Anthology 1934-1937

~ Release by Django Reinhardt (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleRatingLength
1Oh, Lady Be Good
recording of:
Oh, Lady Be Good!
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
2:54
2Dinah
double bass:
Louis Vola (in 1934-12, on 1934-12-28)
guitar:
Roger Chaput (in 1934-12, on 1934-12-28), Django Reinhardt (French jazz guitarist and composer) (in 1934-12, on 1934-12-28) and Joseph Reinhardt (in 1934-12, on 1934-12-28)
violin:
Stéphane Grappelli (jazz violinist) (in 1934-12, on 1934-12-28)
performer:
Quintette du Hot Club de France
recording of:
Dinah (on 1934-12-28)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) and Morley Music Corp.
part of:
The Girl’s Suite
2:37
3Exactly Like You
double bass:
Louis Vola (on 1937-04-21)
guitar:
Marcel Bianchi (on 1937-04-21), Pierre “Baro” Ferret (on 1937-04-21), Django Reinhardt (French jazz guitarist and composer) (on 1937-04-21) and Joseph Reinhardt (on 1937-04-21)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-21)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1702-1)
recording of:
Exactly Like You (on 1937-04-21)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1930)
composer:
Jimmy McHugh (songwriter) (in 1930)
instrumental recording of:
Exactly Like You
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1930)
composer:
Jimmy McHugh (songwriter) (in 1930)
2:30
4Charleston
double bass:
Louis Vola (on 1937-04-21)
guitar:
Marcel Bianchi (on 1937-04-21) and Pierre “Baro” Ferret (on 1937-04-21)
solo guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-04-21)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-21)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1703-1) and Swing (by matrix number) (number: OLA 1703-1)
recording of:
Charleston (on 1937-04-21)
lyricist:
Cecil Mack (in 1923)
composer:
James P. Johnson (in 1923)
publisher:
Salabert
2:54
5You're Driving Me Crazy2:55
6Tears
double bass:
Louis Vola (on 1937-04-21)
guitar:
Marcel Bianchi (on 1937-04-21), Pierre “Baro” Ferret (on 1937-04-21) and Django Reinhardt (French jazz guitarist and composer) (on 1937-04-21)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-21)
recording of:
Tears (on 1937-04-21)
composer:
Stéphane Grappelli (jazz violinist) and Django Reinhardt (French jazz guitarist and composer)
2:39
7Solitude
recording of:
Solitude
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co. and EMI Mills Music Inc. (ASCAP-affiliated)
3:11
8Hot Lips
recording of:
Hot Lips
lyricist:
Lou Davis (in 1922)
composer:
Henry Busse (in 1922) and Henry Lange (in 1922)
publisher:
Leo Feist, Inc. (on 1922-09-19)
3:06
9Ain't Misbehavin'
double bass:
Louis Vola (on 1937-04-22)
guitar:
Marcel Bianchi (on 1937-04-22) and Pierre “Baro” Ferret (on 1937-04-22)
solo guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-04-22)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-22)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1708-1)
recording of:
Ain’t Misbehavin’ (on 1937-04-22)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use!), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
2:55
10Rose Room
recorded in:
Paris, Île-de-France, France (on 1937-04-22)
double bass:
Louis Vola (on 1937-04-22)
guitar:
Marcel Bianchi (on 1937-04-22), Pierre “Baro” Ferret (on 1937-04-22) and Django Reinhardt (French jazz guitarist and composer) (on 1937-04-22)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-22)
recording of:
Rose Room (on 1937-04-22)
lyricist:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
composer:
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Paul Rodriguez Music Ltd, Universal Music Publishing Group and Warner/Chappell Music, Inc.
2:46
11Body and Soul
recorded in:
Paris, Île-de-France, France (on 1937-04-22)
double bass:
Louis Vola (on 1937-04-22)
guitar:
Marcel Bianchi (on 1937-04-22) and Pierre “Baro” Ferret (on 1937-04-22)
solo guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-04-22)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-22)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1710-1)
recording of:
Body and Soul (on 1937-04-22)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
instrumental recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:28
12When Day Is Done
double bass:
Louis Vola (on 1937-04-22)
guitar:
Marcel Bianchi (on 1937-04-22), Pierre “Baro” Ferret (on 1937-04-22) and Django Reinhardt (French jazz guitarist and composer) (on 1937-04-22)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-22)
recording of:
When Day Is Done (on 1937-04-22)
lyricist:
Buddy DeSylva (in 1926)
composer:
Robert Katscher (in 1926)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Redwood Music Ltd. (Carlin)
is based on:
Madonna, du bist schöner als der Sonnenschein
3:15
13Runnin' Wild
recording of:
Runnin’ Wild
lyricist:
Joe Grey (in 1922) and Leo Wood (American songwriter & lyricist; 1882—1929) (in 1922)
composer:
Arthur Harrington Gibbs (in 1922)
instrumental recording of:
Runnin’ Wild
lyricist:
Joe Grey (in 1922) and Leo Wood (American songwriter & lyricist; 1882—1929) (in 1922)
composer:
Arthur Harrington Gibbs (in 1922)
2:56
14Chicago
recorded in:
Paris, Île-de-France, France (on 1937-04-26)
double bass:
Louis Vola (on 1937-04-26)
guitar:
Marcel Bianchi (on 1937-04-26) and Pierre “Baro” Ferret (on 1937-04-26)
solo guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-04-26)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-26)
performer:
Django Reinhardt et son quintette (on 1937-04-26)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1713-1) and Swing (by matrix number) (number: OLA 1713-1)
recording of:
Chicago (That Toddlin’ Town) (on 1937-04-26)
lyricist and composer:
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. and Salabert
3:27
15Liebestraume No.3
double bass:
Louis Vola (on 1937-04-26)
double bass [bass]:
Louis Vola (in 1937-04)
guitar:
Pierre “Baro” Ferret (in 1937-04, on 1937-04-26), Django Reinhardt (French jazz guitarist and composer) (in 1937-04, on 1937-04-26), Joseph Reinhardt (in 1937-04) and Marcel Bianchi (on 1937-04-26)
violin:
Stéphane Grappelli (jazz violinist) (in 1937-04, on 1937-04-26)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst” (on 1937-04-26)
composer:
Franz Liszt (in 1850)
piano arranger:
Franz Liszt
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
recording of:
Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst”, S. 541 Nr. 3 (catch-all for arrangements)
composer:
Franz Liszt
arrangement of:
Liebesträume, S. 541: No. 3 Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst”
3:22
16Miss Annebelle Lee
double bass:
Louis Vola (on 1937-04-26)
double bass [bass]:
Louis Vola (in 1937-04)
guitar:
Pierre “Baro” Ferret (in 1937-04, on 1937-04-26), Django Reinhardt (French jazz guitarist and composer) (in 1937-04, on 1937-04-26), Joseph Reinhardt (in 1937-04) and Marcel Bianchi (on 1937-04-26)
violin:
Stéphane Grappelli (jazz violinist) (in 1937-04, on 1937-04-26)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1715-1)
recording of:
Miss Annabelle Lee (on 1937-04-26)
lyricist:
Sidney Clare
composer:
Lew Pollack
recording of:
Miss Annabelle Lee (in 1937-04)
lyricist:
Sidney Clare
composer:
Lew Pollack
2:50
17A Little Love, a Little Kiss
double bass:
Louis Vola (on 1937-04-26)
guitar:
Marcel Bianchi (on 1937-04-26), Pierre “Baro” Ferret (on 1937-04-26) and Django Reinhardt (French jazz guitarist and composer) (on 1937-04-26)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-26)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1716-1)
recording of:
A Little Love, A Little Kiss (on 1937-04-26)
composer:
Stanislao Silésu
3:21
18Mystery Pacific
double bass:
Louis Vola (on 1937-04-26)
guitar:
Marcel Bianchi (on 1937-04-26), Pierre “Baro” Ferret (on 1937-04-26) and Django Reinhardt (French jazz guitarist and composer) (on 1937-04-26)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-26)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1717-1)
recording of:
Mystery Pacific (on 1937-04-26)
composer:
Stéphane Grappelli (jazz violinist) and Django Reinhardt (French jazz guitarist and composer)
2:22
19In a Sentimental Mood
double bass:
Louis Vola (on 1937-04-26)
guitar:
Marcel Bianchi (on 1937-04-26), Pierre “Baro” Ferret (on 1937-04-26) and Django Reinhardt (French jazz guitarist and composer) (on 1937-04-26)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-26)
recording of:
In a Sentimental Mood (on 1937-04-26)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
instrumental recording of:
In a Sentimental Mood (on 1937-04-26)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
3:04
20The Sheik of Araby
double bass:
Louis Vola (on 1937-04-26)
guitar:
Marcel Bianchi (on 1937-04-26), Pierre “Baro” Ferret (on 1937-04-26) and Django Reinhardt (French jazz guitarist and composer) (on 1937-04-26, on 1937-04-27)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-26)
cover recording of:
The Sheik of Araby (on 1937-04-26)
lyricist:
Harry B. Smith (in 1921) and Francis Wheeler (in 1921)
composer:
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music and Salabert
instrumental recording of:
The Sheik of Araby (on 1937-04-27)
lyricist:
Harry B. Smith (in 1921) and Francis Wheeler (in 1921)
composer:
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music and Salabert
3:04