| # | Title | Artist | Rating | Length |
|---|
| 1 | Middle of the Road | Pretenders | 5 | 4:13 |
| 2 | Rhythm of My Heart | Rod Stewart | | 4:16 |
| 3 | Baker Street- recording engineer:
- Barry Hammond
- producer:
- Hugh Murphy and Gerry Rafferty
- mixer:
- Declan O’Doherty
- bass:
- Gary Taylor
- drums (drum set):
- Henry Spinetti
- electric guitar:
- Hugh Burns and Nigel Jenkins
- Moog and keyboard:
- Tommy Eyre
- percussion:
- Glen LeFleur
- saxophone:
- Raphael Ravenscroft
- lead vocals:
- Gerry Rafferty
- strings arranger:
- Graham Preskett
- phonographic copyright (℗) by:
- Parlophone Records Ltd. (in 1978) and United Artists Music and Records Group, Inc. (in 1978)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
- mixed at:
- Advision Studios in Fitzrovia, Camden, Westminster, London , England, United Kingdom
- recording of:
- Baker Street
- lyricist and composer:
- Gerry Rafferty
- publisher:
- B Music, EMI Music Publishing , Icon Music Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Stage Three Music Publishing Limited and Universal‐Songs of PolyGram International, Inc.
| Gerry Rafferty | 3.5 | 6:11 |
| 4 | 1973 | James Blunt | 4.5 | 4:40 |
| 5 | Josephine (Single Version) | Chris Rea | | 3:37 |
| 6 | The Remedy (I Won’t Worry) | Jason Mraz | 4.35 | 4:16 |
| 7 | How Sweet It Is (To Be Loved By You) | James Taylor | 4.35 | 3:35 |
| 8 | No Lookin’ Back | Michael McDonald | | 3:57 |
| 9 | Edge of Seventeen | Stevie Nicks | 4.15 | 5:29 |
| 10 | Skin Trade - Radio Cut | Duran Duran | 3.25 | 4:29 |
| 11 | Say You’ll Be Mine- assistant engineer:
- Stuart Gitlin
- engineer and mixer:
- Chet Himes
- producer:
- Michael Omartian
- acoustic guitar, electric guitar and lead vocals:
- Christopher Cross
- bass guitar:
- Andy Salmon
- drums (drum set):
- Tommy Taylor
- percussion:
- Lenny Castro
- piano:
- Michael Omartian
- solo guitar:
- Jay Graydon
- background vocals:
- Christopher Cross and Nicolette Larson
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1979)
- produced for:
- Free Flow Productions
- recorded at:
- Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Say You’ll Be Mine
- lyricist and composer:
- Christopher Cross
- publisher:
- Pop ’n’ Roll Music , Universal Music–MGB Songs, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Christopher Cross | 3 | 2:56 |
| 12 | Love Is | Alannah Myles | | 3:36 |
| 13 | I Don’t Want to Live Without You | Foreigner | | 3:58 |
| 14 | He Ain’t Heavy He’s My Brother- producer:
- Ron Richards
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1969) and The Hollies Ltd. (from 1969 until 1970)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (on 1969-06-25)
- cover recording of:
- He Ain’t Heavy, He’s My Brother (on 1969-06-25)
- writer:
- Bob Russell and Bobby Scott
- publisher:
- Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation and ミュージック・セールス
| The Hollies | 4.2 | 4:22 |
| 15 | Today’s the Day | America | | 3:16 |
| 16 | Walk Through the World | Marc Cohn | | 4:55 |
| 17 | Everybody Hurts - Live, MTV Unplugged | The Corrs | 4 | 5:50 |
| 18 | Takin’ It to the Streets | The Doobie Brothers | | 3:52 |
| 19 | What You Get Is What You See | Tina Turner | 4 | 4:32 |
| 20 | Baby What a Big Surprise- assistant recording engineer and recording engineer:
- Armin Steiner (strings)
- assistant engineer:
- Tom Likes
- engineer:
- Wayne Tarnowski
- producer:
- James William Guercio
- acoustic guitar and bass:
- James William Guercio (in 1977)
- additional background vocals:
- Tim Cetera (in 1977) and Carl Wilson (in 1977)
- orchestrator:
- Peter Cetera, Dominic Frontiere and James William Guercio
- phonographic copyright (℗) by:
- CBS, Inc. (in 1977, in 1978) and Rhino Entertainment Company (in 2002, in 2007)
- recorded at:
- Caribou Ranch Recording Studio in Nederland, Colorado, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings)
- mixed at:
- Caribou Ranch Recording Studio in Nederland, Colorado, United States
- recording of:
- Baby, What a Big Surprise (in 1977)
- orchestrator:
- Dominic Frontiere
- lyricist and composer:
- Peter Cetera (in 1977)
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Island Music Ltd. and Universal Music Publishing MGB Ltd.
| Chicago | | 3:06 |
| 21 | She Makes My Day | Robert Palmer | | 4:22 |
| 22 | Round and Round | Spandau Ballet | | 4:33 |
| 23 | Push | Matchbox Twenty | 3.35 | 3:58 |
| 24 | Sugar Mice - 2018 Remix- assistant recording engineer:
- Richard Sullivan
- recording engineer:
- Nick Davis
- producer:
- Chris Kimsey
- assistant mixer:
- Avril Macintosh
- mixer:
- David Jacob
- drums (drum set) and percussion:
- Ian Mosley
- electric bass guitar:
- Pete Trewavas
- guitar:
- Steve Rothery
- keyboard:
- Mark Kelly
- lead vocals:
- Fish
- phonographic copyright (℗) by:
- Charisma Music Publishing Ltd
- recorded at:
- Westside Studios in London , England, United Kingdom
- mixed at:
- Advision Studios in Fitzrovia, Camden, Westminster, London , England, United Kingdom
- recording of:
- Sugar Mice
- lyricist:
- Derek William Dick
- composer:
- Derek William Dick, Mark Kelly , Ian Mosley, Steve Rothery and Pete Trewavas
| Marillion | 2 | 5:47 |
| 25 | Big Mistake | Peter Cetera | | 5:43 |
| 26 | Lost Without Your Love | Bread | 5 | 2:57 |
| 27 | Shattered Glass | Laura Branigan | | 3:42 |
| 28 | Magic | The Cars | | 3:58 |
| 29 | Leave It- engineer:
- Gary Langan
- producer:
- Trevor Horn
- bass guitar:
- Chris Squire (in 1983)
- drums (drum set):
- Alan White (in 1983)
- guitar:
- Trevor Rabin (in 1983)
- keyboard:
- Tony Kaye (in 1983)
- lead vocals:
- Jon Anderson (in 1983)
- recorded at:
- SARM Studios in London , England, United Kingdom (in 1983)
- recording of:
- Leave It (in 1983)
- composer:
- Trevor Horn, Trevor Rabin and Chris Squire
- publisher:
- Carbert Music Inc., Carlin Music Corporation, Tremander Songs, Warner Bros. Music Ltd. , Warner/Chappell North America Limited , WB Music Corp. , Affirmative Music (in 1984), Unforgettable Songs (in 1984) and Warner–Tamerlane Publishing Corp. (in 1984)
| Yes | 3.65 | 4:13 |
| 30 | Miracles | Jefferson Starship | 4 | 6:52 |
