texas, Vereinigte Staaten (am 1927-12-03)
Gitarre:
Blind Willie Johnson (am 1927-12-03)
vocals:
Blind Willie Johnson (am 1927-12-03)
recording of:
If I Had My Way I’d Tear the Building Down (am 1927-12-03)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3:11
11Jesus Is Coming Soon
recorded in:
Dallas, Texas, Vereinigte Staaten (am 1928-12-05)
Gitarre:
Blind Willie Johnson (am 1928-12-05)
vocals:
Willie B. Harris (am 1928-12-05) und Blind Willie Johnson (am 1928-12-05)
recording of:
Jesus Is Coming Soon (am 1928-12-05)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3:13
12Bye and Bye I'm Goin' to See the King
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1929-12-10)
Gitarre:
Blind Willie Johnson (am 1929-12-10)
vocals:
Blind Willie Johnson (am 1929-12-10)
recording of:
Bye and Bye We’re Going to See the King (am 1929-12-10)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
2:54
13God Moves on the Water
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1929-12-11)
Gitarre:
Blind Willie Johnson (am 1929-12-11)
vocals:
Blind Willie Johnson (am 1929-12-11)
recording of:
God Moves on the Water (am 1929-12-11)
Texter und Komponist(in):
Blind Willie Johnson
3:00
14You'll Need Somebody on Your Bond
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1929-12-11)
Gitarre:
Blind Willie Johnson (am 1929-12-11)
vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (am 1929-12-11) und Blind Willie Johnson (am 1929-12-11)
recording of:
You'll Need Somebody on Your Bond (am 1929-12-11)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3:07
15Praise God I'm Satisfied
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1929-12-11)
Gitarre:
Blind Willie Johnson (am 1929-12-11)
vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (am 1929-12-11) und Blind Willie Johnson (am 1929-12-11)
recording of:
Praise God I'm Satisfied (am 1929-12-11)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3:11
16When the War Was On
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1929-12-11)
Gitarre:
Blind Willie Johnson (am 1929-12-11)
vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (am 1929-12-11), Angeline Johnson (am 1929-12-11) und Blind Willie Johnson (am 1929-12-11)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
When the War Was On (am 1929-12-11)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3:03
17Take Your Burden to the Lord and Leave It There
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1929-12-11)
Gitarre:
Blind Willie Johnson (am 1929-12-11)
vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (am 1929-12-11) und Blind Willie Johnson (am 1929-12-11)
recording of:
Take Your Burden to the Lord and Leave It There (am 1929-12-11)
arranger:
Blind Willie Johnson
Arrangement von:
Leave It There
2:59
18Everybody Ought to Treat a Stranger Right
recorded in:
Atlanta, Georgia, Vereinigte Staaten (am 1930-04-20)
Gitarre:
Blind Willie Johnson (am 1930-04-20)
vocals:
Willie B. Harris (am 1930-04-20) und Blind Willie Johnson (am 1930-04-20)
recording of:
Everybody Ought to Treat a Stranger Right (am 1930-04-20)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3:08
19Soul of a Man
recorded in:
Atlanta, Georgia, Vereinigte Staaten (am 1930-04-20)
Gitarre:
Blind Willie Johnson (am 1930-04-20)
vocals:
Willie B. Harris (am 1930-04-20) und Blind Willie Johnson (am 1930-04-20)
recording of:
The Soul of a Man (am 1930-04-20)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3:16
20John the Revelator
recorded in:
Atlanta, Georgia, Vereinigte Staaten (am 1930-04-20)
Gitarre:
Blind Willie Johnson (am 1930-04-20)
vocals:
Willie B. Harris (am 1930-04-20), Angeline Johnson (am 1930-04-20) und Blind Willie Johnson (am 1930-04-20)
recording of:
John the Revelator (am 1930-04-20)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 6701)
43:20
21Trouble Will Soon Be Over
recorded in:
Atlanta, Georgia, Vereinigte Staaten (am 1930-04-20)
Gitarre:
Blind Willie Johnson (am 1930-04-20)
vocals:
Willie B. Harris (am 1930-04-20) und Blind Willie Johnson (am 1930-04-20)
recording of:
Trouble Will Soon Be Over (am 1930-04-20)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3:09
22Church, I'm Fully Saved Today
recorded in:
Atlanta, Georgia, Vereinigte Staaten (am 1930-04-20)
Gitarre:
Blind Willie Johnson (am 1930-04-20)
vocals:
Willie B. Harris (am 1930-04-20) und Blind Willie Johnson (am 1930-04-20)
recording of:
Church, I'm Fully Saved To-Day (am 1930-04-20)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
3:11

Nennungen

Veröffentlichung

ASIN:UK: B000002XT6 [Info]

Veröffentlichungsgruppe

Teil von:The Essential Recordings (series by Indigo) (Reihenfolge: 7)