Sentimental Journey: Pop Vocal Classics Volume 4 (1954-1959)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

▼CD 1
Nr.TitelKünstlerBewertungLänge
1Mack the Knife
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer), Nesuhi Ertegun und Jerry Wexler
vocals:
Bobby Darin
Dirigent(in):
Richard Wess
arranger:
Richard Wess
Teil von:
Grammy Award: Record of the Year nominees (Nummer: 1960 winner), Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 40) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 251)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:12
2Fever
cover recording of:
Fever
Verfasser(in):
Eddie Cooley und John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. und Trio Music Company
Teil von:
The Adjustment Bureau
Peggy Lee with Jack Marshall's Music3:24
3Tammy
recording of:
Tammy
Verfasser(in):
Ray Evans (US lyricist) und Jay Livingston
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), MCA Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Debbie Reynolds3:09
4Let Me Go Lover
recording of:
Let Me Go, Lover
Texter:
Al Hill (Ben Weisman, Fred Wise, Kay Twomey)
Komponist(in):
Jenny Lou Carson
basiert auf:
Let Me Go, Devil
Joan Weber2:27
5What a Difference a Day Makes
Produzent(in):
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (am 1959-02-19)
Flöte:
Jerome Richardson (am 1959-02-19)
Gitarre:
Kenny Burrell (am 1959-02-19)
Klavier:
Joe Zawinul (jazz and fusion keyboard player) (am 1959-02-19)
Kontrabass:
Milt Hinton (am 1959-02-19)
Schlagzeug:
Panama Francis (US swing jazz drummer) (am 1959-02-19)
Sologesang:
Dinah Washington (am 1959-02-19)
vocals:
Dinah Washington (am 1959-02-19)
Orchester:
Belford Hendricks' Orchestra (am 1959-02-19)
Dirigent(in):
Belford Hendricks (am 1959-02-19)
arranger:
Belford Hendricks
cover recording of:
What a Diff’rence a Day Made (am 1959-02-19)
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music – Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
Dinah Washington3.352:31
6On the Street Where You Live
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1956)
cover recording of:
On the Street Where You Live (My Fair Lady)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
My Fair Lady (full musical)
Vic Damone42:45
7Singing the Blues
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 37)
cover recording of:
Singing the Blues
Texter und Komponist(in):
Melvin Endsley (in 1956)
publisher:
Acuff Rose Opryland Ltd. (UK) und Acuff-Rose Music Limited (UK)
Guy Mitchell2:30
8Chances Are
leitende(r) Produzent(in):
Michael Berniker und Jerry Shulman
Produzent(in):
Al Ham und Mitch Miller
vocals:
Johnny Mathis (in 1957)
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1957)
Teil von:
Grammy Hall of Fame
recording of:
Chances Are (in 1957)
Texter:
Al Stillman
Komponist(in):
Robert Allen (US songwriter/arranger/pianist)
publisher:
Kitty Anne Music Co., Inc. (beendet), Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd. und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 und ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Johnny Mathis with Ray Conniff and His Orchestra3:05
9Whatever Will Be Will Be (Que Sera, Sera)
vocals:
Doris Day (am 1956-02-24)
Orchester:
Frank De Vol and His Orchestra (am 1956-02-24)
Dirigent(in):
Frank De Vol (am 1956-02-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (vom 1956 bis heute)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (am 1956-02-24)
Texter:
Ray Evans (US lyricist)
Komponist(in):
Jay Livingston
publisher:
Jay Livingston Music Inc., St. Angelo Music und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Teil von:
Academy Award for Best Original Song (Nummer: 29)
Doris Day2:08
10The Wayward Wind
recording of:
The Wayward Wind
Texter und Komponist(in):
Stan Lebowsky und Herb Newman
Gogi Grant23:01
11Memories Are Made of This
Produzent(in):
Lee Gillette
Hintergrundgesang:
The Easy Riders
vocals:
Dean Martin (American singer/actor) (in 1955)
Orchester:
Dick Stabile and His Orchestra (in 1955)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1996)
cover recording of:
Memories Are Made of This
Verfasser(in):
Richard Dehr (in 1955), Terry Gilkyson (in 1955) und Frank Miller (American singer & songwriter) (in 1955)
Dean Martin with Dick Stabile & Orchestra52:20
12Old Cape Cod
recording of:
Old Cape Cod
Verfasser(in):
Irwin Pincus (also known as "Allan Jeffrey"), Claire Rothrock und Milton Yakus
publisher:
George Pincus & Sons Music Corp., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部
Patti Page2:39
13The Man That Got Away
recorded in:
Hollywood, Los Angeles, California, Vereinigte Staaten (am 1953-09-04)
Klavier:
Buddy Cole (am 1953-09-04)
Posaune:
Hoyt Bohannon (am 1953-09-04)
Schlagzeug:
Nick Fatool (am 1953-09-04)
Tenorsaxophon:
Irving "Babe" Russin (am 1953-09-04)
vocals:
Judy Garland (am 1953-09-04)
Orchester:
The Warner Bros. Studio Orchestra (am 1953-09-04)
Dirigent(in):
Ray Heindorf (am 1953-09-04)
arranger:
Ray Heindorf und Skip Martin
recording of:
The Man That Got Away (A Star Is Born) (am 1953-09-04)
Texter:
Ira Gershwin (in 1953)
Komponist(in):
Harold Arlen (in 1953)
publisher:
Chappell/Morris Ltd., Harwin Music Corporation und MPL Communications Inc. (Paul McCartney-related, NYC-based company)
Judy Garland3:41
14Fascination
Jane Morgan and the Troubadours2:25
15I Could Have Danced All Night
Sylvia Syms2:44
16Just in Time
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
Just in Time (Bells Are Ringing)
Texter:
Betty Comden (in 1956) und Adolph Green (in 1956)
Komponist(in):
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部
Teil von:
Bells Are Ringing (stage musical)
Tony Bennett2:37
17That Old Black Magic
vocals:
Sammy Davis Jr. (in 1955)
Orchester:
Sy Oliver and His Orchestra (in 1955)
Herausgeber:
Famous Music (renamed since 2007-05 as Sony/ATV Harmony/Melody)
cover recording of:
That Old Black Magic
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Harold Arlen (in 1942)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
Sammy Davis Jr.3:19

Nennungen

Veröffentlichungsgruppe

Teil von:Sentimental Journey: Pop Vocal Classics (Rhino) (Nummer: 4) (Reihenfolge: 4)