Pure

~ Release by Chris Potter (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleRatingLength
1Salome's Dance
recording engineer:
Alan Varner (from 1994-06-14 until 1994-06-15)
assistant engineer:
John McDonald (engineer)
bass:
Larry Grenadier (from 1994-06-14 until 1994-06-15)
drums (drum set):
Al Foster (from 1994-06-14 until 1994-06-15)
guitar [electric, acoustic guitar]:
John Hart (jazz guitarist) (from 1994-06-14 until 1994-06-15)
keyboard [organ, piano]:
Larry Goldings (from 1994-06-14 until 1994-06-15)
woodwind [alto, tenor, soprano saxophone, flute, alto flute, bass clarinet]:
Chris Potter (jazz saxophonist) (from 1994-06-14 until 1994-06-15)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Penny Lane Studios in New York, New York, United States (from 1994-06-14 until 1994-06-15)
remixed at:
PER in San Francisco, California, United States
recording of:
Salome's Dance (from 1994-06-14 until 1994-06-15)
composer:
Chris Potter (jazz saxophonist)
6:42
2Checking Out
recording engineer:
Alan Varner (from 1994-06-14 until 1994-06-15)
assistant engineer:
John McDonald (engineer)
bass:
Larry Grenadier (from 1994-06-14 until 1994-06-15)
drums (drum set):
Al Foster (from 1994-06-14 until 1994-06-15)
guitar [electric, acoustic guitar]:
John Hart (jazz guitarist) (from 1994-06-14 until 1994-06-15)
keyboard [organ, piano]:
Larry Goldings (from 1994-06-14 until 1994-06-15)
woodwind [alto, tenor, soprano saxophone, flute, alto flute, bass clarinet]:
Chris Potter (jazz saxophonist) (from 1994-06-14 until 1994-06-15)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Penny Lane Studios in New York, New York, United States (from 1994-06-14 until 1994-06-15)
remixed at:
PER in San Francisco, California, United States
recording of:
Checking Out (from 1994-06-14 until 1994-06-15)
composer:
Chris Potter (jazz saxophonist)
4:02
3Resonance
recording engineer:
Alan Varner (from 1994-06-14 until 1994-06-15)
assistant engineer:
John McDonald (engineer)
bass:
Larry Grenadier (from 1994-06-14 until 1994-06-15)
drums (drum set):
Al Foster (from 1994-06-14 until 1994-06-15)
guitar [electric, acoustic guitar]:
John Hart (jazz guitarist) (from 1994-06-14 until 1994-06-15)
keyboard [organ, piano]:
Larry Goldings (from 1994-06-14 until 1994-06-15)
woodwind [alto, tenor, soprano saxophone, flute, alto flute, bass clarinet]:
Chris Potter (jazz saxophonist) (from 1994-06-14 until 1994-06-15)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Penny Lane Studios in New York, New York, United States (from 1994-06-14 until 1994-06-15)
remixed at:
PER in San Francisco, California, United States
recording of:
Resonance (from 1994-06-14 until 1994-06-15)
composer:
Chris Potter (jazz saxophonist)
3:51
4Bad Guys
recording engineer:
Alan Varner (from 1994-06-14 until 1994-06-15)
assistant engineer:
John McDonald (engineer)
bass:
Larry Grenadier (from 1994-06-14 until 1994-06-15)
drums (drum set):
Al Foster (from 1994-06-14 until 1994-06-15)
guitar [electric, acoustic guitar]:
John Hart (jazz guitarist) (from 1994-06-14 until 1994-06-15)
keyboard [organ, piano]:
Larry Goldings (from 1994-06-14 until 1994-06-15)
woodwind [alto, tenor, soprano saxophone, flute, alto flute, bass clarinet]:
Chris Potter (jazz saxophonist) (from 1994-06-14 until 1994-06-15)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Penny Lane Studios in New York, New York, United States (from 1994-06-14 until 1994-06-15)
remixed at:
PER in San Francisco, California, United States
recording of:
Bad Guys (from 1994-06-14 until 1994-06-15)
composer:
Chris Potter (jazz saxophonist)
6:45
5Boogie Stop Shuffle
recording engineer:
Alan Varner (from 1994-06-14 until 1994-06-15)
assistant engineer:
John McDonald (engineer)
bass:
Larry Grenadier (from 1994-06-14 until 1994-06-15)
drums (drum set):
Al Foster (from 1994-06-14 until 1994-06-15)
guitar [electric, acoustic guitar]:
John Hart (jazz guitarist) (from 1994-06-14 until 1994-06-15)
keyboard [organ, piano]:
Larry Goldings (from 1994-06-14 until 1994-06-15)
woodwind [alto, tenor, soprano saxophone, flute, alto flute, bass clarinet]:
Chris Potter (jazz saxophonist) (from 1994-06-14 until 1994-06-15)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Penny Lane Studios in New York, New York, United States (from 1994-06-14 until 1994-06-15)
remixed at:
PER in San Francisco, California, United States
cover recording of:
Boogie Stop Shuffle (from 1994-06-14 until 1994-06-15)
composer:
Charles Mingus
3:27
6Second Thoughts
recording engineer:
Alan Varner (from 1994-06-14 until 1994-06-15)
assistant engineer:
John McDonald (engineer)
bass:
Larry Grenadier (from 1994-06-14 until 1994-06-15)
drums (drum set):
Al Foster (from 1994-06-14 until 1994-06-15)
guitar [electric, acoustic guitar]:
John Hart (jazz guitarist) (from 1994-06-14 until 1994-06-15)
keyboard [organ, piano]:
Larry Goldings (from 1994-06-14 until 1994-06-15)
woodwind [alto, tenor, soprano saxophone, flute, alto flute, bass clarinet]:
Chris Potter (jazz saxophonist) (from 1994-06-14 until 1994-06-15)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Penny Lane Studios in New York, New York, United States (from 1994-06-14 until 1994-06-15)
remixed at:
PER in San Francisco, California, United States
recording of:
Second Thoughts (from 1994-06-14 until 1994-06-15)
composer:
Chris Potter (jazz saxophonist)
5:53
7That's What I Said
recording engineer:
Alan Varner (from 1994-06-14 until 1994-06-15)
assistant engineer:
John McDonald (engineer)
bass:
Larry Grenadier (from 1994-06-14 until 1994-06-15)
drums (drum set):
Al Foster (from 1994-06-14 until 1994-06-15)
guitar [electric, acoustic guitar]:
John Hart (jazz guitarist) (from 1994-06-14 until 1994-06-15)
keyboard [organ, piano]:
Larry Goldings (from 1994-06-14 until 1994-06-15)
woodwind [alto, tenor, soprano saxophone, flute, alto flute, bass clarinet]:
Chris Potter (jazz saxophonist) (from 1994-06-14 until 1994-06-15)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Penny Lane Studios in New York, New York, United States (from 1994-06-14 until 1994-06-15)
remixed at:
PER in San Francisco, California, United States
recording of:
That's What I Said (from 1994-06-14 until 1994-06-15)
composer:
Chris Potter (jazz saxophonist)
6:45
8Fool on the Hill
recording engineer:
Alan Varner (from 1994-06-14 until 1994-06-15)
assistant engineer:
John McDonald (engineer)
bass:
Larry Grenadier (from 1994-06-14 until 1994-06-15)
drums (drum set):
Al Foster (from 1994-06-14 until 1994-06-15)
guitar [electric, acoustic guitar]:
John Hart (jazz guitarist) (from 1994-06-14 until 1994-06-15)
keyboard [organ, piano]:
Larry Goldings (from 1994-06-14 until 1994-06-15)
woodwind [alto, tenor, soprano saxophone, flute, alto flute, bass clarinet]:
Chris Potter (jazz saxophonist) (from 1994-06-14 until 1994-06-15)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Penny Lane Studios in New York, New York, United States (from 1994-06-14 until 1994-06-15)
remixed at:
PER in San Francisco, California, United States
cover recording of:
The Fool on the Hill (from 1994-06-14 until 1994-06-15)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs and Sony/ATV Music Publishing LLC (1995–2020)
4:30
9Bonnie Rose
recording engineer:
Alan Varner (from 1994-06-14 until 1994-06-15)
assistant engineer:
John McDonald (engineer)
bass:
Larry Grenadier (from 1994-06-14 until 1994-06-15)
drums (drum set):
Al Foster (from 1994-06-14 until 1994-06-15)
guitar [electric, acoustic guitar]:
John Hart (jazz guitarist) (from 1994-06-14 until 1994-06-15)
keyboard [organ, piano]:
Larry Goldings (from 1994-06-14 until 1994-06-15)
woodwind [alto, tenor, soprano saxophone, flute, alto flute, bass clarinet]:
Chris Potter (jazz saxophonist) (from 1994-06-14 until 1994-06-15)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Penny Lane Studios in New York, New York, United States (from 1994-06-14 until 1994-06-15)
remixed at:
PER in San Francisco, California, United States
recording of:
Bonnie Rose (from 1994-06-14 until 1994-06-15)
composer:
Al Foster
4:41
10Easy to Love
recording engineer:
Alan Varner (from 1994-06-14 until 1994-06-15)
assistant engineer:
John McDonald (engineer)
bass:
Larry Grenadier (from 1994-06-14 until 1994-06-15)
drums (drum set):
Al Foster (from 1994-06-14 until 1994-06-15)
guitar [electric, acoustic guitar]:
John Hart (jazz guitarist) (from 1994-06-14 until 1994-06-15)
keyboard [organ, piano]:
Larry Goldings (from 1994-06-14 until 1994-06-15)
woodwind [alto, tenor, soprano saxophone, flute, alto flute, bass clarinet]:
Chris Potter (jazz saxophonist) (from 1994-06-14 until 1994-06-15)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Penny Lane Studios in New York, New York, United States (from 1994-06-14 until 1994-06-15)
remixed at:
PER in San Francisco, California, United States
cover recording of:
Easy to Love (from 1994-06-14 until 1994-06-15)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
6:15
11The Distant Present
recording engineer:
Alan Varner (from 1994-06-14 until 1994-06-15)
assistant engineer:
John McDonald (engineer)
bass:
Larry Grenadier (from 1994-06-14 until 1994-06-15)
drums (drum set):
Al Foster (from 1994-06-14 until 1994-06-15)
guitar [electric, acoustic guitar]:
John Hart (jazz guitarist) (from 1994-06-14 until 1994-06-15)
keyboard [organ, piano]:
Larry Goldings (from 1994-06-14 until 1994-06-15)
woodwind [alto, tenor, soprano saxophone, flute, alto flute, bass clarinet]:
Chris Potter (jazz saxophonist) (from 1994-06-14 until 1994-06-15)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Penny Lane Studios in New York, New York, United States (from 1994-06-14 until 1994-06-15)
remixed at:
PER in San Francisco, California, United States
recording of:
The Distant Present (from 1994-06-14 until 1994-06-15)
composer:
Chris Potter (jazz saxophonist)
4:51
12Ev'ry Time We Say Goodbye
recording engineer:
Alan Varner (from 1994-06-14 until 1994-06-15)
assistant engineer:
John McDonald (engineer)
bass:
Larry Grenadier (from 1994-06-14 until 1994-06-15)
drums (drum set):
Al Foster (from 1994-06-14 until 1994-06-15)
guitar [electric, acoustic guitar]:
John Hart (jazz guitarist) (from 1994-06-14 until 1994-06-15)
keyboard [organ, piano]:
Larry Goldings (from 1994-06-14 until 1994-06-15)
woodwind [alto, tenor, soprano saxophone, flute, alto flute, bass clarinet]:
Chris Potter (jazz saxophonist) (from 1994-06-14 until 1994-06-15)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Penny Lane Studios in New York, New York, United States (from 1994-06-14 until 1994-06-15)
remixed at:
PER in San Francisco, California, United States
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (from 1994-06-14 until 1994-06-15)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
2:57