Encore!

~ Release by John Williams & The Boston Pops Orchestra (see all versions of this release, 2 available)

Tracklist

CD 1
#TitleRatingLength
1Star Wars (Main Theme)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Main Title (Star Wars) (in 1980-06)
composer:
John Williams (American score composer) (from 2014-12 until 2015-11)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
music quoted on:
Finale (Star Wars, Episode IX: The Rise of Skywalker)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
5:41
2Star Wars (Princess Leia's Theme)
recorded in:
Boston, Massachusetts, United States (in 1980-06)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Princess Leia's Theme (Star Wars, Episode IV: A New Hope) (in 1980-06)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
4:08
3E.T. (Flying Theme)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (in 1982)
composer:
John Williams (American score composer) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
3:46
4Superman (March)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Main Theme (Superman: The Movie) (in 1980-06)
composer:
John Williams (American score composer)
part of:
Superman: The Movie (1978 film soundtrack)
4:27
5Superman (Love Theme)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Can You Read My Mind (Superman: The Movie, love theme) (in 1980-06)
lyricist:
Leslie Bricusse
composer:
John Williams (American score composer)
publisher:
Warner-Barham Music LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
version of:
Flying Part III (Superman: The Movie)
part of:
Superman: The Movie (1978 film soundtrack)
4:50
6Raiders of the Lost Ark (March)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
The Raiders March (Raiders of the Lost Ark) (in 1982)
composer:
John Williams (American score composer)
part of:
Indiana Jones and the Kingdom of the Crystal Skull
5:30
7Chariots of Fire (Main Theme)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
arranger:
Joseph Reisman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
Chariots of Fire (title theme of the 1981 film) (in 1982)
composer:
Vangelis (Greek composer of electronic, new age and classical)
publisher:
EMI Music Publishing (do not use as a release label!)
4:12
8Gone With the Wind (Tara's Theme)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
arranger:
Angela Morley
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
Tara’s Theme (Gone With the Wind, main theme) (in 1982)
composer:
Max Steiner
publisher:
Warner Olive Music LLC
part of:
Gone With the Wind (soundtrack from the 1939 film)
4:42
9A Summer Place (Love Theme)
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Lee Holdridge
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
Theme from “A Summer Place” (original instrumental version) (in 1987-06)
composer:
Max Steiner (in 1959)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America
2:40
10The Pink Panther (Main Theme)
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Henry Mancini (US composer, conductor & arranger)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
The Pink Panther Theme (in 1987-06)
orchestrator and composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
EMI Music Publishing (S.E. Asia) Ltd., Taiwan, EMI United Partnership Ltd. and Northridge Music, Inc.
music quoted on:
The Pink
3:13
11Never on Sunday
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Richard Hayman
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
Never on Sunday (in 1987-06)
lyricist:
Manos Hadjidakis (Greek composer) and Billy Towne (movie/musical composer)
composer:
Manos Hadjidakis (Greek composer)
translator:
Billy Towne (movie/musical composer)
publisher:
EMI Unart Catalog Inc. and EMI United Partnership Ltd.
part of:
Academy Award for Best Original Song (number: 33)
arrangement of:
Τα παιδιά του Πειραιά
translated version of:
Τα παιδιά του Πειραιά
2:51
12The Trolley Song (Meet Me in St. Louis)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
arranger:
Alexander Courage and Conrad Salinger
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
cover recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (in 1982)
lyricist:
Ralph Blane
composer:
Hugh Martin
publisher:
EMI Feist Catalog Inc. and United Partnership Ltd.
part of:
Meet Me in St. Louis (1944 film)
3:29
13Singin' in the Rain
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
arranger:
Alexander Courage and Conrad Salinger
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
instrumental recording of:
Singin’ in the Rain (in 1982)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation and シンコーミュージック・パブリッシャーズ
sub-publisher:
EMI Music Publishing (S.E. Asia) Ltd., Taiwan
music quoted on:
Main Title From “The Pink Panther Strikes Again”
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
part of:
Singin’ in the Rain (full musical)
part of:
The Hollywood Revue (1929 MGM musical film)
3:39
14Pops Salutes the Oscars
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (on 1988-05-18, on 1988-06-04)
conductor:
John Williams (American score composer) (on 1988-05-18, on 1988-06-04)
arranger:
Morton Stevens
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1988-05-18, on 1988-06-04)
medley including a recording of:
The Shadow of Your Smile (on 1988-05-18)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部, ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Academy Award for Best Original Song (number: 38)
medley including a recording of:
Moon River (from 1988-05-18 until 1988-06-04)
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music (renamed since 2007-05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部
part of:
Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 34)
medley including a recording of:
Raindrops Keep Fallin’ on My Head (from 1988-05-18 until 1988-06-04)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use!), New Hidden Valley Music Co., PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), フジパシフィックミュージック and フジパシフィックミュージック 第2事業部
part of:
Academy Award for Best Original Song (number: 42)
medley including a recording of:
Swinging on a Star (from 1988-05-18 until 1988-06-04)
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Inc. and Music Sales Corporation (American copyright holder in both popular and classical music)
part of:
Academy Award for Best Original Song (number: 17)
medley including a recording of:
The Way We Were (from 1988-05-18 until 1988-06-04)
lyricist:
Alan Bergman (American lyricist) (in 1973) and Marilyn Bergman (in 1973)
composer:
Marvin Hamlisch (in 1973)
publisher:
Pathe Publications (Far East) Limited, Screen Gems–EMI Music Ltd. and Colgems-EMI Music Inc. (in 1973)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
part of:
Academy Award for Best Original Song (number: 46)
part of:
The Way We Were
medley including a recording of:
When You Wish Upon a Star (from "Pinocchio") (from 1988-05-18 until 1988-06-04)
lyricist:
Ned Washington
composer:
Leigh Harline
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Chappell Music Ltd.
part of:
Academy Award for Best Original Song (number: 13)
medley of:
When You Wish Upon a Star (individual music cue from Pinocchio)
medley of:
When You Wish Upon a Star (individual music cue from Pinocchio)
medley of:
Little Wooden Head (individual music cue from Pinocchio)
part of:
Celebrate the Future Hand in Hand
10:50
15Close Encounters of the Third Kind (Suite)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Close Encounters of the Third Kind: Suite (in 1980-06)
composer:
John Williams (American score composer)
10:11
CD 2

Credits

Release

ASIN:US: B000294RO4 [info]