Beethoven / Verdi / Wagner / R. Strauss a.o.

~ Release by Beethoven, Verdi, Wagner, R. Strauss; Inge Borkh (see all versions of this release, 1 available)

Tracklist

▶CD 1
▼CD 2
#TitleArtistRatingLength
1Der fliegende Holländer: Zweiter Akt: Johohoe! Traft ihr das Schiff im Meere an?
recorded in:
Berlin, Germany (in 1951)
choir vocals:
Damenchor des RIAS Berlin (in 1951)
soprano vocals [Senta]:
Inge Borkh (soprano) (in 1951)
orchestra:
Sinfonieorchester des RIAS Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1951)
conductor:
Heinrich Hollreiser (conductor) (in 1951)
partial recording of:
Der fliegende Holländer, WWV 63: Akt II, Nr. 4. Lied, Scene, Ballade und Chor "Summ und brumm, du gutes Rädchen" (Chor der Spinnerinnen) (in 1951)
composer:
Richard Wagner (composer) (from 1840 until 1841)
librettist:
Richard Wagner (composer)
part of:
Der fliegende Holländer, WWV 63: Akt II
Richard Wagner7:37
2Der Walküre: Erster Aufzug: Eine Waffe lass mich dir weisen … Der Männer Sippe
recorded in:
Paris, Île-de-France, France (in 1958)
soprano vocals [Sieglinde]:
Inge Borkh (soprano) (in 1958)
orchestra:
Orchestre de l’ORTF (RTF / ORTF / Radio France) (in 1958)
conductor:
Karl Schuricht (in 1958)
partial recording of:
Die Walküre, WWV 86B: Akt I, Scene III "Ein Schwert verhieß mir der Vater" (in 1958)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt I
Richard Wagner5:21
3Die Macht des Schicksals: Zweiter Akt: Zweites Bild: Szene und Arie: Hier bin ich! Dank, o Himmel … Mutter der reinsten Gnade
recorded in:
München, Bayern, Germany (in 1960)
choir vocals:
Männerchor des Bayerischen Rundfunks (in 1960)
soprano vocals [Leonora]:
Inge Borkh (soprano) (in 1960)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1960)
conductor:
Richard Kraus (conductor) (in 1960)
Giuseppe Verdi5:58
4Aida: Dritter Akt: Duett: Wehe, mein Vater!
recorded in:
Hamburg, Germany (in 1949)
bass-baritone vocals [Amonasro]:
Alexander Welitsch (bass-baritone) (in 1949)
soprano vocals [Aida]:
Inge Borkh (soprano) (in 1949)
orchestra:
SDR Sinfonieorchester (in 1949)
conductor:
Hans Schmidt‐Isserstedt (in 1949)
recording of:
Aida: Akt III. „Wehe, mein Vater!” (Aida, Amonasro) (in 1949)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro)
part of:
Aida: Akt III
Giuseppe Verdi8:04
5Mona Lisa: Erster Akt: Perlenduett: Seht hier des Meeres wunderbarsten Schatz
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1953)
bass-baritone vocals [Messer Francesco del Giocondo]:
Alexander Welitsch (bass-baritone) (in 1953)
soprano vocals [Mona Fiordalisa]:
Inge Borkh (soprano) (in 1953)
orchestra:
SDR Sinfonieorchester (in 1953)
conductor:
Hans Müller-Kray (conductor, professor and director) (in 1953)
partial recording of:
Mona Lisa: Act I (in 1953)
composer:
Max von Schillings
librettist:
Beatrice von Dovsky
part of:
Mona Lisa
Max von Schillings4:25
6Andrea Chénier: Atto quarto: Duetto: Vicino a te
recorded in:
New York, New York, United States (in 1954)
soprano vocals [Maddalena di Coigny]:
Inge Borkh (soprano) (in 1954)
tenor vocals [Andrea Chénier]:
Richard Tucker (tenor) (in 1954)
recording of:
Andrea Chénier: Atto IV. “Vicino a te” (Chénier, Maddalena) (in 1954)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto IV
Umberto Giordano7:46
7Andrea Chénier: Vierter Akt: Duett: Du kommst daher
soprano vocals [Maddalena di Coigny]:
Inge Borkh (soprano) (in 1960)
tenor vocals [Andrea Chénier]:
Sándor Kónya (Hungarian tenor) (in 1960)
orchestra:
Bayerische Rundfunk-Sinfonieorchester (in 1960)
conductor:
Richard Kraus (conductor) (in 1960)
Umberto Giordano6:36
8Macbeth: Premier acte: Entrée de Lady Macbeth: Et puis … elles disparurent … O vous, ministres du meurtre
recorded in:
Napoli, Napoli, Campania, Italy (in 1968)
bass vocals [Macbeth]:
Nicola Rossi‐Lemeni (operatic bass) (in 1968)
soprano vocals [Lady Macbeth]:
Inge Borkh (soprano) (from 1968 to present)
orchestra:
Orchestra del Teatro San Carlo di Napoli (in 1968)
conductor:
Piero Colombo (conductor) (in 1968)
partial recording of:
Macbeth: Acte I (in 1968)
composer:
Ernest Bloch (composer) (from 1904 until 1906)
librettist:
Edmond Fleg
part of:
Macbeth
Ernest Bloch8:08
9Macbeth: Premier acte: Duo: Ah! Si la chose une fois faite
recorded in:
Napoli, Napoli, Campania, Italy (in 1968)
bass vocals [Macbeth]:
Nicola Rossi‐Lemeni (operatic bass) (in 1968)
soprano vocals [Lady Macbeth]:
Inge Borkh (soprano) (in 1968)
orchestra:
Orchestra del Teatro San Carlo di Napoli (in 1968)
conductor:
Piero Colombo (conductor) (in 1968)
recording of:
Macbeth: Acte I (in 1968)
composer:
Ernest Bloch (composer) (from 1904 until 1906)
librettist:
Edmond Fleg
part of:
Macbeth
Ernest Bloch11:10
10Die ägyptische Helena: Zweiter Akt: Szene: Zweite Brautnacht!
recorded in:
Berlin, Germany (in 1960)
soprano vocals [Helena]:
Inge Borkh (soprano) (in 1960)
orchestra:
RIAS Sinfonieorchester (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1960)
conductor:
Artur Rother (conductor) (in 1960)
recording of:
Die Ägyptische Helena: Act II: “Zweite Brautnacht” (in 1960)
composer:
Richard Strauss (German composer)
Richard Strauss4:40
11Der Konsul: Dritter Akt: Wir sind soweit
recorded in:
Berlin, Germany (in 1952)
soprano vocals [Magda Sorel]:
Inge Borkh (soprano) (in 1952)
orchestra:
RIAS Sinfonieorchester (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1952)
conductor:
Christoph Altmüller (conductor) (in 1952)
Gian Carlo Menotti7:36

Credits

Release

manufactured in:Belgium
liner notes:Paul Korenhof
design:Studio Eric Wondergem BNO
rights society:MCPS (UK rights society; do not use this as a label or work publisher!)
copyrighted (©) by:I.M.C. Music LTD. (UK record company; do NOT use as release label!) (in 1999)