NOW 100 Hits: Classic Rock

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

▶CD 1
▶CD 2
▶CD 3
▼CD 4
#TitleArtistRatingLength
1Don’t Stop
assistant engineer:
Chris Morris (LA engineer & producer (late '70s))
engineer:
Ken Caillat and Richard Dashut
additional producer:
Ken Caillat and Richard Dashut
producer:
Ken Caillat, Richard Dashut and Fleetwood Mac
bass guitar:
John McVie
drums (drum set) and percussion:
Mick Fleetwood
guitar:
Lindsey Buckingham
keyboard and synthesizer:
Christine McVie
vocals:
Lindsey Buckingham, Christine McVie and Stevie Nicks
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) and Warner Bros. (holding: File NO Releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States
recording of:
Don’t Stop
lyricist and composer:
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher) and Gentoo Music, Inc. (in 1977)
Fleetwood Mac4.23:11
2(Don’t Fear) The Reaper
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 397) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 449)
recording of:
(Don’t Fear) The Reaper
lyricist and composer:
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., ソニー・ミュージックパブリッシング A事業部 and Sony/ATV Tunes LLC (in 1976)
Blue Öyster Cult4.43:49
3Breakfast at Tiffany’s
engineer, producer and mixer:
David Castell
acoustic guitar and electric guitar:
Toby Pipes, Todd Pipes and Kirk Tatom
bass guitar:
Todd Pipes and Kirk Tatom
drums (drum set) and percussion:
John Kirtland (Drummer, head of Kirtland Records)
keyboard:
Toby Pipes and Todd Pipes
lap steel guitar:
Toby Pipes
organ and piano:
Kirk Tatom
vocals:
Toby Pipes, Todd Pipes and Kirk Tatom
phonographic copyright (℗) by:
Interscope Records (in 1995)
recording of:
Breakfast at Tiffany’s
lyricist and composer:
Todd Pipes
publisher:
Warner Chappell North America
Deep Blue Something3.654:17
4Should I Stay or Should I Go
engineer:
Bob Clearmountain
producer:
Guy Stevens
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
guest vocals:
Joe Ely
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 183) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 228)
recording of:
Should I Stay or Should I Go
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
The Clash4.553:08
5You Ain’t Seen Nothing Yet
engineer:
Mark Smith (Canadian engineer)
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
solo guitar and lead vocals:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographic copyright (℗) by:
Phonogram, Inc. (in 1974) and PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974)
recording of:
You Ain’t Seen Nothing Yet
lyricist and composer:
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
Ranbach Music (publisher), Ranbach Music Ltd. and Sony Songs Inc.
Bachman–Turner Overdrive4.353:38
6I Want You to Want Me
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
recording of:
I Want You to Want Me (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Gil Music Corporation, Adult Music (in 1977, in 1978), Screen Gems-EMI Music Incorporated (USA, affiliated with BMI) (in 1977) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1978)
part of:
10 Things I Hate About You
Cheap Trick4.63:10
7American Woman
assistant recording engineer:
Ed Schnabl and Russ Vestuto
recording engineer:
Brian Christian
producer:
Jack Richardson
arranger:
The Guess Who (Canadian rock band)
recorded at:
RCA's Mid-America Recording Center (Chicago, 1935-1969) in Chicago, Illinois, United States
edit of:
American Woman (original stereo mix) by The Guess Who
recording of:
American Woman
writer:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale and Garry Peterson (Canadian drummer for The Guess Who)
publisher:
Cirrus Musik and Dunbar Music Inc.
The Guess Who4.23:53
8Bad to the Bone
recording of:
Bad to the Bone
lyricist and composer:
George Thorogood
George Thorogood & the Destroyers3:38
9Teenage Dirtbag
recording of:
Teenage Dirtbag
lyricist and composer:
Brendan B. Brown (Wheatus singer/guitarist)
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) (in 2000) and Montauk Mantis Productions (in 2000)
Wheatus14:02
10Are You Gonna Go My Way
additional engineer:
David Domanich
assistant engineer:
Greg DiGesu
engineer and mixer:
Henry Hirsch
producer:
Lenny Kravitz
bass:
Tony Breit
electric guitar:
Craig Ross (guitarist)
background vocals and lead vocals:
Lenny Kravitz
recording of:
Are You Gonna Go My Way (in 1998-12)
lyricist:
Lenny Kravitz
composer:
Lenny Kravitz and Craig Ross (guitarist)
publisher:
Miss Bessie Music, Wigged Music, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
Lenny Kravitz3.853:32
11Juke Box Hero
recording of:
Juke Box Hero
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
Foreigner4:04
12Slow Ride
phonographic copyright (℗) by:
Bearsville Records Inc. (in 1975)
recording of:
Slow Ride (Foghat)
lyricist and composer:
Dave Peverett
Foghat4.63:58
13Carry On Wayward Son
recording of:
Carry On Wayward Son
lyricist and composer:
Kerry Livgren
publisher:
Kirshner CBS Music Publishing, フジパシフィックミュージック SBK事業部, Don Kirshner Music Inc. (from 1976 to present) and EMI Blackwood Music Inc. (1989-07-24–present) (from 1976 to present)
Kansas43:27
14Bring Me to Life
additional programming:
Zac Baird, David Hodges (keyboardist of Evanescence and Trading Yesterday) and Chris Johnson (programming/production for Ivy Lane Music)
programming:
Ben Moody (American musician and producer)
additional engineer:
Ben Moody (American musician and producer)
assistant engineer:
Sergio Chavez, Jason Cupp, Ai Fujisaki, Dean Nelson and Sam Storey
engineer:
Jeremy Parker (engineer)
producer:
Dave Fortman
mixer:
Jay Baumgardner
bass guitar:
Francesco DiCosmo
drums (drum set):
Josh Freese (American drummer)
guitar and percussion:
Ben Moody (American musician and producer)
keyboard and piano:
David Hodges (keyboardist of Evanescence and Trading Yesterday)
guest vocals:
Paul McCoy
lead vocals:
Amy Lee (singer-songwriter of Evanescence)
music videos:
Bring Me to Life by Evanescence
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 43)
recording of:
Bring Me to Life
writer:
David Hodges (keyboardist of Evanescence and Trading Yesterday), Amy Lee (singer-songwriter of Evanescence) and Ben Moody (American musician and producer)
publisher:
Forthefallen Publishing, Reservoir One America and Zombies Ate My Publishing
Evanescence4.53:57
15Stranglehold
recording of:
Stranglehold
lyricist and composer:
Ted Nugent
additional writer:
Rob Grange
publisher:
Magicland Music
parody version of:
Strangest Folks
Ted Nugent4.258:24
16Roundabout
recording of:
Roundabout
writer:
Jon Anderson (Yes/Jon & Vangelis) and Steve Howe
publisher:
Cotillion Music Inc. (BMI), Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Bros. (holding: File NO Releases), Warner Chappell Music, Inc., Yessongs Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Yes8:31
17For What It’s Worth
producer:
Charles Greene (producer) and Brian Stone (producer)
background vocals:
Richie Furay and Dewey Martin
vocals:
Stephen Stills
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 63)
recording of:
For What It’s Worth (on 1966-12-05)
lyricist and composer:
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East and Ten‐East Music (BMI)
Buffalo Springfield42:36
▶CD 5
▶CD 6

Credits

Release Group

part of:NOW 100 Hits ("Now That's What I Call Music!" series spin-off, UK) (order: 5)